Friday, December 25, 2020

S05E13 - Meadow Stream

Bob Ross's

The Joy of Painting


S05E13 - Meadow Stream

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Hey, welcome back.


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Hope you have easel set up and

you're ready to paint along with me.


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And if they, so let's start out and have

them run all the colors across the screen


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that you need to do this painting, and

let's go up to the canvas and get started.


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And I've already covered this canvas

with a thin even coded magic white.


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So it's nice and wet and slick and ready

to go start a little bit of Tayloe blue,


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little bit of thing, a little blue,

and just work it into the bristles.


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And let's just put a, let's just

put a happy little Skype here.


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Just making little crisscross strokes.


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Just let your brush bounce around.


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Play have fun.


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Here we go.


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Little more of the blue.


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It's always simple to add more color,

but as a son of a gun to take it out.


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So.


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Use very little color on your brush.


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You can always go back

and put a little more.


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Okay.


19

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And that quick we have

what happened to this guy


20

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and you don't want to kill all these

little spots here that happened.


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And it ends up looking like.


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Like little cloud indications and

you really haven't done a thing.


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Let the canvas work in the magic white

work, then we'll wash your brush.


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Okay.


25

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Tell you what let's just use this

whole big brush day and I'll go


26

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right into some titanium white.


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I'm just going to pull the

brush right through the color.


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Just pull it right through the color.


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Go down here and get a little permanent.


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Red would be right in there too.


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Had to make it.


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Make little sunlight here.


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Just pull it one direction.


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Go up here.


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Maybe, maybe, maybe there's a big

old cloud that lives right there.


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So you're a cloud.


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So you just put him wherever you want it.


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A little tiny circles here.


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He just sort of floats across the sky.


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And, and he's got a friend

that lives right there.


41

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Clouds need friends too.


42

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We all need a friend.


43

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Okay.


44

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Now I'm going to use just the same old

brush here and just fill that in a little


45

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now with a clean, dry brush.


46

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And I have several of them here.


47

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Let me just blend this out a little,

not touching the top at all yet.


48

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Splendid don't want to kill

all the little actions.


49

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I just want to blend them a little bit.


50

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I'm going to lift it up and sort of

fluff that cloud up, fluff this one.


51

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Yeah.


52

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Yeah.


53

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And very likely, very likely.


54

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We'll just blend it all together.


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Hey, Matt, easy.


56

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You got a quick little sky.


57

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That's all it takes.


58

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Same old, dirty brush.


59

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I go right into some SAP green, just

load that brush full of SAP green.


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And let's go right up here to the canvas.


61

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And maybe today we'll have there.


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Yes, just a little.


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Little Hill, like right here.


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Just let it go.


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This is just straight SAP green.


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And it's mixing with a

magic wipe to summit canvas.


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So you get all the beautiful

little things happening.


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And all we're doing here is

applying some dark color.


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So I like color we'll show later on, you

need the dark in order to show light,


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but this is also where you begin

deciding the lay of the land.


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And in my mind, Is this

sort of round is here.


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So keep the strokes going that

way, however way you want to


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just drop it in.


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Now I want it darker in the

foreground landscapes should always


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be darker as they get closer to you.


76

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So without cleaning the brush, I'll

go right into some fellow blue.


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And down here on the bottom,

we'll just drop that.


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Yeah,


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just the dark and then we'll work

upward so that it gets lighter.


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As we build toward the horizon.


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It gives us a nice dark

background to play with.


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I'm not worried about detail or shape

or anything else at this point, all I'm


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doing is applying color to the canvas.


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So we have something to work with.


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Okay, well, I got this old dirty brush.


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I'll go back and let's use some sat

and greens, Vandyke Brown, a little


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lizard Crimson, and maybe, maybe.


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There's some little

trees that live up here.


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So we're just dropping some basic shapes,

still not looking for a lot of detail,


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just from very, very basic shapes.


91

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Very basic.


92

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Once again, you need to start

coloring in order to show light.


93

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Now we have some little trees up here

on top of our Hill now, then wow.


94

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Then I'm going to take some titanium

white and a little burn number in it.


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White with a little number.


96

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Yeah.


97

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I paint out very flat cut across it.


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Get a little roll of paint,

right on the edge of your knife.


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And with that, we can go

up here and we'll make.


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Some of them tree, trunk indications.


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I'm not looking for detail yet.


102

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So just, just drop them in.


103

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Most of these will be covered up, but

a few bushes, few of them will show


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and people will think you work for

long periods of time to put them in.


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This is a little bandaid Brown hair.


106

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Maybe there's going to

be a few little trees.


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Projector tried on up.


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Like, yes, we'll put some leaves on them.


109

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So we're not too worried right now.


110

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Oh, we're looking for, it's just

some indications here and there.


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Can you just get us a one inch brush?


112

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Okay.


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And begin putting some highlight here.


114

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Let's put a little magic, quiet on

the breast and magic quite well.


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Then your paint.


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So into the magic white and go into some

CAD yellow and get up some sand green.


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So we have CAD yellow and green.


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Okay.


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Pull that brush in one direction.


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Loaded, full of paint.


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Look at all the pain on that brush.


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Just look right on the end.


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You can see there's a

tremendous amount of paint.


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There is scope to the canvas.


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I start writing here.


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Very gently.


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Let's just drop in some, some

nice little leaves on this tree.


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Now we begin worrying about a little

detail and this is a very gentle touch.


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Barely, barely touching the canvas.


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It's a lot of paint on the brush,

so you don't have to push hard.


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We'll add a little yellow

ochre just to change the color.


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And maybe there it is right there.


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Now they're happy.


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Little tree.


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You want to go back and get a little

more of the SAP cream and let's not just


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drop a few little indications of some

leaves out here on this little tree.


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See how easy that is.


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And maybe, maybe on this little

tree here, there's just a few little


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things happening and start adding a

little permanent red to our color.


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Okay right here.


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It's another little tree and you have

to make these decisions in your world.


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How many trees are there?


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It's up to you.


144

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It's very, these colors.


145

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Let them sort of go back and forth.


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Play


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areas.


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One over here.


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Don't want him to be left out.


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He cry.


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He leave him out.


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So you're still worried about the lay of

the land to want to pay attention to that.


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The land go in the direction

you want it to go in?


154

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Don't kill all your dark colors.


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It was dark colors and needed

to make the light colors show.


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Kim, let's go over to the other

side of the canvas and drop in


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some highlights right here on

this one sort of work in layers.


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It really, it really makes you painting.


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Much much deeper.


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It makes all these things happen.


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You need that depth that we

don't want flat paintings.


162

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Okay.


163

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Yeah.


164

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Maybe.


165

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Maybe, maybe we'll take

just the point of the knife.


166

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Cut in a few little sticks and twigs.


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She was chairing there.


168

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And if you want to twig us a little wider,

turn the knife sideways and it'll make


169

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wider little sticks and trunks and stuff.


170

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If you want a real skinny,

use it straight on.


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And I use just the point of the knife.


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Take one.


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Let's have a little.


174

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Let's have a little house right there.


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We'll be back in distance.


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I'll start with some Vandyke

Brown and, and make a decision.


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Maybe it lives right there.


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And we'll do he leaves.


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Is that sort of a, a nice way just

to lay it out and here goes, the


180

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roof goes right over like that.


181

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You just lay out a basic

shape, pull it all together.


182

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Yeah, just barely, barely

touching the canvas.


183

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I need an overhang


184

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right down through here.


185

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Here we go.


186

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I don't want this to get too big.


187

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I want it to be far away.


188

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Okay.


189

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Let's take some Vandyke Brown,

some whites, a little burn number.


190

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And put some highlight on

this old building here.


191

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Barely, barely touch, touch, touch

him, just let it whisper through.


192

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Now we have to make a decision.


193

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What kind of roof does it have?


194

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I said, have a shingle roof, flat roof.


195

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Why do we want, can you just

take some permanent red?


196

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We use a little edge of the knife

and maybe we'll just drop a few


197

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little indications at some shingles,

just touching, pulling at the top


198

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of this one, overlap the other one.


199

00:11:11,295 --> 00:11:12,375

I just let them overlap.


200

00:11:14,295 --> 00:11:16,545

And you put all the little

shingles you want on here.


201

00:11:16,665 --> 00:11:19,845

It's a super way to make very

simple than the shingle roofs.


202

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We need a door.


203

00:11:26,310 --> 00:11:28,080

Maybe this is an old barn type building.


204

00:11:28,080 --> 00:11:29,160

We put a big door in it.


205

00:11:29,280 --> 00:11:31,440

Maybe it's just an old bar in

the farmer, head sitting out


206

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here, a little bit of white.


207

00:11:36,030 --> 00:11:37,320

I kept doors stand out.


208

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And when you're painting buildings,

you know, you can change your mind.


209

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Maybe, maybe right out here.


210

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There's an old shit on this building.


211

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Maybe this old farmer here was like me.


212

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He ran out of room.


213

00:11:51,450 --> 00:11:52,050

So he started.


214

00:11:53,250 --> 00:11:58,920

Putting conditions on either front side,


215

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take just a little, Hey,

put some boards in there.


216

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Just cut right through the paint.


217

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Got just a tiny bit of

white paint on the knife.


218

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Okay.


219

00:12:16,570 --> 00:12:17,790

Let's put some indication of.


220

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Fishing build the roof.


221

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Chances are he probably put some shingles

over here on all these little shed.


222

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There we go.


223

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Yeah.


224

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It's like that.


225

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Yeah.


226

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Then let's put some, let's put a

little bit of grass around the bottom


227

00:12:34,430 --> 00:12:37,370

of this barn gesture right here.


228

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He hadn't been keeping his weeds mowed.


229

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Nature's about to reclaim this one.


230

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Here we go.


231

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We just wash it, brush and

start with a nice clean brush.


232

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Let's go right here.


233

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There.


234

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That stands out a little better.


235

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Okay.


236

00:13:04,700 --> 00:13:09,650

We about having a little barn, I'm going

to add a tiniest little bit of white


237

00:13:09,650 --> 00:13:11,420

right here just to make that stand out.


238

00:13:11,420 --> 00:13:13,820

So hopefully you can see it

just a little better at home.


239

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There


240

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at all.


241

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I helped make it stand out a little.


242

00:13:25,875 --> 00:13:26,535

Alrighty.


243

00:13:27,825 --> 00:13:29,615

Now we can start making

some more decisions.


244

00:13:29,615 --> 00:13:30,935

What do we have here in the foreground?


245

00:13:31,565 --> 00:13:36,095

And we'll just keep going with this

one inch brush and I didn't maybe.


246

00:13:36,425 --> 00:13:38,465

And he wasn't that this

little bullshit boobs here.


247

00:13:39,005 --> 00:13:41,225

You still concerned about

the lay of the land.


248

00:13:43,185 --> 00:13:45,675

All of the lay of the land,

the most, most important


249

00:13:52,625 --> 00:13:59,345

Eric Adams tell you what, maybe, maybe you

can see what's left of an old path here.


250

00:13:59,825 --> 00:14:03,635

I see maybe the trees and the bushes

of just about taking it over, but you


251

00:14:03,635 --> 00:14:07,865

can still make out a little indication

here and there used to be an old


252

00:14:07,865 --> 00:14:10,775

path there, a little Brown and white.


253

00:14:12,720 --> 00:14:17,960

Highlight that a little, it's

barely touching the canvas and


254

00:14:17,960 --> 00:14:18,930

we don't know where it goes.


255

00:14:23,510 --> 00:14:27,050

now we need to bring some of these

little grass areas right up to the path.


256

00:14:27,050 --> 00:14:28,430

That'll set it down into the painting.


257

00:14:40,214 --> 00:14:43,995

In the past, sort of gives you a nice

perspective, pushes everything back.


258

00:14:58,574 --> 00:15:02,435

let's say here that the bushes and

the trees had just about taken over


259

00:15:02,435 --> 00:15:04,745

again, not much of the path left.


260

00:15:06,360 --> 00:15:08,010

So you just cover up

whatever you don't want.


261

00:15:12,610 --> 00:15:14,850

Just sort of, sort of fades out down here.


262

00:15:19,920 --> 00:15:23,699

Can you tell you what, maybe, maybe

it lives a big tree over here.


263

00:15:24,569 --> 00:15:27,210

Let's make some black kind

of use some, they look green.


264

00:15:27,870 --> 00:15:33,240

And, and Crimson and about equal parts,

they little green and misery and Crimson.


265

00:15:34,890 --> 00:15:35,310

Ooh.


266

00:15:37,319 --> 00:15:39,630

That's one of noises like

pulling your finger down child


267

00:15:39,630 --> 00:15:41,250

fourth, make your shutter


268

00:15:45,000 --> 00:15:46,020

ex-US up real good.


269

00:15:47,220 --> 00:15:48,600

A little bit of paintless will appear.


270

00:15:49,490 --> 00:15:52,130

Maybe make an Ash tree trunk.


271

00:15:53,390 --> 00:15:53,870

There it is.


272

00:15:54,319 --> 00:15:54,740

There it is.


273

00:15:56,665 --> 00:15:58,305

This will help push everything back.


274

00:16:00,194 --> 00:16:03,165

Maybe, maybe, maybe, maybe there's

a friend that lives right there.


275

00:16:06,245 --> 00:16:08,015

Got two, three trucks in this.


276

00:16:08,015 --> 00:16:08,525

Let them go.


277

00:16:10,655 --> 00:16:11,045

Don't know.


278

00:16:14,985 --> 00:16:15,694

Where does it go?


279

00:16:16,055 --> 00:16:16,275

That's right.


280

00:16:16,275 --> 00:16:20,435

I dunno, site right off the

canvas right off the canvas.


281

00:16:23,675 --> 00:16:24,275

Dark color.


282

00:16:26,415 --> 00:16:28,035

Give him some little footsteps in here.


283

00:16:30,305 --> 00:16:31,125

Need some thoughts


284

00:16:43,455 --> 00:16:46,035

on a few little indications

of some iliums and then we can


285

00:16:46,035 --> 00:16:47,445

drop some leaves on this tree.


286

00:16:52,335 --> 00:16:54,885

And it just helps push you a

little building back farther,


287

00:16:56,395 --> 00:16:57,375

gives you another plane,


288

00:17:00,915 --> 00:17:05,224

use a little Brown and white,

and we'll just put some little


289

00:17:05,224 --> 00:17:06,935

indications or some highlight here.


290

00:17:11,885 --> 00:17:13,744

They're just moved to make it stand out.


291

00:17:18,525 --> 00:17:18,825

Go ahead


292

00:17:23,675 --> 00:17:25,805

and I'll go right back and

get this old big brush.


293

00:17:25,835 --> 00:17:26,495

It's still dirty.


294

00:17:27,305 --> 00:17:30,305

And let's just take an

Janice very quickly.


295

00:17:30,305 --> 00:17:34,415

Drop in some, some general

little leaf shapes here.


296

00:17:36,185 --> 00:17:37,625

We're not looking for a lot of detail.


297

00:17:37,625 --> 00:17:39,965

This is sat and green moon Vandyke Brown.


298

00:17:41,360 --> 00:17:42,479

Little desert and Crimson.


299

00:17:42,570 --> 00:17:45,570

Just so same old, dirty

brush I was using earlier.


300

00:17:45,629 --> 00:17:47,189

It's got a little bit of everything on it.


301

00:17:47,740 --> 00:17:48,600

Long as it's dark.


302

00:17:48,629 --> 00:17:49,229

That's a big thing.


303

00:17:51,129 --> 00:17:51,719

Just dark in here.


304

00:17:51,740 --> 00:17:52,879

We're, we're pushing quite hard.


305

00:17:52,879 --> 00:17:55,909

We really want to push that

color right into the canvas.


306

00:17:57,260 --> 00:18:00,500

And I can go back to the one inch

brush would put a little, so he was a


307

00:18:00,500 --> 00:18:02,419

little bit of CAD yellow and SAP green.


308

00:18:04,250 --> 00:18:06,860

Pull that brush in one

direction, loaded, full of paint.


309

00:18:07,040 --> 00:18:07,969

Lots of paint.


310

00:18:09,270 --> 00:18:10,159

Go up to the canvas here.


311

00:18:12,584 --> 00:18:15,705

And very lightly, very lightly.


312

00:18:16,625 --> 00:18:21,004

Janice began touching and building

into some basic little, little


313

00:18:21,004 --> 00:18:22,324

patterns, some little shapes.


314

00:18:22,834 --> 00:18:24,304

You don't want to try to be all flat.


315

00:18:25,834 --> 00:18:27,905

Remember that there's limbs

projecting towards you.


316

00:18:29,885 --> 00:18:31,554

They're not all just going off the side.


317

00:18:34,685 --> 00:18:37,145

So you need all of these little

patterns in the sag to make it.


318

00:18:37,725 --> 00:18:39,195

Make it have depth and shape.


319

00:18:39,675 --> 00:18:41,805

Don't want it to be just an old flat tree.


320

00:18:43,035 --> 00:18:43,275

Okay.


321

00:18:44,805 --> 00:18:46,005

Now down here, just footsie.


322

00:18:47,205 --> 00:18:49,725

We can put some little

bushes and stuff down here,


323

00:18:53,985 --> 00:18:56,715

and if, if your paint doesn't

stick, add a little paint thinner


324

00:18:56,715 --> 00:18:58,515

to it, and then it'll stick.


325

00:19:05,760 --> 00:19:07,260

Still following the lay of the land.


326

00:19:08,459 --> 00:19:09,909

I tell you what I tell you.


327

00:19:10,169 --> 00:19:15,629

Maybe, maybe we can see maybe there's

a little, little bit of a stream.


328

00:19:15,629 --> 00:19:16,050

We can see.


329

00:19:16,050 --> 00:19:20,639

Maybe it just sort of creeps along

here and it lives right there.


330

00:19:21,449 --> 00:19:22,199

We'll touch a little bit.


331

00:19:22,199 --> 00:19:25,439

They look blue, man.


332

00:19:25,439 --> 00:19:27,419

It just comes right down through

here wherever you want it.


333

00:19:28,590 --> 00:19:30,810

Or if you don't want a stream in

your world, don't put it down.


334

00:19:32,195 --> 00:19:32,965

Pull straight down.


335

00:19:33,015 --> 00:19:33,945

You need that dark.


336

00:19:35,295 --> 00:19:37,855

I've touched a little with

a little of the black color.


337

00:19:38,135 --> 00:19:40,715

You don't want it very dark, very dark.


338

00:19:40,775 --> 00:19:41,255

There we go.


339

00:19:41,255 --> 00:19:48,905

That's much better, much better,

and very lightly just go across.


340

00:19:51,635 --> 00:19:51,845

Now.


341

00:19:51,845 --> 00:19:56,015

We need a fan brush and we'll use

a little magic white in the middle.


342

00:19:56,445 --> 00:19:59,355

A little bit of a titanium, white

magic, white titanium, white.


343

00:19:59,925 --> 00:20:03,435

I put the magic white in there

just to thin it a little and maybe


344

00:20:03,435 --> 00:20:08,565

the little stream comes right down

through here and it just bounces


345

00:20:08,565 --> 00:20:13,085

and plays and has fun at all.


346

00:20:13,085 --> 00:20:14,135

These little things happen.


347

00:20:25,320 --> 00:20:31,590

T hunt maybe right here has a big stone

and hits completion and just falls over.


348

00:20:32,820 --> 00:20:33,600

This is your stream.


349

00:20:33,600 --> 00:20:34,560

So you make it go anywhere.


350

00:20:34,560 --> 00:20:39,360

You want it to go splashes

down here or tried on through.


351

00:20:46,260 --> 00:20:46,920

There's another one.


352

00:20:48,950 --> 00:20:51,470

And there's always stones that

are underneath that water.


353

00:20:51,510 --> 00:20:51,830

GQ.


354

00:20:51,950 --> 00:20:54,140

You really can't even see them,

but they cause all kinds of


355

00:20:54,140 --> 00:20:55,490

beautiful things to happen.


356

00:20:58,620 --> 00:21:03,240

You buy your first tube of paint, you

get that artist's license and I read it.


357

00:21:03,510 --> 00:21:08,190

It says you can do anything you

want to do at least on this piece of


358

00:21:08,190 --> 00:21:13,110

canvas, this piece of canvases, your

world, anything that you want to do.


359

00:21:15,570 --> 00:21:15,960

Okay.


360

00:21:15,960 --> 00:21:17,250

We'll take a little yellow ochre.


361

00:21:18,270 --> 00:21:18,360

Okay.


362

00:21:19,110 --> 00:21:19,470

Okay.


363

00:21:19,470 --> 00:21:19,920

I do yellow.


364

00:21:19,950 --> 00:21:23,400

And I just want to just hear, and

they're dropping a few more bushes.


365

00:21:23,550 --> 00:21:24,300

Tell you what let's do.


366

00:21:24,450 --> 00:21:25,620

I'm gonna take another fan brush.


367

00:21:26,010 --> 00:21:27,180

Let's put some land in here.


368

00:21:27,210 --> 00:21:33,060

Use some Vandyke Brown bird

number, a lot of paint on a brush.


369

00:21:33,510 --> 00:21:36,080

And maybe we'll just scrub

in some dirt area here.


370

00:21:37,790 --> 00:21:40,250

Put some borders on our little

street comes right around


371

00:21:40,250 --> 00:21:41,120

and maybe it's right here.


372

00:21:47,100 --> 00:21:48,540

Jan has to put some dirt in here.


373

00:21:53,150 --> 00:21:53,360

Okay.


374

00:21:53,720 --> 00:21:55,490

Here's another little

stone wherever you want it.


375

00:22:02,530 --> 00:22:02,939

Out here.


376

00:22:08,870 --> 00:22:13,879

No, just use the same old brush, take some

yellow ochre and a little white on it.


377

00:22:15,230 --> 00:22:19,429

And that's just put in some little

indications, a little permanent


378

00:22:19,429 --> 00:22:24,230

red added to that sparkly that I

can just look like little stones


379

00:22:24,230 --> 00:22:27,860

here and there, wherever, wherever.


380

00:22:30,810 --> 00:22:31,500

There we go.


381

00:22:34,430 --> 00:22:36,830

And you can put as many little

stones as you want in your world.


382

00:22:43,790 --> 00:22:47,090

Can you I'll use a fan brush,

a little bit of CAD yellow.


383

00:22:49,385 --> 00:22:53,075

Let's just drop in some happy little

bushes here and there they come right


384

00:22:53,075 --> 00:22:54,635

down and this brings all this together.


385

00:22:56,735 --> 00:22:57,935

Just bring it all together.


386

00:23:12,295 --> 00:23:13,045

it's not that easy.


387

00:23:13,105 --> 00:23:16,885

You can create a beautiful little

painting and you'd really done it.


388

00:23:16,965 --> 00:23:17,575

I just plan it.


389

00:23:17,575 --> 00:23:19,825

Just sort of look at it that it happened.


390

00:23:24,795 --> 00:23:25,365

There we go.


391

00:23:29,885 --> 00:23:31,575

We can take our brush.


392

00:23:31,575 --> 00:23:35,295

It had the water color on it,

clean up these ages, and this is


393

00:23:35,295 --> 00:23:36,435

where you bring it all together.


394

00:23:40,315 --> 00:23:40,865

Like, so


395

00:23:45,365 --> 00:23:46,235

take your Brown.


396

00:23:46,625 --> 00:23:50,285

Some of these stones here,

very dark, very dark.


397

00:23:52,415 --> 00:23:53,585

So they stand out better.


398

00:23:56,075 --> 00:23:57,125

There's one right there.


399

00:23:58,895 --> 00:23:59,705

Just let it go.


400

00:24:05,580 --> 00:24:05,850

Okay,


401

00:24:11,300 --> 00:24:17,120

tell you what, maybe there's a little

stick thing that lives right here.


402

00:24:21,740 --> 00:24:25,429

Oh, Ken's a little late on, this

is just, I'm using that black


403

00:24:25,429 --> 00:24:29,209

color still using that unless

you're in Crimson, they look green.


404

00:24:31,290 --> 00:24:33,210

I want it to stand out and I start color


405

00:24:38,340 --> 00:24:39,600

hair in there wherever you want to.


406

00:24:42,450 --> 00:24:42,990

There we go.


407

00:24:46,770 --> 00:24:49,080

And we can take her a liner brush.


408

00:24:49,560 --> 00:24:51,840

I use a little thin oil or

paint thinner, either one.


409

00:24:52,020 --> 00:24:55,610

I use an oil and we can put a

few little lambs here and there.


410

00:24:55,610 --> 00:24:58,830

I like the oil because it slides a little

easier when you have a lot of paint here,


411

00:25:02,180 --> 00:25:03,710

like paint thinner will work just as well.


412

00:25:03,740 --> 00:25:04,639

If you don't have a well


413

00:25:12,435 --> 00:25:14,294

Let me just put an old

dead stick out here.


414

00:25:16,125 --> 00:25:16,695

There we go.


415

00:25:21,794 --> 00:25:24,514

Maybe there's some little things

that they have right there.


416

00:25:27,185 --> 00:25:27,425

Yes.


417

00:25:27,995 --> 00:25:31,324

Then paint, you can move it very easily

on top of the other paint without


418

00:25:31,324 --> 00:25:35,675

becoming a mud mixer and wherever you

want, these little sticks, drop them in.


419

00:25:37,810 --> 00:25:37,930

Yeah.


420

00:25:40,670 --> 00:25:40,940

Okay.


421

00:25:41,270 --> 00:25:42,110

Tell you what let's do.


422

00:25:42,440 --> 00:25:43,760

Let's take a little more of the oil.


423

00:25:43,970 --> 00:25:47,690

I'll go right into some permanent red

here and let's sign this painting.


424

00:25:50,150 --> 00:25:50,870

There we are.


425

00:25:51,410 --> 00:25:52,670

And I hope you've enjoyed this one.


426

00:25:52,670 --> 00:25:53,510

It's a lot of fun.


427

00:25:54,620 --> 00:25:55,670

Give you some ideas.


428

00:25:57,620 --> 00:26:00,590

And at home you can make some beautiful

paintings also until next week.


429

00:26:00,710 --> 00:26:01,340

God bless.


430

00:26:01,550 --> 00:26:02,180

Happy painting.


End .srt file.



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