Bob Ross's
The Joy of Painting
S05E13 - Meadow Stream
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Hey, welcome back.
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Hope you have easel set up and
you're ready to paint along with me.
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And if they, so let's start out and have
them run all the colors across the screen
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that you need to do this painting, and
let's go up to the canvas and get started.
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And I've already covered this canvas
with a thin even coded magic white.
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So it's nice and wet and slick and ready
to go start a little bit of Tayloe blue,
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little bit of thing, a little blue,
and just work it into the bristles.
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And let's just put a, let's just
put a happy little Skype here.
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Just making little crisscross strokes.
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Just let your brush bounce around.
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Play have fun.
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Here we go.
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Little more of the blue.
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It's always simple to add more color,
but as a son of a gun to take it out.
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So.
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Use very little color on your brush.
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You can always go back
and put a little more.
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Okay.
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And that quick we have
what happened to this guy
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and you don't want to kill all these
little spots here that happened.
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And it ends up looking like.
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Like little cloud indications and
you really haven't done a thing.
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Let the canvas work in the magic white
work, then we'll wash your brush.
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Okay.
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Tell you what let's just use this
whole big brush day and I'll go
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right into some titanium white.
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I'm just going to pull the
brush right through the color.
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Just pull it right through the color.
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Go down here and get a little permanent.
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Red would be right in there too.
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Had to make it.
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Make little sunlight here.
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Just pull it one direction.
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Go up here.
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Maybe, maybe, maybe there's a big
old cloud that lives right there.
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So you're a cloud.
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So you just put him wherever you want it.
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A little tiny circles here.
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He just sort of floats across the sky.
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And, and he's got a friend
that lives right there.
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Clouds need friends too.
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We all need a friend.
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Okay.
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Now I'm going to use just the same old
brush here and just fill that in a little
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now with a clean, dry brush.
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And I have several of them here.
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Let me just blend this out a little,
not touching the top at all yet.
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Splendid don't want to kill
all the little actions.
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I just want to blend them a little bit.
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I'm going to lift it up and sort of
fluff that cloud up, fluff this one.
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Yeah.
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Yeah.
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And very likely, very likely.
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We'll just blend it all together.
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Hey, Matt, easy.
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You got a quick little sky.
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That's all it takes.
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Same old, dirty brush.
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I go right into some SAP green, just
load that brush full of SAP green.
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And let's go right up here to the canvas.
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And maybe today we'll have there.
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Yes, just a little.
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Little Hill, like right here.
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Just let it go.
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This is just straight SAP green.
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And it's mixing with a
magic wipe to summit canvas.
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So you get all the beautiful
little things happening.
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And all we're doing here is
applying some dark color.
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So I like color we'll show later on, you
need the dark in order to show light,
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but this is also where you begin
deciding the lay of the land.
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And in my mind, Is this
sort of round is here.
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So keep the strokes going that
way, however way you want to
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just drop it in.
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Now I want it darker in the
foreground landscapes should always
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be darker as they get closer to you.
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So without cleaning the brush, I'll
go right into some fellow blue.
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And down here on the bottom,
we'll just drop that.
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Yeah,
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just the dark and then we'll work
upward so that it gets lighter.
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As we build toward the horizon.
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It gives us a nice dark
background to play with.
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I'm not worried about detail or shape
or anything else at this point, all I'm
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doing is applying color to the canvas.
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So we have something to work with.
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Okay, well, I got this old dirty brush.
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I'll go back and let's use some sat
and greens, Vandyke Brown, a little
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lizard Crimson, and maybe, maybe.
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There's some little
trees that live up here.
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So we're just dropping some basic shapes,
still not looking for a lot of detail,
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just from very, very basic shapes.
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Very basic.
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Once again, you need to start
coloring in order to show light.
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Now we have some little trees up here
on top of our Hill now, then wow.
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Then I'm going to take some titanium
white and a little burn number in it.
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White with a little number.
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Yeah.
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I paint out very flat cut across it.
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Get a little roll of paint,
right on the edge of your knife.
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And with that, we can go
up here and we'll make.
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Some of them tree, trunk indications.
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I'm not looking for detail yet.
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So just, just drop them in.
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Most of these will be covered up, but
a few bushes, few of them will show
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and people will think you work for
long periods of time to put them in.
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This is a little bandaid Brown hair.
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Maybe there's going to
be a few little trees.
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Projector tried on up.
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Like, yes, we'll put some leaves on them.
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So we're not too worried right now.
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Oh, we're looking for, it's just
some indications here and there.
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Can you just get us a one inch brush?
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Okay.
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And begin putting some highlight here.
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Let's put a little magic, quiet on
the breast and magic quite well.
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Then your paint.
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So into the magic white and go into some
CAD yellow and get up some sand green.
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So we have CAD yellow and green.
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Okay.
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Pull that brush in one direction.
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Loaded, full of paint.
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Look at all the pain on that brush.
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Just look right on the end.
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You can see there's a
tremendous amount of paint.
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There is scope to the canvas.
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I start writing here.
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Very gently.
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Let's just drop in some, some
nice little leaves on this tree.
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Now we begin worrying about a little
detail and this is a very gentle touch.
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Barely, barely touching the canvas.
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It's a lot of paint on the brush,
so you don't have to push hard.
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We'll add a little yellow
ochre just to change the color.
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And maybe there it is right there.
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Now they're happy.
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Little tree.
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You want to go back and get a little
more of the SAP cream and let's not just
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drop a few little indications of some
leaves out here on this little tree.
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See how easy that is.
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And maybe, maybe on this little
tree here, there's just a few little
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things happening and start adding a
little permanent red to our color.
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Okay right here.
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It's another little tree and you have
to make these decisions in your world.
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How many trees are there?
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It's up to you.
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It's very, these colors.
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Let them sort of go back and forth.
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Play
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areas.
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One over here.
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Don't want him to be left out.
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He cry.
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He leave him out.
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So you're still worried about the lay of
the land to want to pay attention to that.
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The land go in the direction
you want it to go in?
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Don't kill all your dark colors.
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It was dark colors and needed
to make the light colors show.
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Kim, let's go over to the other
side of the canvas and drop in
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some highlights right here on
this one sort of work in layers.
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It really, it really makes you painting.
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Much much deeper.
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It makes all these things happen.
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You need that depth that we
don't want flat paintings.
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Okay.
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Yeah.
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Maybe.
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Maybe, maybe we'll take
just the point of the knife.
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Cut in a few little sticks and twigs.
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She was chairing there.
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And if you want to twig us a little wider,
turn the knife sideways and it'll make
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wider little sticks and trunks and stuff.
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If you want a real skinny,
use it straight on.
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And I use just the point of the knife.
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Take one.
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Let's have a little.
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Let's have a little house right there.
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We'll be back in distance.
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I'll start with some Vandyke
Brown and, and make a decision.
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Maybe it lives right there.
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And we'll do he leaves.
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Is that sort of a, a nice way just
to lay it out and here goes, the
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roof goes right over like that.
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You just lay out a basic
shape, pull it all together.
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Yeah, just barely, barely
touching the canvas.
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I need an overhang
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right down through here.
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Here we go.
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I don't want this to get too big.
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I want it to be far away.
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Okay.
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Let's take some Vandyke Brown,
some whites, a little burn number.
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And put some highlight on
this old building here.
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Barely, barely touch, touch, touch
him, just let it whisper through.
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Now we have to make a decision.
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What kind of roof does it have?
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I said, have a shingle roof, flat roof.
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Why do we want, can you just
take some permanent red?
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We use a little edge of the knife
and maybe we'll just drop a few
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little indications at some shingles,
just touching, pulling at the top
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of this one, overlap the other one.
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I just let them overlap.
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And you put all the little
shingles you want on here.
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It's a super way to make very
simple than the shingle roofs.
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We need a door.
203
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Maybe this is an old barn type building.
204
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We put a big door in it.
205
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Maybe it's just an old bar in
the farmer, head sitting out
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here, a little bit of white.
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I kept doors stand out.
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And when you're painting buildings,
you know, you can change your mind.
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Maybe, maybe right out here.
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There's an old shit on this building.
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Maybe this old farmer here was like me.
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He ran out of room.
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So he started.
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Putting conditions on either front side,
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take just a little, Hey,
put some boards in there.
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Just cut right through the paint.
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Got just a tiny bit of
white paint on the knife.
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Okay.
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Let's put some indication of.
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Fishing build the roof.
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Chances are he probably put some shingles
over here on all these little shed.
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There we go.
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Yeah.
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It's like that.
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Yeah.
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Then let's put some, let's put a
little bit of grass around the bottom
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of this barn gesture right here.
228
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He hadn't been keeping his weeds mowed.
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Nature's about to reclaim this one.
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Here we go.
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We just wash it, brush and
start with a nice clean brush.
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Let's go right here.
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There.
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That stands out a little better.
235
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Okay.
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We about having a little barn, I'm going
to add a tiniest little bit of white
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right here just to make that stand out.
238
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So hopefully you can see it
just a little better at home.
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There
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at all.
241
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I helped make it stand out a little.
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Alrighty.
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Now we can start making
some more decisions.
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What do we have here in the foreground?
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And we'll just keep going with this
one inch brush and I didn't maybe.
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And he wasn't that this
little bullshit boobs here.
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You still concerned about
the lay of the land.
248
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All of the lay of the land,
the most, most important
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Eric Adams tell you what, maybe, maybe you
can see what's left of an old path here.
250
00:13:59,825 --> 00:14:03,635
I see maybe the trees and the bushes
of just about taking it over, but you
251
00:14:03,635 --> 00:14:07,865
can still make out a little indication
here and there used to be an old
252
00:14:07,865 --> 00:14:10,775
path there, a little Brown and white.
253
00:14:12,720 --> 00:14:17,960
Highlight that a little, it's
barely touching the canvas and
254
00:14:17,960 --> 00:14:18,930
we don't know where it goes.
255
00:14:23,510 --> 00:14:27,050
now we need to bring some of these
little grass areas right up to the path.
256
00:14:27,050 --> 00:14:28,430
That'll set it down into the painting.
257
00:14:40,214 --> 00:14:43,995
In the past, sort of gives you a nice
perspective, pushes everything back.
258
00:14:58,574 --> 00:15:02,435
let's say here that the bushes and
the trees had just about taken over
259
00:15:02,435 --> 00:15:04,745
again, not much of the path left.
260
00:15:06,360 --> 00:15:08,010
So you just cover up
whatever you don't want.
261
00:15:12,610 --> 00:15:14,850
Just sort of, sort of fades out down here.
262
00:15:19,920 --> 00:15:23,699
Can you tell you what, maybe, maybe
it lives a big tree over here.
263
00:15:24,569 --> 00:15:27,210
Let's make some black kind
of use some, they look green.
264
00:15:27,870 --> 00:15:33,240
And, and Crimson and about equal parts,
they little green and misery and Crimson.
265
00:15:34,890 --> 00:15:35,310
Ooh.
266
00:15:37,319 --> 00:15:39,630
That's one of noises like
pulling your finger down child
267
00:15:39,630 --> 00:15:41,250
fourth, make your shutter
268
00:15:45,000 --> 00:15:46,020
ex-US up real good.
269
00:15:47,220 --> 00:15:48,600
A little bit of paintless will appear.
270
00:15:49,490 --> 00:15:52,130
Maybe make an Ash tree trunk.
271
00:15:53,390 --> 00:15:53,870
There it is.
272
00:15:54,319 --> 00:15:54,740
There it is.
273
00:15:56,665 --> 00:15:58,305
This will help push everything back.
274
00:16:00,194 --> 00:16:03,165
Maybe, maybe, maybe, maybe there's
a friend that lives right there.
275
00:16:06,245 --> 00:16:08,015
Got two, three trucks in this.
276
00:16:08,015 --> 00:16:08,525
Let them go.
277
00:16:10,655 --> 00:16:11,045
Don't know.
278
00:16:14,985 --> 00:16:15,694
Where does it go?
279
00:16:16,055 --> 00:16:16,275
That's right.
280
00:16:16,275 --> 00:16:20,435
I dunno, site right off the
canvas right off the canvas.
281
00:16:23,675 --> 00:16:24,275
Dark color.
282
00:16:26,415 --> 00:16:28,035
Give him some little footsteps in here.
283
00:16:30,305 --> 00:16:31,125
Need some thoughts
284
00:16:43,455 --> 00:16:46,035
on a few little indications
of some iliums and then we can
285
00:16:46,035 --> 00:16:47,445
drop some leaves on this tree.
286
00:16:52,335 --> 00:16:54,885
And it just helps push you a
little building back farther,
287
00:16:56,395 --> 00:16:57,375
gives you another plane,
288
00:17:00,915 --> 00:17:05,224
use a little Brown and white,
and we'll just put some little
289
00:17:05,224 --> 00:17:06,935
indications or some highlight here.
290
00:17:11,885 --> 00:17:13,744
They're just moved to make it stand out.
291
00:17:18,525 --> 00:17:18,825
Go ahead
292
00:17:23,675 --> 00:17:25,805
and I'll go right back and
get this old big brush.
293
00:17:25,835 --> 00:17:26,495
It's still dirty.
294
00:17:27,305 --> 00:17:30,305
And let's just take an
Janice very quickly.
295
00:17:30,305 --> 00:17:34,415
Drop in some, some general
little leaf shapes here.
296
00:17:36,185 --> 00:17:37,625
We're not looking for a lot of detail.
297
00:17:37,625 --> 00:17:39,965
This is sat and green moon Vandyke Brown.
298
00:17:41,360 --> 00:17:42,479
Little desert and Crimson.
299
00:17:42,570 --> 00:17:45,570
Just so same old, dirty
brush I was using earlier.
300
00:17:45,629 --> 00:17:47,189
It's got a little bit of everything on it.
301
00:17:47,740 --> 00:17:48,600
Long as it's dark.
302
00:17:48,629 --> 00:17:49,229
That's a big thing.
303
00:17:51,129 --> 00:17:51,719
Just dark in here.
304
00:17:51,740 --> 00:17:52,879
We're, we're pushing quite hard.
305
00:17:52,879 --> 00:17:55,909
We really want to push that
color right into the canvas.
306
00:17:57,260 --> 00:18:00,500
And I can go back to the one inch
brush would put a little, so he was a
307
00:18:00,500 --> 00:18:02,419
little bit of CAD yellow and SAP green.
308
00:18:04,250 --> 00:18:06,860
Pull that brush in one
direction, loaded, full of paint.
309
00:18:07,040 --> 00:18:07,969
Lots of paint.
310
00:18:09,270 --> 00:18:10,159
Go up to the canvas here.
311
00:18:12,584 --> 00:18:15,705
And very lightly, very lightly.
312
00:18:16,625 --> 00:18:21,004
Janice began touching and building
into some basic little, little
313
00:18:21,004 --> 00:18:22,324
patterns, some little shapes.
314
00:18:22,834 --> 00:18:24,304
You don't want to try to be all flat.
315
00:18:25,834 --> 00:18:27,905
Remember that there's limbs
projecting towards you.
316
00:18:29,885 --> 00:18:31,554
They're not all just going off the side.
317
00:18:34,685 --> 00:18:37,145
So you need all of these little
patterns in the sag to make it.
318
00:18:37,725 --> 00:18:39,195
Make it have depth and shape.
319
00:18:39,675 --> 00:18:41,805
Don't want it to be just an old flat tree.
320
00:18:43,035 --> 00:18:43,275
Okay.
321
00:18:44,805 --> 00:18:46,005
Now down here, just footsie.
322
00:18:47,205 --> 00:18:49,725
We can put some little
bushes and stuff down here,
323
00:18:53,985 --> 00:18:56,715
and if, if your paint doesn't
stick, add a little paint thinner
324
00:18:56,715 --> 00:18:58,515
to it, and then it'll stick.
325
00:19:05,760 --> 00:19:07,260
Still following the lay of the land.
326
00:19:08,459 --> 00:19:09,909
I tell you what I tell you.
327
00:19:10,169 --> 00:19:15,629
Maybe, maybe we can see maybe there's
a little, little bit of a stream.
328
00:19:15,629 --> 00:19:16,050
We can see.
329
00:19:16,050 --> 00:19:20,639
Maybe it just sort of creeps along
here and it lives right there.
330
00:19:21,449 --> 00:19:22,199
We'll touch a little bit.
331
00:19:22,199 --> 00:19:25,439
They look blue, man.
332
00:19:25,439 --> 00:19:27,419
It just comes right down through
here wherever you want it.
333
00:19:28,590 --> 00:19:30,810
Or if you don't want a stream in
your world, don't put it down.
334
00:19:32,195 --> 00:19:32,965
Pull straight down.
335
00:19:33,015 --> 00:19:33,945
You need that dark.
336
00:19:35,295 --> 00:19:37,855
I've touched a little with
a little of the black color.
337
00:19:38,135 --> 00:19:40,715
You don't want it very dark, very dark.
338
00:19:40,775 --> 00:19:41,255
There we go.
339
00:19:41,255 --> 00:19:48,905
That's much better, much better,
and very lightly just go across.
340
00:19:51,635 --> 00:19:51,845
Now.
341
00:19:51,845 --> 00:19:56,015
We need a fan brush and we'll use
a little magic white in the middle.
342
00:19:56,445 --> 00:19:59,355
A little bit of a titanium, white
magic, white titanium, white.
343
00:19:59,925 --> 00:20:03,435
I put the magic white in there
just to thin it a little and maybe
344
00:20:03,435 --> 00:20:08,565
the little stream comes right down
through here and it just bounces
345
00:20:08,565 --> 00:20:13,085
and plays and has fun at all.
346
00:20:13,085 --> 00:20:14,135
These little things happen.
347
00:20:25,320 --> 00:20:31,590
T hunt maybe right here has a big stone
and hits completion and just falls over.
348
00:20:32,820 --> 00:20:33,600
This is your stream.
349
00:20:33,600 --> 00:20:34,560
So you make it go anywhere.
350
00:20:34,560 --> 00:20:39,360
You want it to go splashes
down here or tried on through.
351
00:20:46,260 --> 00:20:46,920
There's another one.
352
00:20:48,950 --> 00:20:51,470
And there's always stones that
are underneath that water.
353
00:20:51,510 --> 00:20:51,830
GQ.
354
00:20:51,950 --> 00:20:54,140
You really can't even see them,
but they cause all kinds of
355
00:20:54,140 --> 00:20:55,490
beautiful things to happen.
356
00:20:58,620 --> 00:21:03,240
You buy your first tube of paint, you
get that artist's license and I read it.
357
00:21:03,510 --> 00:21:08,190
It says you can do anything you
want to do at least on this piece of
358
00:21:08,190 --> 00:21:13,110
canvas, this piece of canvases, your
world, anything that you want to do.
359
00:21:15,570 --> 00:21:15,960
Okay.
360
00:21:15,960 --> 00:21:17,250
We'll take a little yellow ochre.
361
00:21:18,270 --> 00:21:18,360
Okay.
362
00:21:19,110 --> 00:21:19,470
Okay.
363
00:21:19,470 --> 00:21:19,920
I do yellow.
364
00:21:19,950 --> 00:21:23,400
And I just want to just hear, and
they're dropping a few more bushes.
365
00:21:23,550 --> 00:21:24,300
Tell you what let's do.
366
00:21:24,450 --> 00:21:25,620
I'm gonna take another fan brush.
367
00:21:26,010 --> 00:21:27,180
Let's put some land in here.
368
00:21:27,210 --> 00:21:33,060
Use some Vandyke Brown bird
number, a lot of paint on a brush.
369
00:21:33,510 --> 00:21:36,080
And maybe we'll just scrub
in some dirt area here.
370
00:21:37,790 --> 00:21:40,250
Put some borders on our little
street comes right around
371
00:21:40,250 --> 00:21:41,120
and maybe it's right here.
372
00:21:47,100 --> 00:21:48,540
Jan has to put some dirt in here.
373
00:21:53,150 --> 00:21:53,360
Okay.
374
00:21:53,720 --> 00:21:55,490
Here's another little
stone wherever you want it.
375
00:22:02,530 --> 00:22:02,939
Out here.
376
00:22:08,870 --> 00:22:13,879
No, just use the same old brush, take some
yellow ochre and a little white on it.
377
00:22:15,230 --> 00:22:19,429
And that's just put in some little
indications, a little permanent
378
00:22:19,429 --> 00:22:24,230
red added to that sparkly that I
can just look like little stones
379
00:22:24,230 --> 00:22:27,860
here and there, wherever, wherever.
380
00:22:30,810 --> 00:22:31,500
There we go.
381
00:22:34,430 --> 00:22:36,830
And you can put as many little
stones as you want in your world.
382
00:22:43,790 --> 00:22:47,090
Can you I'll use a fan brush,
a little bit of CAD yellow.
383
00:22:49,385 --> 00:22:53,075
Let's just drop in some happy little
bushes here and there they come right
384
00:22:53,075 --> 00:22:54,635
down and this brings all this together.
385
00:22:56,735 --> 00:22:57,935
Just bring it all together.
386
00:23:12,295 --> 00:23:13,045
it's not that easy.
387
00:23:13,105 --> 00:23:16,885
You can create a beautiful little
painting and you'd really done it.
388
00:23:16,965 --> 00:23:17,575
I just plan it.
389
00:23:17,575 --> 00:23:19,825
Just sort of look at it that it happened.
390
00:23:24,795 --> 00:23:25,365
There we go.
391
00:23:29,885 --> 00:23:31,575
We can take our brush.
392
00:23:31,575 --> 00:23:35,295
It had the water color on it,
clean up these ages, and this is
393
00:23:35,295 --> 00:23:36,435
where you bring it all together.
394
00:23:40,315 --> 00:23:40,865
Like, so
395
00:23:45,365 --> 00:23:46,235
take your Brown.
396
00:23:46,625 --> 00:23:50,285
Some of these stones here,
very dark, very dark.
397
00:23:52,415 --> 00:23:53,585
So they stand out better.
398
00:23:56,075 --> 00:23:57,125
There's one right there.
399
00:23:58,895 --> 00:23:59,705
Just let it go.
400
00:24:05,580 --> 00:24:05,850
Okay,
401
00:24:11,300 --> 00:24:17,120
tell you what, maybe there's a little
stick thing that lives right here.
402
00:24:21,740 --> 00:24:25,429
Oh, Ken's a little late on, this
is just, I'm using that black
403
00:24:25,429 --> 00:24:29,209
color still using that unless
you're in Crimson, they look green.
404
00:24:31,290 --> 00:24:33,210
I want it to stand out and I start color
405
00:24:38,340 --> 00:24:39,600
hair in there wherever you want to.
406
00:24:42,450 --> 00:24:42,990
There we go.
407
00:24:46,770 --> 00:24:49,080
And we can take her a liner brush.
408
00:24:49,560 --> 00:24:51,840
I use a little thin oil or
paint thinner, either one.
409
00:24:52,020 --> 00:24:55,610
I use an oil and we can put a
few little lambs here and there.
410
00:24:55,610 --> 00:24:58,830
I like the oil because it slides a little
easier when you have a lot of paint here,
411
00:25:02,180 --> 00:25:03,710
like paint thinner will work just as well.
412
00:25:03,740 --> 00:25:04,639
If you don't have a well
413
00:25:12,435 --> 00:25:14,294
Let me just put an old
dead stick out here.
414
00:25:16,125 --> 00:25:16,695
There we go.
415
00:25:21,794 --> 00:25:24,514
Maybe there's some little things
that they have right there.
416
00:25:27,185 --> 00:25:27,425
Yes.
417
00:25:27,995 --> 00:25:31,324
Then paint, you can move it very easily
on top of the other paint without
418
00:25:31,324 --> 00:25:35,675
becoming a mud mixer and wherever you
want, these little sticks, drop them in.
419
00:25:37,810 --> 00:25:37,930
Yeah.
420
00:25:40,670 --> 00:25:40,940
Okay.
421
00:25:41,270 --> 00:25:42,110
Tell you what let's do.
422
00:25:42,440 --> 00:25:43,760
Let's take a little more of the oil.
423
00:25:43,970 --> 00:25:47,690
I'll go right into some permanent red
here and let's sign this painting.
424
00:25:50,150 --> 00:25:50,870
There we are.
425
00:25:51,410 --> 00:25:52,670
And I hope you've enjoyed this one.
426
00:25:52,670 --> 00:25:53,510
It's a lot of fun.
427
00:25:54,620 --> 00:25:55,670
Give you some ideas.
428
00:25:57,620 --> 00:26:00,590
And at home you can make some beautiful
paintings also until next week.
429
00:26:00,710 --> 00:26:01,340
God bless.
430
00:26:01,550 --> 00:26:02,180
Happy painting.
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