Bob Ross's

The Joy of Painting

S05E07 - Bubbling Brook

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Hi glad you could join me today.

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And today I thought we'd do a black

canvas and I've already taken and covered

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the entire canvas with a layer of SAP

green and fallow blue, and just sort

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of mixed them together on the brush.

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Now I'll have them run all

the colors that we're going to

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use today across your screen.

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And they'll come across the screen in the

same order that I have them on my pallet,

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starting with a white and going around.

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And while they're doing that, let's go up

here and do a fantastic painting together.

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And as I say, this is SAP green and fellow

blue covered over a black canvas and we

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make this canvas black using a flat black

acrylic paint, the canvas, let it dry.

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And then we put the color on top of it.

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And then we don't allow the color to dry.

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The SAP green impression,

bluer are very wet.

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I put them on just a second ago.

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Okay.

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Let's go right in, right

into some titanium white.

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And we'll start out here and

just load the bristles full a

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lot of paint, a lot of pain.

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Maybe we'll do a little

bubbling stream today.

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That's always fun.

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And this is a fun little painting.

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Let's go right up to the canvas and

maybe there's a light source right there.

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Just pick out a little spot and

start making little crisscross,

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little extra, and blend outward.

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Just let it go.

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Have fun there.

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She can see how, when you

apply a little white, all these

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beautiful colors just happen.

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These black canvases are so, so exciting.

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They're a lot of fun to do, not a fun.

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I don't want to, don't want

to have all this real even.

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I want to just have spots here

and there, and I don't want to

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kill all the dark in places.

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I'm going to add a little

more white right back here.

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I want this to be the lightest area and

get progressively darker from there on.

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Okay, got a little hair there.

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So we'll take him off

and just blend it out.

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If you happen to get a hair, just use

a corner of your brush and did away

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very lightly, very lightly.

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Just barely touching the canvas here.

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That'll give us a little

light source back here.

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SAP green, yellow, blue I'll wash

the brush and we wash our brushes

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with odorless paint thinner.

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Never, never, never do I use turpentine.

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Turpentine smells bad.

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Number one, it leaves a

residue in your brushes.

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You need to get out with soap and

water, and I don't recommend that

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you wash these natural bristle

brushes with soap and water.

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Okay.

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Dan, I think we'll take

off a one inch brush.

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I'm gonna put it, paint that or into

the bristles, and let's go right into

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a little CAD yellow CAD yellow, grab

a little SAP green and throw in there.

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And I'm just going to load some pain into

the bristles school pair to the canvas.

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And maybe, maybe, maybe, maybe, maybe

there's just some little indications

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of, we don't want definite shapes here.

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I just want background foliage.

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So just touch here and there.

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And we'll sort of very backup.

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We'll begin going into maybe a

little yellow ochre, a little Indian.

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Yeah.

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Yellow.

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All we want is just, just

some background foliage.

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Most of this is going to be covered

up in case it shows through it.

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It looked like trees.

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We back in the distance.

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So we're not worried about

a great deal of shape form.

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Just some little things happening.

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Maybe, maybe, maybe, maybe right here.

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Maybe there's a little light

playing through and you can see

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some little leaves here and there

wherever you want them there.

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Okay.

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Okay.

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Yeah.

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Let's go back into something

a bit of Indian, yellow.

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Just put some middle indications here

and there and I'm using just the corner

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of the brush and just barely touching,

letting the brush sort of bend downward

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just a little bit, a little bit, not

a lot of pressure, a little pressure.

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Barely go

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right there.

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They're going to be in another life.

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And just sort of let these things just,

just come out of your imagination.

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No, no set pattern here.

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Just want these to be

dark background trees.

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As I said earlier, most of them,

most of them will it's over with

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we'll probably cover them up would

be very little showing just in case.

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Looks like there's trees.

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We are back we're deep in the woods,

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deep in the woods.

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That's where I'd like to live a

little bit of dark here and there.

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Just to set all that down that easy.

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We've got all kinds of little, little

background indications, no definite shape.

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Just indications

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now.

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I'm going to take a little Bandag Brown.

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I put a touch of white with it.

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Maybe, maybe a little bit.

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Tina is a little bit of yellow

ochre, so that yellow ochre, uh,

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titanium white little Vandyke Brown.

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Let's go up to the canvas here and

let's just, let's just drop in a few

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little indications of some little

tree trunks happening here and there.

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We're not looking for detail.

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Still not looking for detail.

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Just some little indications.

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We can see.

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Mm Alrighty.

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It looks, it looks like trees

back here and you really

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haven't done hardly anything.

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Just, just to make some indications.

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We'll worry about detail when we

get a little further along in the

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painting, because when things are far

away, you can't see all this detail

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as they get closer to you,

then you make out more detail.

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You can count leaves.

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Back here.

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You can't, we'll take a little bit of

the titanium white and just put a little

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highlight on some of these here and there.

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So it looks like a little light

shining through the woods, little

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spots where the light comes through.

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Let's go over here, right there.

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Tap a little.

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Okay.

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And that easy, that easy.

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We've got.

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Just something that gives us an idea

about a nice little soft background.

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Okay.

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Let's go use the same old brush.

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Wanna go right into, uh, a

little bit of the CAD yellow,

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Indian, yellow, yellow ochre.

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Just mix them on the brush.

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Maybe, maybe even a little SAP green and

all I'm doing is just, just tapping, tap,

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tap, like, so let's go up to the canvas.

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Maybe there's a little, little

happy Hill and it lives right here.

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Barely touched the canvas,

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just wanders for Adam

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comes right down.

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There.

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It is.

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There it is.

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And then once again, just going back

and forth between all the yellows.

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Greens now the color underneath, if

you touch yellow to it automatically

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it'll turn green because it has

SAP green and fail-over blue.

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So when you touch yellow to the,

either one of those, you get

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all different shades of green.

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Very pretty.

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Let the canvas do the work.

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Maybe, maybe, maybe there's

another little Hill.

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Maybe it comes down.

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There it is.

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There it is.

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You knew it was there.

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Okay.

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Let's highlight that a little bit.

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Can make these little Hills just so

soft, however soft you want them.

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It's your world.

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So you decide

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barely touch it.

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Okay.

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Now we, we said earlier, we do a little

heavy stream in here, so we're going

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to have to start making some decisions.

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Where is our little string?

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Where's your little string.

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Where is it going to be?

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And who's it going to be?

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Let's take a fan brush.

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Okay.

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And we'll take a little, little magic,

white, Mexican with some titanium white.

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So I get magic white titanium white.

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I put the magic card in there to

thin it just a small amount in

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paint sticks to a thick paint.

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Let's go right up here and let's decide

maybe, maybe there's a stream comes right

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out through here and we push the handle

to make some little foamy things, maybe.

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Ah, yep.

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Just gonna come right

here and just drop over,

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drop it over.

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I didn't hit the splash.

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Push that fan ratio.

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It depends effort.

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And then rub it.

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Anything you don't want

you to just rub it out.

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No big deal and make

the impression of water.

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You kill all your dark areas.

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Don't on painted.

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All right, white, you do this rubbing

to pick up some of that under car.

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You don't want it to be just 22.

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Won't look right?

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Because the water reflects the color

under, around it and above it and

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below it, whatever, it's very rare

that you have pure white water.

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You can create all these little,

you have to make a decision.

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How, how fast is your little stream?

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How much current Senate is it hitting

rocks and stones, all of these things.

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Then you have to make these decisions

because this is, this is your word.

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Wake up, not careful.

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I'll get carried away and we'll just

have a whole canvas full of stream.

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And we want to show some other things.

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I love to do these

little streams, I guess.

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A lot of fun.

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Of course, I'm an absolute

fanatic for water.

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I love water.

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It's beautiful.

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And a lot of times you have little

stones underneath the water that you

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might not be able to see them, but

they're there and they affect the water.

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The water hits them and bubbles over them.

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Maybe it comes in both directions

who knows no stone under there

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that causes that water to do that.

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And you can make that effect

just by pulling with a fan brush.

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It looks like at water surging

over a stone it's underneath.

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a lot of fun.

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Just, just play with it and experiment.

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And you can make as many

of those as you want.

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Maybe there's another one right there.

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We don't have any stones

right under there.

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Say there's another one here.

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Okay.

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If you want another one there

and just drop it in wherever.

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And it makes your water

much more interesting.

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Okay.

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I say, I'll get carried away here and

cover up the old canvas with water.

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So let's, let's put in some more

little soft grassy areas and maybe

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they come right down here and you

don't care if it gets in the water,

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you just take your fan brush for a

bit, a little bit and they go away.

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Just becomes part of the water.

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If you really want to show some

light striking through here, I had

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a little titanium white, same color.

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Same color.

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We're just changing the

value intensity of the color.

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So it makes it look like a

little, little bright spot there.

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Maybe her a little sunlight's

hitting, but it's the same color

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you have not changed the color.

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And maybe it strikes a

little bit right here.

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Also don't want to just hit on one side

of the stream and the lights hitting here.

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Also there.

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Okay, that shows you how to do that.

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Let's get a little more SAP,

green or yellow in this,

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just drop these areas ready?

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Like, so maybe, maybe right there.

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That's what's so fantastic about that.

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Painting like this, you don't, you

don't have any preset notions of.

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What are you going to do or

tracings that you have to follow?

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You have freedom here.

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Freedom.

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Maybe that's what attracted me so much

to this technique was the freedom.

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There's no restraints.

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Only guide is your heart.

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You had to take you

wherever you want to go.

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And right in the middle of these

paintings, you can change them.

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Oh my gosh, whatever you want.

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It's here.

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Okay.

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I'm going to go back to my fan

brush a little white on it.

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We'll clean up some of

these little edges here.

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Now when you're bending this fan

brush tribal sides of it, you'll

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find that it bends better on one

side than it does the other one side.

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A lot of times it just gives you

a smiley face or smiley frowns,

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whatever, if that happens.

255

00:13:27,055 --> 00:13:29,595

Turn your brush over and use

the other side, check it and

256

00:13:29,595 --> 00:13:31,045

see if it does not work better.

257

00:13:31,045 --> 00:13:35,275

Usually usually on most brushes,

you'll find that one side always

258

00:13:35,275 --> 00:13:36,445

seems to work better than the other.

259

00:13:37,465 --> 00:13:39,175

So try both sides of your fan brush.

260

00:13:40,825 --> 00:13:45,265

There are some of the most unique and

individualized brushes there are, but

261

00:13:45,265 --> 00:13:48,085

they'll do unbelievable things for you.

262

00:13:48,839 --> 00:13:49,890

Once you make friends with them.

263

00:13:50,969 --> 00:13:51,810

Add a little more green.

264

00:13:52,740 --> 00:13:53,160

There we go.

265

00:13:53,430 --> 00:13:54,359

Let's go right in here.

266

00:13:54,990 --> 00:13:55,560

A little bit of that.

267

00:13:56,310 --> 00:13:57,030

Good dark color.

268

00:13:57,030 --> 00:13:58,589

No one lose all this darkness right here.

269

00:13:58,920 --> 00:13:59,849

Maybe a little stream.

270

00:14:00,089 --> 00:14:04,620

We'll just let it go off the canvas over

there and come back over on this side.

271

00:14:09,870 --> 00:14:13,800

And, and I'm going to add a

little Brown, Omar, my brush.

272

00:14:14,250 --> 00:14:18,030

I'm gonna start doing this color down with

the front of this painting to be dark.

273

00:14:20,569 --> 00:14:24,329

You can add Brown, or you can just keep

tapping here and it'll pick up the blue

274

00:14:24,329 --> 00:14:28,500

and green underneath and automatically

it'll get darker automatically.

275

00:14:36,900 --> 00:14:37,349

okay.

276

00:14:37,349 --> 00:14:40,110

Let's let's take her fan brush again.

277

00:14:40,920 --> 00:14:42,959

See, I told you this was going

to be a fun little painting.

278

00:14:43,980 --> 00:14:49,530

This is one that we enjoy, and I

know that you will, here we go.

279

00:14:49,740 --> 00:14:53,339

Let's add a little water and foam

things happening or whatever.

280

00:14:56,280 --> 00:14:57,990

Don't lose all your dark

in the water either.

281

00:15:02,230 --> 00:15:06,180

This water's hitting and churning

and, uh, just all kinds of

282

00:15:06,180 --> 00:15:07,920

beautiful little things buried.

283

00:15:07,920 --> 00:15:09,000

This are happening.

284

00:15:09,540 --> 00:15:10,230

Just let them go.

285

00:15:13,185 --> 00:15:14,415

Sort of let your hand go.

286

00:15:14,865 --> 00:15:16,215

It'll take you where you'd have to go.

287

00:15:18,345 --> 00:15:21,045

Don't have to always make all

the decisions with the mind.

288

00:15:22,155 --> 00:15:22,905

Just let them happen.

289

00:15:24,505 --> 00:15:27,405

Let them happen and learn to

learn, to use what happens.

290

00:15:27,885 --> 00:15:29,205

That's when the fun starts.

291

00:15:35,070 --> 00:15:35,200

Okay.

292

00:15:35,200 --> 00:15:37,980

Now I'm going to go back to my

big brush and we'll just bring

293

00:15:37,980 --> 00:15:39,390

some of these little grassy areas.

294

00:15:40,620 --> 00:15:41,830

I don't, I don't know.

295

00:15:42,060 --> 00:15:42,600

There it goes.

296

00:15:48,450 --> 00:15:49,020

A little more.

297

00:15:52,400 --> 00:15:55,730

We're almost to the point, we've got

a painting that you could, you could

298

00:15:55,730 --> 00:15:59,750

probably stop here and have a pretty nice

painting, but we'll play a little more.

299

00:15:59,810 --> 00:16:00,800

We've got a little more time.

300

00:16:00,800 --> 00:16:02,030

So we'll play and have fun.

301

00:16:06,680 --> 00:16:08,240

Dark, dark, dark, dark, dark here.

302

00:16:13,455 --> 00:16:17,795

Okay, now let's put, let's do this.

303

00:16:17,975 --> 00:16:22,115

I'm going to take another fan brush

and maybe we'll put a spin a little

304

00:16:22,115 --> 00:16:23,465

bit of dirt around the edges here.

305

00:16:23,795 --> 00:16:26,855

Go right into some Vandyke

Brown and burn number.

306

00:16:26,885 --> 00:16:29,885

And I just mix it right on the

brush, just back and forth between

307

00:16:29,885 --> 00:16:33,095

the two lot of paint on the brush.

308

00:16:33,545 --> 00:16:33,755

Okay.

309

00:16:33,785 --> 00:16:34,835

Let's go up to the canvas.

310

00:16:36,090 --> 00:16:40,260

And maybe, maybe, maybe

there is right here, a stone.

311

00:16:40,750 --> 00:16:41,580

You want a stone there?

312

00:16:41,760 --> 00:16:42,330

Drop it in.

313

00:16:43,900 --> 00:16:49,890

Maybe there's some dirt in here

wherever, make a decision, drop it in.

314

00:16:50,600 --> 00:16:51,260

You don't like it.

315

00:16:51,410 --> 00:16:57,260

Change it, change it, your

stream, your dirt to change.

316

00:16:59,060 --> 00:17:00,620

You can change anything.

317

00:17:01,135 --> 00:17:06,885

Can do anything, anything just relax.

318

00:17:07,105 --> 00:17:12,315

Enjoy, have fun maybe right on over here.

319

00:17:12,464 --> 00:17:13,994

And I'll show a little

worn dirt over in here.

320

00:17:16,484 --> 00:17:16,694

Okay.

321

00:17:16,724 --> 00:17:17,534

Put the dark in.

322

00:17:20,234 --> 00:17:24,284

I tend to go read them back out of sight

and I'm going to take a little yellow

323

00:17:24,284 --> 00:17:27,135

ochre and white, yellow ochre and white.

324

00:17:28,274 --> 00:17:28,725

There we go.

325

00:17:28,875 --> 00:17:29,284

There we go.

326

00:17:29,834 --> 00:17:35,625

And let's just lay a little highlight

right up here on top of these stones,

327

00:17:35,625 --> 00:17:37,875

just barely touching, barely touching.

328

00:17:38,865 --> 00:17:39,105

Yes.

329

00:17:39,105 --> 00:17:42,915

My tip paint, touch,

bare play along there.

330

00:17:46,324 --> 00:17:48,514

If you put a lot of pressure on

your brush, it's just going to mix

331

00:17:48,514 --> 00:17:51,274

together with a Brown and you're

going to lose all your highlights.

332

00:17:51,274 --> 00:17:54,365

So just, just let it graze the top.

333

00:17:57,285 --> 00:17:57,945

How'd it go.

334

00:18:00,735 --> 00:18:02,435

You can make these

highlights different colors.

335

00:18:02,435 --> 00:18:04,385

I don't like to use a color.

336

00:18:04,385 --> 00:18:07,745

It's a little brighter than normal,

so you can see it well on television.

337

00:18:11,315 --> 00:18:14,075

But according to where you live,

stones are all different colors.

338

00:18:14,075 --> 00:18:18,905

They, some places they're absolutely

just red, especially if there's a

339

00:18:18,905 --> 00:18:21,725

lot of iron we're in, in the rocks.

340

00:18:21,725 --> 00:18:23,495

They rust in Alaska where I live.

341

00:18:24,380 --> 00:18:26,910

Have a lot of rust on the mountains,

as crazy as that sounds, you

342

00:18:26,910 --> 00:18:28,080

have mountains that look red

343

00:18:32,760 --> 00:18:35,910

and then sometimes in the

summer, the fireweed fireweed

344

00:18:35,910 --> 00:18:38,100

is the Alaska state flower.

345

00:18:38,610 --> 00:18:41,490

The fireweed will go up the

side of a mountain and make

346

00:18:41,820 --> 00:18:42,990

the whole mountain look red.

347

00:18:43,320 --> 00:18:44,430

It's beautiful.

348

00:18:46,920 --> 00:18:47,490

Beautiful.

349

00:18:49,125 --> 00:18:52,965

And I was like everybody else in Alaska,

I went and got some fire weed and planned

350

00:18:52,965 --> 00:18:58,094

it in my yard and sat around and watched

it die will not grow where you want it to.

351

00:18:58,094 --> 00:18:59,195

It only grows where he wants to.

352

00:18:59,205 --> 00:19:02,054

So the most independent plan

I've ever seen, there we go.

353

00:19:03,135 --> 00:19:04,155

That'll highlight right there.

354

00:19:07,034 --> 00:19:10,215

See how you can make all these little

beautiful things around the stream.

355

00:19:12,574 --> 00:19:16,754

You cut her completed stream,

their canvas, have some fun.

356

00:19:18,060 --> 00:19:22,110

Shoot headwind so well, I'm gonna go

back into this fan brush and load loaded,

357

00:19:22,110 --> 00:19:25,020

full of paint, lots of Brown water Brown.

358

00:19:26,010 --> 00:19:30,750

Maybe, maybe, maybe, maybe we'll

build a tree or two things go up here.

359

00:19:31,650 --> 00:19:37,020

Maybe there's a nice tree that lives,

he lives, he lives right there.

360

00:19:39,020 --> 00:19:39,470

Stay there.

361

00:19:40,850 --> 00:19:41,800

We knew he lived there.

362

00:19:41,840 --> 00:19:45,800

Then it's just the right place for a tree.

363

00:19:47,875 --> 00:19:48,795

Just the right place.

364

00:19:48,795 --> 00:19:52,485

Maybe, maybe he's got

another arm comes, right?

365

00:19:53,405 --> 00:19:53,715

Yep.

366

00:19:55,905 --> 00:19:59,495

And you can, you can make trees

in your world any way you want.

367

00:20:01,395 --> 00:20:01,875

Anyway,

368

00:20:06,785 --> 00:20:07,415

there we go.

369

00:20:08,195 --> 00:20:08,285

Okay.

370

00:20:09,460 --> 00:20:12,860

Little sticks and I use a

liner brushing and make some

371

00:20:12,860 --> 00:20:14,190

more detailed things later on.

372

00:20:15,300 --> 00:20:15,480

Okay.

373

00:20:15,480 --> 00:20:17,250

Let's close on the other side over here.

374

00:20:17,310 --> 00:20:19,950

Maybe, maybe there's a nice tree.

375

00:20:19,950 --> 00:20:20,820

Who lives?

376

00:20:20,850 --> 00:20:21,419

Where does he live?

377

00:20:21,720 --> 00:20:22,830

He lives there.

378

00:20:24,210 --> 00:20:25,590

He lives there, whatever.

379

00:20:26,909 --> 00:20:28,649

Just make him come on

down a little further.

380

00:20:29,790 --> 00:20:30,870

And then fantastic.

381

00:20:30,899 --> 00:20:36,449

You can move a tree that easy pulling

forward, pushing back, making him

382

00:20:36,449 --> 00:20:40,469

strong and making weak, tall, short.

383

00:20:47,629 --> 00:20:48,020

there we go.

384

00:20:48,110 --> 00:20:49,879

It gives him a few little

branches here and there.

385

00:20:50,389 --> 00:20:55,730

Hey, miss that's take and, and,

and we'll put some color on there.

386

00:20:55,970 --> 00:20:56,750

Tell you what I'm going to do.

387

00:20:56,750 --> 00:20:57,110

First.

388

00:20:57,110 --> 00:21:01,659

I'm going to use a liner, brush

a little Brown of a white, and

389

00:21:01,659 --> 00:21:02,629

let's highlight a little bit.

390

00:21:03,050 --> 00:21:08,310

I just want to show you a little

highlight on this trunk here, just

391

00:21:08,850 --> 00:21:10,080

so it stands out a little more.

392

00:21:11,190 --> 00:21:12,270

It's just Brown and white.

393

00:21:13,230 --> 00:21:14,400

That'll paint thinner to thin it.

394

00:21:16,320 --> 00:21:19,710

Just lay a little highlight on that tree

and you could do this with a fan brush.

395

00:21:20,310 --> 00:21:21,360

Let's go with this other one here.

396

00:21:22,470 --> 00:21:27,800

I quickly, very quickly just drop

in some indications back here for

397

00:21:27,820 --> 00:21:28,880

the lights playing through them.

398

00:21:30,530 --> 00:21:33,110

It nailed tree trunk making it shine.

399

00:21:34,040 --> 00:21:38,570

I'm going to go into some SAP green with a

one inch brush, just plain old SAP green.

400

00:21:39,440 --> 00:21:41,030

Just to get some dark color up here.

401

00:21:42,415 --> 00:21:43,885

I'm just using the corner of the brush.

402

00:21:44,875 --> 00:21:51,605

And all we're looking for here is

just a basic, some basic shapes, just

403

00:21:51,605 --> 00:21:53,575

some basic shapes, just drop them in.

404

00:21:54,865 --> 00:21:57,865

And you got to decide how big

this tree is, how strong it is.

405

00:21:59,004 --> 00:21:59,905

Was it a good year?

406

00:21:59,975 --> 00:22:00,774

Was it a bad year?

407

00:22:02,040 --> 00:22:04,110

A lot of water, a lot of rain, no rain.

408

00:22:04,620 --> 00:22:06,870

See all these decisions you have to make.

409

00:22:07,949 --> 00:22:11,699

You have absolutely unlimited

power on this candidate.

410

00:22:14,240 --> 00:22:16,820

Maybe that's one reason that

painting appeals to me so much.

411

00:22:17,389 --> 00:22:18,679

It's the only place I got any power.

412

00:22:18,679 --> 00:22:19,250

I go home.

413

00:22:19,250 --> 00:22:23,780

When my wife doesn't give me

any power and she sees it.

414

00:22:23,780 --> 00:22:24,629

She's going to kill me too.

415

00:22:25,980 --> 00:22:27,800

Yeah, I'm going into a

little yellow, little green.

416

00:22:28,919 --> 00:22:32,580

Let's go up here and put a few

highlights right up here on this dark.

417

00:22:35,810 --> 00:22:36,379

There we go.

418

00:22:41,500 --> 00:22:42,080

Let me touch him.

419

00:22:49,500 --> 00:22:51,080

I shouldn't say such things about my wife.

420

00:22:51,110 --> 00:22:55,010

She's a beautiful lady and

she's made all this possible.

421

00:22:58,625 --> 00:23:01,535

I'm going to add a little yellow

ochre to the same basic color.

422

00:23:01,715 --> 00:23:06,545

Let me just go over here and put in

a few little indications, like, so,

423

00:23:07,385 --> 00:23:11,855

but more paint, drop it right here

and just sort of look at your tree and

424

00:23:11,855 --> 00:23:14,705

decide where lights striking it and

where you want the highlights to be.

425

00:23:16,205 --> 00:23:16,685

Okay.

426

00:23:17,555 --> 00:23:21,695

Maybe with a big brush with a big

brush will take him just clean up his

427

00:23:21,695 --> 00:23:23,195

little flips here a little tiny bit.

428

00:23:23,975 --> 00:23:24,065

Okay.

429

00:23:24,810 --> 00:23:29,939

Let's go over here, not clean this

one up a little, maybe tell you what.

430

00:23:31,065 --> 00:23:32,415

Trainees are so much fun.

431

00:23:32,745 --> 00:23:34,875

I see one right there.

432

00:23:35,505 --> 00:23:38,925

Oh gosh, what he's done to the painting.

433

00:23:42,965 --> 00:23:43,055

Okay.

434

00:23:43,415 --> 00:23:46,715

Now I'm going to use another fan brush,

but a little Brown and white on it

435

00:23:47,615 --> 00:23:49,025

and come right down the side here.

436

00:23:52,605 --> 00:23:53,205

a little highlight.

437

00:23:53,225 --> 00:23:55,115

I don't see there that easy.

438

00:23:56,195 --> 00:23:58,475

It's a fan brushes are

absolutely fantastic.

439

00:23:58,475 --> 00:24:02,555

If you make friends with

them, they are fantastic.

440

00:24:03,635 --> 00:24:05,105

Maybe we'll put a little

more foot out here.

441

00:24:06,305 --> 00:24:10,415

Can you just make a

branch or two right here?

442

00:24:10,935 --> 00:24:14,895

With the old fan brush, and then

we'll come, maybe just one hanging

443

00:24:14,895 --> 00:24:19,775

down like this wherever you want

them wherever you want them.

444

00:24:21,125 --> 00:24:22,105

Maybe there's one that goes by.

445

00:24:22,105 --> 00:24:27,785

I don't know if the side over here and

one coming through, put some more little

446

00:24:27,785 --> 00:24:35,615

arms on this branch just to wherever you

want them back to our light color brush.

447

00:24:35,645 --> 00:24:39,275

We need some highlight

on these branches also.

448

00:24:41,385 --> 00:24:41,685

Okay.

449

00:24:43,185 --> 00:24:47,405

Maybe there's a few little leaves

on Liam and we need a color that

450

00:24:47,405 --> 00:24:48,875

stands out against all the rest.

451

00:24:50,555 --> 00:24:54,155

So I've had a small amount of

permanent red, not too much.

452

00:24:54,155 --> 00:24:57,305

I don't want it to get too

bright, a little paint thinner.

453

00:24:57,365 --> 00:25:02,195

That'll thin it down and make it

go on easier and just touch it.

454

00:25:02,195 --> 00:25:03,815

Put some little

indications here and there.

455

00:25:04,385 --> 00:25:06,125

There's just some little

leaves that grow out here.

456

00:25:07,485 --> 00:25:11,895

Listen, you don't want it to be left

out, feel lonely and you can put as many

457

00:25:11,895 --> 00:25:13,455

or as few as you want in your world.

458

00:25:15,045 --> 00:25:17,535

But I had them just sort

of play around like, so.

459

00:25:21,150 --> 00:25:23,420

There they go, man.

460

00:25:23,450 --> 00:25:25,730

I think, I think we both

kind of finished painting.

461

00:25:25,730 --> 00:25:26,060

Wasn't it?

462

00:25:26,300 --> 00:25:27,110

It's a lot of fun.

463

00:25:27,890 --> 00:25:29,360

This is one I think you enjoy.

464

00:25:30,140 --> 00:25:33,350

And you'd never believe from looking

at it that it started with a blank

465

00:25:33,350 --> 00:25:35,060

canvas and all this had happened.

466

00:25:35,780 --> 00:25:37,070

So I'm gonna take a little thin oil.

467

00:25:37,250 --> 00:25:38,630

We, a permanent red we'll sign.

468

00:25:38,630 --> 00:25:43,940

This one, call it finished, and I

really, really hope you enjoyed it.

469

00:25:44,960 --> 00:25:46,460

I look forward to seeing you next week.

470

00:25:46,790 --> 00:25:47,120

Have you.

471

00:25:47,610 --> 00:25:51,230

Canvas set up paints class

I S T O mighty easel.

472

00:25:52,040 --> 00:25:53,600

And I'll see you then happy painting.

473

00:26:20,730 --> 00:26:21,510

Uh,

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S05E07 - Bubbling Brook

Bob Ross's

The Joy of Painting

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