Bob Ross's

The Joy of Painting

S07E12 - Dock Scene

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Hi, I'm glad you could join me again.

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The day today let's do one.

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That's a little more complicated

than a lot of them that we've done.

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I think you'll enjoy it.

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Let's have them graphically run all

the colors across your screen that

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you need to do this painting and

they'll come across in the same order.

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I have mama palette and I've already

covered the canvas with liquid white.

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It's wet, slick, ready to go.

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And I hope you are too.

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So let's go up here and do it.

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I'm going to take off today

with a little bit of the.

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Blue yellow, blue.

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And into that, I'm going to add a little

bit of Vandyke Brown, right into the

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blue, just working on the brush here.

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Can you go out of here?

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Let's do a little happy sky here.

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So maybe a little more Brown.

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I want to dull that scab a little.

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There we go.

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There we go.

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Good.

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Today.

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I thought we'd do a, let's

do a painting of some docks.

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It'll a lot of requests from people

in Maine and Florida wanting some,

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some boats sort of dock scene.

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So see what we can do here.

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I'm going to just have some fun

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and very quickly they would just

throw in a happy little sky.

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I want to get this old brush Gordon,

same color, Vandyke Brown, a little

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bit of the day, a little blue.

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Let's go right down here.

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Once again, I want a little, there we go.

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Just pull that across.

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Can you start at the bottom and

work up and that way automatically

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it mixes with the liquid light and

gets lighter toward the horizon.

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And that's what we're looking for.

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Okay.

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Now I'm gonna take.

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A nice clean, dry brush and just

blend the sky out a little bit.

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I don't wanna spend a bunch

of time in the sky today.

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I wanna think I'll put some buildings in.

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That's what I show you.

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Show you a super way of making old

wood, some beautiful old buildings.

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Okay.

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I just take your same old brush

and go right into some titanium

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white, pull it in one direction.

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Loaded, full of paints.

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Go back up here now then.

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Just the indication of a

happy little cloud or two.

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Yes.

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Just floats around in

the sky here and has fun.

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Let it just sort of blend

back a little bit more.

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Wake up,

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not like that.

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That'll give us an indication

of a few little clouds.

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I use another clean brush.

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I have several brushes going

here, so I don't have to stop

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and wash them all the time.

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Cameraman gets upset with me

when I watched too many brushes.

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There we go.

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And we'll lift that and we have some great

big billowy, fluffy clouds just floating

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around in this guy here that easy.

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Okay, now I'm going into some blue and

a little touch of the midnight black.

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Okay, let's go back up here.

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I may be back here.

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This is a, maybe like a little Harbor.

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You can see a few little distant trees.

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This use the corner of the

brush and just put a few little

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indications here and there.

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Far, far away, far away touch pulled

downward little touch of reflection

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underneath it, just by pulling it straight

down and very lightly going across.

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And it's time to clean a brush camera.

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Man's own his own.

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All right in between here.

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I want to tap this and create a

little Misty area and lifted up.

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Just let it all sort of blend together.

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Very softly.

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I don't want to be able

to tell her one stops.

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The other one starts very soft, far,

far away, maybe a little closer here.

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Maybe there's a little

bigger with a bigger tree.

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We'll take some Browns and black

in this case, going up here.

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Yeah, he lives.

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I'm just tapping this one.

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Yeah, look it there.

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Just drop it in and I'll go right

into a little bit of the yellow.

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Just load a little color on there.

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Let's go back up here.

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I just want to put some little indication

of a few highlights in this way.

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I'm really not interested in

a lot of bushes in this one.

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So I'll just do this real quick.

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Okay, can I have that?

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I think it gives us a happy little tree.

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Wash the brush again.

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There we are.

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Okay.

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Now then I want to put a

bunch of buildings in here.

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Show you an easy way of doing that.

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Let's go right into some Brown

here using the big brush.

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This is Vandyke Brown.

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Just go into it a lot, a lot

of paint into the bristles.

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Pull it, pull it, wiggle it.

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That brings it to a

nice sharp chisel edge.

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And don't be afraid to load

some pain into the brush.

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We're going to use a lot of Brown today.

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Look at that brush.

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See how sharp it is.

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Good.

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Let's go up here now.

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Then we got to make some big decisions.

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I think we have a building

that lives right there.

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There's the one of the eaves.

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Now we've got to figure out where's Rufus.

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Maybe it comes down.

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I can't, here's the other side.

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It's like how easily you can

just sort of lay these out.

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There's one and you're still at this

point, you're really not committed.

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You just having fun.

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Maybe there's another one comes there.

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It is.

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We just bring all these together.

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It goes this way.

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Okay.

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And we need a front on this building.

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Just bring it right on down and whatever

goes in there will turn into reflections.

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We will just turn it right.

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And to reflections no big deal.

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Grab it over here.

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Pull it down, Jerry.

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I think you can make a building

that easy using a big old brush.

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Sure.

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You can.

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Can you can, you can do anything.

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Maybe right in here, we'll pull that down.

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I made it home.

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You say, boy, he has done it this time.

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She has got a mess coordinator.

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You may be right there.

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We are.

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I don't care.

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Some of that goes into the water.

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It'll all turn into nice

reflections eventually.

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Okay.

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Here's the roof and we're

still not really committed.

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We're not committed until we start

putting all the little highlights on.

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Then we have to make big decisions.

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There we go.

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Now then let's put a few of those

nice little highlights on there.

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I'm gonna go right into some

white, same old, dirty brush.

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Pick up some of this Sianna.

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Okay.

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Let's look at the brush.

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Look at there.

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See all the colors happening in that rush.

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Okay, let's go back up here now.

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Then this is where we

start making decisions.

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Touch just barely touch.

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And started working down and let the

brush shake and tremble a little bit.

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And it really helps if you're a little

bit nervous here, like in there,

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go back up here.

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Just let it bounce along and play already.

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It's beginning to look like old,

old wood, always fun to make.

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I like old wood.

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I really like it better

than new shiny wood.

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It looks better than paintings to me.

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Okay.

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Just sort of layer this on.

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You need that dark underneath though.

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So this light color shows,

otherwise you don't, you don't

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get it to showing much there.

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Now then we'll take the knife

and let's put a few little

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indications of some boards in there.

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I go right into the Brown.

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Cut off a little honk, just a little

tiny bit, right on the edge of the knife.

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All right.

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Now then.

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Few little boards, little slabs,

wherever you think they ought to be.

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All I'm doing is just touching the canvas.

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Just touch it, touch it, touch it,

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put as many in or as few as you want,

but you need that little roll of paint

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right out on the edge of the knife.

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There.

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One in there.

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This whole carpenter is like me.

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He just picked up whatever was available.

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It didn't matter to him.

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And we had to figure out where

the side's going to be here.

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Maybe it's going to be right there.

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We have to start cutting that off.

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And you could paint this

whole building with a knife.

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I just sorta liked this effect.

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This is something I've been

working on for a while.

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I thought you would enjoy it too.

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Like this effect.

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So now we have a dark edge there.

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Let's put a roof on it.

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We use some black blue, a little bit of

white cut off a little roll of paint.

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Okay.

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Let's go up here now, just going to let

that sort of just bounce along and play.

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Oop, just let it just wherever, whatever.

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We're still not too

committed at this point.

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Same color, a little bit lighter.

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Look at that old weathered.

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Well, when you're out here on

the water, you catch the devil.

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This is where all the pelicans

and the seagulls park there.

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A bit of highlight right along the roof,

maybe a touch lighter on this side.

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So chose up.

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There we go.

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I can see that a little better there.

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Okay.

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Yeah.

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You said there was going to

be another building here.

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So put that there, pulling down and I

can begin adding some highlights to that.

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The dark Sienna, the middle white.

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Just tap it.

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Okay, let's go up here.

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If your roof's going to

be right here, touch it.

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Let it wiggle.

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Does that say, this is really hard.

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It pays to be a little bit nervous.

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Oh, look at that.

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I'm just barely, barely

grazing the canvas.

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Just barely, barely grazing it lighter.

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The better.

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Okay.

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Now into that, I'll add a few boards.

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These little boards just help define.

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Give it a little more

interest, a little more detail.

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Look at there at all the little things.

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And you put as many as you want

in yours, maybe appear at the top.

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It'd be a little more shadow

so you can put a little dark,

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just let it bounce along.

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Same over here.

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A little bit of dark that'll dark can.

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Now, now comes the fun

with a very dry brush.

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Grazing it just touch it,

give it to Lee's little ball.

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Barely, barely touch it.

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Apparently.

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Apparently

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he'd been that sneaky

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look at that and you can pull it

across, like so to really make it look

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weathered and then go down, creates

all kinds of nice effects just here in

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there, pull across and then go down.

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Very lightly.

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She liked that.

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That really is a nice

way of making old boards.

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If you're making old barns or whatever.

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Okay.

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We need a, we need a happy door in here.

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Just use a knife there.

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Try petty in real quick.

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Here we go.

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It's a little door, take a

little bit of the light color.

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Go around this makes the doors

stand out a little better.

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Can maybe tell you why maybe

there's a little window right here.

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Just come across a little bit of

Brown, white, just to highlight him.

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There you go.

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Now this, this whole building

here, I wanted to find this

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edge a little bit more.

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So it stands out.

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This is where we need the little

knife we can sneak in here.

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This little knife.

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See there, bring it edge up here.

263

00:13:12,875 --> 00:13:13,535

Right here.

264

00:13:14,885 --> 00:13:16,145

Another big door.

265

00:13:17,255 --> 00:13:17,824

Drop it down.

266

00:13:22,415 --> 00:13:22,985

Here we go.

267

00:13:24,155 --> 00:13:25,145

That'll Brown and white.

268

00:13:25,775 --> 00:13:28,175

I got a little touch of

highlight right around the door.

269

00:13:29,970 --> 00:13:31,050

And that makes it stand out.

270

00:13:33,020 --> 00:13:33,320

Okay.

271

00:13:33,320 --> 00:13:37,160

Maybe there's a, maybe, maybe

there's a walkway around

272

00:13:37,160 --> 00:13:39,320

here and it lives right here.

273

00:13:39,770 --> 00:13:44,120

So gonna just pull this out, once again,

you don't care what's happening in here.

274

00:13:44,120 --> 00:13:46,820

You're going to need some

dark in here for, for shadows.

275

00:13:46,820 --> 00:13:52,010

You can just lay in your thing in there

and go right up between those buildings.

276

00:13:52,040 --> 00:13:57,590

Cut this off right there,

wherever you want it, wherever.

277

00:14:00,705 --> 00:14:01,845

See the whole walkway here.

278

00:14:04,545 --> 00:14:06,015

Here's a little bit of that gray color.

279

00:14:06,405 --> 00:14:07,305

Just very lightly.

280

00:14:08,415 --> 00:14:10,005

Just enough to give it a little highlight.

281

00:14:10,245 --> 00:14:10,875

Come around

282

00:14:15,825 --> 00:14:17,175

some little edges here and there.

283

00:14:19,215 --> 00:14:21,495

Now with a clean brush,

I'll grab this dark color.

284

00:14:22,125 --> 00:14:25,605

We can begin creating the illusion.

285

00:14:26,475 --> 00:14:35,835

Uh, reflections, just like,

nah, tell you what, just use a

286

00:14:35,835 --> 00:14:38,175

little bit of black here, Miami.

287

00:14:38,175 --> 00:14:42,075

There was a few people post her, you

handed to something to hold that up.

288

00:14:45,315 --> 00:14:46,185

There they go.

289

00:14:47,895 --> 00:14:50,445

Take a little Brown and white and

put a touch, a highlight on them.

290

00:14:52,455 --> 00:14:53,805

Just, just touching it.

291

00:14:55,840 --> 00:14:59,689

So the brush, I'm going to

grab the bottom of those.

292

00:15:00,020 --> 00:15:02,420

Just pull them down, go across.

293

00:15:03,350 --> 00:15:06,920

And that quick we have, we have

some reflections, like a little

294

00:15:06,920 --> 00:15:10,820

liquid white, just sorta work

a little bit here and there.

295

00:15:10,820 --> 00:15:14,510

This way it creates a little sheen

of life playing across the board.

296

00:15:18,740 --> 00:15:20,030

That makes it look like water.

297

00:15:20,090 --> 00:15:20,630

Not easy.

298

00:15:21,390 --> 00:15:22,170

Head easy.

299

00:15:23,370 --> 00:15:23,970

Okay.

300

00:15:23,970 --> 00:15:26,850

Here let's have some fun.

301

00:15:27,030 --> 00:15:28,740

Maybe there's another

big building in here.

302

00:15:30,960 --> 00:15:33,120

Load that two inch brush back up.

303

00:15:33,120 --> 00:15:33,810

And here it is.

304

00:15:34,350 --> 00:15:34,860

There it is.

305

00:15:34,860 --> 00:15:37,200

We'll just put it, just make

a decision, throw it in.

306

00:15:37,410 --> 00:15:37,770

Shoot.

307

00:15:37,770 --> 00:15:38,490

This is your world.

308

00:15:38,850 --> 00:15:41,040

Do anything you want to do in here now?

309

00:15:41,060 --> 00:15:46,340

Maybe comes right down, write down,

write down, write down, write down.

310

00:15:47,960 --> 00:15:48,650

Just like so.

311

00:15:50,235 --> 00:15:56,165

Fill that all in here, all I'm

doing is just, just basically

312

00:15:56,165 --> 00:15:57,635

covering up the canvas with paint.

313

00:15:59,975 --> 00:16:01,745

You can bring it up to

any point that you want.

314

00:16:01,745 --> 00:16:05,255

It don't want too much overhang

here, so I'll just make the

315

00:16:05,255 --> 00:16:06,635

building a little bit wider.

316

00:16:08,345 --> 00:16:08,945

There we go.

317

00:16:13,135 --> 00:16:13,835

You want wanting to be.

318

00:16:17,850 --> 00:16:18,090

Okay.

319

00:16:18,150 --> 00:16:21,930

Let's have some fun on this old

building to tell you, what are we

320

00:16:21,930 --> 00:16:25,050

doing that maybe, maybe the walkway

comes right out through here too.

321

00:16:25,740 --> 00:16:26,220

We don't know.

322

00:16:26,280 --> 00:16:29,580

I don't care does now.

323

00:16:29,610 --> 00:16:30,030

Anyway,

324

00:16:33,830 --> 00:16:35,520

that helps push everything back.

325

00:16:36,750 --> 00:16:38,640

It helps create illusion of distance.

326

00:16:39,630 --> 00:16:40,230

Now, then that's.

327

00:16:40,635 --> 00:16:47,325

Let's play a little bit here, right into

the dark Sienna, the white back and forth.

328

00:16:47,595 --> 00:16:48,465

Okay, let's go up here.

329

00:16:49,485 --> 00:16:50,325

Let's do it.

330

00:16:50,505 --> 00:16:50,955

Touch.

331

00:16:52,365 --> 00:16:54,105

Just let this brush see.

332

00:16:54,215 --> 00:16:55,185

Just barely hitting.

333

00:16:55,365 --> 00:16:56,295

Can you see what's happening?

334

00:16:58,715 --> 00:17:01,205

I want it to look like

old, old, whether it would

335

00:17:05,785 --> 00:17:06,545

look like old wood.

336

00:17:07,815 --> 00:17:09,555

I really thought you'd enjoy this.

337

00:17:09,555 --> 00:17:14,585

This is sort of a, a

neat, neat way to do this.

338

00:17:15,375 --> 00:17:18,105

Just opens up a whole new

world of old buildings.

339

00:17:18,675 --> 00:17:21,585

Now see this one in my mind

over here was farther away.

340

00:17:21,645 --> 00:17:23,145

So I smoothed this a little more.

341

00:17:23,355 --> 00:17:28,065

This one, I'm going to leave rough and

I'm going to leave it ragged because

342

00:17:28,065 --> 00:17:29,745

it's closer to you to see more detail.

343

00:17:30,345 --> 00:17:31,935

Can we use a little

knife here and a little.

344

00:17:32,235 --> 00:17:33,225

Blue and a little touch.

345

00:17:33,225 --> 00:17:34,665

You're quite a little bit of Brown.

346

00:17:35,834 --> 00:17:38,715

Pull it out and cut across tiniest

little roll of paint out here.

347

00:17:39,254 --> 00:17:39,524

Okay.

348

00:17:40,395 --> 00:17:45,254

Now that I just want to just

go right in here and just

349

00:17:45,254 --> 00:17:46,544

sorta move it back and forth.

350

00:17:46,544 --> 00:17:49,235

So you get a little in there.

351

00:17:51,554 --> 00:17:54,395

You can take the knife and smooth

that, pull it in that angle.

352

00:17:57,784 --> 00:17:57,844

Yeah.

353

00:17:57,875 --> 00:18:00,155

If you want to create some shadows

in this old building and take a

354

00:18:00,155 --> 00:18:01,354

little bit of black on your brush.

355

00:18:02,430 --> 00:18:07,230

And once again, just let it

bounce and tap, play like a that

356

00:18:07,830 --> 00:18:10,530

there that's fascinating to me.

357

00:18:10,620 --> 00:18:10,890

Okay.

358

00:18:11,610 --> 00:18:19,110

Let's let's put a few little, maybe this

got some doers in here and like, yes.

359

00:18:20,580 --> 00:18:21,060

See you there.

360

00:18:22,370 --> 00:18:24,710

It's a little bit of black on

the knife or a Brown, either one

361

00:18:24,710 --> 00:18:28,550

whatever's dark, maybe here and there.

362

00:18:28,550 --> 00:18:30,680

You can make out the indication of board.

363

00:18:31,065 --> 00:18:31,575

Whatever,

364

00:18:36,105 --> 00:18:39,685

maybe there's going to be,

we'll do it right there.

365

00:18:40,445 --> 00:18:41,675

There's a window right there.

366

00:18:42,485 --> 00:18:43,895

I don't know what all

these old buildings are.

367

00:18:43,895 --> 00:18:44,615

They just look nice.

368

00:18:44,645 --> 00:18:45,455

So we dropped them in

369

00:18:48,935 --> 00:18:50,285

a little bit.

370

00:18:50,285 --> 00:18:50,615

Right?

371

00:18:50,645 --> 00:18:53,495

They're like, we'll put a

little, do her like yet.

372

00:18:53,495 --> 00:18:56,105

See, and then sneaky.

373

00:18:57,915 --> 00:18:59,264

Now then tell you what let's do.

374

00:19:00,225 --> 00:19:01,875

Let's put a happy little boat right here.

375

00:19:02,824 --> 00:19:04,564

I'm going to get right

into the Vandyke Brown.

376

00:19:04,564 --> 00:19:06,094

I'm using a number three fan brush.

377

00:19:09,784 --> 00:19:10,084

Kidding.

378

00:19:10,084 --> 00:19:12,395

Let's go right up here and

you gotta make a decision.

379

00:19:12,395 --> 00:19:13,145

Where does he live?

380

00:19:13,685 --> 00:19:16,175

Let's put him right there.

381

00:19:16,175 --> 00:19:16,925

There's this front.

382

00:19:17,524 --> 00:19:21,635

And he comes right around and goes around.

383

00:19:21,965 --> 00:19:23,375

And there's his back right now.

384

00:19:23,375 --> 00:19:24,875

All we're doing is just

laying in some paint.

385

00:19:25,575 --> 00:19:30,615

Just to get a basic shape,

like, so bring it around to him.

386

00:19:31,784 --> 00:19:35,715

And then the other side sort

of see these things in your,

387

00:19:40,355 --> 00:19:42,335

and he starts off really looking terrible.

388

00:19:44,855 --> 00:19:45,485

There we go.

389

00:19:45,485 --> 00:19:46,745

Just begin forming him.

390

00:19:48,004 --> 00:19:48,485

I think so.

391

00:19:48,965 --> 00:19:49,325

Yeah.

392

00:19:49,325 --> 00:19:51,965

Then we can begin to playing a

little bit, add a little white

393

00:19:51,965 --> 00:19:53,524

to that brush, and this is the.

394

00:19:54,179 --> 00:19:56,189

Front, just loop

395

00:19:59,360 --> 00:19:59,929

a bit more of that.

396

00:20:00,060 --> 00:20:00,470

Right.

397

00:20:00,770 --> 00:20:03,260

And we've got to define hard

edges are going to be there.

398

00:20:03,260 --> 00:20:06,679

It comes, comes right on around

a little bit showing on the back.

399

00:20:07,250 --> 00:20:08,870

Yeah, very lightly.

400

00:20:10,340 --> 00:20:15,050

I can't laying at him sort of

looking a little bit towards, you

401

00:20:18,210 --> 00:20:20,210

know, a little dark color on the brush.

402

00:20:20,940 --> 00:20:22,649

I want to just grab the bottom, pull down.

403

00:20:22,680 --> 00:20:24,629

Cause there would be a nice

reflection underneath here.

404

00:20:24,990 --> 00:20:27,360

And this is also where you

sort of straightened him up a

405

00:20:27,360 --> 00:20:32,670

little bit, take out any, any

deformities you have in your boat.

406

00:20:32,670 --> 00:20:36,330

Sometimes I do some boots that have some

deformities a little bit on the other side

407

00:20:36,330 --> 00:20:41,750

and we'll leave at various dark little,

tiny, tiny middle light, right there.

408

00:20:41,780 --> 00:20:45,710

Just enough to give us an

indication, pull that down.

409

00:20:47,600 --> 00:20:49,430

Like so very lightly.

410

00:20:50,054 --> 00:20:51,495

Very lightly go across.

411

00:20:53,294 --> 00:20:53,715

Okay.

412

00:20:53,715 --> 00:20:59,824

Now then need a place for the

fellow to set in there when

413

00:20:59,824 --> 00:21:01,084

he's out fishing in this boat.

414

00:21:01,084 --> 00:21:02,584

So we've cut across a little bit of Brown.

415

00:21:03,455 --> 00:21:07,175

Can we scope here and we'll give

him a little little house here,

416

00:21:08,044 --> 00:21:09,875

come up and sweaty down that way.

417

00:21:10,564 --> 00:21:11,705

See that's all there is to it.

418

00:21:13,294 --> 00:21:17,014

Even the little place he

needs a little place to sit.

419

00:21:19,544 --> 00:21:22,784

On this side, over here,

a little bit of teller.

420

00:21:24,524 --> 00:21:26,955

The other side, let's go this way here.

421

00:21:28,064 --> 00:21:29,145

Just a little bit more.

422

00:21:31,514 --> 00:21:32,885

And then let's put him a door in there.

423

00:21:32,885 --> 00:21:34,165

He's going to have a

way to get in and out.

424

00:21:34,175 --> 00:21:34,294

Huh?

425

00:21:34,325 --> 00:21:36,935

I use a little black

hair on the small knife.

426

00:21:38,254 --> 00:21:39,695

Give him a little door right there.

427

00:21:40,355 --> 00:21:43,385

Do you remember this is sorta an

angle you're seeing a three-quarter

428

00:21:43,385 --> 00:21:46,475

view, so you wouldn't see all of it

and just give him a kind of, have

429

00:21:46,475 --> 00:21:47,735

a window up here so he can see.

430

00:21:48,879 --> 00:21:50,820

I don't want him to be

driving around out there.

431

00:21:50,940 --> 00:21:54,210

Blind shoot, Tommy drive.

432

00:21:54,210 --> 00:21:54,780

Like I do.

433

00:21:54,780 --> 00:22:01,010

Then I go all that back around, like so

434

00:22:04,040 --> 00:22:06,139

little, the liquid white today.

435

00:22:06,170 --> 00:22:09,080

And I'm going to add the smallest

amount of blue and Brown.

436

00:22:09,200 --> 00:22:12,080

Just like they're cut across it.

437

00:22:13,190 --> 00:22:15,080

Let's put a few happy little water lines.

438

00:22:33,450 --> 00:22:36,770

you can put as many or as few of these in

yours, as you want to just struck them.

439

00:22:36,770 --> 00:22:38,990

And they helped create

the illusion of water.

440

00:22:40,490 --> 00:22:43,040

Like a few of these little

sparkles here and there.

441

00:22:45,145 --> 00:22:48,165

And then up here, take at least

little touch of the bright,

442

00:22:48,165 --> 00:22:50,835

red, least little touch.

443

00:22:52,365 --> 00:22:52,635

Okay.

444

00:22:52,665 --> 00:22:52,965

All right.

445

00:22:52,965 --> 00:22:53,205

Here.

446

00:22:54,284 --> 00:22:56,564

Just barely touch a

little bit right there.

447

00:22:57,345 --> 00:22:58,605

A little right over there.

448

00:22:59,054 --> 00:23:00,554

Just to put a little hat up here on that.

449

00:23:01,365 --> 00:23:04,245

Kind of have him a little hat maybe,

450

00:23:07,885 --> 00:23:08,804

maybe, maybe.

451

00:23:09,014 --> 00:23:09,254

Yep.

452

00:23:09,675 --> 00:23:09,915

Yep.

453

00:23:10,155 --> 00:23:10,695

Look right here.

454

00:23:10,875 --> 00:23:11,235

Look here.

455

00:23:12,345 --> 00:23:13,095

Maybe there's a little.

456

00:23:14,775 --> 00:23:18,165

It'll mask up there and

we'll, we'll get crazy.

457

00:23:18,165 --> 00:23:19,335

We'll do another one back here.

458

00:23:21,375 --> 00:23:22,425

I guess one bigger.

459

00:23:23,625 --> 00:23:24,135

There we go.

460

00:23:25,815 --> 00:23:27,855

Lee's little touch of light on that.

461

00:23:28,245 --> 00:23:28,785

Oops.

462

00:23:29,895 --> 00:23:32,085

Just drop it in here and there.

463

00:23:33,345 --> 00:23:34,115

Just to enjoy.

464

00:23:36,165 --> 00:23:36,705

Okay.

465

00:23:39,455 --> 00:23:41,415

I'll put a little thing across there.

466

00:23:42,510 --> 00:23:46,830

Yeah, let's take a little liquid

white cut to not crossing the knife.

467

00:23:47,340 --> 00:23:52,010

And that's maybe there's a few, your

little wires go right down here.

468

00:23:52,160 --> 00:23:55,820

You little, little pieces of rigging soon.

469

00:23:56,990 --> 00:24:02,210

This couple over here

have ever been anyone.

470

00:24:02,690 --> 00:24:03,170

It's up to you.

471

00:24:03,800 --> 00:24:04,250

There you go.

472

00:24:05,810 --> 00:24:10,010

I'll give you an idea of a nice, simple,

easy way to make a happy little boat.

473

00:24:11,985 --> 00:24:12,525

Okay.

474

00:24:12,555 --> 00:24:13,815

Back into my dark color here.

475

00:24:13,815 --> 00:24:18,105

Let's finish up this walkway,

put some color in there.

476

00:24:19,755 --> 00:24:22,335

This is just, just applying

some base color right here.

477

00:24:22,335 --> 00:24:24,195

I'm really not worried about detail.

478

00:24:24,435 --> 00:24:30,675

I tell you what tell you why I

want a nice post right there.

479

00:24:31,665 --> 00:24:32,985

Nice big strong post.

480

00:24:33,375 --> 00:24:34,395

Put another one there.

481

00:24:35,685 --> 00:24:38,385

So you can put as many old

posts as you want in yours.

482

00:24:38,395 --> 00:24:39,165

Here's one.

483

00:24:40,965 --> 00:24:42,975

There's um, there's another one.

484

00:24:43,844 --> 00:24:44,895

I look at all of them, son of a gun.

485

00:24:44,925 --> 00:24:46,185

So you've had a hard life out here.

486

00:24:46,185 --> 00:24:48,465

Maybe there's one that goes right

on off the canvas right there.

487

00:24:53,084 --> 00:24:53,385

Okay.

488

00:24:53,774 --> 00:24:55,574

Now a little bit of highlight touch.

489

00:24:55,844 --> 00:24:56,594

Give it a little pull.

490

00:24:56,895 --> 00:24:57,975

Just barely touch it.

491

00:24:57,975 --> 00:24:58,544

Give it a pull.

492

00:25:01,185 --> 00:25:01,905

There we go.

493

00:25:03,794 --> 00:25:04,544

There we go.

494

00:25:04,605 --> 00:25:05,415

Right here is one.

495

00:25:07,500 --> 00:25:07,920

Okay.

496

00:25:09,990 --> 00:25:10,410

Maybe.

497

00:25:10,470 --> 00:25:13,220

Yeah, maybe there's no post, it

comes across here and now you

498

00:25:13,220 --> 00:25:17,630

can just get carried away here,

keep going and going and going.

499

00:25:18,260 --> 00:25:18,530

Jeff.

500

00:25:18,530 --> 00:25:21,860

I want to show you some ideas on

how to do some of these fantastic

501

00:25:21,890 --> 00:25:23,030

things because you'll enjoy it.

502

00:25:23,870 --> 00:25:29,360

I'll go into my dark Sienna, a

little bit of the white, just touch.

503

00:25:30,135 --> 00:25:31,365

And a little black to that.

504

00:25:31,365 --> 00:25:32,175

I want it darker.

505

00:25:32,955 --> 00:25:33,165

I don't know.

506

00:25:33,165 --> 00:25:33,885

Right there.

507

00:25:33,945 --> 00:25:34,515

Let's go up here.

508

00:25:35,265 --> 00:25:37,965

I'll make us look like a,

would follow the angles.

509

00:25:38,535 --> 00:25:39,135

Just touch it.

510

00:25:39,315 --> 00:25:40,095

Let it bounce.

511

00:25:42,855 --> 00:25:43,875

Just let it bounce.

512

00:25:45,045 --> 00:25:47,025

Barely, barely grazing the canvas.

513

00:25:47,955 --> 00:25:48,555

Here we go.

514

00:25:55,685 --> 00:25:56,735

Yeah, this whole wood here.

515

00:25:57,335 --> 00:25:57,505

Pen.

516

00:25:57,515 --> 00:25:58,805

A lot of people walked on it.

517

00:26:00,030 --> 00:26:01,530

It wouldn't be as rough as this building.

518

00:26:03,300 --> 00:26:04,439

It'd be a little bit smoother.

519

00:26:04,979 --> 00:26:08,760

So to make it a little smoother,

take the brush very lightly, pull it.

520

00:26:09,899 --> 00:26:10,949

Just barely touch.

521

00:26:11,010 --> 00:26:11,490

Look at that.

522

00:26:12,990 --> 00:26:18,000

Now let's put the indication

of a few boards here.

523

00:26:19,620 --> 00:26:20,370

Just tearing there.

524

00:26:21,540 --> 00:26:23,040

They don't get bigger as

they come towards you.

525

00:26:23,639 --> 00:26:25,620

Wider more distance between them.

526

00:26:28,770 --> 00:26:31,530

There we go very lightly.

527

00:26:31,800 --> 00:26:31,980

Great.

528

00:26:32,480 --> 00:26:33,290

Give it a little pull.

529

00:26:33,920 --> 00:26:36,500

You can also take a little less black

and create the illusion of a few

530

00:26:36,500 --> 00:26:39,860

shadows and just pull it, look at that.

531

00:26:43,670 --> 00:26:47,210

Take my knife a little bit of

the red, just for color sake.

532

00:26:47,210 --> 00:26:49,220

And we'll put a little red

right on top of these posts.

533

00:26:50,264 --> 00:26:51,675

And I think we've got to finish painting.

534

00:26:52,635 --> 00:26:54,824

And with that, I'd like to

wish you happy painting.

535

00:26:54,975 --> 00:26:56,925

God bless see you next time.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S07E12 - Dock Scene

Bob Ross's

The Joy of Painting

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