Bob Ross's

The Joy of Painting

S06E03 - Morning Mist

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Hello.

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I'm glad to see you today.

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Today.

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I think we'll do a fantastic

little painting that I

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think it'll make you happy.

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And before we start, I'm going to

have him graphically run all the

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colors across the screen that you

need to complete this painting.

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And while they're doing that,

Let's go up here and get started.

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I've already covered the canvas with

a thin even coat of magic white.

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So it's wet and selecting and ready to go.

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And today let's start, we'll use a big

old two and a half inch brush, and I'm

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gonna go right into a little bit of the

fail-over blue, pull a little bit of it

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out and really work it into the bristles.

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Tap.

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Just tap that brush right in there.

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That'll get you a nice

even distribution of color.

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Okay.

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And if you just reach up in there

and pull out a big gob of painting,

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hit the canvas, you're going to

have huge big streaks up here.

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That'll drive you crazy.

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And we'll just make some little

simple crisscross strokes, just

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like, so just have fun at the

brush, play around the canvas.

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And I don't want to cover the entire sky.

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All I want to do is just, just

hearing there, leave some spots open.

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Maybe today.

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We'll do a, Hey, we'll do a

beautiful little mountain.

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I love to paint mountains.

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When you, when you live in

Alaska, you have a tendency

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to paint a lot of mountains.

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And no matter if you live in Florida,

Alaska, it seems that mountains are

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always paintings that people like.

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And, and if you're interested

in making a happy buck, they're

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the ones that'll sell cake.

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And that quick, we've got a basic little

sky and without cleaning the brush,

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I'm gonna go right into a small amount

of a lizard Crimson and just work it

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right into the bristles the same way.

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Very, very small amounts.

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And I'll go back into these light

areas and very lightly just drop

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in a little color, just make this

guy a little warmer prettier.

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There we go.

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Okay.

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And I think we'll have some water in

this painting, so I'll go right back

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into a little bit of the day, low

blue and a little bit of the Crimson.

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I would just mix these on the brush.

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Just a small amount of Crimson.

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Okay.

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Now to make water going to

pull it from the outside in.

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And if it's still water,

it's always level.

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It's always flat.

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They're full from the outside in.

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If you leave a little place

open right up through here.

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It'll look like a sheen of light coming

across the water when you're finished.

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And people think you worked and worked

and worked to put head-on, you know,

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you do is let the canvas show through.

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You've already got magic white on it.

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So it's painted it's ready now.

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Very lightly go all the

way across that light area.

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Still remain there.

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I think we can very quickly just blend

this guy and you can blend this to

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any degree that you want any degree.

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In fact, you can blend it

until it just goes away.

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It just becomes one color.

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We use some color in there,

let some things happen.

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Okay.

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Let's wash the old brush.

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And we wash our brushes with

odorless paint thinner, and

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there's a screen in the bottom.

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I can, there we go.

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And that screen the river as screen sets

about that high off the bottom of the can.

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So when you screw up the brush,

all the solid material settles

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to the bottom and it keeps your

paint thinner, relatively clean.

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All right.

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Let's build a happy little mountain.

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Maybe today, we'll start, let's go into

some Vandyke Brown and Brown little bit

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if they little blue and I'll go through

a small amount of Crimson in there.

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So we've got blue, Brown, small amount of

Crimson and pull it, paint out, very flat,

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cut across it and get a small roll of

paint right out on the edge of the knife.

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Here we go.

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You can see it very well there.

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Okay.

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Let's go right up here and

you have to make a decision.

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Where's your mountain lift?

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Where did your mountain lift?

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Maybe there it is.

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There it is.

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It lives right there.

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And we just put in a happy little

basic shape here for our mountain.

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Very dark color.

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Very, very dark.

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Okay.

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Now one thing about mountains

and I've said it before.

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That are repeated.

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Cause it's worth it.

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It's worth repeating.

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If you can see the entire mountain,

it's always more distinct at the

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top than it is at the bottom.

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So fill in the top of the mountain,

then we'll take a large brush.

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And I'm just going to very gently pick

up some of that tab and bring it down.

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And it mixes with a magic white and

automatically, automatically it's lighter

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at the bottom than it is at the top

that the canvas work with the paint and

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the magic white and the brushes work.

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That's what makes this fun there.

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Okay.

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Now clean this brush.

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Actually, I just like to beat the brush.

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Okay.

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Now let's go right into, let's take

some, pull out some yellow ochre, a

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little bit of burn number with it,

yellow ochre, a little bit of burn

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number, and let's begin making some.

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We'll put some little highlights here.

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Maybe we'll put a little

more burn number into that.

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Dull it down a little more there.

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Good cut across it.

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So you have that small roller

paint again, right on edge.

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Okay.

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Let's go up here now.

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Very lightly.

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Figure out where your light's coming from.

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If you're right-handed is probably

easier to have it coming from the right.

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If you're left-handed it'll vary.

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Okay.

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We'll just drop in a little

highlight just where you think

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light would strike this mountain.

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Just let it play and bounce and

have fun wherever you want it.

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Wherever

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I'm going to take a little bit

of Vandyke Brown and some white.

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And a little bit of the blue

and just mix it together.

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I'm looking for a shadow

color, something about like, so

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maybe a little bit more blue.

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This is your mountain.

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So you make it whatever color you want it.

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Same thing.

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Cut across a little roll of paint.

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Let's go right up here and we

can begin looking for sure.

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Shadows.

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Just very likely, very likely,

barely touching the canvas.

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Just caressed the canvas.

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Barely barely touch it.

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And we can come back and back

with the highlight color and just

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sort of play them back and forth.

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Let all these little

things just, just happen.

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Just let them fall off your knife.

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Adam have fun.

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There's that little light striking.

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There it is right there.

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Right there, right there.

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And maybe shoot, who knows?

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There's a little right there.

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Wherever you want light to strike.

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That's where it ought to be.

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Maybe this comes down and sort of goes

together and mountains are so much fun.

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Now it's just so much fun.

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So I doubt they'll just let you

go crazy with your imagination.

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Maybe, maybe, maybe take a little

titanium white with the least little

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amount of the little blue in it.

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And maybe, maybe let's go right here.

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There's a little bit of

snow laying up in here.

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And I put the blue in it just to give it

a little shadow color, barely touching.

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Maybe there's a little limbs right here.

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Just lay it in wherever

you think it should be.

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Maybe look right in there and then

you go back and, and you can clean

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all this up, bring it all together.

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And this is the way you lay snow in

there and you don't want too much.

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We'll keep this mountain strong and dark.

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Take a little bit of

the Vandyke Brown here.

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Just put some deep shadows

in it and Dyke Brown

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there wherever you want it.

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She has let it bounce around

and play and have fun.

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And it's a super, super little way

to make a very effective mountain.

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It's easy to do a lot of fun.

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I think you'll enjoy it out a few little.

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Things here and there.

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Just to break it up.

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Okay.

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Now I'm going to take, maybe

there's some little grassy

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areas that run up the side here.

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So I'll go right into the

same mountain color, add a

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little bit more Crimson to it.

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So I'll just tap a little

bit onto the brush.

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There we go.

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Just tap it.

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Okay.

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Let's go back up here.

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And maybe, maybe, maybe there we'll put

some little grassy areas that are coming

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right up the side of this mountain.

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Put some dark color in first, so we

can put a lighter color on top of it.

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Just, just let it pick up all these

little colors, follow the basic

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angles that are in your mountains.

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There we go over here.

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Maybe it comes right down.

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There we go.

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Now clean the brush.

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I'm gonna go right into a little bit

of CAD yellow, a little Indian, yellow.

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Just mix these on the brush and

let's begin just lifting up some of

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these little colors, just touch it.

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Lift at birth, look like a little

happy sunlight playing through

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there, and you have to decide how

far up the mountain this goes on.

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And I'm going to start adding a small

amount of SAP green here and there.

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We're beginning to see some green bear.

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And you can just play back and

forth between the greens and the

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yellows and make all kinds of

happy, little sun things happen.

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See how easy that is.

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And it's fun.

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It makes you happy, makes you happy.

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And that quickly we have, they

have a basic little mountain.

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Fair.

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And you can really, really

put some detail on these.

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There's a lot of fun to do too.

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Several ranges of them.

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Big, big, strong, almighty

mountains living up here.

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Okay.

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That'll give us something to play with

her, and I'm going to take my large brush

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and I want to, I want to soften this.

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So I'm just going to tap

it just right on the edges.

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And it's mixing with a magic

white and automatically it gets

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lighter in value automatically.

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You don't have to worry about it.

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The canvas paint, there we go.

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Soft.

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You can make hand and gently lift up.

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Can make it just a soft and tender.

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All right.

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All right.

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All right.

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Now we're ready.

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We can start playing.

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We've got a happy little

mountain back here.

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Ready to go.

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Clean deal.

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Brush off again.

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All right.

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Okay.

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Tell you what let's mix up.

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We got some mountain color

here that was Vandyke Brown.

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They look blue alizarin Crimson.

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I'm going to add to that a little

bit of SAP green, just a small

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amount, just a small amount.

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We just mix this up some color

and then I'll get the fan bright.

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Okay.

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And I'm going to load this

fan brush full of paint.

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Put a lot of pain in the bristles.

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Just pull it through there.

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Their Wiglets sometime

that helps a great deal.

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And it sharpens your brush.

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But you can see all the

painters in that brush.

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A lot of paint can go

up to the canvas here.

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Maybe there's a beautiful little

Hill that lives right there.

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You knew he was there.

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And all I'm doing here is just touching

the canvas and tapping downward

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that all these little things just

fall right out of your fan brush.

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It makes an indication of distant trees

without actually doing a lot of work.

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And I'm lazy.

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I look for easy ways to paint.

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To me painting should,

should always be fun.

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It's not fun.

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Then you have to, you have to

change something to make it fun,

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to make it fun.

258

00:12:37,585 --> 00:12:38,395

Just let these come.

259

00:12:38,715 --> 00:12:39,495

There we go.

260

00:12:41,235 --> 00:12:43,305

Trees grow to all sizes, all shapes.

261

00:12:43,305 --> 00:12:43,485

So.

262

00:12:44,760 --> 00:12:46,470

Very very little Foothill.

263

00:12:46,920 --> 00:12:47,820

It makes it more interesting.

264

00:12:47,820 --> 00:12:54,090

Put little bumps on it and trees,

all different shapes, but you

265

00:12:54,090 --> 00:12:54,810

don't want to kill all this.

266

00:12:54,810 --> 00:12:59,460

Mistier this Misty area right in here

between the dark and the mountain, this

267

00:12:59,460 --> 00:13:01,440

little Misty areas, all the separate seas.

268

00:13:02,040 --> 00:13:04,680

So treasure it so very, very important.

269

00:13:04,680 --> 00:13:05,250

Hang on to it.

270

00:13:05,580 --> 00:13:06,450

Hang on to it, keep it.

271

00:13:07,980 --> 00:13:09,600

And wherever you want us to go, wherever.

272

00:13:10,650 --> 00:13:10,870

Okay.

273

00:13:10,870 --> 00:13:11,160

We meet.

274

00:13:11,800 --> 00:13:13,200

Need to have some trees over here.

275

00:13:14,580 --> 00:13:21,120

Maybe this goes right down, just

like, so we can just drop in some

276

00:13:21,120 --> 00:13:22,590

color while we've got it on the brush.

277

00:13:25,470 --> 00:13:27,090

So this is what makes it so much fun.

278

00:13:27,540 --> 00:13:28,980

You really don't have to worry about it.

279

00:13:29,010 --> 00:13:30,300

You don't have to plan it all.

280

00:13:30,840 --> 00:13:31,860

Just sort of let it happen.

281

00:13:32,714 --> 00:13:34,875

Now with a big brush, I want

to create some more mist.

282

00:13:35,324 --> 00:13:39,074

So I'm just going to take the

tap the bottom, just tap it.

283

00:13:39,344 --> 00:13:41,685

Bad fruits, beautiful little mysterious.

284

00:13:47,505 --> 00:13:48,224

And that simple.

285

00:13:48,765 --> 00:13:52,755

You have a nice Misty area

and you need these Misty areas

286

00:13:52,755 --> 00:13:54,194

to separate different Plains.

287

00:13:55,755 --> 00:13:56,175

There we go.

288

00:13:56,175 --> 00:13:57,225

We'll just lift it up a little.

289

00:13:58,575 --> 00:14:00,755

We don't care if we get some of

these down in the water shoot.

290

00:14:00,755 --> 00:14:01,605

They just come right out.

291

00:14:01,755 --> 00:14:02,355

No big deal.

292

00:14:02,805 --> 00:14:05,175

Easy can fix easy.

293

00:14:07,235 --> 00:14:10,475

Now with the same old brush, I'm on go

right into a little bit of the CAD yellow.

294

00:14:12,005 --> 00:14:12,355

This instant.

295

00:14:12,355 --> 00:14:15,245

It has green blue on a Tesco

Jamaica, a nice green color.

296

00:14:16,355 --> 00:14:18,005

Maybe I'll add a little

more SAP green to it.

297

00:14:18,005 --> 00:14:19,625

And I want it quite a dark green here.

298

00:14:20,735 --> 00:14:20,975

Okay.

299

00:14:21,165 --> 00:14:23,855

I'm going to put a little bit of

highlight just here and there.

300

00:14:25,814 --> 00:14:27,824

Just enough to make this

a little more interesting.

301

00:14:27,824 --> 00:14:31,064

So just touching and falling down.

302

00:14:33,045 --> 00:14:34,245

Don't want to kill all this.

303

00:14:34,365 --> 00:14:38,865

Just, just hearing there and a little

Indian, yellow here and there, and

304

00:14:38,865 --> 00:14:40,545

maybe a little touch of yellow ochre.

305

00:14:41,415 --> 00:14:42,074

Don't overdo.

306

00:14:42,375 --> 00:14:42,975

Don't overdo.

307

00:14:43,485 --> 00:14:47,265

You want to keep this quite dark and we

don't want a lot of details too far away.

308

00:14:50,715 --> 00:14:51,314

There we go.

309

00:14:53,444 --> 00:14:56,594

Maybe there's a little, little

light shining right across

310

00:14:56,594 --> 00:14:59,175

there and wherever you want it.

311

00:14:59,685 --> 00:15:00,165

There we go.

312

00:15:02,415 --> 00:15:02,865

Okay.

313

00:15:03,704 --> 00:15:06,525

Now with our large brush, same old

brush, I'm just going to tap that

314

00:15:06,525 --> 00:15:09,104

again to create a nice Misty effect.

315

00:15:12,885 --> 00:15:17,175

And flight, they liked the left

upper, and we can just blend this out.

316

00:15:17,235 --> 00:15:19,415

Say I told you to go away, go away.

317

00:15:24,705 --> 00:15:25,305

Okay.

318

00:15:27,915 --> 00:15:29,625

I'm on grab button, another fan brush.

319

00:15:29,655 --> 00:15:32,445

I have several fan brushes going,

so I don't have to clean them and go

320

00:15:32,445 --> 00:15:36,585

right back into this dark color and a

little more of the green and the Brown

321

00:15:36,585 --> 00:15:40,005

and the blue good dark color Crimson.

322

00:15:41,275 --> 00:15:45,645

Should look black on your palette and

maybe, maybe, maybe, maybe, maybe.

323

00:15:46,245 --> 00:15:46,455

Yep.

324

00:15:47,295 --> 00:15:49,575

There's a happy little evergreen

that lives right there.

325

00:15:51,135 --> 00:15:57,315

And we drop a center on and then very

lightly just come right down the male,

326

00:15:57,375 --> 00:16:04,635

the happy little tree that easy there,

just work at brush back and forth.

327

00:16:07,155 --> 00:16:07,425

Okay.

328

00:16:07,485 --> 00:16:08,505

Let's give him a friend.

329

00:16:09,210 --> 00:16:14,580

He's got a friend that lives

right there, just back and forth.

330

00:16:15,480 --> 00:16:18,690

And I remember trees, they

don't grow perfect trees.

331

00:16:18,700 --> 00:16:21,000

And I like where they're like us.

332

00:16:21,000 --> 00:16:23,910

They have flaws and

they have imperfections.

333

00:16:24,360 --> 00:16:24,930

Of course you don't.

334

00:16:24,960 --> 00:16:26,910

But I have, I have several imperfections.

335

00:16:31,650 --> 00:16:31,940

Okay.

336

00:16:31,940 --> 00:16:32,760

And one right there.

337

00:16:36,795 --> 00:16:37,155

Jazz.

338

00:16:37,155 --> 00:16:41,055

Let these trees come right off your

brush in however many you want.

339

00:16:41,775 --> 00:16:43,905

And this is, this is your area.

340

00:16:43,905 --> 00:16:45,105

So however many trees you want.

341

00:16:45,870 --> 00:16:46,350

Drop them in.

342

00:16:47,160 --> 00:16:49,650

Maybe there's a little landmass

that comes right out there

343

00:16:55,560 --> 00:16:56,850

wherever you want to drop it in.

344

00:16:58,410 --> 00:16:59,730

And we need some reflections.

345

00:16:59,880 --> 00:17:03,540

So we just do what we're looking

for is just very basic shapes here

346

00:17:03,900 --> 00:17:05,010

where there's a tall tree here.

347

00:17:05,010 --> 00:17:08,520

You want to, you want to

reflection it's roughly the same.

348

00:17:11,220 --> 00:17:15,180

So you've met taller ones

just to have fun cafe

349

00:17:20,930 --> 00:17:23,840

and probably one of the most

fantastic things that happens with

350

00:17:23,840 --> 00:17:25,760

this technique is reflections.

351

00:17:25,880 --> 00:17:26,990

Watch how easy this is.

352

00:17:27,560 --> 00:17:31,130

I would touch and just pull down

and it mixes with a magic white

353

00:17:31,130 --> 00:17:32,360

and you can move his paint.

354

00:17:32,960 --> 00:17:34,130

This was a drag canvas.

355

00:17:35,390 --> 00:17:36,890

You'd be in agony city right now.

356

00:17:38,685 --> 00:17:42,495

But since it's wet, this

paint will move very lightly.

357

00:17:42,685 --> 00:17:46,784

Just go across and that quick

you have instant reflections and

358

00:17:46,784 --> 00:17:48,314

you can push the paint on here.

359

00:17:48,705 --> 00:17:49,995

Maybe it must go right in here.

360

00:17:50,595 --> 00:17:54,284

Maybe you can take and push it a

little, see how you can push that.

361

00:17:56,145 --> 00:17:58,695

You can wiggle these

reflections, make a move.

362

00:18:00,254 --> 00:18:03,375

Now, if that was a dry canvas,

once again, you couldn't do that.

363

00:18:04,935 --> 00:18:10,274

All right, I'm gonna take a little bit

of yellow ochre, put a small amount of

364

00:18:10,274 --> 00:18:14,385

white with it, just yellow ochre and

white, and get a very small roll of paint.

365

00:18:14,425 --> 00:18:17,804

Let's go up here and we'll

just use yellow ochre today for

366

00:18:17,804 --> 00:18:19,574

trunks, you could use Brown.

367

00:18:19,875 --> 00:18:22,355

I'm just, I'm in a mood to use low little.

368

00:18:22,625 --> 00:18:22,895

Okay.

369

00:18:24,605 --> 00:18:28,595

There I was born and raised in

the South and I have a tendency

370

00:18:28,595 --> 00:18:30,905

to say ochre, which is a plant.

371

00:18:32,430 --> 00:18:36,510

Very nice food I used to eat, and

it's almost a natural tendency to

372

00:18:36,510 --> 00:18:39,510

sleep rather than ochre a little.

373

00:18:40,020 --> 00:18:43,380

This is a little SAP green and

CAD yellow on the fan brush.

374

00:18:43,380 --> 00:18:48,960

And we can real quickly let, just drop in

a few little highlights on these trees.

375

00:18:50,910 --> 00:18:51,930

Don't kill all your dark.

376

00:18:52,030 --> 00:18:53,670

Dark is so important.

377

00:18:54,360 --> 00:18:55,110

So, so

378

00:18:58,970 --> 00:18:59,210

there.

379

00:19:01,455 --> 00:19:01,755

Okay.

380

00:19:01,815 --> 00:19:02,805

A little bit on this tree.

381

00:19:03,875 --> 00:19:06,005

Hey, why don't we get to sober

restaurant and I'll add a little

382

00:19:06,005 --> 00:19:11,365

bit of the yellow ochre and we'll

just very quickly just drop into

383

00:19:11,375 --> 00:19:12,725

little grassy areas here and there.

384

00:19:14,225 --> 00:19:19,295

This is Sam green, CAD yellow, yellow

ochre, and it's just all mixed on them.

385

00:19:22,025 --> 00:19:22,505

Let it go.

386

00:19:25,355 --> 00:19:27,995

Currently are now, then.

387

00:19:30,090 --> 00:19:33,090

I'm gonna take another fan brush and put

some Vandyke Brown on it and some burn

388

00:19:33,090 --> 00:19:38,940

number, just mix them on the brush and,

and, and, and I'm just going to scrub

389

00:19:38,940 --> 00:19:40,980

in some, some little ground areas here.

390

00:19:42,810 --> 00:19:43,830

Just very simple.

391

00:19:44,370 --> 00:19:44,910

Drop them in.

392

00:19:46,770 --> 00:19:47,340

There we go.

393

00:19:49,470 --> 00:19:50,100

Wherever you want them.

394

00:19:52,800 --> 00:19:53,130

Okay.

395

00:19:54,060 --> 00:19:57,510

Now I'm going to go into some

titanium white and yellow ochre.

396

00:19:58,795 --> 00:19:59,805

I cut color today.

397

00:20:00,825 --> 00:20:06,045

I Tanium white, yellow ochre, and let's

go right up here and very lightly, just

398

00:20:06,045 --> 00:20:10,605

barely, barely touching the canvas,

but a little highlight on your dirt.

399

00:20:11,375 --> 00:20:12,215

Don't want too much.

400

00:20:12,875 --> 00:20:13,415

It's too little.

401

00:20:14,885 --> 00:20:15,215

Okay.

402

00:20:15,695 --> 00:20:15,965

All right.

403

00:20:17,105 --> 00:20:17,365

There

404

00:20:20,735 --> 00:20:21,125

we go.

405

00:20:26,655 --> 00:20:28,715

And a little bit wherever,

wherever, wherever you think

406

00:20:28,715 --> 00:20:29,645

it is, that's where it is.

407

00:20:30,334 --> 00:20:32,375

Just drop right off your brush.

408

00:20:35,344 --> 00:20:39,425

And that's a super, super easy way to

make some very effective land areas.

409

00:20:41,675 --> 00:20:45,725

Now take a little bit of the color and

just bring it right down onto the land

410

00:20:46,264 --> 00:20:47,735

and that way it brings it all together.

411

00:20:48,754 --> 00:20:49,925

It makes it look like it fits.

412

00:20:52,960 --> 00:20:56,460

And a little bit of the

magic quaint on the knife.

413

00:20:56,760 --> 00:20:57,629

And let's go up in here.

414

00:20:58,050 --> 00:20:59,850

We put in some happy little water lights.

415

00:21:00,540 --> 00:21:01,139

There we go.

416

00:21:02,370 --> 00:21:04,290

And I'm just literally

cutting into the canvas.

417

00:21:04,290 --> 00:21:06,350

Just, I just like, you're

trying to cut a hole in it.

418

00:21:06,360 --> 00:21:09,000

And so canvas is tough.

419

00:21:09,210 --> 00:21:10,110

You're not going to hurt it.

420

00:21:12,720 --> 00:21:13,050

Hurt it.

421

00:21:15,659 --> 00:21:18,389

Go a little bit right there.

422

00:21:21,120 --> 00:21:21,330

Man.

423

00:21:21,330 --> 00:21:26,010

We have one side finished that easy Kane.

424

00:21:26,010 --> 00:21:28,590

Let's go over here to the other side

and I'll get some Brown and green

425

00:21:28,590 --> 00:21:31,500

and blue, lot of paint on the brush.

426

00:21:32,100 --> 00:21:34,650

Maybe there's an almighty

tree that lives over here.

427

00:21:35,130 --> 00:21:35,430

Okay.

428

00:21:35,490 --> 00:21:36,540

Maybe he lives.

429

00:21:36,840 --> 00:21:37,260

Yep.

430

00:21:37,440 --> 00:21:37,980

Right there.

431

00:21:39,040 --> 00:21:39,690

Right there.

432

00:21:42,435 --> 00:21:44,565

Janice, let this brush

play back and forth.

433

00:21:44,565 --> 00:21:46,065

And Arie comes.

434

00:21:47,745 --> 00:21:49,335

We knew he was in there.

435

00:21:53,865 --> 00:21:54,165

Easy.

436

00:21:54,165 --> 00:21:54,425

It is.

437

00:21:54,435 --> 00:21:56,205

You can just push that tree

right out of your brush

438

00:21:59,325 --> 00:22:03,435

and give him a little, give him

a little, little friend in there.

439

00:22:05,865 --> 00:22:06,345

Right?

440

00:22:09,899 --> 00:22:13,530

And maybe another one here,

however many trees you want,

441

00:22:13,530 --> 00:22:15,000

this is, this is your world.

442

00:22:15,090 --> 00:22:16,379

So it's whatever you want.

443

00:22:20,250 --> 00:22:20,790

There we go.

444

00:22:22,560 --> 00:22:24,930

All, I got this old, dirty

brush going well, I'll just

445

00:22:26,910 --> 00:22:28,110

drop something right in here

446

00:22:32,639 --> 00:22:34,530

and we need, we need, we need.

447

00:22:36,075 --> 00:22:40,005

Just like on the other side, let's put

a few reflections right in here and all

448

00:22:40,005 --> 00:22:41,625

we're doing is laying coloring right now.

449

00:22:41,655 --> 00:22:43,215

We could care less

what's happening with it.

450

00:22:45,075 --> 00:22:46,395

We'll work on all that later.

451

00:22:48,755 --> 00:22:49,245

Right now.

452

00:22:49,245 --> 00:22:54,405

Just lay some color off

back to her large brush.

453

00:22:54,825 --> 00:22:56,835

Let's make some beautiful

little reflections right here.

454

00:22:57,225 --> 00:23:01,965

Pull down, straight down, go across.

455

00:23:04,800 --> 00:23:05,190

Okay.

456

00:23:05,280 --> 00:23:10,500

And back to her, the yellow ochre

and white, maybe I'll put a tiniest

457

00:23:10,500 --> 00:23:13,980

little bit of burn number into it,

just to darken it down a little bit.

458

00:23:13,980 --> 00:23:19,320

For this side, it would drop a few

little trunks here and here, just

459

00:23:19,320 --> 00:23:23,880

like so a little bit of highlight

color, the green and the yellow.

460

00:23:25,440 --> 00:23:30,780

See, they say that, just put some leaves

on that rascal tree trainees and leaves.

461

00:23:30,780 --> 00:23:31,680

So he shines.

462

00:23:32,820 --> 00:23:37,110

He was sparkled in the sun there.

463

00:23:38,629 --> 00:23:41,389

And maybe, maybe, maybe

we're in a fan Briscoe.

464

00:23:41,389 --> 00:23:41,960

There it is.

465

00:23:42,530 --> 00:23:44,389

Get some Vandyke Brown little bird number.

466

00:23:44,750 --> 00:23:47,210

Maybe that's a nice big

stone that lives right here.

467

00:23:48,889 --> 00:23:52,820

See how easy can just drop in a big stone.

468

00:23:52,850 --> 00:24:00,080

Maybe he's got a friend that lives

over here, back to my yellow ochre.

469

00:24:01,890 --> 00:24:06,300

And if you ever have trouble making paint,

stick at a small amount of paint thinner,

470

00:24:07,350 --> 00:24:09,000

then paint will stick to thick paint.

471

00:24:09,310 --> 00:24:10,590

A little highlight of here.

472

00:24:11,130 --> 00:24:14,700

When I add a least little touch of

permanent red to that, to yellow

473

00:24:14,700 --> 00:24:16,200

ochre, little permanent red.

474

00:24:16,710 --> 00:24:18,000

And don't, overmix your color?

475

00:24:19,430 --> 00:24:23,990

Don't overmix it a bit right in there.

476

00:24:27,720 --> 00:24:28,320

Okay.

477

00:24:28,350 --> 00:24:29,639

Now we'll go back to our fan brush.

478

00:24:29,639 --> 00:24:31,169

It had the green and the yellow on it.

479

00:24:31,649 --> 00:24:33,510

Maybe we'll put some happy

little bushes and stuff.

480

00:24:33,510 --> 00:24:34,770

Right, right there it is.

481

00:24:36,000 --> 00:24:39,510

Then just let it play down around all

around the little stones in the rocks.

482

00:24:42,270 --> 00:24:44,610

Very color is a little, I can sparkle

483

00:24:48,629 --> 00:24:49,950

that tree come right on down.

484

00:24:52,275 --> 00:24:53,085

There we are.

485

00:24:57,705 --> 00:25:02,325

Let's see how easy it is to make a very

effective and very pretty little painting.

486

00:25:03,165 --> 00:25:04,185

Go back into my magic.

487

00:25:04,185 --> 00:25:10,185

Quite put some water

lines here, just like, so

488

00:25:16,275 --> 00:25:18,045

maybe, maybe there we go.

489

00:25:18,105 --> 00:25:19,815

Little water line comes

right around the stove.

490

00:25:21,000 --> 00:25:22,350

But let it come around this door.

491

00:25:23,250 --> 00:25:26,399

Don't just cut the bottom off

straight your stone, the stone

492

00:25:26,399 --> 00:25:27,719

won't be near as interesting.

493

00:25:28,820 --> 00:25:33,949

We want nice, interesting, happy

little stones here, Jess Leksell.

494

00:25:34,879 --> 00:25:37,580

And I think, I think we've

got, get a finished painting.

495

00:25:38,149 --> 00:25:41,270

So I'm gonna take a little bit

of thin oil and this could be

496

00:25:41,360 --> 00:25:43,370

linseed oil or coconut or whatever.

497

00:25:43,639 --> 00:25:44,149

It doesn't matter.

498

00:25:44,750 --> 00:25:45,649

Let's go right up in here.

499

00:25:45,919 --> 00:25:48,709

Sign this one little permanent red.

500

00:25:49,635 --> 00:25:52,455

And when you're signing yours at home,

sign it in any color that you want.

501

00:25:52,605 --> 00:25:53,445

I just like red.

502

00:25:56,015 --> 00:25:58,965

We are, I think we have a

finished painting and from all

503

00:25:58,965 --> 00:26:00,405

of us here, happy painting.

504

00:26:00,585 --> 00:26:01,185

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S06E03 - Morning Mist

Bob Ross's

The Joy of Painting

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