Bob Ross's

The Joy of Painting

S06E13 - Blaze of Color

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Hello.

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I'm glad you could join me again today.

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And today I thought we'd do a black canvas

and this painting will be a lot of fun.

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I think you'll really enjoy it.

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I've taken and put a strip of alizarin

Crimson rat across the center here

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and in the top and bottom are thalo

blue, and I'm going to have them

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graphically run all the colors that

we'll use today across the screen.

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And they'll come across in the order

that I have them on the pallet,

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starting with a white and going around.

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And while they're doing that,

let's get started and do a

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fantastic painting together.

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We'll start with the two

and a half inch brush today.

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Go right into some titanium white

and we'll just load some up in both

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sides of the brush loaded up here.

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We'll just have some fun.

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Okay.

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Let's go up to the canvas now as.

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As I said earlier, there's a lizard

and Crimson right across here.

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So if we hit white hair, hopefully,

hopefully for there it is,

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you get a beautiful, beautiful

pink color, reddish color.

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That's unbelievable.

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Isn't it?

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It's just right there.

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It happens.

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And then we want to blend that upward.

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Now, now we're beginning to get into

the blue, seeing all these little

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things just happen automatically.

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Our canvases are painted with a flat

black acrylic and allowed to drive.

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And then we go back and we put this

firm from strong color on top of it.

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I'm going to clean the brush.

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We clean our brushes with odorless

paint, thinner, shake off the

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excess, and then beat it dry.

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Now you can do this as many times as

you want and get any desired brightness

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that you want in these paintings.

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But each time you could start, start

with a clean brush and go back to

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the lightest area and work outward.

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You don't want to drag the dirty

brush back into the center.

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The blue is much, much stronger.

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Then the Crimson so very easily, you can

lose all of your Crimson color right here.

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I'm touching a little bit of white and I'm

just going to make a couple little spots,

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a little lighter just to break up the sky.

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So it's just not one flat and dead color.

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And then we can clean the brush.

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Again, need to keep a clean brush.

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Okay.

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Should I get off?

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All right.

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Now then let's go back in here

and let's just blend out all

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the little brush strokes, very

gently, very gently, and that easy.

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You've got a beautiful, beautiful little

sky, nice red glow in the horizon.

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Very exciting.

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A lot of fun.

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Okay.

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And that easy.

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That's how you get a beautiful

little background and.

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This will work with any transparent color.

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So play with it.

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We're just trying to give you ideas and

then we turn you loose on the world.

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So play with this and you

can do unbelievable things.

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Okay.

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Let's begin working on some background.

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Maybe, maybe, maybe there's

some little foothills back here.

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We want to just use the same old brush.

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It's go right into a

little bit of CAD yellow.

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There were some Indian, yellow, the yellow

ochre just sorta worked back and forth.

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Pick up a little SAP

green, put it in there too.

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So, and you just tap, there you go.

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Just load quite a bit of

pain in the bristles and work

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this color back and forth.

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So you have layers of different color

happening is clipped to the canvas here.

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Maybe there's a little footy Hill that

lives right there, and I'm just using the

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corner of the brush and we'll just touch.

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And I didn't want to ride on

down wherever you want it to go.

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Wherever, wherever there.

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Okay, little more counter and you

can just, but as many of these little

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foothills as you want, let's drop them

in little distant things happening.

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Maybe, maybe, maybe it

comes right over there.

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It is.

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There it is wherever you want it to go.

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Okay, that's simple.

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We get a beautiful little

Foothill back here.

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Now, if you wanted to create a little

Misty area here, you could take

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a clean, dry brush, and I've got

several brushes go in here and just

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tap this, just tap it very lightly.

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And that darker color is

underneath will come through.

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So all you gotta do just tap it like that.

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And it'll create a Misty look down here.

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Okay.

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Let's go back in here and get

a little more of the color.

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This is CAD yellow, Indian, yellow,

and a little bit of yellow ochre.

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Okay.

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Go back up here now.

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And maybe, maybe, maybe, maybe

in your world, there's a little

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Foothill that lives right there.

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And maybe this one, maybe

it just comes across there.

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It goes.

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There it goes wherever

you want it to go forever.

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There and sort of do this in layer,

doing that, doing the parts as fathers

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to way first, and you don't want to

kill all your dark areas in here.

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If you kill all the dark areas, then

you're going to lose your depth.

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It's going to get very flat on you.

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So if you notice it becoming very flat

check to make sure you haven't killed

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all these target carriers, that's

usually what happens if your paint,

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if you have trouble making you paint.

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Stick, add a least, at least a little

amount of paint, thinner to your

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brush and then go into your pain.

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It'll make it stick.

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Okay.

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There we go.

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Bring it right on down.

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And if you get one that's too

bright, if you don't like it, if

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it's too bright, I can't do it.

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Just continually tap it for a little bit.

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It'll pick up the dark color

this underneath and automatically

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you'll get darker, darker,

darker, tillable the family.

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Just go away and leave you Jess.

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Go ahead and leave.

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You.

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There we go.

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I think that gives us a general

little Hill back here to play with.

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Let's go.

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I want some, I want some dark color.

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Let's make some black,

I'll use some things go.

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Green alizarin, Crimson,

and about equal parts.

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I want this well mixed.

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So you pick the paint up off

the pallet, turn it over there.

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All right.

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Let me clean my knife off here.

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Yeah, we'll be ready.

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It helps to have some paper

towels or something around

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the cleaned in the iPhone.

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Okay.

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We'll get a fan brush and then we'll

go right into this dark color load.

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A lot of color on lot of color,

pull it through their wiggle,

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wiggle, wiggle, and then shorten it.

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But look at all the colors in that brush.

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That's what you want about a color.

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Okay, let's go up here.

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Maybe, maybe, maybe there's

some little, there it is.

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I knew it was there a little

evergreen, it lives right there.

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You just, the corner of the brush, just

the corner, work it back and forth.

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These little evergreens live right here in

your fan brush, and you can make them with

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a one inch brush two and a half inch brush

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today.

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I thought we're dealing with a fan brush

bed, whatever you got handy, whatever.

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Maybe there it is.

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There's a little one here

and another one right here.

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Just a little tree.

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He lives right there.

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And I'll tell you what, I want

another one here, right there.

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Maybe I know there's

one on the other side.

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Let's go on the other side over here.

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One lives right there.

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He's up on the Hill.

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So he looks a little bit, a little

bit taller, a little higher,

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see how easy those trees are to make.

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And they're fun.

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Sometimes.

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Sometimes you get carried

away and cover up the whole

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canvas with just little trees.

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Probably it's exciting to see them

just drop right out of your brush.

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There.

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And maybe there's some little things that

grow right down in the dark against light,

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dark against light, light against dark

continually continually play with that

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light against dark, dark against light.

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That's what makes it work like that?

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Wherever you want it to go.

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It's a little things happening in here.

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Okay, now we'll take our big brush again.

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We can clean this bottom up a little bit,

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just playing that dark in

and everything is separate.

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It separates because it's dark

against light and he creates the

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illusion of shadow right there.

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In painting is nothing

to games of illusions.

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There we go.

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All right.

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Maybe there's a happy

little pond right here.

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Maybe let's just take some of the same

color and go right here beside maybe

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there's some water lives right there.

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Now this blue underneath, and

I've got yellow on the brush.

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So it's going to change.

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It's going to turn a nice green color.

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Okay, just pull it straight down,

straight down, and very lightly.

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Go across

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water water.

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Now we'll take the old fan brush here.

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We'll go right into a little bit of

Vandyke Brown and some burn number.

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Just mix them on the brush a little

Bandag a little burn number and let's

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begin putting some land areas in here.

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We got water.

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We need some land and here it comes.

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It was right there.

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And you need to do these

types of paintings and stages.

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Do the thing it's farthest

away first and work forward.

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So you can put reflections and

highlights and shadows and everything.

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And each at each plane each stage.

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Now I'm going to take another fan brush.

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I've got several fan brushes going here

also, and I'll go into some yellow ochre.

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A little bit of white,

white, little yellow ochre.

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There we go.

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Okay.

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Turn it.

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Brush load.

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Both sides.

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Okay.

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Let's go up here now.

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Very lightly.

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It's just grazing the top.

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Lay him a little bit of highlight

and don't want to kill all

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that nice dark color that you

worked so hard to put in there.

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Don't want to kill all that.

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If you're going to kill it,

no use putting it in there.

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There we go.

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Just to add a little here and there,

wherever and let it just sort of feed

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back up into the little grassy areas.

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That's pretty,

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I love these black canvases of

some of the most fantastic things

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imaginable will happen off.

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Uh, it just so much fun.

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Okay here, we just bring it all together.

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Okay.

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Now, now we can come forward.

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So you do do this in stages.

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Maybe now there's another one comes right

there, right there, wherever you want.

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And I'm going through the

Andean yellow on the CAD yellow.

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No yellow Volker, South green

and this blue on the canvas.

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So if you keep tapping any

of these yellows will turn

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in a beautiful green for you.

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So you can get all the

grain that you want.

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Do you want to get too much green?

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If you're not careful,

don't tap it too much.

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Now let's pull some

reflections right under that.

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Pull straight down the same color.

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That's straight down.

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Look at the head, look at that.

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If they look blue under there,

this absolutely makes them

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beautiful reflections saying

you're letting the canvas work.

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You could do all this on a white canvas.

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No problem.

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But you would have to work a lot

harder now would just go across.

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Are these strokes frost

need to be straight across,

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need to go straight across your water.

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Looked like it's going to run

right out of the painting.

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We don't want that.

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Take a little more of the Vandyke

Brown and the burn number.

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And we'll put some land here.

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This is quite repetitious here.

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This I'll just quickly get through

that little yellow ochre and white,

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and we can highlight these a little.

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Just like, so just barely touching

me, touching, scrub a little that

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in here and there, here and there.

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Okay.

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Let's let's take the knife and I'll go

right into a little bit of burn number.

254

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I'm going to go right up here.

255

00:13:41,175 --> 00:13:45,465

And just lay in some little indications

of some water lines here and there,

256

00:13:45,595 --> 00:13:46,845

just using a little burn number

257

00:13:50,675 --> 00:13:55,445

and that also cleans the

edges makes it very pretty.

258

00:13:57,155 --> 00:14:02,345

Just wherever you want to Paris one

just where the land and water meet.

259

00:14:06,845 --> 00:14:07,535

Okay.

260

00:14:09,615 --> 00:14:10,185

Tell you what?

261

00:14:10,214 --> 00:14:15,615

Let's go on the other side of this canvas

and see what we can make over there.

262

00:14:15,615 --> 00:14:19,454

Maybe it looks like a

good place right there.

263

00:14:19,964 --> 00:14:22,755

Maybe there's a little peninsula

that comes right out through there.

264

00:14:25,525 --> 00:14:25,834

Easy.

265

00:14:25,834 --> 00:14:26,435

These are though.

266

00:14:27,035 --> 00:14:27,814

You can just let them go.

267

00:14:27,875 --> 00:14:30,814

Let your imagination take you everywhere.

268

00:14:35,824 --> 00:14:36,515

There we go.

269

00:14:37,735 --> 00:14:40,905

Maybe the greatest gift that an

artist has is an imagination.

270

00:14:42,285 --> 00:14:47,295

And it's like everything else you practice

with, it makes it strong, works better.

271

00:14:48,415 --> 00:14:51,525

Use your imagination, visualize

scenes in your mind, make them up

272

00:14:51,525 --> 00:14:52,755

in your mind before you paint them.

273

00:14:54,375 --> 00:14:55,035

Go across.

274

00:14:57,465 --> 00:15:01,605

Sometimes before I ever do a scene

on canvas, I may have painted

275

00:15:01,605 --> 00:15:03,825

it a hundred times in my mind.

276

00:15:04,410 --> 00:15:05,310

Every stroke of it.

277

00:15:05,340 --> 00:15:10,319

I know every stroke before it

ever touches a canvas and it's

278

00:15:10,319 --> 00:15:12,060

like, we can athletes do it.

279

00:15:12,060 --> 00:15:13,500

They, they psych themselves up.

280

00:15:13,500 --> 00:15:16,740

They say they see themselves going

over the big jump or the hurdle.

281

00:15:17,010 --> 00:15:18,540

And you do the same thing with painting.

282

00:15:19,140 --> 00:15:23,100

You see these in your mind, you

practice them in your mind and

283

00:15:23,100 --> 00:15:24,470

then you can put them on canvas.

284

00:15:25,550 --> 00:15:29,630

That's what's fun, but it'll

highlight still using the same colors.

285

00:15:31,545 --> 00:15:38,385

Okay, let me go back with her number and

drop him just a happy little water line.

286

00:15:40,035 --> 00:15:40,574

Okay.

287

00:15:42,045 --> 00:15:46,905

And I can't say it enough of you do

these in stages, working thing as

288

00:15:46,905 --> 00:15:48,975

fathers to away first and coming forward.

289

00:15:49,395 --> 00:15:51,915

If you try to do it all at one time,

it looks like it'd be easier, but

290

00:15:52,275 --> 00:15:53,655

sometimes it'll get you into trouble.

291

00:15:54,405 --> 00:15:56,655

Do stages of time, stage of time.

292

00:15:57,135 --> 00:15:57,824

You'll be happier.

293

00:15:59,775 --> 00:16:01,875

Maybe maybe there it is.

294

00:16:02,595 --> 00:16:04,575

Just keep building these

wherever you want them.

295

00:16:04,575 --> 00:16:08,175

This is just a happy little pond

setting out here taking life easy.

296

00:16:10,275 --> 00:16:13,814

All right, let it go.

297

00:16:16,395 --> 00:16:17,075

Let it go.

298

00:16:17,175 --> 00:16:17,795

Just ride on.

299

00:16:22,515 --> 00:16:26,285

All kinds of beautiful little things

happening, picking up that blue

300

00:16:26,285 --> 00:16:28,865

that's underneath you reflections.

301

00:16:30,215 --> 00:16:32,855

See each one of these little

peninsulas needs reflections, or

302

00:16:32,855 --> 00:16:34,145

it won't sit down into the water.

303

00:16:34,145 --> 00:16:34,505

Right?

304

00:16:35,495 --> 00:16:37,025

Don't leave your reflections out.

305

00:16:37,025 --> 00:16:44,615

Go across back to her Brown burn Humber,

but a little bit of land area real quick.

306

00:16:49,094 --> 00:16:49,995

A little highlight on it

307

00:16:54,785 --> 00:16:58,625

when you're in business again, and

you have to make another decision.

308

00:16:58,625 --> 00:16:59,615

Where does this go?

309

00:17:00,155 --> 00:17:00,635

I see it.

310

00:17:01,545 --> 00:17:02,015

See anything.

311

00:17:02,015 --> 00:17:06,724

You don't want you to just cut it off,

bring it right on down through there.

312

00:17:07,714 --> 00:17:07,805

Okay.

313

00:17:09,270 --> 00:17:13,800

And you've created all these little

things very easily, very easily.

314

00:17:14,069 --> 00:17:15,030

And you don't worry about it.

315

00:17:15,030 --> 00:17:19,349

You just sort of evaluate this as

you go along and let things happen.

316

00:17:20,689 --> 00:17:21,379

Don't worry about it.

317

00:17:23,089 --> 00:17:23,780

Don't worry.

318

00:17:28,129 --> 00:17:28,520

Okay.

319

00:17:29,389 --> 00:17:31,460

Let me just, it we'll

just fill this all up.

320

00:17:31,669 --> 00:17:32,750

Don't kill all the dark areas.

321

00:17:32,750 --> 00:17:34,010

Leave some of these dark areas here.

322

00:17:35,985 --> 00:17:45,005

Don't wanna lose that distance and depth

in this there darker, darker, darker.

323

00:17:45,005 --> 00:17:48,365

If you want a darker, you just keep

tapping, get darker and darker and darker.

324

00:17:48,365 --> 00:17:50,135

Cause it'll pick up

that blue is underneath.

325

00:17:55,895 --> 00:17:56,255

All right.

326

00:17:56,255 --> 00:17:58,055

Let's let's build a few

little trees in here.

327

00:17:59,165 --> 00:18:03,395

I'm going to take a little bit of

oil and go right into my Brown.

328

00:18:04,064 --> 00:18:05,534

Right into the Vandyke Brown.

329

00:18:06,435 --> 00:18:07,544

And let's go right up here.

330

00:18:07,754 --> 00:18:11,685

Maybe there's a maybe,

maybe, yeah, you're right.

331

00:18:11,685 --> 00:18:12,735

There's a happy little tree.

332

00:18:13,274 --> 00:18:13,995

He lives right there.

333

00:18:15,855 --> 00:18:19,605

Now you can thin this paint with

a thin oil, such as Lindsey Dahl.

334

00:18:19,605 --> 00:18:26,355

Copel basically any kind of

oil just to thin the paint.

335

00:18:26,385 --> 00:18:29,504

I like oil because it makes

the paint slide on the canvas.

336

00:18:30,165 --> 00:18:32,715

Or you can use paint thinner

right then or within the paint.

337

00:18:34,680 --> 00:18:36,960

Does that say the oil makes

the brush slide on a canvas?

338

00:18:36,960 --> 00:18:38,250

It's a little more fun to use.

339

00:18:38,820 --> 00:18:39,390

There we go.

340

00:18:39,510 --> 00:18:40,200

A little tree there.

341

00:18:40,920 --> 00:18:48,720

Maybe, maybe there's a larger tree

and he lives, he lives right there.

342

00:18:49,110 --> 00:18:51,629

This will help build a little

distance into the painting to

343

00:18:52,500 --> 00:18:53,670

putting a few of these in there.

344

00:18:58,070 --> 00:19:00,230

and if the paint doesn't

stick, add a little more oil,

345

00:19:00,290 --> 00:19:01,160

a little more paint, thinner.

346

00:19:02,280 --> 00:19:05,790

Make it a little thinner, then

it'll stick a little bit of oil

347

00:19:08,810 --> 00:19:09,230

stick.

348

00:19:10,910 --> 00:19:11,040

Okay.

349

00:19:11,040 --> 00:19:11,300

Hang on.

350

00:19:11,330 --> 00:19:14,150

Make his trunk a little

stronger right there.

351

00:19:16,160 --> 00:19:16,850

There we go.

352

00:19:18,500 --> 00:19:20,660

Maybe, maybe, maybe,

maybe he's got an arm.

353

00:19:20,660 --> 00:19:25,100

It comes around and out here,

you know, trees, trees grow.

354

00:19:25,100 --> 00:19:26,180

However, make him happy.

355

00:19:28,215 --> 00:19:29,475

And that's the way you were to paint them.

356

00:19:29,475 --> 00:19:31,215

However, however, makes you happy.

357

00:19:33,015 --> 00:19:35,715

And there's hundreds and hundreds

and hundreds of little limbs,

358

00:19:36,735 --> 00:19:42,615

and you can take your liner brush

and very lightly, but a man, you

359

00:19:42,615 --> 00:19:44,355

know, just barely touching public.

360

00:19:45,255 --> 00:19:45,945

That's how they're done.

361

00:19:46,185 --> 00:19:50,775

And you can put in just oodles

of these and it, people that you

362

00:19:50,775 --> 00:19:52,125

work for months on this painting.

363

00:19:55,185 --> 00:19:56,534

That's when you up to price,

364

00:20:00,615 --> 00:20:01,274

there we go.

365

00:20:02,315 --> 00:20:05,105

You know, so many painters for years

have painted very rapidly, like,

366

00:20:05,105 --> 00:20:06,335

yes, but it was done in secret.

367

00:20:06,335 --> 00:20:10,445

They didn't tell you, cause you

wouldn't pay $5,000 for pain that

368

00:20:10,445 --> 00:20:11,524

was done in the house an hour.

369

00:20:13,385 --> 00:20:17,135

And we're going to show you how,

and you can make your own creations

370

00:20:20,254 --> 00:20:20,555

there.

371

00:20:21,485 --> 00:20:22,655

Maybe a little arm up there.

372

00:20:24,550 --> 00:20:28,750

Just let that go right on back here.

373

00:20:28,750 --> 00:20:30,770

We can tap right there and

that cleans up the bottom.

374

00:20:31,820 --> 00:20:32,270

Okay.

375

00:20:34,070 --> 00:20:38,570

Maybe I had some evergreens back

here in the background, so maybe,

376

00:20:38,630 --> 00:20:43,280

maybe, maybe there's a huge

evergreen that lives over here.

377

00:20:44,120 --> 00:20:48,920

So let's go right into some

Brown, just Vandyke Brown load,

378

00:20:48,920 --> 00:20:50,090

a lot of pain into the brush.

379

00:20:50,180 --> 00:20:51,440

Just really fill it up.

380

00:20:52,455 --> 00:20:53,985

Oh, my gosh, that brush is full of paint.

381

00:20:54,044 --> 00:20:57,824

Look at they're like a lot of pain.

382

00:20:57,885 --> 00:20:59,235

All right, let's go up to the canvas here.

383

00:20:59,655 --> 00:21:03,044

Maybe there's a big tree

and he lives right here.

384

00:21:03,375 --> 00:21:09,435

Now, all I'm doing is just touching sort

of padding the canvas and come right

385

00:21:09,435 --> 00:21:10,995

on down to wherever you want him to go.

386

00:21:13,635 --> 00:21:18,125

Yeah, out here on the side, I

want it to be sort of rough and

387

00:21:18,965 --> 00:21:21,275

you get all these little hangie

downs on the side of the tree.

388

00:21:21,275 --> 00:21:26,555

So look at evergreens, they got all

kinds of little things happening.

389

00:21:26,705 --> 00:21:30,905

It's just Vandyke Brown and I'm just

padding it, Brad, onto the camera.

390

00:21:30,935 --> 00:21:31,925

It's just Pat, Pat, Pat.

391

00:21:33,515 --> 00:21:35,645

I have a good friend named Pat, Pat, Pat.

392

00:21:36,755 --> 00:21:38,795

So now we'll take a little bit of white.

393

00:21:39,510 --> 00:21:43,350

This is just titanium white,

small amount of burn number in it.

394

00:21:45,149 --> 00:21:47,399

Here we go there.

395

00:21:48,439 --> 00:21:48,679

Okay.

396

00:21:48,710 --> 00:21:50,960

A lot of paint once again,

let's go back up to the canvas.

397

00:21:51,439 --> 00:21:54,169

Now I want to put this

light color over here.

398

00:21:55,890 --> 00:21:56,970

Come right down the side.

399

00:21:59,160 --> 00:22:00,630

Just, just tap, tap, tap.

400

00:22:03,000 --> 00:22:03,210

Okay.

401

00:22:03,270 --> 00:22:05,490

And then we can begin

where it comes together.

402

00:22:05,490 --> 00:22:08,130

Just begin tapping lightly

and blend it all together.

403

00:22:10,140 --> 00:22:11,850

See there you that easy.

404

00:22:11,880 --> 00:22:17,160

You've got a nice light side of

the tree and you can spend a lot

405

00:22:17,160 --> 00:22:19,950

of time working yourself to death

on they, so you can just, you

406

00:22:19,950 --> 00:22:21,840

can just do it very easily there.

407

00:22:23,220 --> 00:22:24,810

Me put in some of these

little hangie downs.

408

00:22:25,890 --> 00:22:28,890

And if you get a little more light than

you want, you can take the dark and go

409

00:22:28,890 --> 00:22:31,200

back over and blend it all together.

410

00:22:31,560 --> 00:22:33,000

It's very easy to correct.

411

00:22:33,030 --> 00:22:33,630

No problem.

412

00:22:35,160 --> 00:22:37,200

You can make some

almighty, beautiful trees.

413

00:22:37,200 --> 00:22:40,620

Like, yes, it's a fun way to make trees.

414

00:22:41,760 --> 00:22:44,430

Can maybe go back into some Brown hair.

415

00:22:45,900 --> 00:22:50,940

Maybe there's a, there's an only Elmer

too, that hangs right down and all I'm

416

00:22:50,940 --> 00:22:52,500

doing is going straight into the canvas.

417

00:22:52,560 --> 00:22:58,380

Just touching, just touching,

come right down, like bear.

418

00:22:58,380 --> 00:23:02,610

It is saying, give them some little

arms and all these little things here.

419

00:23:04,860 --> 00:23:10,890

Many as you want, maybe there's areas

I knew there was one there you did too.

420

00:23:13,370 --> 00:23:14,850

It comes right on out

421

00:23:18,690 --> 00:23:19,530

channel go.

422

00:23:20,820 --> 00:23:23,310

There is another one

wherever you want them.

423

00:23:25,290 --> 00:23:25,650

Okay.

424

00:23:25,890 --> 00:23:27,030

Maybe there's one here.

425

00:23:27,660 --> 00:23:31,230

And I like to make them that sort

of wrapped around a tree and it

426

00:23:31,230 --> 00:23:33,570

always breaks it up and makes it

look a little more interesting.

427

00:23:33,570 --> 00:23:35,850

And it just, just hanging off both sides.

428

00:23:37,710 --> 00:23:38,850

Cause that's the way they girl.

429

00:23:40,440 --> 00:23:41,430

And it's the way that girl,

430

00:23:44,840 --> 00:23:49,910

Oh, these little things happening

out here and we can take, that'd be

431

00:23:49,920 --> 00:23:54,890

the light color and very lightly,

very lightly highlight some of these.

432

00:23:58,500 --> 00:24:01,550

It really pays you to have several fan

versus going several, whatever bursts

433

00:24:01,550 --> 00:24:05,540

going that way, you don't have to

spend so much time cleaning your brush.

434

00:24:06,590 --> 00:24:06,920

Plus.

435

00:24:08,610 --> 00:24:10,140

A lot of paint is saved.

436

00:24:10,260 --> 00:24:13,230

Otherwise, all your paint, not all your

paint, but a lot of your opinions up

437

00:24:13,590 --> 00:24:15,120

just in the bottom of your cleaner can.

438

00:24:15,129 --> 00:24:17,520

So if you have several brushes,

you can work back and forth.

439

00:24:18,180 --> 00:24:23,190

I have a brush for light and a brush

for dark and can save a lot of paint.

440

00:24:23,790 --> 00:24:23,940

Okay.

441

00:24:23,950 --> 00:24:26,190

Let's go down here and clean the

foot to this tree up a little bit.

442

00:24:26,190 --> 00:24:27,870

I'll just add a little

grass right down here.

443

00:24:31,700 --> 00:24:32,540

It's very enlightening.

444

00:24:33,410 --> 00:24:34,640

Pick up a little that dark color.

445

00:24:34,680 --> 00:24:35,210

My brush.

446

00:24:35,370 --> 00:24:41,570

Yeah, we'll put a little shadow behind

here, there, and all we're doing shadows.

447

00:24:41,570 --> 00:24:43,370

Let's go back up right up here.

448

00:24:44,000 --> 00:24:47,870

And I want to add a little dark

right behind him, this tree to

449

00:24:47,870 --> 00:24:49,190

make it look like a little shadow.

450

00:24:51,500 --> 00:24:54,800

And then other side of the brush has

light up color on this one other corner.

451

00:24:54,800 --> 00:24:59,540

So I'll just go back in that

fund and it gives the impression

452

00:24:59,540 --> 00:25:00,500

of a little bitty shadow.

453

00:25:02,540 --> 00:25:03,860

We can take the liner brush.

454

00:25:05,505 --> 00:25:06,005

Okay.

455

00:25:06,225 --> 00:25:09,755

You can come back in here and lay all

kinds of beautiful little highlights.

456

00:25:11,635 --> 00:25:12,065

Okay.

457

00:25:12,275 --> 00:25:13,115

Just blend them in.

458

00:25:13,565 --> 00:25:15,515

So you need a little light

here to make it stand out.

459

00:25:18,935 --> 00:25:23,555

It gives you some, some ideas

to work with, and this is a

460

00:25:23,825 --> 00:25:24,905

fantastic little painting.

461

00:25:24,935 --> 00:25:25,925

It's very easy to do.

462

00:25:26,705 --> 00:25:27,665

And I think you'll enjoy it.

463

00:25:27,665 --> 00:25:28,955

Should give you a lot of ideas.

464

00:25:29,045 --> 00:25:31,415

So let's take some thin

oil, a little permanent red.

465

00:25:32,610 --> 00:25:34,860

And we'll go right up here and

sign this one, call it finished.

466

00:25:37,910 --> 00:25:42,500

And once again, I really hope this

painting has give you some ideas, set your

467

00:25:42,500 --> 00:25:46,010

imagination on fire between the next week.

468

00:25:46,010 --> 00:25:48,170

You'll do all kinds of beautiful things.

469

00:25:48,830 --> 00:25:51,050

And until then, we'd like

to wish you happy painting.

470

00:25:51,830 --> 00:25:52,280

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S06E13 - Blaze of Color

Bob Ross's

The Joy of Painting

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