Bob Ross's

The Joy of Painting

S04E02 - Tranquil Valley

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Hi, I'm glad to see you today.

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Glad you could join me today.

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I thought we'd do a black canvas and,

and I've taken, uh, a black canvas here

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and I've covered the whole thing with

a lizard Crimson and failover blue.

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And I've just sort of mixed them on the

brush and just covered the entire canvas.

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So I'll have them graphically run

all the colors that you need across

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your screen, and you can see the

colors we're going to use to do this

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beautiful little painting today.

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And while they're doing

that, let's get started.

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So I say this is alizarin

Crimson and fail-over blue.

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So it's sort of a purplish color up here.

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We hope we hope it's hard to see.

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Take a little bit of white on the large

brush and let's go right up here and just

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lay a little bit of color in this guy.

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This is just plain white, but

it's picking up the purple-ish

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color that we have underneath.

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Just asked a little titanium, just

let it bounce around and play.

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If everything works just right

when this painting's done.

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I don't think he's going to

look like a black canvas.

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I think it'll look like white canvas.

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Just want to show you how versatile

little some of these black canvases are.

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There are some of the most

fantastic things going.

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That'll give us just a little

bit of color in this guy.

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That was a personal issue.

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You could make this any color you want.

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If you want to be more of a bluish

color, have more fatal gleaned in Crimson

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and automatically you'll have that.

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Okay.

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Let's wash the brush and what the heck.

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And we wash our brushes

with odorless paint thinner

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on the dry, and then we're in business.

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Let's take a, let's take

a little fan brush today.

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It's build a happy little cloud

up this guy and I'll use some

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titanium white on the fan brush and

put a lot of pain into the brush.

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A lot of paint.

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Then let's go up to the canvas here.

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He was just a corner of the brush

and very quickly, we'll just drop

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in some happy little floaters, right

under here, little clouds are free.

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They just sort of float

around and have fun.

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Just let them go wherever, wherever

got to make these decisions.

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Where are they at?

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And we'll take our big brush.

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It's clean and dry.

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Very gently, very gently.

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Let's plan this out.

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It also is picking up that

color it's underneath.

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At first coat of paint that we

put on is put on with very firm

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paint, very dry from paint.

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So you can do all this blending

without becoming a mud mixer.

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If you, if you use thin Orly

paints here and you try to do all

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this, you're going to become a mud

mixer going to be upset with me.

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I don't want you to be unhappy.

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So gently blend the cross and

that easy, that easy that's very

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effective, beautiful little clouds.

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All there is to it.

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We can clean the old brush again.

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Okay.

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It's really, maybe the most fun

part of this whole technique

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is, was cleaning the brush.

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Oh, you can take out all your hostilities.

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All right.

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Maybe there's a little, maybe there's

a little footie Hill back here.

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A little foot Hill and let's

take, let's take, let's take, we

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just mix it on the brush here.

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So they look blue.

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A little Crimson into it, unless you

use some SAP green right into it.

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And this is just mixed with a brush shoot.

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No big deal.

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Put a little white in there and

we can see what color we got.

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Okay.

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Let me add a little Brown on Dell.

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It too bright, too bright.

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So you can Dell it right down a

little Brown and that'll dull it down.

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Okay.

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A lot of paint on the brush.

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Let's go up to the canvas.

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Maybe their lives, a little Foothill.

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Yeah, you're right there he is.

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And just use the corner of the brush.

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I mean, we'll just put a basic

little Foothill shape right in there.

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Just like, so let it go there.

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And all you're looking for

is very, very basic shape.

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Okay.

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Now we'll take the large brush,

grab it and pull it down.

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Hold it down.

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Easy.

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And just by changing the direction of

the brush, you can make the illusion of

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all kinds of highlights and shadows just

by changing the direction of the brush,

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especially on these black canvases.

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If you want to create miss down at the

bottom, take a little white on the brush.

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Very little, very, very little, and

just tap it in color shows up a hundred

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times stronger on the black canvases

and it doesn't have white ones.

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So you use very, very, very little color.

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Very good.

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Just tap in a little bit and that'll

create the illusion of nest down here.

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Very lightly blend all

that and lift it up.

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It's a super nice way to make some

little foothills that are far away.

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Very quiet.

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tell you what let's do is

clean that old fan brush.

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Now let's, let's make another range of

Hills here and maybe for this one not

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use let's use let's use they low blue.

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And van Brown, blue, and Brown.

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This one's very dark.

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We put a little white in the other one,

this one, I don't want any, any white.

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And as things get closer to the

landscape, I should get darker and value.

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So here comes a little Hill

or right there, very dark,

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very dark blue and Brown.

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Eric goes right there, right there.

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Seriously in a little color.

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So yeah, he's either ideas and

already, already, you can begin

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to see another range here.

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We're working with different planes

and more planes you have in a painting,

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more depth you'll have in that painting.

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And sometimes when I'm

painting these, I'll make them

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smaller and put, Oh goodness.

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Sometimes eight or 10, eight

or 10 foothills in here.

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And you can, it looks like you can just

look back and see forever on a clear day.

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Of course.

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Okay.

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Let's go in here now.

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Let's take a little, little permanent

red, permanent red, little permit,

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red little burn number, and we'll

just sort of mix that together

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and let's go right up in here.

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Maybe there's a little red.

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All right.

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And here let's begin

adding a little color.

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This is getting close enough.

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Now that we're beginning to see color

so we can add a little color in it.

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Maybe comes right down.

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I think so.

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Yeah, there might even be a little

bit right over wherever, wherever

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you want it to Joanne, a little

color, permanent red burn number.

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Let's put it in now.

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I'm going to take this big brush.

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And gently tap that on a soften.

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It, so it just blends right in,

but yet you'll still be able to

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see a little of that reddish hue

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still don't want it to break

it's too far away, too far away

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there.

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How you can see every breaststroke

in these black canvases.

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Hmm.

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Can you.

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And while we get this color on the

brush, add a little white to it.

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Doesn't burn number permanent red,

a little tiny bit of titanium white.

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Maybe back in here, maybe there it is.

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Maybe there's a little tree

Bush, something right there.

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There's another one.

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Pain.

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He used to drive me crazy

as traditional painter.

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For many years, you really don't

have to agonize over paintings.

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You don't have to be blessed

by Michelangelo at birth.

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You can paint, you can paint.

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Okay.

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That'll give us like a

little little growth.

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The trees is back in the back.

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I'm going to take now back to

the two and a half inch brush.

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Go into little CAD yellow.

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I will add a little SAP, green,

little SAP, green, CAD yellow.

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Maybe, maybe, maybe tell you what

I want a little more SAP green.

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They're quite dark right there underneath

SAP green, a little CAD yellow.

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Maybe there's a little,

maybe there's a little plain.

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I hear a little meadow now.

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Add a little more of a kid.

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Let it get a little brighter there.

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Working out from that.

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Stay there.

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Now if your paint will not

stick well, add a little bit of

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paint, thinner to your brush.

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Just a little though.

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Ooh.

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A little tiny bit takes a very, very low

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C and this is creating

greeting another plane.

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I'm going to add a little yellow ochre,

maybe a little bit of Indian, yellow.

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Just by changing the color a little bit.

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It makes it look like another plane.

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And every time you add another

plane, you create more depth

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than you're painting another one.

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You mentioned dementia.

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And that's really what my painting

is all about is to make it,

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make it look deep, far away.

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Just walk right back into this painting.

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now when you're doing this, if you

want to make something a little

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darker there's color underneath here.

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So all you have to do is tap on it

and automatically it'll pick up the

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color underneath and it gets darker.

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So just work it and you can make

it dark, dark, dark, right on

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down until it's almost black.

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Again, if you wanted to.

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But anytime you want to create a shadow or

you want to make an area darker, tap it.

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It's all there is to it.

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And you can soften.

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I get darker, darker, darker, darker,

darker, darker, darker, darker.

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You can make this look almost like velvet

looks almost like lace, just laying

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Alrighty.

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Tell you what let's do.

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Let's do.

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Maybe there's some.

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Big trees grow around the side.

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I'm going to go right into some

Vandyke Brown, little Crimson

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lizard, Crimson SAP green, and

just mix them on the brush here.

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Pull that brush in one direction, one

direction, and look at this brush.

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Look at this brush.

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So you look at all the

pain in the end of it.

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There.

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You can really see it.

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I can take me out of paint and

there's a slight curve because

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you pulled it in one direction.

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You want that curve to be on top.

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Let's go to the canvas.

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Now when you touch the canvas,

touch it and push look at there.

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Look at that.

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Look at that.

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And that exciting look at all

those thousands of leaves.

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He could sit there with you one haired

brush for a week, trying to do that.

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Or you can do it in one

stroke with an almighty brush.

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Look at that.

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Okay.

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Don't be afraid of it.

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Load a lot of pain into the brush.

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Probably probably the

biggest single mistake made.

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There's people don't put enough

pain in the brush and then they

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have to hit the canvas so hard.

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Um, I don't know how to paint

in the brush, have fun with it.

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Okay.

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Same colors, Brown, green lizard Crimson.

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Maybe there it is just sort of

look at your painting, evaluate

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it, make a decision and go and go.

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Don't worry about it.

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Don't worry about it.

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Have fun with it.

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Just.

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Push it in there.

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Ben those bristles and go

don't let the breasts slide.

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Don't let the breast

slide is very important.

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You don't want that price to slide?

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Maybe, maybe, maybe there's

some water down here.

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Let's see water down here.

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So if you want water, all you have

to do is take this old big brush.

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We'll go right into a little bit

of titanium white, decide where

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you want the water to be touch and

pull down, touch and pull down.

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You're going to pick up that

color it's underneath and

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automatically, automatically you

got water because there look there

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that's simple wherever you want,

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where ever.

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Touch post straight down as

important that you post straight down

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sometime it reflects a

little bit from the sky.

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So maybe there's a little white

right in wherever you want it.

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Wherever it's reflected out of

this guy, just drop it in, pull

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straight down, go right across it.

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Okay.

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And did a little bit of fatal blue.

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00:14:22,589 --> 00:14:26,520

Maybe we'll give it just a

little more of a blue view.

253

00:14:26,730 --> 00:14:27,180

Blue hue.

254

00:14:28,760 --> 00:14:29,089

There you go.

255

00:14:32,720 --> 00:14:36,410

Just like so after you pull it

straight down, go gently across

256

00:14:37,939 --> 00:14:43,579

isn't that something my brush

strokes are very, very important,

257

00:14:43,579 --> 00:14:45,110

especially on these black canvases.

258

00:14:45,949 --> 00:14:48,350

So you there, but that easy instant water.

259

00:14:49,875 --> 00:14:50,084

Okay.

260

00:14:50,084 --> 00:14:53,204

Now we can come back in here and begin

putting some beautiful little highlights

261

00:14:53,204 --> 00:14:56,985

on some of these and make an old of a

little trees and bushes out of them.

262

00:14:58,925 --> 00:15:02,555

I'm gonna go right into some

yellow, some yellow, some yellow,

263

00:15:02,555 --> 00:15:03,755

and just hit some SAP green.

264

00:15:04,745 --> 00:15:05,314

There we go.

265

00:15:06,454 --> 00:15:07,564

A lot of pain in the bristles.

266

00:15:07,954 --> 00:15:08,345

Yellow.

267

00:15:08,375 --> 00:15:10,235

Second green can, okay.

268

00:15:10,265 --> 00:15:14,495

Maybe right up here in this old big

tree touch, just like we did with

269

00:15:14,495 --> 00:15:18,064

a big brush with load it the same

way we touch a canvas the same way.

270

00:15:18,525 --> 00:15:21,735

Barely barely touching just enough

to bend the bristles a little.

271

00:15:22,335 --> 00:15:28,305

And once again, you need a lot of paint,

a lot of paint, sort of vary some colors.

272

00:15:28,305 --> 00:15:30,975

Maybe we'll go right into

the yellow ochre here.

273

00:15:31,005 --> 00:15:33,405

We don't know how many trees it

says growing here in this clump,

274

00:15:33,405 --> 00:15:36,495

it could be several your tree.

275

00:15:36,505 --> 00:15:40,245

So however many you want in there,

that's, that's what you put in.

276

00:15:41,475 --> 00:15:43,515

Maybe there's a little

permanent red added to it.

277

00:15:43,515 --> 00:15:44,835

Maybe just to brighten it up.

278

00:15:46,920 --> 00:15:49,200

Yeah, we don't know how

many trees are in this club.

279

00:15:51,570 --> 00:15:54,900

Maybe this is one, just let them happen.

280

00:15:55,230 --> 00:15:57,900

Don't kill all your dark areas and

the most important that you save.

281

00:15:57,900 --> 00:16:00,300

Some of them, you kill

all your dark areas.

282

00:16:00,300 --> 00:16:04,710

It's going to get very flat, very

flat, and we don't want a flat tree.

283

00:16:05,880 --> 00:16:07,530

We want a nice, bright, shiny tree.

284

00:16:09,360 --> 00:16:10,980

Let's go to the other side of the canvas.

285

00:16:11,160 --> 00:16:12,930

And over there, we can add a little more.

286

00:16:13,830 --> 00:16:18,030

Got a little more green, a little

more yellow, and let's go right

287

00:16:18,030 --> 00:16:23,580

in here to this big old tree, uh,

as a beautiful green, beautiful

288

00:16:27,840 --> 00:16:28,860

put some yellow ochre

289

00:16:32,880 --> 00:16:39,960

shining Bush, happy little

Bush, Bush have happy bushes.

290

00:16:43,444 --> 00:16:47,444

I can tell them more than green,

just let it play back and forth.

291

00:16:47,475 --> 00:16:50,084

And all these other things

happened, all happened.

292

00:16:51,635 --> 00:16:59,485

So you can do there's

one wherever you want.

293

00:17:02,824 --> 00:17:07,415

Maybe, maybe, maybe there's one

had a little permanent red to this

294

00:17:07,415 --> 00:17:08,675

one, make it stand out a little.

295

00:17:12,675 --> 00:17:12,824

Okay.

296

00:17:13,054 --> 00:17:13,234

Yeah.

297

00:17:13,774 --> 00:17:14,014

Paint.

298

00:17:14,014 --> 00:17:14,524

Won't stick.

299

00:17:14,524 --> 00:17:18,734

Well, add a little paint, thinner to your

brush and it'll stick with any problem.

300

00:17:18,734 --> 00:17:19,925

Then you go right over anything.

301

00:17:21,395 --> 00:17:22,534

Then paint sticks to it.

302

00:17:22,534 --> 00:17:23,014

Thick paint.

303

00:17:25,294 --> 00:17:26,135

All right, let's take it.

304

00:17:26,135 --> 00:17:30,905

Let's take, let's take our liner,

brush a little paint thinner

305

00:17:30,945 --> 00:17:32,225

and go right into some Brown.

306

00:17:33,514 --> 00:17:35,405

Bring it to a nice sharp

point by turning it.

307

00:17:36,304 --> 00:17:36,935

Let's go up here.

308

00:17:37,305 --> 00:17:38,805

Let's put some little lounges and stakes.

309

00:17:38,805 --> 00:17:44,795

Maybe, maybe, maybe, maybe there's

one comes right out of the top, top,

310

00:17:45,075 --> 00:17:48,995

and he's got a friend that lives

and it comes right down in there.

311

00:17:50,885 --> 00:17:54,755

They sometimes you have in trees,

you have limbs that just individual

312

00:17:54,755 --> 00:17:59,585

limbs, that when they go to the

happy hunting ground, but they're

313

00:17:59,585 --> 00:18:01,145

still there and it's still beautiful.

314

00:18:01,865 --> 00:18:02,675

Don't leave them out.

315

00:18:03,575 --> 00:18:04,985

These little branches are so pretty.

316

00:18:06,435 --> 00:18:10,455

So pretty everything in

nature is pretty use it.

317

00:18:11,925 --> 00:18:13,635

Maybe there it is, comes right

318

00:18:16,805 --> 00:18:17,495

wherever you want it.

319

00:18:18,305 --> 00:18:19,025

There we go.

320

00:18:25,775 --> 00:18:25,955

Yeah.

321

00:18:26,165 --> 00:18:30,155

Fun to just sit and create

such beautiful things.

322

00:18:30,155 --> 00:18:32,825

It's going to leave

that color on the brush.

323

00:18:32,915 --> 00:18:34,135

Go right into a little bit of white.

324

00:18:35,460 --> 00:18:35,820

Okay.

325

00:18:36,120 --> 00:18:42,300

Yeah, maybe there's some here, a

little different color paint, thinner

326

00:18:45,050 --> 00:18:46,340

that all these little things happen.

327

00:18:46,370 --> 00:18:48,020

There's little changes in color.

328

00:18:48,620 --> 00:18:48,860

Oh.

329

00:18:48,860 --> 00:18:50,930

They make things exciting

and make you happy.

330

00:18:57,230 --> 00:18:57,440

Yeah.

331

00:18:58,040 --> 00:18:58,820

Oh, what kinds of things?

332

00:18:58,820 --> 00:18:59,570

All right, let's go back.

333

00:19:00,450 --> 00:19:03,410

Let's go back to some of the Brown Brown.

334

00:19:04,485 --> 00:19:06,745

Spend Dyke Brown go the other side.

335

00:19:06,745 --> 00:19:08,534

And maybe there's some

Williams over here too.

336

00:19:08,534 --> 00:19:10,274

We should, we don't want

him to feel left out.

337

00:19:26,405 --> 00:19:27,215

go back into my paint.

338

00:19:27,245 --> 00:19:29,495

Thinner, went back into the white paint.

339

00:19:29,945 --> 00:19:31,175

I haven't cleaned the brush at all.

340

00:19:31,205 --> 00:19:32,554

You still have all that Brown in there.

341

00:19:35,429 --> 00:19:36,209

you're right there.

342

00:19:36,209 --> 00:19:38,909

It is you right.

343

00:19:41,689 --> 00:19:42,770

That these things happen

344

00:19:48,560 --> 00:19:51,080

and you didn't have to clean a

brush and I'm lazy if I don't

345

00:19:51,080 --> 00:19:51,800

have to clean your brush.

346

00:19:51,800 --> 00:19:52,280

I like it.

347

00:19:52,760 --> 00:19:53,090

Hmm.

348

00:19:55,719 --> 00:19:59,120

I could maybe he's got a little

friend that lives right there.

349

00:20:01,320 --> 00:20:02,490

Okay, tell you what let's do.

350

00:20:03,000 --> 00:20:09,630

Let's take, let's take, go right into some

of this green and all the yellows and red.

351

00:20:09,630 --> 00:20:09,750

It's.

352

00:20:09,750 --> 00:20:10,380

All right here.

353

00:20:11,190 --> 00:20:12,120

It's just all mixed here.

354

00:20:12,150 --> 00:20:14,490

Let's just tap.

355

00:20:14,520 --> 00:20:16,700

This is the same old, dirty

brush I was using to do the back.

356

00:20:19,340 --> 00:20:19,700

Hmm.

357

00:20:19,790 --> 00:20:23,540

In here, we'll add a little bit of

little grassy areas here and there.

358

00:20:24,620 --> 00:20:26,030

And once again, here, I'm just tapping.

359

00:20:29,115 --> 00:20:33,735

Just to be very soft, a little

flat, feel obvious to it.

360

00:20:35,325 --> 00:20:35,565

All.

361

00:20:35,775 --> 00:20:35,985

Two

362

00:20:46,585 --> 00:20:46,755

let it go.

363

00:20:48,005 --> 00:20:51,455

Maybe it comes to heal here.

364

00:20:55,485 --> 00:20:56,655

Wherever you want them to go.

365

00:20:57,045 --> 00:20:57,825

That's where they go.

366

00:21:00,185 --> 00:21:05,135

Everything painting could be so

easy and so much fun can really

367

00:21:05,135 --> 00:21:11,855

cam it's no big secret to learn a

few basic rules and let it happen.

368

00:21:13,055 --> 00:21:14,315

All you need needs a dream in your heart.

369

00:21:18,930 --> 00:21:23,310

Alrighty, tell you what let's

put, let's put some land down

370

00:21:23,310 --> 00:21:24,180

here, a little bit of dirt.

371

00:21:24,420 --> 00:21:26,940

Take a little band-aid brand with

a burn number mixed on the knife,

372

00:21:29,730 --> 00:21:32,940

and then we'll go up here and all

we're going to do is just touch.

373

00:21:34,410 --> 00:21:37,920

Just let the knife bounce

around and play paint.

374

00:21:40,350 --> 00:21:42,510

Let's play with it wherever it goes.

375

00:21:42,510 --> 00:21:43,140

Let it happen.

376

00:21:44,190 --> 00:21:45,420

Just go over to the other side now.

377

00:21:46,135 --> 00:21:46,754

Right here.

378

00:21:47,865 --> 00:21:52,665

There it goes again, these things just,

I just wonder where you want them.

379

00:21:54,465 --> 00:21:58,814

This is also the way you sort of clean

up the bottom of your grassy or you

380

00:22:00,304 --> 00:22:01,875

clean it up, make it nice and pretty.

381

00:22:04,155 --> 00:22:10,885

And this is Vandyke Brown

or number wherever you want.

382

00:22:13,024 --> 00:22:13,294

Okay.

383

00:22:13,875 --> 00:22:19,845

And then we'll take a little bit of

titanium, white, blue, and a little Brown.

384

00:22:19,845 --> 00:22:25,305

So we've got light blue and Brown,

sort of a very light, gray color,

385

00:22:25,365 --> 00:22:26,655

a little bit of paint on the knife.

386

00:22:27,765 --> 00:22:28,035

Okay.

387

00:22:28,095 --> 00:22:31,875

Let's go right up here and

I've just barely touch it.

388

00:22:32,445 --> 00:22:35,925

Just let him, Oh, just let

it just graze across the top.

389

00:22:37,155 --> 00:22:39,675

Just barely, barely, barely touch.

390

00:22:40,935 --> 00:22:41,925

Whisper light.

391

00:22:43,304 --> 00:22:44,534

Barely barely touch.

392

00:22:44,544 --> 00:22:45,375

Can't say that enough.

393

00:22:47,655 --> 00:22:48,104

Okay.

394

00:22:55,185 --> 00:22:59,735

That's it's so fantastic to be privileged

enough to be here on television with you.

395

00:23:00,604 --> 00:23:03,455

I have made hundreds and hundreds

of friends across the country.

396

00:23:05,995 --> 00:23:09,365

It's a super pleasure to be invited

into your home each week and to

397

00:23:09,375 --> 00:23:10,534

spend a half an hour with you.

398

00:23:12,810 --> 00:23:13,530

And our thank you.

399

00:23:16,590 --> 00:23:17,879

I really enjoy being with you.

400

00:23:22,399 --> 00:23:25,639

You become a very close and dear

friend, and I want to wish you

401

00:23:25,639 --> 00:23:29,600

the best and hope these paintings

bring a little joy into your life

402

00:23:30,679 --> 00:23:31,699

and teach you a little something.

403

00:23:32,389 --> 00:23:36,530

Take a little magic right now

and to that and the least little

404

00:23:36,530 --> 00:23:38,530

Amanda who viz little Amanda.

405

00:23:39,300 --> 00:23:45,209

They little blue Lee's little mountain

now to put some little water lines

406

00:23:45,209 --> 00:23:49,139

in here, take the knife, pull this

out very flat and then cut across.

407

00:23:50,100 --> 00:23:50,370

Okay.

408

00:23:51,270 --> 00:23:55,229

And you can go right up underneath

here and add in, put a water

409

00:23:55,229 --> 00:23:59,120

lines, just like so select.

410

00:23:59,120 --> 00:24:03,990

So you can put as many of

these in here as you want

411

00:24:07,340 --> 00:24:07,469

them.

412

00:24:11,310 --> 00:24:15,899

Or they need to be basically straight

if they're not, if they're not straight,

413

00:24:16,919 --> 00:24:21,710

you're painting here, your water run right

out of your painting started to say your

414

00:24:21,710 --> 00:24:23,000

painting and run right out of your water.

415

00:24:23,000 --> 00:24:24,350

But we know that's not right

416

00:24:27,590 --> 00:24:27,950

there.

417

00:24:28,040 --> 00:24:33,320

And just wherever you want them go to the

other side over there and had a few over

418

00:24:33,320 --> 00:24:34,580

here, I'm going to have someone that's.

419

00:24:34,580 --> 00:24:35,750

I don't want to get jealous.

420

00:24:40,470 --> 00:24:40,530

Yeah.

421

00:24:40,610 --> 00:24:45,860

Oh, and another thing, if you

enjoy this, what's your station.

422

00:24:45,860 --> 00:24:46,550

No shoot.

423

00:24:46,580 --> 00:24:47,510

That's the only way they know.

424

00:24:47,570 --> 00:24:51,080

If he likes something, call him up, spend

a minute with him, tell him what you like.

425

00:24:51,860 --> 00:24:55,160

That's the way you get different shows

on television, or you keep shows on

426

00:24:55,160 --> 00:24:56,990

there that you like, or you get reruns.

427

00:24:56,990 --> 00:24:58,460

If you want them, let them know.

428

00:24:58,880 --> 00:25:04,100

They need to know I'm going to

take an out a couple of more little

429

00:25:04,100 --> 00:25:05,510

twigs and little sticks, maybe.

430

00:25:06,060 --> 00:25:07,980

Right in here just to break it up.

431

00:25:07,980 --> 00:25:10,340

So mr.

432

00:25:10,340 --> 00:25:10,800

Break it up

433

00:25:16,860 --> 00:25:17,460

here and there.

434

00:25:18,800 --> 00:25:22,490

And I think we're right on the verge

of having a completed painting.

435

00:25:22,940 --> 00:25:25,669

This painting is, as I said in the

beginning has a tremendous amount

436

00:25:25,669 --> 00:25:28,010

of depth there's plane after plane.

437

00:25:28,700 --> 00:25:31,730

It really is a super,

super fun painting to do.

438

00:25:32,480 --> 00:25:34,940

If you're interested in selling

a painting and put a happy book.

439

00:25:35,580 --> 00:25:36,750

So I take a little paint thinner.

440

00:25:37,470 --> 00:25:42,090

I'll go right here and we'll drop a

little signature on the old clock on

441

00:25:42,090 --> 00:25:46,110

the wall tells me I've got to leave

you for the day and I'll be back.

442

00:25:47,430 --> 00:25:49,230

And from all of us here, happy painting.

443

00:25:49,650 --> 00:25:50,220

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 22, 2020

S04E02 - Tranquil Valley

Bob Ross's

The Joy of Painting

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