Bob Ross's

The Joy of Painting

S03E02 - Blue Moon

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Welcome back so glad you could join

us again today, today, I thought

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we'd do a fantastic little seascape.

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This is a very simple little painting

this quite easy to do, and I think

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it'll stir your imagination and lead

you into bigger and better things.

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And I've taken the Liberty of going ahead.

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And covering the canvas with a layer

of pressure and blue, very firm paint.

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Don't use a paint.

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That's all your slick.

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It's a very firm dry paint on the bottom.

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I've added a little bit of, they low

green and a little bit of Vandyke

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Brown right over here in the corner.

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So with that, let's get started.

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We'll take off here with a one

inch brush and I'm going to take

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a little bit of titanium white,

just a small amount on the brush.

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One thing you'll notice on black

canvas color shows up much brighter

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than it does on a white canvas.

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And let's just go right up in here

and just create a little light

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area right in here somewhere.

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There we go.

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And just making little Xs, just brushes

like that, just so we have a light

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source back here, and now you can begin

to see how the point is picking up

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the blue under color and it shows up.

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With a large brush.

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I'm just going to blend this just

very gently blended all together.

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And we talk about a firm paint, but if

you were using a thin paint here, when you

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tried to blend, you'd become a mud mixer.

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So you use a very firm dry paint.

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Now maybe, maybe we'll

put a little moon up here.

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We can do some finger painting.

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I'll just take it.

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Finger here and go right up

to where you want the moon and

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just push in a little circle.

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That's all just a little circle I get.

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And then we'll take the large

brush and very gently just blend

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this once again, paints from so

you can do all this blending.

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There we go.

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And that easy.

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You have a little moon in the sky.

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Now let's start with a fan

brush and we can put some

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happy little clouds in the sky.

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I'm going to load some titanium white,

and you don't need too much paint this

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time because once again, color shows up.

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So bright here.

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I would just take and maybe come

right down here, like kiss, just begin

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making all these pretty little things.

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She just let this sorta

disappear and we can add a little

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more color back up in here.

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Just white, just white paint.

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There

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may be a little tiny bit in here.

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You just let it gently get

darker and darker as it gets

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away from the moon up in here.

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Maybe there's another happy cloud that

floats around and lives right here.

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There we go.

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Now let's take, and maybe

right here, this is your world.

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So you can put clouds

wherever you want them.

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Maybe right there, right there.

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I see a cloud.

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You see these things in your

mind and you put them on canvas.

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There we go.

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Maybe there's another little one.

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Just sort of hides right in here.

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There we are.

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Okay.

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Now we go back to the large brush

and this is where we find out.

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If you're brave, very gently,

just blend it all together and

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you can keep blending it until it

gets darker and darker and darker.

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And it'll finally go away

if you blend it enough.

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So you have to make it

almighty decision here.

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When it gets to the

point you like it stop.

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Don't peddle it to death.

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The areas closest to the moon should

be the brightest and as they get

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farther away from the moon, but don't

get darker and darker and darker.

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If you want something darker,

once again, just blend it more.

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I haven't had a super, super simple

last way to make a little sky.

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Okay.

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Let me wash the brush.

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We washed the brush with

odorless paint thinner.

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And when you're doing this at home, Rig

up a box or something to contain it.

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Otherwise you're going to

redecorate your house in a second.

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Alrighty.

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Now let's take the pallet knife and

we'll take a little bit of titanium,

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white, very, very small amount of

paint, and we'll figure it out here

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where the water line's going to be.

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And just very gently

begin touching the canvas.

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Now you want this to be pretty straight.

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You don't want your water to

run off one side of the canvas.

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You have to hang a bucket

over there to catch it.

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So try to keep it pretty straight

as it comes across there.

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There we go.

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Maybe right into the moon here.

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We're going to have some light

reflecting in the water so

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we can just take and do this.

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I'm pushing very, very hard just to

push the color right into the canvas.

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Just let this come all the way down.

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There, and we can drop a few

more little things back in here.

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All I'm doing is touching the

canvas, just touch it and start in

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the lightest area and work out and

automatically it'll get darker as

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it goes out from the light source.

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You don't have to worry

about it or think about it.

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You make all these big decisions that are

done for you at the paint work, but the

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canvas work for you see now has picking

up the oppression, blue and yellow, green.

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Very pretty.

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All we're doing is just touching.

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No, we get so many cards and letters

from people who are watching the shows.

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And one of them, one of the big things

that we're hearing is people wanting

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to seascapes like they have in Florida.

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We have a, we have a lot of

super friends in Florida.

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So this little seascape is for them.

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And Florida is one of our favorite places.

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My mother lives in Florida.

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I was originally born and raised in

Florida and moved to LA ask my mother.

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I have a brother who still lives there.

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There you go.

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Now, once again, we'll take the

large brush and all we're going to

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do is just very gently blend this in.

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We're using a pretty firm pressure here.

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We can really push this paint dry.

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We can push it, move it around

without destroying everything.

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There we go.

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And already we have the light shining

through the water and we can begin

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working on details in the water.

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Okay.

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Now I'm going to add a little bit of magic

quite to my fan brush, just to make the

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pain a little bit thinner, a tiny bit,

there load quite a bit of paint into

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the brush, and we can begin working on

some individual waves and stuff here,

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and we just barely touched the canvas.

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We don't want big waves

back here in the distance.

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We want them to get bigger

as they come forward.

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It's barely touch it and

give it a little pull.

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Just like that.

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There you go.

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Not a super simple little way

to make some nice little waves

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that knew you could do it.

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Very simple

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little things happening in

the water here and there.

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Just let the fan brush play.

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Just let it play and have fun wherever

you think there would be a wave.

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That's where it should be.

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There we go.

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Now, as we come forward, we

want to start letting these

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waves get a little bit bigger.

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Maybe right up in here.

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We'll put some beach in here, so

let's put a big wave right in here.

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Janice.

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Let it go.

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There we are.

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Okay.

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Now.

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Now once again, right under our light

source, we want this to be bright.

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So start here like that.

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Here we go.

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See automatically it gets darker

as you get farther away from it

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over here.

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It's getting very dark.

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Maybe this wave comes up here.

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Maybe it's getting ready to start braking.

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We'll put a little more

curl in it right here.

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You can just.

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Use your brush to make the strokes.

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They give you any effect that you want.

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Maybe it's just beginning to curl over.

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Boom.

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All you have to do is just

take your brush and bend it.

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So I've upward

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and then grab the top

and reverse the angle.

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Pull it over.

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Okay.

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So that waves coming

up this way and turns,

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there we go.

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And here we can just add a few little,

little highlights on the water, just to

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where the lights playing through here.

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I don't want them to get too bright.

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Now we can take.

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A good dry clean brush here, and very

gently just blend this right out.

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It's blended.

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So it just fades red into the background.

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Very gently three hairs and some air.

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Again, pulling this down

and working on some shapes.

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little things happening in the water.

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Some little foamies

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We almost have our big,

large wave feminist here.

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If you want to increase the highlight,

just, just touch, pull down.

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Okay.

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Now maybe, maybe we have

a little beach up here.

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I'm gonna to spend some

time working on this beach.

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Now we can take the fan brush and

just put a, some basic shapes in here.

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We're not too worried about

anything that we're just putting

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some color on the canvas.

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And with a clean, dry brush.

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I want to grab this and pull it down.

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I want reflections of this.

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I want this to look like sand wet sand.

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She just pull it down

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and it would go gently across it.

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It'll give the illusion of water,

but very wet sand or something there.

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And we can go back.

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And once again, we're put in

the little foam things that are

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happening right along in here,

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and just sort of let them blend backwards.

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Okay.

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Here we go.

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Yeah.

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Just sort of pull this back.

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I missed the most fantastic

little thing you've ever seen.

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It's a super easy way to do a

nice, very effective seascape.

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We just add a little bit of white

and put us a little things in here.

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there we go.

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And just let your imagination

take you where you want to be.

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As I say, I was born and raised

in Florida and then later on in

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life, I moved to Fairbanks, Alaska.

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What a contrast?

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Alaska is one of the most

beautiful countries in the world.

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You have so many fantastic

things to look at.

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I want this side here just to

fade into nothing very lightly.

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No, that's fair.

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Right in that a little bit.

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I want that to be a little brighter.

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It's right into the moon.

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Here we go touch, pull down to

crater, little wave actions.

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Okay.

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Now for the large brush, once again,

I'm just going to very gently grab it,

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just put it into everything else.

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So it's nice and quiet.

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And you can do this blending all

the way across the painting and

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make it as quiet as you want it to.

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Okay.

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Let's squash the old brush.

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Now, if you want to make these

little areas right along in here,

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stand out a little bit more.

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We will take.

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Uh, number two script liner brush.

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I'll put a little bit of thinner on

it and then we'll go right into it.

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A little bit of Brown, just make

it very, very thin, like water

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and turn that brush twisted.

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So it comes to a nice sharp point.

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And just underneath the edges

here, add a little bit of Brown.

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That'll sorta project everything up.

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Just pushes it up just on the areas

where you'd see it on this side.

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Don't worry about back there.

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There we go

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then once again, gently blend that all in.

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So it's nice and quiet

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and let's wash the old Langer brush now.

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Let's take, maybe there's a, maybe

there's a little stone laying here

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on the, on the beach and I'll use the

small edge of the knife and we'll just

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put a happy little stone right here.

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She has two little ones

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and we'll take a little bit of

Bernie number, just a little burn

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number and go right back and lay

a little highlight on that stone.

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Just a little light playing through there.

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Maybe a little underneath and we

can take a one inch brush, grab a

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whole, just the bottom and pull down.

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We want that stone to reflect into

the wet sand and then come across,

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just come across a reflection though.

256

00:15:28,275 --> 00:15:29,625

We don't want to touch her stone yet.

257

00:15:32,854 --> 00:15:33,305

Okay.

258

00:15:34,354 --> 00:15:39,555

Now we'll use a little bit of magic

quite on the knife and we'll put.

259

00:15:40,740 --> 00:15:42,689

Like his water standing around the stone.

260

00:15:43,589 --> 00:15:47,069

She asked a little at work right around.

261

00:15:51,060 --> 00:15:54,060

And if you, if you put one in here,

that's too bright, all you have to

262

00:15:54,060 --> 00:15:57,900

do is just keep rubbing it and it'll

pick up the blue that's underneath

263

00:15:57,900 --> 00:15:59,160

and doll right down for you.

264

00:16:04,920 --> 00:16:07,380

And this painting, we use

such a limited palette.

265

00:16:07,380 --> 00:16:09,000

There's so few colors used here.

266

00:16:09,750 --> 00:16:15,990

Now maybe, maybe, maybe you can, if

this is in Florida, we need a Palm tree.

267

00:16:16,080 --> 00:16:17,220

I got to have a Palm tree.

268

00:16:17,220 --> 00:16:20,220

So maybe there's a big Palm

tree right out through here.

269

00:16:21,030 --> 00:16:23,060

We'll just start here with a

little, did it, the van Dyke

270

00:16:23,060 --> 00:16:26,630

Brown, pull it out very flat.

271

00:16:30,105 --> 00:16:31,665

Get a small roll of paint on the knife.

272

00:16:32,115 --> 00:16:34,905

And maybe they're just coming from

right off the side of the canvas here.

273

00:16:36,465 --> 00:16:38,535

And we're just barely touching the canvas.

274

00:16:38,895 --> 00:16:39,735

Just let it go up.

275

00:16:40,755 --> 00:16:41,145

I guess.

276

00:16:44,355 --> 00:16:47,475

Now we can do the other side of the

tree, just do one side of the time.

277

00:16:49,995 --> 00:16:52,935

And when you do these, you want

them to get smaller as they go up.

278

00:16:52,965 --> 00:16:56,955

I know that sounds crazy, but

sometimes it's a little hard to do.

279

00:16:58,140 --> 00:17:00,209

She does want him to get

smaller towards the top

280

00:17:03,990 --> 00:17:04,260

there.

281

00:17:04,500 --> 00:17:08,879

Now we've got us a basic

trunk in, in Palm trees.

282

00:17:08,950 --> 00:17:09,750

Like everything else.

283

00:17:09,750 --> 00:17:10,649

They get lonely too.

284

00:17:10,649 --> 00:17:11,879

So let's give him a friend.

285

00:17:12,960 --> 00:17:16,200

Maybe there's one that all,

he just bends all around.

286

00:17:16,200 --> 00:17:18,270

My cat comes we out through here.

287

00:17:21,194 --> 00:17:23,444

No, when you're painting

these make up little stories.

288

00:17:24,555 --> 00:17:29,085

So any helps you go along, just

capture a dream in your mind, put

289

00:17:29,085 --> 00:17:34,965

it on canvas before it escapes and

painting should make you happy.

290

00:17:36,465 --> 00:17:37,785

Should always make you happy.

291

00:17:38,415 --> 00:17:41,505

And if painting teaches you nothing

else, it'll teach you to look

292

00:17:41,505 --> 00:17:46,155

at nature, to see a fantastic

beauty that's around us every day.

293

00:17:47,365 --> 00:17:52,405

That we take for granted, take a

little time, stop and look at it.

294

00:17:54,385 --> 00:17:57,445

There is a million

million things to paint.

295

00:17:58,044 --> 00:17:59,574

All you have to do is look around.

296

00:18:01,685 --> 00:18:03,235

We'll try to show you how to paint them.

297

00:18:03,324 --> 00:18:04,615

What you paints up to you.

298

00:18:06,955 --> 00:18:07,314

Okay.

299

00:18:07,375 --> 00:18:09,504

Now we get us a basic

little trunk right there.

300

00:18:10,645 --> 00:18:14,155

Let's take a little bit of white.

301

00:18:16,875 --> 00:18:19,695

And we'll make a great color here.

302

00:18:19,705 --> 00:18:23,745

Now I've made this gray color

by mixing about equal amounts of

303

00:18:23,745 --> 00:18:25,875

thalo green and lizard Crimson.

304

00:18:26,835 --> 00:18:29,685

They look green and the lizards

Crimson makes a beautiful,

305

00:18:29,685 --> 00:18:31,365

beautiful gray, a true gray.

306

00:18:33,345 --> 00:18:35,775

Now we can put a little highlight

on these trunks and all we're going

307

00:18:35,775 --> 00:18:37,515

to do is just touch the canvas.

308

00:18:37,665 --> 00:18:38,295

Just touch it.

309

00:18:39,405 --> 00:18:40,935

Let the canvas pull off what it wants.

310

00:18:43,350 --> 00:18:44,940

You don't have to make any decisions.

311

00:18:47,250 --> 00:18:52,140

Looks like the hurricane come through

and blew the top of those off there.

312

00:18:54,090 --> 00:18:58,440

When I was a boy being raised

in Florida, it was not unusual

313

00:18:58,440 --> 00:18:59,820

to have some big hurricanes.

314

00:18:59,879 --> 00:19:01,590

Whew, goodness gracious.

315

00:19:02,460 --> 00:19:04,140

They would blow you around for days.

316

00:19:06,750 --> 00:19:07,350

There we go.

317

00:19:07,950 --> 00:19:08,640

Just touch.

318

00:19:08,820 --> 00:19:10,210

All you have to do is just touch.

319

00:19:10,590 --> 00:19:11,939

It's just gray and white.

320

00:19:13,620 --> 00:19:15,149

Just about that to

follow right up the tree.

321

00:19:21,770 --> 00:19:22,280

okay.

322

00:19:22,520 --> 00:19:25,129

I think we're about ready to put

some leaves on this big old tree.

323

00:19:26,000 --> 00:19:30,020

Now I'm going to take a little bit

of paint thinner on my fan brush and

324

00:19:30,020 --> 00:19:35,720

go right into this same gray color,

but I want it very thin, very thin.

325

00:19:37,010 --> 00:19:38,330

And I'm just using paint thinner.

326

00:19:39,600 --> 00:19:40,620

We'll add touch more.

327

00:19:40,620 --> 00:19:42,420

There, there we go.

328

00:19:45,960 --> 00:19:48,810

And you have to make an almighty

decision, which one of these trees is in

329

00:19:48,810 --> 00:19:50,190

the front and which one's in the back.

330

00:19:50,640 --> 00:19:52,080

Maybe the little ones in the back.

331

00:19:52,650 --> 00:19:54,390

So we'll do him first.

332

00:19:54,630 --> 00:19:58,410

All you have to do is just touch

and then take the fan brush

333

00:19:58,410 --> 00:19:59,910

with this thin paint and pull.

334

00:20:01,050 --> 00:20:02,700

Just pull real quick.

335

00:20:02,730 --> 00:20:03,390

Just snap it.

336

00:20:04,950 --> 00:20:08,250

Just snap it and it'll make all the little

leaves that you have on the Palm tree.

337

00:20:11,330 --> 00:20:11,750

Okay.

338

00:20:12,320 --> 00:20:13,040

Now let's go.

339

00:20:13,610 --> 00:20:16,160

Maybe there's another happy

little Liam right there.

340

00:20:16,920 --> 00:20:18,020

We'll give him a little poll,

341

00:20:21,800 --> 00:20:24,200

just like, so just touch it and pull up.

342

00:20:28,400 --> 00:20:31,460

And maybe there's a little

one that comes right out here.

343

00:20:33,480 --> 00:20:38,300

I can't touch pool and this one's

sort of coming right towards you.

344

00:20:38,300 --> 00:20:40,040

So maybe you can see both sides of him.

345

00:20:40,970 --> 00:20:42,740

So put a little bit on the other side too.

346

00:20:44,000 --> 00:20:48,920

I want all the little leaves on one

side of the Palm, Liam, just let

347

00:20:48,920 --> 00:20:51,620

it come right on down both sides

348

00:20:54,860 --> 00:20:58,340

and right up here, maybe there's

one that goes up and sort of turns.

349

00:21:01,230 --> 00:21:02,520

Put some dams right here.

350

00:21:02,970 --> 00:21:05,730

They're very thin paint though.

351

00:21:06,660 --> 00:21:07,470

Very, very thin.

352

00:21:12,060 --> 00:21:13,350

And one more right there.

353

00:21:14,880 --> 00:21:18,060

Touch, pull, just sorta snap the brush,

354

00:21:22,980 --> 00:21:25,350

and you can put as many leaves

on your Palm tree as you want.

355

00:21:25,350 --> 00:21:27,270

I'm just going to put a few

to show you how to do them.

356

00:21:27,990 --> 00:21:30,959

And then at home, you can just,

all, you can just do anything

357

00:21:31,110 --> 00:21:32,490

cause you have unlimited time.

358

00:21:33,510 --> 00:21:34,590

Let's have a nice big lamb.

359

00:21:34,590 --> 00:21:41,780

It comes right out there, touch and

pull, or you can really see these little

360

00:21:41,780 --> 00:21:43,820

leaves against the clouds in the sky.

361

00:21:46,850 --> 00:21:47,449

There we go.

362

00:21:49,669 --> 00:21:53,780

Now going to be Kim's

right on back like that.

363

00:21:58,410 --> 00:21:58,740

There

364

00:22:03,300 --> 00:22:05,940

and give him another one

Elm right down through here.

365

00:22:07,410 --> 00:22:08,550

Touch Paul.

366

00:22:11,160 --> 00:22:12,210

He's a very loose.

367

00:22:16,230 --> 00:22:16,560

Okay.

368

00:22:16,710 --> 00:22:17,970

Here's a little bit up here.

369

00:22:18,090 --> 00:22:19,950

Maybe there's just a little

one growing right there.

370

00:22:26,879 --> 00:22:35,879

There we go like, so we'll put a little

bit on the other side, maybe there's

371

00:22:35,879 --> 00:22:37,650

another one right there, right there.

372

00:22:44,670 --> 00:22:45,860

Yeah, we'll put one more.

373

00:22:45,860 --> 00:22:47,660

That started going across the trunk.

374

00:22:48,080 --> 00:22:51,200

Don't have all the limbs just going on.

375

00:22:51,200 --> 00:22:53,690

Either side, have some

actually go across the trunk.

376

00:22:53,900 --> 00:22:55,310

Makes it look a little more realistic.

377

00:22:55,370 --> 00:22:55,520

Okay.

378

00:22:59,120 --> 00:22:59,780

Now I'm on tape.

379

00:23:00,770 --> 00:23:03,580

The same gray color and go into.

380

00:23:04,095 --> 00:23:06,524

A lighter gray, just a tiny, tiny bit.

381

00:23:06,725 --> 00:23:08,294

Just want to make her stand out.

382

00:23:08,685 --> 00:23:10,754

Cause I really want to keep

these silhouetted as much as

383

00:23:10,754 --> 00:23:13,215

possible and just barely touch.

384

00:23:14,085 --> 00:23:16,514

Just the least little indication

of highlight on there.

385

00:23:17,115 --> 00:23:22,995

Don't overdue very easy to overdo

and you have to sort of figure out

386

00:23:22,995 --> 00:23:25,635

where the center of the Liam is here.

387

00:23:25,665 --> 00:23:31,055

The vein that goes through the

center, just touch like that.

388

00:23:32,615 --> 00:23:33,245

There we go.

389

00:23:33,870 --> 00:23:39,060

There is one just barely touch,

follow the angles that you

390

00:23:39,060 --> 00:23:40,290

have in your original limbs.

391

00:23:42,389 --> 00:23:42,629

Yeah,

392

00:23:46,230 --> 00:23:46,770

there we are.

393

00:23:49,010 --> 00:23:51,980

And I think this will give all of

our friends in Florida anywhere else.

394

00:23:51,980 --> 00:23:56,090

They want to paint a seascape,

an idea of how to do a fantastic

395

00:23:56,090 --> 00:23:57,889

little seascape that works so easy.

396

00:23:58,850 --> 00:24:02,810

It didn't make you happy there.

397

00:24:05,945 --> 00:24:06,675

It's like, yeah.

398

00:24:08,135 --> 00:24:14,855

Now maybe, maybe going right back

into this same gray color and

399

00:24:14,855 --> 00:24:16,385

I'm using the liner brushes time.

400

00:24:16,865 --> 00:24:21,155

Maybe we'll just put a few little

indications of things down here.

401

00:24:24,665 --> 00:24:25,385

There we are.

402

00:24:26,555 --> 00:24:29,255

There's some little CO2 or something

is growing right down in here.

403

00:24:32,205 --> 00:24:36,825

James, take your fan brush

and drop them in there.

404

00:24:36,825 --> 00:24:37,665

I said, fan brush.

405

00:24:37,695 --> 00:24:38,625

I meant liner brush.

406

00:24:43,955 --> 00:24:46,025

When you're at home painting,

you can put a lot more detail.

407

00:24:46,025 --> 00:24:48,755

You could put a little,

little beach in here.

408

00:24:50,795 --> 00:24:51,035

Okay.

409

00:24:51,125 --> 00:24:55,895

Let's take and just use a liner brush here

and we'll put some little tops on some of

410

00:24:55,895 --> 00:24:57,485

these, make them look like little Seaoats.

411

00:24:59,670 --> 00:25:00,960

There it's all there is to it.

412

00:25:02,500 --> 00:25:03,210

You could do it

413

00:25:10,460 --> 00:25:15,320

something like, sir, I think

we have a painting here.

414

00:25:15,320 --> 00:25:16,970

That's just about ready for a signature.

415

00:25:17,480 --> 00:25:22,970

So I'll go into a thin oil and any

kind of thin oil will work at home.

416

00:25:22,970 --> 00:25:25,860

You could use like linseed oil or Coppola.

417

00:25:26,580 --> 00:25:27,390

Any type of wall.

418

00:25:27,390 --> 00:25:28,470

That's nice and thin.

419

00:25:28,740 --> 00:25:34,830

You want to take and work that brush

until the paints almost like water.

420

00:25:34,890 --> 00:25:40,410

Turn it to bring a nice

sharp edge or just turn it.

421

00:25:41,190 --> 00:25:44,920

And then we can sneak right up in

here and put a signature on it.

422

00:25:49,695 --> 00:25:52,125

That's when you're almost

ready to stand back and admire.

423

00:25:52,725 --> 00:25:56,765

Now, when you're doing these

black canvases at home, view them

424

00:25:56,765 --> 00:25:58,205

under several different lights.

425

00:25:59,435 --> 00:26:00,455

It's unbelievable.

426

00:26:00,485 --> 00:26:02,705

What happens when you

change the light sources?

427

00:26:03,215 --> 00:26:06,425

These paintings are almost like

heaven two in one, and next

428

00:26:06,425 --> 00:26:07,835

week we'll use a white canvas.

429

00:26:08,015 --> 00:26:12,335

So if you're painting along with us,

have you canvas ready, easel set up and

430

00:26:12,335 --> 00:26:14,135

we'll do a fantastic painting together.

431

00:26:14,774 --> 00:26:18,044

Until then from all of

us here, happy painting.

432

00:26:18,554 --> 00:26:19,185

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 22, 2020

S03E02 - Blue Moon

Bob Ross's

The Joy of Painting

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