Bob Ross's

The Joy of Painting

S03E01 - Mountain Retreat

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Well, hello, welcome to the

third joy of painting series.

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I'm Bob Ross, and I'll be your

host for the next 13 weeks.

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As we experienced this fantastic

wet on wet painting technique in

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the next few weeks, we'll show you

how to make fantastic pictures here

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using only 12 colors and almighty

brush and a great big pallet knife.

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So I've already covered the canvas

with a thin layer of magic white.

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And then we just blended out with

long, horizontal and vertical strokes.

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Like, so this just assures a nice

even distribution of magic quite

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all the way across the canvas.

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So while I'm washing the brush here, I'm

going to get them to graphically run.

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The 12 colors that I use across

the screen, these colors will come

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across your screen in the same order

that I have them on the pallet,

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starting with titanium white.

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And working around.

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So let me clean the brush.

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We'll get started here.

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We clean our brushes with

odorless paint there.

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There we go and just beat

the bristles dry today.

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Let's start out with a tiny little

bit of Indian, yellow, and we'll

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go right in here and just lay on a

little bit of color, just like, so

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I'm going to go right into some Elizabeth

Crimson and pull a little bit of pain out.

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And beat it into your bristles.

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So it's nice.

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And even we'll put just a tiny bit

of alizarin Crimson here, and we do

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this making little crisscross strokes

or X strokes, just back and forth.

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There we go.

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And just let it lay on

right down into the yellow.

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Okay.

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Now appear on the top.

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Let's go into a tiny bit of

pressure and blue oppression.

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Blue is very, very strong.

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Be careful with it.

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Right across the very top, still

making the little crisscross strokes.

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We'll just lay in a little

bit of pressure and blue.

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And while we have the brush dirty.

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Okay.

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Let's take a little bit of blue and add

us a little tiny bit of water right here.

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And you pull from the outside

here and leave this area open.

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We want it to show when

we're finished, here we go.

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And continually your color is mixing

with a magic white and it blends.

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It makes very soft, nice, gentle colors.

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Okay.

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Now let's take a clean dry brush

and just blend all this together.

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She's still making the

little crisscross strokes

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and then we'll hit my ties gently down

here all the way across the yellow

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was still remained on the canvas.

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And if it happens to touch the blue, it'll

just turn green, which is very nice for

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water so we can get away with it today.

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Okay.

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Let's start out with a

little bit of Vandyke Brown.

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We'll take a small amount of Brown and

we'll go right up in here and let's

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put it on all mighty mountain there.

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Just let this mountain

flow right off unite.

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And we're really pushing

this pain into the canvas.

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We want to push it right into

the fabric if possible, maybe

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another little blonde right there.

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Okay.

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Now with a large brush, we can very

gently pull this down a little bit.

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This removes excess paint and allows your

mountain to get lighter on the bottom.

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She asked me, put it Def all we're

worried about is a nice outside edge.

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We could care less what's

happening inside right now.

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So let's take a little bit of Bandag

Brown and burn number mixed together.

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Just mix it right here on the

pallet and we just touch and

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follow the angles in the mountain.

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We'll do a nice Brown mountain today.

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There just let the paint

flow right off your knife.

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Right over here, maybe a little

light strikes and we can take

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a little bit of white and begin

adding to it to really put some nice

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little highlights on this mountain.

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There we go.

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And this is your world.

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So let your imagination take

you wherever you want to go.

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Bernie number and Vandyke

Brown, just mixed together.

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A little bit of the highlight color.

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Now let's take a little bit

of Vandyke Brown with a touch

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of a lizard Crimson in it.

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And with that, we'll put some shadows

right in here, just a tiny bit of Crimson.

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So when we highlight the

shadow color, it'll sparkle.

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I have a little bit right over in here.

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Just very basic, quiet little mountains

that are we back in the background, the

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bit of highlight over here in the shadow

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there.

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Okay, now we can take a clean, dry brush.

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And all we're going to do is begin

tapping this bottom at first,

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just tap it and then lift upward.

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I want to pick up some of the

yellow it's underneath here.

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Here we go.

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Just follow the angles that

you have in the mountain.

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We lay out a tiny bit more of

the yellow onto the brush here.

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Just want this mountain to softly, softly

disappear, always follow your angles

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there.

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Okay.

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And that's super quick, nice little

way to make a happy little mountain

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and sweep back in the distance.

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Okay.

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Now let's take that state.

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First of all, I'm cleaning this up a

space that we'd have somewhere to work.

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Put some SAP green pressure

and blue van Dyke Brown.

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Just mix all these together.

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Make a very nice dark color.

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There we go.

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Now let's take.

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A fan brush and fill it full of paint.

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Just pull it through the

paint and fill it up.

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A lot of paint in the

bristles and we'll use it.

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XO, just touch and go down.

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We're going to make some indication

of some little evergreens that are we

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back in the distance far, far away.

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We don't want much detail

back here in the too far away.

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We want to show distance and

this let them work right down.

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Like, so

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maybe.

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Maybe there's one who lives right here.

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She has to, wherever you

think there should be a tree.

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You just drop one in.

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We're not looking for detail.

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There we go.

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Just let these Rascals falling.

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Now, one thing I should mention

for the people who are joining

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us for the first time, the paint

we use is very dry and very firm

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in comparison to most oil paints.

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You need a very firm paint.

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One of our golden rules here, a thin

paint will stick to a thick paint.

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So we start with the

thickest possible paint.

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We can find that we can put

layers of thin paint on top of it.

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Same color, just adding

some ground down here.

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There we go.

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Just good dark color.

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One of the golden rules you need

dark in order to show light.

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So here we're just applying

our dark color and.

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Watch, how easy reflections are they used

to drive me crazy when I was traditional

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painter, but watch right up here.

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All you do is touch and pull

down because the canvas is wet.

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You can make beautiful, beautiful

reflections, this simple, just

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touching and pulling down.

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There we go.

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And then gently go across.

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Makes it look just like water.

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And maybe, maybe, maybe we back

in the background back here.

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Maybe there's a little.

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Maybe there's a little waterfall

back here that feeds this Lake.

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So touch titanium, white, just

touch it and come straight down.

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And then we want it to splash a

little as it hits the water down here.

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Just a little, there we go.

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Now.

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Yeah, let's take a little bit of

magic, quite a little CAD yellow

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and maybe some SAP green and

just load this fan brush full.

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And we can begin putting some

highlights back here, touch push

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at Bryce who had been upward there.

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And you can make these as

brighter as Dell as you want them.

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If you want to show a lot of sunlight

back here, use a lot of the yellow color.

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If it's a quiet.

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Far away.

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Maybe you want to have it

much a dollar in color.

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There we go.

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Maybe there's a little projection

that lives right out here.

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So we just drop it in your projection.

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You can put it anywhere you want.

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It can maybe, maybe there's

another one over here.

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It just comes right out like this.

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Okay.

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Now we can take in gently put a little

bit of this down, just so you have a

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little bit reflection into the water.

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Go across.

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Now let's take the knife.

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Okay.

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Little bit of magic, quite pull

it out, very flat and cut across

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it so we can do us very sharp,

small little line back here, just

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to show a little water line there.

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There it is.

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See, I told you that was easy

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and this is a very, very

free form of painting.

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We do no tracings, no drawings.

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We just sort of let these

flow right out of our heart.

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Now, maybe as we get a little closer,

the evergreens get a little bigger.

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So still using the fan

brush, I'll go right there.

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Evergreen lives there.

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Corner of the brush.

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Can we just begin making a nice

little evergreen, just sort to go

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back and forth with your brush, make

all the little limbs that hanger

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will highlight like this little tree.

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So all we're looking for here is a

nice background and maybe, maybe,

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maybe there's one right here.

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You know, trees get lonely too.

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So they need friends.

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Let's give him a little

friend right there.

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Now we can take a little bit of SAP green

and just come back and highlight the tree.

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Now you want to place a lot of emphasis

on putting the highlight on the right side

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of the tree since your mountain is showing

that the light's coming from the right.

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And if you're right-handed, you'll

find that it's usually easier to

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highlight things on the right.

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If you're left-handed, it'll

sort of vary from person to

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person, they've tended people.

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Have been forced all their

life to do right-handed things.

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So I think we'll find

through experimenting which

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way is easier for them.

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Okay.

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Now maybe on this side, over here,

maybe we've got at home mighty tree.

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Maybe there's a nice big

evergreen that lives right there.

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And we just start right at the

top using very little pressure.

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As we work down this tree,

we're using more pressure and

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making the brush bend downward.

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There we go, not a super way

to make a little evergreen.

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I used to agonize over these.

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So this really is the way to do it.

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Just back and forth.

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Let the brush work, let the paint work.

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There we go.

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And we have a happy

little tree that quick.

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Maybe we want to have some leaf trees.

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Big trees here.

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So let's use the big brush, fill

it up full of paint, just load a

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lot of pain into it and figure out

where you want to treat and go right

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up in here and just drop it in.

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Then the bristles make had brush Ben, make

it work for you and just come right on.

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Maybe there's a little peninsula

right out through here.

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So just drop it in.

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There we go.

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Now all we got the dirty brush up here.

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Let's put a few little

reflections right there.

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Just let them fall in post, straight

down and go GFT across when you're

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doing these reflections, be sure

you pull them straight down.

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If you pull them at an angle,

they just won't look right.

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So now let's take up

a one inch brush here.

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We'll put a little magic white

in the breast, then the paint

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and loaded, full of paint here.

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I'm going to load it with some CAD yellow

and let's go back into the SAP green CAD

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yellow in SAP green, a little magic, white

to thin it, a lot of pain in the bristles.

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Now touch, push in the brush.

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You need to bend it to make all

these beautiful little leaves here.

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That had abandoned and

sort of work in patterns.

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So the tree has some shape to it.

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You just don't want a

dead tree laying out here.

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Let's put some life in him there.

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Now I'm getting it to go into

maybe a little yellow ochre

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and we'll drop right down here.

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There's another happy little Bush.

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There they are.

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Sometimes you can add just a tiny bit

of paint, thinner that then you paint.

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There and that doesn't dilute the color.

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Maybe there's another little Bush lives

in front of that one layer your bushes.

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It gives depth to your painting.

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There we are.

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Now it sort of reminds

me of my home in Alaska.

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So you, cause you have so many beautiful,

beautiful mountains and water things here.

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So let's, let's put a

happy little cabin in here.

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This is just too pretty of

a spot, not to have a cabin.

248

00:13:59,760 --> 00:14:02,610

So we'll just take a little

Vandyke Brown and we'll do the

249

00:14:02,610 --> 00:14:04,230

back Eve of the cabin first.

250

00:14:04,530 --> 00:14:05,040

There it is.

251

00:14:06,209 --> 00:14:08,900

And we'll come over here and put

in the other side of the Kevin,

252

00:14:10,850 --> 00:14:14,839

just drop him in, in this series.

253

00:14:14,839 --> 00:14:18,050

We're going to try to show you

quite a few buildings, how to do it.

254

00:14:18,050 --> 00:14:23,270

We've had so many requests from our

first couple of series of people

255

00:14:23,270 --> 00:14:24,500

wanting two buildings a week.

256

00:14:24,959 --> 00:14:30,329

We're really going to try to do

something in this series, little side

257

00:14:30,329 --> 00:14:33,660

over here, where we've already got

the makings of a little cabin there.

258

00:14:33,689 --> 00:14:38,430

We'll take a little Brown, white,

do touch it on, bring to it.

259

00:14:40,260 --> 00:14:40,920

There we go.

260

00:14:43,170 --> 00:14:46,230

Now maybe we'll just put a little

indication of some logs here.

261

00:14:46,260 --> 00:14:50,910

We'll make this a little log cabin and

at home where you have unlimited time,

262

00:14:50,910 --> 00:14:52,589

you can put a lot more detail into it.

263

00:14:53,500 --> 00:14:55,590

If we go over 30 minutes, they yell a lot.

264

00:14:55,590 --> 00:14:55,920

Has

265

00:14:59,270 --> 00:14:59,990

there you go.

266

00:15:01,190 --> 00:15:03,800

Now maybe these logs go in this direction.

267

00:15:08,200 --> 00:15:09,490

Just want to show you how to do that.

268

00:15:09,500 --> 00:15:13,460

As I say at home, you have unlimited

time and you can put a tremendous

269

00:15:13,460 --> 00:15:14,750

amount of detail into these things.

270

00:15:14,780 --> 00:15:15,350

Phoenix.

271

00:15:17,810 --> 00:15:19,790

Now on this side, we want

it to be a little darker.

272

00:15:19,820 --> 00:15:20,750

So here we just.

273

00:15:21,210 --> 00:15:22,860

Just one, a little indication, Chile.

274

00:15:25,200 --> 00:15:27,420

And if you had a cabin, you

need a little door to get in it.

275

00:15:27,420 --> 00:15:28,710

So we'll put a little door right there.

276

00:15:28,710 --> 00:15:32,100

That's just straight Brown

and we'll cut it off.

277

00:15:32,100 --> 00:15:33,120

So it fits the cabin.

278

00:15:34,530 --> 00:15:36,750

Maybe there's a little

window right here, here.

279

00:15:36,750 --> 00:15:38,010

I'm using the little edge of the night.

280

00:15:38,070 --> 00:15:39,390

Maybe there's a window right there.

281

00:15:40,470 --> 00:15:41,100

Your cabin.

282

00:15:41,100 --> 00:15:42,540

So you put windows wherever you want them.

283

00:15:44,430 --> 00:15:46,350

And now let's put some land under here.

284

00:15:46,420 --> 00:15:47,730

Need something to hold all this up.

285

00:15:50,430 --> 00:15:52,530

Here we go straight Vandyke Brown.

286

00:15:52,530 --> 00:15:57,270

Again, just let the land

come out like there.

287

00:16:01,700 --> 00:16:04,970

And with a large brush, you can

touch, pull just a tiny bit of

288

00:16:04,970 --> 00:16:06,260

that down into the reflection.

289

00:16:07,790 --> 00:16:08,990

Very lightly go across.

290

00:16:13,010 --> 00:16:16,370

Now we'll highlight this with a little bit

of Brown and white, just so it stands out.

291

00:16:18,285 --> 00:16:21,555

They're fantastic.

292

00:16:23,555 --> 00:16:27,005

I would take it a little bit of

the dark Vandyke Brown and just put

293

00:16:27,005 --> 00:16:28,415

some logs over here on the edge.

294

00:16:28,415 --> 00:16:36,365

You can see that Enzo, like,

so you back over here air.

295

00:16:36,365 --> 00:16:40,505

We are, but there's a little

color in the, in the roof.

296

00:16:40,505 --> 00:16:44,045

And I only had just a tiny

bit of permanent red, too,

297

00:16:44,045 --> 00:16:46,084

some Brown, and we'll put it.

298

00:16:46,365 --> 00:16:51,285

Tiny little bit of color here on the

roof and a little bit over on this

299

00:16:51,285 --> 00:16:57,255

edge, there makes that roof stand out

a little bit so you can see it better.

300

00:16:59,325 --> 00:17:04,875

Let's go back to the fan brush here we

get right into our yellow ochre and SAP

301

00:17:04,875 --> 00:17:09,585

green and little CAD yellow, and let's

just push in some little grassy areas.

302

00:17:12,165 --> 00:17:13,275

He keeps his yard and mode.

303

00:17:13,305 --> 00:17:13,575

Nice.

304

00:17:13,575 --> 00:17:14,055

So we got.

305

00:17:14,994 --> 00:17:17,025

Got some nice little

grassy areas going here.

306

00:17:20,895 --> 00:17:21,464

All right.

307

00:17:25,754 --> 00:17:30,795

Now, back to the magic white,

this is a very thin paint.

308

00:17:30,825 --> 00:17:31,605

Almost like water.

309

00:17:31,605 --> 00:17:33,405

It's a liquid into that.

310

00:17:33,405 --> 00:17:37,875

I'll put a little bit of Brown

just to make it look like sand and

311

00:17:37,875 --> 00:17:39,165

we'll go right up through here.

312

00:17:41,190 --> 00:17:46,260

Let's begin putting in maybe a

little sandbar right here, there.

313

00:17:47,700 --> 00:17:48,990

Just let it flow off your knife.

314

00:17:51,030 --> 00:17:54,000

Now we can go right from back

into here, get some Vandyke

315

00:17:54,030 --> 00:17:55,620

Brown and let's just start.

316

00:17:56,340 --> 00:18:00,600

Let's go all the way over here,

but the devil, we can do anything.

317

00:18:02,910 --> 00:18:05,310

She has to let the dirt

flow right off your knife.

318

00:18:05,370 --> 00:18:07,310

This is Brown with a

little bit of unburnt.

319

00:18:09,270 --> 00:18:11,370

And like Brown van.

320

00:18:11,370 --> 00:18:14,120

Dyke's a very nice chocolate

Brown, beautiful color.

321

00:18:15,950 --> 00:18:21,110

One of my favorite colors

can't we put the dirt in first.

322

00:18:22,399 --> 00:18:27,889

Then we can come back and highlight

this a little with some grassy areas.

323

00:18:28,310 --> 00:18:31,909

Just touch the grass

grows slightly above here.

324

00:18:32,595 --> 00:18:39,015

There, I sort of bring all this

together now, you know, if you had

325

00:18:39,015 --> 00:18:42,705

a little cabin like this, you'd have

to have, uh, a way to get to it.

326

00:18:43,125 --> 00:18:44,445

So let's have a little walkway.

327

00:18:44,475 --> 00:18:49,275

Maybe it starts back here and just

comes around like, so right on out

328

00:18:49,275 --> 00:18:54,795

toward the front, a little bit of

Brown and white and touch your red,

329

00:18:54,975 --> 00:18:58,875

highlighted a little there, there we go.

330

00:19:01,350 --> 00:19:03,750

And we got us a little trail,

so we can get back in there.

331

00:19:06,830 --> 00:19:09,980

Let's take and begin laying a

little tiny bit of grass here

332

00:19:09,980 --> 00:19:11,360

that grows down from his walk.

333

00:19:11,900 --> 00:19:12,020

Yeah.

334

00:19:12,080 --> 00:19:12,740

Onto the water.

335

00:19:17,450 --> 00:19:18,530

So you want me to distance?

336

00:19:18,530 --> 00:19:24,260

I creates it, pushes everything

back, maybe right in here.

337

00:19:25,700 --> 00:19:26,480

Just like, so.

338

00:19:32,145 --> 00:19:32,685

Here we go.

339

00:19:33,195 --> 00:19:37,875

Now maybe, maybe when the old fellow

built his cabin, he was having a good

340

00:19:37,875 --> 00:19:39,885

day and he put a little porch out here.

341

00:19:40,005 --> 00:19:45,615

Let's put a little porch on the

cabin there and I'm using the

342

00:19:45,615 --> 00:19:51,705

little edge of the knife again,

and we can come make needs there.

343

00:19:51,945 --> 00:19:53,625

One little post to hold a porch chip.

344

00:19:54,915 --> 00:19:57,135

And a tiny bit of

highlight right out here.

345

00:19:59,625 --> 00:20:00,285

There we go.

346

00:20:03,135 --> 00:20:03,465

Got it.

347

00:20:04,365 --> 00:20:06,845

Maybe a little highlight

out here on this post.

348

00:20:06,875 --> 00:20:08,795

There just a tiny bit.

349

00:20:11,255 --> 00:20:14,105

Now with our fan brush, we can

bring all this to together.

350

00:20:15,725 --> 00:20:16,475

Just like that.

351

00:20:18,995 --> 00:20:20,945

I'm going to use just a clean

knife and cut a few little

352

00:20:20,945 --> 00:20:22,325

sticks and twigs here and there.

353

00:20:24,210 --> 00:20:26,340

You need some sticks to hold

up all these beautiful little

354

00:20:26,340 --> 00:20:29,399

bushes that you've done there.

355

00:20:33,120 --> 00:20:38,520

Now let's take some more SAP green

on the fan brush and let's highlight

356

00:20:38,520 --> 00:20:40,560

these big almighty trees here.

357

00:20:40,590 --> 00:20:45,000

Once again, you want the most emphasis

on the right side of the tree since your

358

00:20:45,000 --> 00:20:48,480

lights coming from that direction there.

359

00:20:49,080 --> 00:20:51,120

And as it goes down the

tree, let it get darker.

360

00:20:51,240 --> 00:20:52,260

Start at the top.

361

00:20:52,530 --> 00:20:53,399

As you work down.

362

00:20:53,760 --> 00:20:56,490

Automatically your brush is going to

pick up the dark color underneath.

363

00:20:56,890 --> 00:20:58,500

It'll get darker as he works downward.

364

00:21:00,180 --> 00:21:00,900

There we go.

365

00:21:02,280 --> 00:21:09,960

Now maybe, maybe we'll just take,

and let's put a little bit of

366

00:21:09,960 --> 00:21:11,820

highlight right around the door.

367

00:21:12,960 --> 00:21:16,380

So that stands out a little

bit around the window.

368

00:21:16,430 --> 00:21:17,850

That is sort of squared up a little.

369

00:21:19,425 --> 00:21:21,465

A little bit over here,

maybe just an indication.

370

00:21:21,465 --> 00:21:22,905

This side's very, very dark.

371

00:21:22,905 --> 00:21:24,105

You don't see as much there.

372

00:21:25,635 --> 00:21:26,115

Okay.

373

00:21:26,175 --> 00:21:31,065

Let's take, let's take a one

inch brush and I'm going to take

374

00:21:31,065 --> 00:21:34,004

an, put a little thinner in my

brush, tiny bit of paint thinner.

375

00:21:34,004 --> 00:21:38,655

So I thin the paint out a little and

go right into the van, Dyke Brown and

376

00:21:38,655 --> 00:21:40,275

load a lot of pain into the brush.

377

00:21:40,395 --> 00:21:46,245

Just really fill it up, loaded, full,

and then we'll go over into the white.

378

00:21:47,280 --> 00:21:49,379

And pull just one side

of it through the white.

379

00:21:49,620 --> 00:21:52,620

So now we got Brown on one

side, white on the other.

380

00:21:53,460 --> 00:21:54,030

Here we go.

381

00:21:54,960 --> 00:21:56,340

This is just double loading of Bryce.

382

00:21:56,340 --> 00:21:59,580

So you can get a fantastic

effect in one stroke.

383

00:21:59,939 --> 00:22:02,970

Remember to put the lighter side

on the right and maybe we'll

384

00:22:02,970 --> 00:22:08,580

have, maybe there's a huge tree,

big pine tree lives right here.

385

00:22:09,149 --> 00:22:10,980

Just come right straight down the canvas.

386

00:22:11,939 --> 00:22:15,120

Ooh, right through the cabin,

putting some little foots out here.

387

00:22:17,055 --> 00:22:22,725

And we can darken it up a little

if you'd like, just come right

388

00:22:22,725 --> 00:22:31,215

straight down and that's the way

you make an almighty tree and add a

389

00:22:31,215 --> 00:22:32,504

little bit more Brown on this side.

390

00:22:32,504 --> 00:22:38,055

I want it dark in the side a little

bit more, and then we can work here.

391

00:22:38,055 --> 00:22:39,975

Little fixes, little foot's up.

392

00:22:43,935 --> 00:22:48,855

Okay, now let's take another one inch

brush and go right into the SAP green.

393

00:22:48,975 --> 00:22:54,405

You get a lot of SAP green on

here, dark color, very dark.

394

00:22:56,265 --> 00:22:59,175

And once again, I've added a tiny,

tiny bit of paint thinner to it,

395

00:22:59,175 --> 00:23:01,995

just to thin it down a little,

a lot of pain in the bristle.

396

00:23:02,005 --> 00:23:06,645

So a lot of paint Caitlin's go right

up here and put some nice little

397

00:23:06,645 --> 00:23:08,565

leaves on this great big tree.

398

00:23:09,255 --> 00:23:11,115

Just use the corner of the

brush and all we're doing is

399

00:23:11,115 --> 00:23:12,435

just tapping, just touching.

400

00:23:13,455 --> 00:23:14,985

Just let those leaves fall right off.

401

00:23:14,985 --> 00:23:19,365

You brush about putting a large

tree into the foreground like this.

402

00:23:19,365 --> 00:23:22,065

It helps push everything back

and makes the perspective better.

403

00:23:22,935 --> 00:23:24,375

Makes your painting more interesting.

404

00:23:25,695 --> 00:23:27,435

Maybe there's a little lane

that comes right there.

405

00:23:29,774 --> 00:23:30,315

Okay.

406

00:23:31,395 --> 00:23:38,835

Now we can go right into a little bit

of CAD yellow and it touches SAP green.

407

00:23:38,895 --> 00:23:40,935

We'll make a highlight

color to drop on this tree.

408

00:23:41,970 --> 00:23:43,710

And we'll just come right here once again.

409

00:23:43,740 --> 00:23:45,690

Do you want more emphasis

on the right and the left?

410

00:23:48,150 --> 00:23:50,990

Let's put some highlights on all those

beautiful little leaves that you've made.

411

00:23:52,940 --> 00:23:53,540

Barely go.

412

00:23:57,140 --> 00:23:57,500

Okay.

413

00:23:57,610 --> 00:23:58,880

Little highlight right here.

414

00:24:01,460 --> 00:24:06,350

Like, so, and if you want it

to, you could take your liner

415

00:24:06,350 --> 00:24:08,840

brush with a little thinner on

it, just to thin the paint down.

416

00:24:10,095 --> 00:24:13,605

And just put the indication here and

there maybe a little limb that you

417

00:24:13,605 --> 00:24:15,254

can see a little bit of back in here.

418

00:24:15,825 --> 00:24:22,745

She has tear in there, like, so

maybe there's some nice little sticks

419

00:24:22,745 --> 00:24:24,004

that live out here that are growing.

420

00:24:24,305 --> 00:24:27,905

It's a blue toy there.

421

00:24:33,605 --> 00:24:34,294

Okay.

422

00:24:36,245 --> 00:24:37,745

Now back to our fan brush.

423

00:24:38,340 --> 00:24:43,470

And we'll go back into this yellow

and green, a little bit of little

424

00:24:43,470 --> 00:24:46,710

bit of yellow ochre and this

work on his foot's down here.

425

00:24:47,159 --> 00:24:50,220

Let's just put some grass right down here

and cut the tree off wherever we want it.

426

00:24:52,409 --> 00:24:53,939

Your tree, you can cut him at anywhere.

427

00:24:53,939 --> 00:24:54,360

You want him.

428

00:24:56,909 --> 00:25:00,330

And maybe there's a few little

sticks that hang out over the bank.

429

00:25:01,080 --> 00:25:01,889

Just hear him there.

430

00:25:02,220 --> 00:25:03,960

And I'm just using the

point of the knife here.

431

00:25:09,780 --> 00:25:10,470

Okay.

432

00:25:11,720 --> 00:25:14,030

Well, I think we about head of

this painting, ready to sign.

433

00:25:14,689 --> 00:25:18,740

So let's take a little bit of paint

thinner, or you can use it then a wall.

434

00:25:18,740 --> 00:25:21,110

If you'd like it, then oil

probably works a little bit better.

435

00:25:21,110 --> 00:25:24,350

It works a little smoother,

a little paint thinner.

436

00:25:24,530 --> 00:25:26,929

And we're going to mix

this to it's like water.

437

00:25:28,040 --> 00:25:29,449

Very, very loose.

438

00:25:30,020 --> 00:25:33,350

Then turn this fan brush

or this liner brush.

439

00:25:33,379 --> 00:25:33,830

I'm sorry.

440

00:25:33,830 --> 00:25:34,370

You caught me.

441

00:25:35,070 --> 00:25:37,500

Turn this liner brush to bring

it to a nice sharp point.

442

00:25:38,090 --> 00:25:41,160

Let's go right up in

here and sign the paints.

443

00:25:41,180 --> 00:25:44,040

Very, very thin, almost like water.

444

00:25:45,390 --> 00:25:47,970

And with that, you can

literally just write your name.

445

00:25:50,130 --> 00:25:53,010

R O S S.

446

00:25:53,040 --> 00:25:53,820

That's what it is.

447

00:25:55,020 --> 00:25:55,680

There we go.

448

00:25:58,230 --> 00:25:58,710

Next week.

449

00:25:58,710 --> 00:25:59,520

We hope you hear.

450

00:26:00,135 --> 00:26:01,785

With us have a big glass of ice tea.

451

00:26:01,785 --> 00:26:02,145

Ready?

452

00:26:02,385 --> 00:26:05,055

Got your canvas set up and we're

going to do a black canvas.

453

00:26:05,055 --> 00:26:09,735

We'll do a happy little seascape and show

you how to very simply do a seascape.

454

00:26:09,735 --> 00:26:10,425

It's effective.

455

00:26:10,545 --> 00:26:11,115

A lot of fun.

456

00:26:12,045 --> 00:26:14,685

It we'll be looking forward

to seeing you until next time.

457

00:26:14,925 --> 00:26:16,395

We'd like to wish you happy painting.

458

00:26:16,785 --> 00:26:17,355

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 22, 2020

S03E01 - Mountain Retreat

Bob Ross's

The Joy of Painting

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