Bob Ross's

The Joy of Painting

S03E06 - Covered Bridge

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Well, here we are again.

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Ready to go.

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So today I think I'll do a painting.

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It's a little bit different.

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Maybe we'll try to do, uh,

a little covered bridge.

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I've been spending a lot of time in

Indiana the last few months, and we've

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produced a series here at Indiana.

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So let's do a little covered bridge.

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Indiana has a lot of covered bridges.

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So we'll started with a little bit of

a lizard Crimson and Prussian blue.

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Just mix them on the brush here.

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And let's just go right up in

here and do like, so just put

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in a little background color.

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Not worried about shapes or anything here.

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I'm just applying some background color,

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something like, so this is just a little

crushing blue and alizarin Crimson.

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Now the Prussian blue is many, many times

stronger than the lizard in Crimson.

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So use very little of the blue.

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Okay, we'll go wash the brush.

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I don't want to put some little trees

that are far back in the background.

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Okay.

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Let's start with a one inch brush

and let's just go right into some

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CAD yellow, some yellow ochre.

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Just mix them up here a little bit,

a little tiny bit of permanent red.

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Maybe we'll have a little fall scene

here with a lot of colors in it.

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Okay.

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Now let's just go back in here

and just begin picking out some

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basic little shapes, just barely

touching and pulling down.

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I want to add a tiny bit

of SAP green to that.

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Just still a little bit

of green left back here.

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Okay man.

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Oh yeah, that's much better.

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And it stands out better.

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We just lay in some little

basic shapes far, far back.

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We're not looking for detail.

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That'll come later and

sort of bury your color.

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So they stand out a little bit.

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Don't kill all the little

purple-ish color that you have here.

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Want to retain some of that

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fairness, let it work a

little more green here.

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Safford green there,

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something like so

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distant, distant background.

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And just, as I say, vary

the colors a little bit,

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so they stand out.

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They're nice yellow.

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Okay.

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Now we'll take the large

brush and very gently.

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I'm just going to lift up just a soft

this, make it look the other way.

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There we go.

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That'll give us a quick little backdrop.

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Now let's take the large brush

and we'll go right into some SAP

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green, a little bit of a lizard

and Crimson and some Vandyke Brown.

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Just mix them on the brush,

looking for pretty dark color here.

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And we can begin dropping

in some basic shapes.

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Really pushed that brush into

the canvas, make it the band.

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Okay, well, maybe we have in here.

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There we are.

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Okay.

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There's a beautiful little shapes.

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Just let them fall off your brush.

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That's Elysium, Crimson, SAP green,

and a little bit of Vandyke Brown.

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Maybe there's a nice tree here

that just sort of hangs over.

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All background.

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So we're really not worried

about detail at this point.

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Here we go,

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going it gives us some nice,

basic background shapes.

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Okay.

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A little bit more right over in here.

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All right, ready?

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Now we can start playing with a little

bit of detail, take a little Vandyke

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Brown, tiny bit of umber in it.

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And we'll just put, we'll put a

happy little tree trunk right here

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and like, so.

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Give him a little arm out here, and

most of this is going to disappear.

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We're really not worried

too much about it.

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Some, a little show through the leaves and

we put them off and we'll take a little

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bit of white and had the same color to it.

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And we'll make us a little highlight.

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That's just white with a little

bit of Brown, a little bit of

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olive bread and just put some

little indications here and there.

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Maybe there's a few more little

things that live back here.

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Just indications, maybe over here.

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It's a nice little tree.

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Give him a little trunk too.

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Don't want him to be left out.

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There we go.

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Okay.

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Now we can go in here and we'll

take a little bit of CAD yellow.

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SAP green and we can begin laying some

highlights on these touch points to

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brush upward, make it bend a little bit.

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Brush needs to been

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very quiet.

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Don't want it to get too bright yet?

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We'll brighten it up in the foreground

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cane drop a few little

things down in here.

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Yeah.

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A little bit of yellow ochre, just

so that one stands out here, I'm

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using the breast sideways and making

it bend upward just to create all

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these nice little grassy things.

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And we do them in layers, starting

in the back and working forward.

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Okay.

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Let's move over to the other

side of the canvas here.

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And we can begin putting some leaves on

some of these little trees and bushes.

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Dang.

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There's one right there

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using the breast sideways again,

to create little grassy areas.

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And let's go up here to this old big tree,

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put some beautiful leaves on the account.

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There we are.

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Just drop them in your creation.

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Added a tiny bit of paint

thinner to my breast.

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They're just at the end of the paint down.

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So it'll stick easier.

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A lot of nice foliage here.

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Give you some good practice.

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Let's go right in here and drop

in a few more little bushes

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and stuff that stand out.

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Various.

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Okay.

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Now maybe back here in the background,

maybe there's a little road.

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Maybe it just goes right around the corner

back here and just comes right out like

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this straight Vandyke Brown start with.

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Kind of put the dark on.

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So the light will show,

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okay.

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We can take some Brown and white.

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I'm going to put a touch of blue into

it, just a touch, just a touch, and then

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lay a little bit of highlight on here.

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Go road.

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It goes through the woods

now with a little tiny bit.

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More of the yellow and green.

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I want to set that road

down into the painting.

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Let some of the bushes

come up over the road.

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That helps create the

illusion of distance.

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Like it's going back around the corner.

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We don't know where it's going.

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I don't care.

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Just let it go.

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Alrighty.

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Now I go back into some.

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Good dark color here.

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SAF green, Vandyke Brown.

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Maybe this time we'll even add a

little bit of pressure and blue to it

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to really darken it up right in here.

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Let's throw some very, very

dark color, mostly green though.

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Very dark

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and some on this side.

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So that's Fandango Brown staff, green,

tiny little bit of pressure and blue

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want this to be very, very dark.

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Okay.

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I think it's time, we started

playing a little bit with a bridge.

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This is where the fun starts.

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And probably one of the easiest ways for

you to learn how to do these fantastic

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little buildings and bridges and stuff.

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Let's go in here and very gently,

let's just scrape out a basic shape

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and maybe we're looking at a covered

bridge and we're looking right through

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it so we can see the road behind it.

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So let's go right up in here.

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And just take and lay

in a very basic shape.

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And I know this is good.

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This is going to drive you up the wall.

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When you start scraping out all

your beautiful painting, and I don't

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want to kill all this, I want to be

able to see it through the bridge.

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Just take that and try to

save quite a bit of it here.

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I want to be able to see through it.

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Just scrape out your basic shape.

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Like, so this gets rid of

some of the loose then paint.

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It makes the next layer of

paint stick much easier.

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This will help you.

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It's also a nice way to sort of lay

out your perspective a little bit.

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Okay.

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Now we can go right into some Vandyke

Brown and let's go right up here and

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begin building our little covered bridge.

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There we go.

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you know, just recently I found out

while I was here in Indiana, while

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they built, covered bridges, always

thought it was a place you could go

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and get out of the rain or something.

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And the reason they covered these

bridges was to protect the structure.

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So the weather wouldn't get to it.

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It really wasn't the reason

I thought it was at all.

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So I learned something.

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Okay here, I'm going to just

lift upward with a little Brown.

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All I'm going to do is fill all

this in with the Brown, and then

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we can begin working on detail

just to fill in the entire thing

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with nothing but Vandyke Brown.

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There we go.

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Make us a nice edge right down

from that edge up this old

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bridge, you just had a hard life.

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He's not in the best of repair.

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Give him a side over here.

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And one here.

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There we go.

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Now we can just fill all this in.

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That's the beauty of using a big knife.

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You can just drop things right in.

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No problem.

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Okay.

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Now we have to do this bridge in

stages and we do the part as fathers

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to way first and come forward.

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So I want to be able to

see through this bridge.

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So we'll do the back of it first and

then come forward down here with you.

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Just fill all that jazz,

fill it in a lot of Brown.

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A lot of Brown paint

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there.

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I know who you're, you're

sitting at home saying, boy,

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he's, he's messed up this time.

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You may be right.

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Let's just see what happens

here in the background.

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Very, very little light back here.

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Not a great deal is

going to show back here.

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Just some little indications.

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Don't overdue, just some

very faint indications.

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So when we put the front of the

bridge on, it will show better.

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Okay.

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Now let's put a little

tiny highlight here.

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This is just a little Brown

and white, just too little, the

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light playing right across there.

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Don't want too much jazz, too little.

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How we can start working on the

front of the bridge and take some

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Brown Vandyke Brown, some umber and

white make us look like old wood.

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Don't overmix you paint,

leave it sort of marbly here.

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So that way all these colors will

happen right here in your bridge.

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Okay.

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Now let's just take the small edge of

the knife and begin making some boards.

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And maybe, maybe you can just

scratch a line right through here.

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If it'll help you a little bit.

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To give you an idea of where you

want the front of the bridge to be,

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and that'll be our stopping point.

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So we'd take the small edge of the

knife and just start making some boards.

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This one's made out of old slap,

or just barely touching, pulling

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there we are and leave

some space in between them.

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As I say, these old bridges,

some of them are in bad repair.

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They really been beat to death.

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She just want to make it look

like old boards hanging there.

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There we go.

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Then

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come all the way down here

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to this puts you some boards here.

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Bridge has really had a rough life

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and we let these come all the way down.

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Like so barely go.

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Don't, don't cover up all the dark.

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Cause back in here, we want to give

the impression that we can see N.

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And over maybe a little bit, their

angles are very, very important here.

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Want to make it look like we

can see through this bridge,

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keep this very dark because

it's all in shadow here.

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It's all in shadow.

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Just camera head on down.

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Like, so.

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All these little nice

width things in here.

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Maybe there's a little beam right here.

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We can see

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comes right across.

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Okay.

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Now we can straighten up this edge a

little, give him a little more distance,

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00:16:49,115 --> 00:16:51,305

a little more depth than the bridge.

258

00:16:54,215 --> 00:16:54,565

Barely.

259

00:16:54,575 --> 00:16:54,755

Huh?

260

00:16:58,700 --> 00:17:00,230

This is just straight Vandyke Brown.

261

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Now, if you want it until you can

take a little bit of Brown and create

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some boards here, I've just got a

little tiny bit of Brown on the knife.

263

00:17:10,010 --> 00:17:14,420

Just touching, just to create

the illusion of wooden planks.

264

00:17:17,090 --> 00:17:17,630

Look at that.

265

00:17:20,060 --> 00:17:23,120

Jeremy thinks that an old covered

bridge would be this easy to make.

266

00:17:26,850 --> 00:17:28,560

And just let it, let of it run down

267

00:17:34,740 --> 00:17:37,100

now, then I want to leave

this area right in here.

268

00:17:37,160 --> 00:17:41,240

Very, very dark to make it look like

there's a recessed area and water down

269

00:17:41,240 --> 00:17:44,870

there might even take an ad, a little bit

of Brown right down here at the bottom.

270

00:17:46,580 --> 00:17:50,510

Really, really, very

dark, very, very dark.

271

00:17:53,215 --> 00:17:56,445

We can just fill the rest of the canvas

up here with a little bit of SAP green

272

00:18:13,435 --> 00:18:17,895

and you can out we'll come right

along here and put a little

273

00:18:17,895 --> 00:18:19,125

bit of highlight on the road.

274

00:18:20,294 --> 00:18:20,955

Just a little,

275

00:18:31,274 --> 00:18:31,784

okay.

276

00:18:32,355 --> 00:18:35,865

Now with that, let's take the little

liner brush and we'll take a little

277

00:18:35,865 --> 00:18:41,804

paint thinner and mix a little bit of

this Brown till this chest like water.

278

00:18:41,895 --> 00:18:42,855

Very, very thin.

279

00:18:44,355 --> 00:18:47,385

And maybe, maybe there's some little

cat tails that live right here.

280

00:18:47,715 --> 00:18:54,195

So we'll just put in some little stadiums,

like, so, and then, but the little cat

281

00:18:54,225 --> 00:18:59,205

tail on there, and we just push real

hard with a brush bloop and drop them in.

282

00:18:59,534 --> 00:19:00,495

See how easy that is.

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00:19:02,415 --> 00:19:04,875

Just to give some little indications,

make it look like there's water

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00:19:04,875 --> 00:19:06,885

here without actually seeing any.

285

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There we go.

286

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Just a few little indications.

287

00:19:17,280 --> 00:19:21,330

That's a nice one little,

little fuzzy thing up on here.

288

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Okay.

289

00:19:23,459 --> 00:19:29,629

Now let's take the old fan brush and

I'm going to add a little bit thinner

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00:19:29,750 --> 00:19:32,780

to the fan brush to make his paint

a little bit thinner and load up

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00:19:32,780 --> 00:19:37,310

some CAD yellow, yellow ochre, and

we'll put some SAP green into it.

292

00:19:38,240 --> 00:19:38,719

There we are.

293

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And how we can begin deciding

where everything's at.

294

00:19:43,575 --> 00:19:47,085

Maybe there's a little grassy areas

right here that just come right down

295

00:19:48,525 --> 00:19:51,645

right out in the front, just like so

296

00:19:57,415 --> 00:19:58,875

rigid and use too much anymore.

297

00:19:58,875 --> 00:20:01,035

So the grass is beginning

to take the road back.

298

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Nature has a way of reclaiming things.

299

00:20:06,195 --> 00:20:06,765

There we are.

300

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Okay.

301

00:20:09,015 --> 00:20:11,985

Now let's go over here and

do basically the same thing.

302

00:20:12,855 --> 00:20:16,095

Putting a few little highlights,

leave this dark area.

303

00:20:16,095 --> 00:20:17,895

It'll make it look like

water back in there.

304

00:20:17,895 --> 00:20:19,995

Like there's a recess

area where water could be.

305

00:20:23,985 --> 00:20:26,595

This is where you started clean up

all the edges and bring it together.

306

00:20:28,860 --> 00:20:29,340

There

307

00:20:34,590 --> 00:20:41,300

now no cover bridge painting would be

complete unless we had a big tree in it.

308

00:20:42,350 --> 00:20:43,760

So let's put a big old tree in it.

309

00:20:44,435 --> 00:20:52,635

Start with Vandyke Brown and maybe

the big tree lives right about here.

310

00:20:54,405 --> 00:20:56,294

Big tree, a lot of Brown,

311

00:21:02,595 --> 00:21:05,925

and we can just drop

him right in your world.

312

00:21:05,925 --> 00:21:07,095

So you put a tree where you want him.

313

00:21:08,885 --> 00:21:11,105

And when you're doing this at

home, don't worry about copying

314

00:21:11,105 --> 00:21:12,455

exactly what I'm doing here.

315

00:21:12,935 --> 00:21:14,075

These are only guides.

316

00:21:14,315 --> 00:21:18,065

You only need to give you ideas and

to stir your imagination and to show

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00:21:18,065 --> 00:21:20,435

you how to make the equipment work.

318

00:21:21,575 --> 00:21:25,705

He's your only guy because

everyone sees nature differently.

319

00:21:26,784 --> 00:21:28,225

Put your dreams on canvas.

320

00:21:32,695 --> 00:21:35,215

Let's give him a happy

little lamb right out here.

321

00:21:36,235 --> 00:21:36,835

There it goes.

322

00:21:39,600 --> 00:21:43,500

And maybe, maybe who knows,

maybe there's a big limit.

323

00:21:44,010 --> 00:21:49,080

There it is just comes

right out, sort of shadows.

324

00:21:49,080 --> 00:21:53,280

The bridge keeps it nice

and cool in the summer.

325

00:21:57,650 --> 00:22:01,520

just recently I had the pleasure of

doing some demonstrations at a covered

326

00:22:01,520 --> 00:22:03,080

bridge festival here in Indiana.

327

00:22:03,740 --> 00:22:05,480

And I met some of the most super people.

328

00:22:07,139 --> 00:22:08,550

Fantastic people.

329

00:22:11,669 --> 00:22:12,330

There we go.

330

00:22:14,100 --> 00:22:14,550

Films.

331

00:22:16,740 --> 00:22:19,889

Now then we can use a little Brown

and white and then gonna put a touch

332

00:22:19,889 --> 00:22:26,430

of permanent red and just to brighten

it up a tiny little bit and we'll

333

00:22:26,430 --> 00:22:32,340

come right in here and just put some

highlights right on this big tree there.

334

00:22:33,389 --> 00:22:33,870

Let it go.

335

00:22:43,790 --> 00:22:45,800

yeah, next week, if you're

going to paint along with us,

336

00:22:45,920 --> 00:22:47,420

we'll be doing a white canvas.

337

00:22:47,600 --> 00:22:52,160

So have you used set up and make a

glass of tea right there besides you?

338

00:22:53,900 --> 00:22:54,860

I'm an ass tea freak.

339

00:22:54,860 --> 00:22:59,180

I was raised in the South and

everybody there likes iced tea.

340

00:23:01,130 --> 00:23:01,670

One habit.

341

00:23:01,670 --> 00:23:02,470

I never got over it.

342

00:23:02,470 --> 00:23:03,530

When I moved to Alaska.

343

00:23:08,310 --> 00:23:09,720

Why don't we get this Brown going here?

344

00:23:09,899 --> 00:23:13,679

I'm going to put a couple of little,

maybe there's a little fence right here.

345

00:23:15,720 --> 00:23:16,050

There.

346

00:23:16,919 --> 00:23:18,300

We'll put a little post there.

347

00:23:19,800 --> 00:23:21,210

Maybe there's another one right there.

348

00:23:23,310 --> 00:23:24,270

Little fence, you know,

349

00:23:27,270 --> 00:23:28,230

sometimes, maybe.

350

00:23:29,070 --> 00:23:32,220

Back in the horse and buggy days, maybe

they had a little too much to drink and

351

00:23:32,220 --> 00:23:33,690

he didn't go through here to street.

352

00:23:33,690 --> 00:23:35,490

So this was sort of

the guide them through.

353

00:23:35,490 --> 00:23:35,850

Maybe

354

00:23:39,379 --> 00:23:45,409

there, maybe there's we'll put one

Bob Ross' The Joy of Painting

Tuesday, December 22, 2020

S03E06 - Covered Bridge

Bob Ross's

The Joy of Painting

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