Bob Ross's

The Joy of Painting

S03E04 - Winter Night

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Welcome back today.

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I'm very excited because I'm going to

show you something that you've never seen

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before on television today, we're going

to start with a white canvas and we're

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going to use some magic black on it.

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So I'm going to let you

see me cover the canvas.

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And this is magic black hair.

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It was just covered the entire

canvas and go all the way across.

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There we go.

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And a little bit more and we apply this

exactly the same way as we do the magic.

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White just covered the canvas thought.

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Maybe today we do a, maybe a cold

little winter scene, something

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with some snow and ice in it.

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And maybe even a little cabin.

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Let's see what happens here.

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Okay.

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All we were looking for here

is a nice stand even coat.

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Exactly the way we put

the magic quite quedo

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doesn't take, but just a second,

when you're using large brush.

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All right, just about you have it

finished and we're ready to go.

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So now we started with a white canvas and

turned it black, but this is still wet.

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This is an oil-based paint.

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It'll stay wet for several days.

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Okay.

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Now we'll wash the brush.

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And once again, we wash our brushes

with odorless paint thinner.

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That's the most vulnerable.

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Okay.

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Let's take a one inch brush

and some titanium white.

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And let's figure it out.

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Maybe, maybe there's a

little light back in here.

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So with a white paint, we'll

just begin making little Xs.

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Here we go.

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And let them work out.

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Start here.

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That'll be your lightest area and work

sort of in an ever-growing circle.

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That way automatically gets

darker as it works outward.

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Okay.

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Just about to sell.

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Now we can take the large brush

and very gently Flinders together.

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It's just like putting this guy on the

magic white, just blended together.

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And that gives us a light

source in the background.

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Okay.

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Today I want to mix up.

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Some, a lizard Crimson and they

look green and about equal parts

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would just make us a big pile here.

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We're going to be using it all day.

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This makes a beautiful gray color.

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Just mix it up.

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Real good.

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There we go.

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You're looking for a nice dark gray.

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It should look black on your palette.

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Okay.

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Now let's take a one inch brush

and load some pain into it.

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She has slowed quite a bit of pain

into the bristles, and we can go

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back now and begin putting in some

little details that are far away.

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And I don't want a lot of detail yet.

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All I want is indications back here.

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You just want to put some little trees.

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We back in the distance.

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There we go just some little

indications far, far away.

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I don't want them to close.

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There we are.

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I want this to be very dark.

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This is a night scene.

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Of course.

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There already.

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We've got a pretty nice

little background going here

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and maybe we'll take a one inch brush.

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And first I'm going to put some

titanium white in it, like, so

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load that very deep into the brush.

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Very deep.

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Then we'll go right into a

little bit of the gray color.

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Just on the tips of the bristles.

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So we have white, deep down and

gray on the ends of the bristles.

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Like, so here we go.

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And maybe there's a larger tree back here.

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And when you push real hard, a little

bit of the white will show just to

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make it stand out a little better,

just a big old tree laying back here.

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It's got a little bit of white tips

on it, where the snow's caught on

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the little, little tips of the tree.

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Maybe right there.

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A little more snow.

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Okay.

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Maybe, maybe right over

here in the corner.

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There's a big tree that just

hangs here in this drop.

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Some of them, you can see how the white

comes out to make the little tips.

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And now let's use the fan brush.

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And we'll load a lot of

the gray color on it.

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And maybe back in here, we can see some

little tree trunks just here and there.

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Maybe these trees don't have any

limbs on them or leaves on them.

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It's cold and wintery.

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Maybe right here.

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Maybe, maybe there he is.

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There's a much bigger one right there.

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And if you wanted to make that

stand out a little better, put a

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little tiny bit of white on your

brush and come down the side.

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That'll give him a little bit of highlight

just enough to make it stand out.

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Okay.

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Now let's take some titanium

white, very, very little paint.

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And begin putting a little Hill back here

that it mix with the magic black start.

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We'd be back here and begin

working on a little, just a little

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inclined little Hill something.

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We don't want this to be too bright.

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We want this to be late

at night, very dark there

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and just follow the lay of

the land with the knife.

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Okay.

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Now we can take a clean one inch

brush and very gently lift upward.

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Just sort of to bring this together.

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Why want to just sort

of disappear back here?

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Quiet, Misty, soft.

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There we go.

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Okay.

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Now with a liner brush and a little

bit of thinner on it, put just a tiny

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bit of thinner, just so I can send

this down to it's almost like water.

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We can begin maybe on this

tree back here, we'll just put

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a few limbs hanging off here.

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Just a few little things here and there.

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maybe there's another one right there.

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This is your world.

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So wherever you think there's

a limb, that's where it's at.

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Maybe there's a couple right in

here on some of these little trees.

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She just makes the painting

a little more interesting.

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Okay.

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Now we can start coming

forward a little bit.

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Now, maybe this layer of snow, we'll

bring at this angle just to make it.

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So there's a change in here.

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Very little paint, very, very

little paint on your knife.

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And you just sort of have

to make all my decisions.

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Maybe there's a Hill

like that right there.

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Very little pressure.

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Now, if we had had another

big tree, maybe, right, right

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here, maybe there's that.

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Nice big tree back here.

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So I'm using the fan brush was still

nothing on it, but the gray now

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we'll add a tiny bit of white so

we can get my cat side, stand out

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a little more, just a little bit.

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I want to keep the dark,

dark color in here.

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Yeah.

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And with our liner brush, we can

put a few little limbs on this one

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to wherever you think you might be.

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Little lamb, growing a little bit of

paint, thinner that then your paint.

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So it flows on here.

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Maybe there's a little

up there, right there.

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Okay.

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And sometime let some easy

Liam's wrap around the tree.

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So you have limbs on this

side of the tree also.

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You don't want them all just

to coming off the sides.

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okay now let's, let's get

a little bit crazy here.

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Let's take maybe right in here.

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There's a nice little cabin.

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We'll take some van Dyke Brown and

we'll begin building on our cabin.

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Maybe right there.

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Just make a decision, drop it in.

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We do the back Eve of the cabin.

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First part fathers away

from you, just like, so

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yeah, this side, I'm going to use white

with a little bit of the gray color in it.

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Just enough to dull it down.

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We don't want it too bright and we'll

just start here and pulled it out.

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Just like, so.

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You can lay out your basic shape

of your cabin and then fill it in

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over on this side of the roof.

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We need a little bit of snow over there.

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and we can come in here and

put some boards right here.

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Just pulling straight down over here.

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There we go.

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And had a super way to make a little cabin

in all buildings work, basically the same.

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It's just a matter of

angles and perspective.

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If we had shows that were a little

bit longer, gosh, I'd love to

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show you some fantastic buildings.

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There we go.

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Maybe we want to turn this into a,

maybe like a log cabin so we can

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take some Brown and some white, maybe

we'll put a tiny bit of umber into it.

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Burn number.

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Want to keep it quite dark?

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We don't want it to get too

bright yet and just touch.

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Give it a little pull just to make it

look like little, little logs here.

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There we go.

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It's touching sort of poor

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there.

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No, don't get it too bright.

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There we go.

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Okay.

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Now we can go sort of in

the opposite direction

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and put some logs going this way.

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And all we do is touch.

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So to give it a little downward, pull

this time, just a little don't overdue

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and just work right across in layers.

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They're

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going to start to give you

the impression of little lugs.

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Now when you're at home and you have

unlimited time, you could take your little

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liner brush and really put some detailing.

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As I said before, or if we've run

over 30 minutes here, they, they yell

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at me a lot and kick me off the set.

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So we'll try to keep it very

simple just to give you some ideas.

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All we want to do is give you ideas

and teach you how to do this fantastic

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method and turn you loose on the world.

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Now I want this side to be

a little darker over here.

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Maybe

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now if the old fellow that lived here

is like your rest of us, he probably

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probably ran out of space very quick and

had to build a little shit on his cabin.

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So maybe we should do that too.

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I'll take a little bit more of the

Brown and let's come right in here.

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And building a shed.

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We would just put a little, little

roof right here, coming out, like, so

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maybe this is where he keeps his

firewood as undoubtedly, this is cold.

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Now we need a little

bit of snow on the roof.

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So we just take a little, a titanium

white and just come across here.

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Touch come across.

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Just like so earlier

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now, out here in the foreground,

a little bit more Brown need to

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put some walls on his little shed.

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Maybe over here.

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Just there.

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Cut.

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Good.

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Maybe these are boards here.

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Maybe these aren't logs.

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Maybe these are slabs.

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So we'll just put some indication

of some boards here and there.

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okay.

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Now let's go right up in here

and give him a couple of windows.

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Maybe he needs some windows and we

were looking at the back of his cabin.

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So first we'll take out this paint that

we have up here and let's go right into

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a little bit of a CAD yellow, and we'll

just put some light in his window.

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Just give him some light.

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Maybe he's got the old lanyard on tonight.

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If there's no electricity

out here in the woods,

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we'll take a little bit of the magic black

on the liner brush, and then just sort

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of outline the windows just a tiny bit.

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This is a very thin paint.

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So liquid.

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So it flows.

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okay.

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Now, now we need some more snow in there.

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We can just start right here and begin

to bringing the snow ride on down.

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And angles are very, very

important when you're doing snow

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tire right up in here.

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There we go.

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Just let it come right on through.

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Okay.

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This magic black is so exciting.

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There's so many things

that can be done with it.

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Maybe in our next series, we'll devote

several shows to using the magic.

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Black can show you how it works.

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Now, if you wanted to soften this snow

a little bit, it's very bright right

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now, you can take the large brush.

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And be very careful and follow the angles

and just gently, gently, gently rub it.

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And you can blend it right into

whatever degree of brightness

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darkness that you want.

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Always follow the angles though.

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Okay, maybe we need a little, maybe

there's a little chimney right here.

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We'll just throw it on.

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Just use a little bit of the gray

color and the small edge of the knife.

255

00:17:53,780 --> 00:17:54,440

There we are.

256

00:17:56,570 --> 00:18:02,450

Maybe you can see the least little

amount of red on his chimney and we

257

00:18:02,450 --> 00:18:04,010

won't have a fire going right now.

258

00:18:06,020 --> 00:18:06,470

Okay.

259

00:18:07,080 --> 00:18:09,090

Make the snow a little

bit thicker on the roof.

260

00:18:15,950 --> 00:18:20,270

And I think we're ready to ready to

start playing with some other things.

261

00:18:20,720 --> 00:18:25,970

Now I'm going to take a fan brush and

start out loading it with titanium white.

262

00:18:27,440 --> 00:18:31,500

Lot of pain in the bristles and very

deep, very, very deep into the bristles.

263

00:18:32,250 --> 00:18:35,160

Then go right over here into the

gray color and load the tips.

264

00:18:36,540 --> 00:18:40,530

So we've got the dark gray right on

the tips and the white father down.

265

00:18:41,700 --> 00:18:42,900

Just double load your brush.

266

00:18:44,790 --> 00:18:48,900

Maybe we'll put a couple of pretty little

evergreens that are sitting right in here.

267

00:18:49,440 --> 00:18:53,880

And we start by just touching the canvas

and we use just the corner of the brush.

268

00:18:55,860 --> 00:18:58,230

And as we push harder, the point shows up.

269

00:18:59,460 --> 00:19:01,470

She has to put a little

white highlight on that tree,

270

00:19:04,590 --> 00:19:06,780

that son of a gun hair.

271

00:19:08,100 --> 00:19:10,830

Now load a little bit more

of the gray color in here.

272

00:19:11,700 --> 00:19:14,250

Let's give him a little friend,

maybe, maybe there's another

273

00:19:14,250 --> 00:19:15,450

little tree that lives right here.

274

00:19:23,205 --> 00:19:23,834

There we are.

275

00:19:24,195 --> 00:19:29,774

Now we have a couple of nice little

evergreens right there, and we can

276

00:19:29,774 --> 00:19:33,014

take a clean brush and just lift up.

277

00:19:33,014 --> 00:19:35,504

We're just to make it look

sort of Misty back here.

278

00:19:46,785 --> 00:19:47,505

Okay.

279

00:19:48,375 --> 00:19:54,675

I think maybe, maybe we'll put a

very large tree right over in here.

280

00:19:54,975 --> 00:19:59,505

So I've got a little white in the bristles

and I loaded full of the gray color.

281

00:20:00,240 --> 00:20:03,870

And remember this gray is made from

thalo green and Elizah and Crimson.

282

00:20:05,639 --> 00:20:09,210

And maybe, maybe there's a large

tree that just hangs right here.

283

00:20:13,710 --> 00:20:14,070

Nice.

284

00:20:14,070 --> 00:20:14,879

Big, full Helms.

285

00:20:14,950 --> 00:20:20,250

Just hang out, comes right over

in front of the cabin here.

286

00:20:23,310 --> 00:20:25,950

Pick up a little bit of white and

we can highlight this a little bit.

287

00:20:26,020 --> 00:20:28,260

I'm just picking up a little

bit of the snow and going back.

288

00:20:30,795 --> 00:20:32,415

Don't want these shapes to distinct.

289

00:20:32,415 --> 00:20:33,885

This is supposed to be late at night.

290

00:20:34,695 --> 00:20:35,835

Just indications

291

00:20:38,925 --> 00:20:42,405

now with the liner brush a little bit

of paint thinner and a little bit of the

292

00:20:42,405 --> 00:20:45,495

yellow, just a tiny bit of the yellow.

293

00:20:45,975 --> 00:20:48,375

Maybe we want to put a little

light reflecting across the snow

294

00:20:48,375 --> 00:20:51,555

here so we can just lay it on

with a little bit of the liner.

295

00:20:52,455 --> 00:20:57,315

Barely touching that little bit of

the yellow shine out across the snow.

296

00:21:01,040 --> 00:21:05,630

And we're not too worried at this time,

then we'll take the large brush and

297

00:21:05,630 --> 00:21:10,820

very gently just blended right in, you

know, the stories about yellow snow.

298

00:21:10,820 --> 00:21:16,850

So be careful there, there we go.

299

00:21:22,310 --> 00:21:23,630

Wash your little liner brush.

300

00:21:27,025 --> 00:21:31,395

Maybe, maybe there's a, maybe

there's a big tree right out in here.

301

00:21:31,395 --> 00:21:33,945

Let's start with some Vandyke Brown.

302

00:21:33,945 --> 00:21:35,595

Let me clean off a spot to work here.

303

00:21:37,485 --> 00:21:38,865

Take Vandyke Brown.

304

00:21:42,795 --> 00:21:47,385

And maybe today we can, let's

get a closeup of what the knife

305

00:21:47,415 --> 00:21:48,705

looks like when it's loaded.

306

00:21:49,455 --> 00:21:52,725

There's a small roll of paint,

right on the edge of the knife.

307

00:21:53,955 --> 00:21:55,754

There you see that role of paint.

308

00:21:56,565 --> 00:21:57,705

That's what we work with.

309

00:21:58,305 --> 00:21:58,665

Okay.

310

00:21:58,725 --> 00:21:59,685

Now let's take him.

311

00:22:00,105 --> 00:22:01,815

Let's put a big tree

right up through here.

312

00:22:02,235 --> 00:22:04,034

All we're going to do is touch the canvas.

313

00:22:04,245 --> 00:22:04,905

Just touch it.

314

00:22:05,655 --> 00:22:10,514

The role of paint just, just comes

off and makes you treat for you.

315

00:22:13,725 --> 00:22:13,935

Okay.

316

00:22:14,055 --> 00:22:16,004

Let me just let this one go right on up.

317

00:22:18,795 --> 00:22:19,045

Okay.

318

00:22:19,045 --> 00:22:20,534

You got one side done now.

319

00:22:20,534 --> 00:22:21,945

Let's do the other side of the tree.

320

00:22:28,905 --> 00:22:30,255

And just keep going there.

321

00:22:35,195 --> 00:22:37,505

You can make as many trees

as you want in your painting.

322

00:22:38,795 --> 00:22:40,085

That's what's so nice about painting.

323

00:22:40,085 --> 00:22:42,095

You create your own

world and you control it.

324

00:22:43,565 --> 00:22:45,815

You can make anything happen

in your world that you want.

325

00:22:49,860 --> 00:22:53,250

Giving some roots down here, got to

have something for him to stand up on.

326

00:22:55,170 --> 00:22:58,440

And maybe, maybe he's got

a nice arm right here.

327

00:22:59,820 --> 00:23:00,390

Little Elm.

328

00:23:00,390 --> 00:23:02,010

It just goes right on off the canvas

329

00:23:05,960 --> 00:23:06,290

here.

330

00:23:10,760 --> 00:23:13,460

You might be able to see the beginning

of another one over here somewhere.

331

00:23:18,180 --> 00:23:20,220

And just put them where

you think they should be.

332

00:23:25,350 --> 00:23:30,800

Now let's go into a little bit of the

gray and white, just a little bit.

333

00:23:31,280 --> 00:23:33,500

And let's lay a little bit

of highlight red along here.

334

00:23:34,790 --> 00:23:36,770

Just to make this tree stand

out a little, you better

335

00:23:41,120 --> 00:23:42,560

just follow right on up the tree.

336

00:23:47,700 --> 00:23:48,360

Let it go.

337

00:23:51,470 --> 00:23:52,880

They had a bit of light shining on it.

338

00:23:53,690 --> 00:23:55,280

I want to keep this painting very dark.

339

00:23:55,280 --> 00:23:56,840

You'll have to give the

impression of night.

340

00:23:58,610 --> 00:24:00,470

And this trees is very thick.

341

00:24:00,470 --> 00:24:02,480

When it's dry, you can

feel the bark on it.

342

00:24:03,860 --> 00:24:08,570

It'll have to mention maybe there's

a little highlight right there.

343

00:24:09,230 --> 00:24:10,400

That'll touch here and there.

344

00:24:12,750 --> 00:24:13,380

There we go.

345

00:24:14,610 --> 00:24:15,450

I knew you could do it.

346

00:24:19,940 --> 00:24:23,720

And then here at the bottom,

maybe there's a little snow.

347

00:24:23,720 --> 00:24:26,210

That's sort of piled up on

his, on his little foot.

348

00:24:29,960 --> 00:24:30,500

There we are.

349

00:24:37,760 --> 00:24:41,120

you can take the large brush

and very gently just blend that.

350

00:24:42,379 --> 00:24:43,909

So it just flows right up the tree.

351

00:24:54,050 --> 00:24:55,010

Maybe, maybe.

352

00:24:56,295 --> 00:25:00,855

Here and there I'll take a little

bit of magic quite this time.

353

00:25:02,355 --> 00:25:03,465

A little bit of the gray color.

354

00:25:03,495 --> 00:25:04,875

We won't don't want it to get too bright.

355

00:25:06,254 --> 00:25:09,435

Maybe there's a little Bush or

two that it's right along in here.

356

00:25:11,925 --> 00:25:18,075

Just a couple little bushes, a girl

they're still hanging on and it sort

357

00:25:18,075 --> 00:25:21,675

of breaks up the little snowy areas and

makes it look a little more interesting.

358

00:25:27,344 --> 00:25:28,725

Tell him to get carried away with these?

359

00:25:28,725 --> 00:25:29,294

Just a few.

360

00:25:30,675 --> 00:25:31,395

Okay.

361

00:25:32,804 --> 00:25:33,975

I think we have a painting.

362

00:25:33,975 --> 00:25:36,885

That's that's almost finished

and ready for signature.

363

00:25:37,485 --> 00:25:41,235

Someone use a little bit of thin

oil and back to my permanent red.

364

00:25:41,235 --> 00:25:45,764

Always like to sign in permanent red

and we'll just go right down in here

365

00:25:47,834 --> 00:25:49,395

and put a quick little signature on it.

366

00:25:52,400 --> 00:25:57,710

You know, if during the course of the

series, I don't answer all your questions.

367

00:25:58,310 --> 00:25:59,990

Please feel free to drop us a line.

368

00:26:01,070 --> 00:26:03,050

And I'll try to answer any

questions that you have.

369

00:26:03,590 --> 00:26:06,410

If there's things that you want to see

that we're not painting, let us know.

370

00:26:06,440 --> 00:26:07,880

We'll try to paint them for you or we'll.

371

00:26:08,300 --> 00:26:12,290

We'll surely find somebody who can,

so on behalf of everybody here at

372

00:26:12,290 --> 00:26:15,800

the station, we'd like to wish each

and every one of you happy painting.

373

00:26:16,190 --> 00:26:16,880

God bless.

374

00:26:17,090 --> 00:26:18,110

We'll see you next time.

375

00:26:18,620 --> 00:26:18,740

Bye.

376

00:26:18,740 --> 00:26:18,950

Bye.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 22, 2020

S03E04 - Winter Night

Bob Ross's

The Joy of Painting

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