Bob Ross's

The Joy of Painting

S03E08 - Night Light

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Welcome back.

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You ready to do a

fantastic painting with me?

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Well, last week I promised us that

we would do the painting that you see

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animated at the beginning of each show.

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So I've taken the Liberty of going ahead

and covering the canvas with paint.

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We were using a black canvas today.

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It has been painted with a flat black

acrylic and allowed to dry completely.

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On top of that, I have one area

right here of a lizard Crimson.

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And over in here, I just put a little

bit of Crimson somewhere, just.

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So we'll have a little bit

of pinkish color in the sky.

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The rest of the canvas is covered

with a mixture of about equal parts

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of green and alizarin Crimson.

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It makes a very beautiful gray color.

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So that's what we have

the canvas covered with.

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Don't allow this to dry.

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Now, before you start, you want this wet?

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Okay.

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Let's start with a one inch

brush and we'll go right into

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a little bit of CAD yellow.

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And load quite a bit of

paint on the brush here.

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And we're going to start out by

making the, the little glow that

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you see in the sky, which ends up

being the glow around the lighthouse.

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So go right up in here, where you,

wherever you want the little glow to be,

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and start making little exes, just very

gently and work around in a circle like,

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so you want it to get darker and darker

and darker as it goes out from the center.

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There we go

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there.

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Now you can make this as

bright as you want it.

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All you need to do is

clean the brush each time.

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You'd never want to go back into

the center area with a dirty brush.

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So I go back into the CAD yellow

and we can go right back in here and

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add a little bit more of the yellow.

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Make it as bright as you want it.

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One thing I'd suggest when you're

doing these at home, you might make

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this a little bit brighter when you

paint it, then you want it to be when

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it's dry, as it dries, it's going to

lose a little bit of the brightness.

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So make it a tiny bit brighter

than you really want it to be.

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All right, now we can take the

large brush and still making

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the little crisscross strokes.

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Very gently.

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Blend this out, leave a nice spot

of yellow right here in the center.

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And that's where we'll put the lighthouse.

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There we go.

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Just blend it out.

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And then very gently we can

just hit my ties that just to

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put a little glow in the sky.

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Okay.

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Now let me clean the old brush, shake

it off and redecorate the studio.

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Now let's take a little bit of white.

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This is just titanium white, and this

is going to be a moon in this painting.

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So let's go right up in here and put

a little black background color in

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and we're just, just making little

exes, little Chris cross strokes.

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There don't want it to get

too bright just enough.

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So it stands out a little bit.

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Now we can take.

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The large brush and very

gently blend that together

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and take out the brush strokes.

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Okay.

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Now we can start having some fun

while we get this brush cleaned up.

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Let's do a little finger painting here.

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I'll just take my finger and

let's see the moon is right there.

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Just take titanium.

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Why don't you finger and just make

a little circle up here in the sky.

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There isn't that easy.

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And with a large brush, very gently

three hairs and some air let's

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just very lightly go across it.

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We don't want to destroy it by now.

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There's three layers of paint there.

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So be very gentle.

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Now let's take the fan brush and go right

into a little bit of white and all we

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need is a small amount on, on the brush

for this color stands out so strong, and

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we'll just go right up in here and begin

putting in some happy little cloud shapes.

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Now this will not be an exact duplicate

of what you see at the beginning

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of the show, because it's almost

impossible to make an exact duplicate.

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Just want to show you

how that one was made.

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And at home you can just.

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I call all kinds of

beautiful little things.

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These black canvases really are fantastic.

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There are some very basic little

shapes and maybe, maybe right

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here is a happy little cloud.

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It just sort of floats around here.

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I'm using just the

corner of the fan brush.

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Just let it drop right through there.

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Maybe

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just the corner of the brush.

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Maybe, maybe it was a little,

little stringy cloud right

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there, wherever you want them.

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That's where they were to be.

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Yeah.

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Let's take the large brush.

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Be sure it's good and dry.

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And I want to very gently blend

the bottom of this cloud out.

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Just like over making

clouds on white canvas.

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There we go.

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And then we'll fluff it a little bit, very

gentle and then just brush everything out.

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And that's something he never believed.

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This guy could be made that easy.

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That once a, well let's drop another

happy little cloud right in here.

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Let me just let him work right around.

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Now here's beginning to pick up a little

bit of that Crimson color that I put in.

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So it'll be a little bit different

color just to give us some variation.

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So they're not all exactly the same color

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and we'll just let this one float

on and on wherever it wants to go

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in the bottom of it out

just using the corner there

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and we can fluff it up.

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Yeah.

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And then gently, gently blend.

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Okay.

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Now maybe, maybe we'll just get crazy and

put a few little stringy clouds in here.

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Little, little skinny clouds, and you just

put them in like, so wherever you want it.

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Maybe there's another little

one that lives right there.

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Maybe this one back here,

then all we do is brush these

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just to break it up a little.

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Okay.

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I think now we're ready to start

putting some water in here.

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Cam we'll take titanium white.

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And to that, I'm going to add

a small, small amount of CAD

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yellow, just a little bit.

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Don't even much tiniest little bit.

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Now let's decide where our

water line's going to be here.

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Let's say it's right about there.

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And we'll just make a basic line

going all the way across the canvas.

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Something like, so

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there it goes just right on the cross

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and try to keep this fairly straight.

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Don't let it get too crooked on you.

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It'll bother you.

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The water run right out of the painting.

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You left tie bucket or

one side to catch it.

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and sometimes when you're doing this

step back from the canvas and look, it's

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very hard to see when you're up close.

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So just step back and take a look.

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You'll see it from a whole

different angle and you can see

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the entire painting much better.

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It'll help you a great deal.

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When you're at home doing

all these fantastic pictures.

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And I'm just touching the canvas.

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I have a small amount of pain on the

blade and just touching the canvas,

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allowing the canvas to pull off,

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let the canvas do to work.

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There we go.

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Now.

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We take the large brush and very gently.

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We're just going to blend all

this together just very gently.

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And if you want it to get a little

darker, you just continue to blend.

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You can finally blend it

until it's very, very dark.

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We don't want to lose all this

nice color that we've put in there.

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So I'm going to stop about here.

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Okay.

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Now I'm going to add a

tiny bit of magic white.

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To my paint, just to thin it a little bit,

and we can begin working on some, some

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very basic little wave structures here.

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And let's go back in here and

just barely touch the camera.

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Yes.

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Just barely touch.

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Well, one of the shows

earlier we did a seascape.

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It was all in blue.

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That's a good exercise.

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Before you start this one,

it'll give you a confidence.

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This one's a little more complicated

than the other, and we did.

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Just because there's a

little bit more in it.

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Put a little highlight

up here on this way.

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There we go.

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Just let that go right on now.

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True world.

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So you decided where it's going, maybe

a little more highlight right there.

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Make that one stand out a little bit.

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And it's got a little light

coming from the moon into it.

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We just let that disappear

right on into the background.

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Okay.

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And some little things happening

to all down in here and just let

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the fan brush sort of just drift

around the canvas and have fun

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just wherever you think

like would strike the water.

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And maybe there's another

little happy wave right there.

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There he is.

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Okay.

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Since pulled downward.

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And if you ever make one up here that

you don't like, all you have to do is

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just blended right into the canvas.

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It's no biggie, easy to fix.

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so one thing is so fantastic

about this technique.

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There are no such things as errors while

we do it, we have happy accidents and

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we use them and it's so easy to correct

in this cause of canvases with you can

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move it, change it, change your mind,

right in the middle of a painting.

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Here we go.

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All these little things just happen.

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Yeah.

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I think it's about time.

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We started worrying about our

little lighthouse and we've got

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the glue in this guy already.

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So all we need to do is start

worrying about the building.

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Okay.

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So let's do that.

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Let's start with Vandyke Brown.

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We're going to go right up here

in the center of the glow of the

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brightest area, touch the canvas

and just pull across like, so let's

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do that from the other side also.

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So we get nice firm edges there.

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So all you have to do, just touch it,

give it a little, pull, something that

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might help you a little bit at home.

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Put a little, a little

center Mark right there.

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That'll sort of give you a

little guide and we'll take

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the small edge of the knife.

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And we can put a little little

top on this lighthouse, little cap

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there just to use a small edge.

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Really does fantastic things.

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And that gives us a

little cap right up here,

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and we can smooth it out a little bit

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now, got to have some

light in this lighthouse.

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So come right underneath there

and we'll just scrape out a

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little bit of this, like, so,

and go right into the CAD yellow.

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And let's just lay a little

bit of yellow in here.

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Just indicate a nice light.

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The old lighthouse keepers

got to go and good tonight.

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God is light burden there.

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We now have to make some

moral, mighty decisions here.

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Let's take and go right about here

and just start doing this to who

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using the small edge of the knife.

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I just pull this right down here we are.

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And just getting started

even on each side here.

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Now we can go right in here

and let's get the liner brush.

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I'll put a little bit of paint

thinner on there just to thin

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the paint down and we can put a

few little detail things in here.

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Just.

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Oh, we'll put some little, that'll be

indications that there's a class here,

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here.

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It gives it a little more, a

little more detail in there.

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One little rail that

goes right around here.

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So we just drop it in with a liner brush

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and put some posts on there.

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However many you want.

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There we go.

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Is that okay?

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We're just about ready for

the bottom of the lighthouse.

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Back to the van.

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Dyke Brown.

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Now gonna start writing a band here

and just begin going straight down.

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Janice likes.

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Huh?

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It's just straight Vandyke Brown

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there isn't that something you

can build a lighthouse that fast.

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And I knew he could.

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I knew you could.

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Let's put a little bit

of highlight on that.

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And let's use let's use.

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Oh, how about burn number with

a little bit of Vandyke Brown?

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Keep it quite dark.

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I don't want it to get too

bright and we touch and just

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sort of give it a pull by cat,

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just like so.

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Now let's put a little more highlight.

252

00:16:02,849 --> 00:16:04,380

Maybe there's a little

light striking that.

253

00:16:04,380 --> 00:16:08,730

So let's take a tiny little bit of

yellow ochre and mix it right in

254

00:16:08,730 --> 00:16:09,959

there just to lighten the color.

255

00:16:11,490 --> 00:16:14,370

I've mixed it right in with the

same color and just barely touching.

256

00:16:14,370 --> 00:16:21,300

Just let that paint this barely

grab and come right on around there.

257

00:16:21,300 --> 00:16:25,500

We are make it look like

old stones and rocks.

258

00:16:29,595 --> 00:16:33,285

And we can take a little bit of dark

color and just really make it look old

259

00:16:36,635 --> 00:16:36,935

there.

260

00:16:37,775 --> 00:16:40,355

And that's basically how we

make a little lighthouse.

261

00:16:40,985 --> 00:16:42,815

Now we need some land for it to stand on.

262

00:16:42,835 --> 00:16:45,245

I want to fall off in the

water and make a big splash.

263

00:16:46,235 --> 00:16:48,395

So we'll just have some land coming.

264

00:16:48,545 --> 00:16:48,845

Right, right.

265

00:16:48,845 --> 00:16:52,775

They're just like, so.

266

00:16:56,655 --> 00:16:57,345

There we go.

267

00:16:57,345 --> 00:16:59,655

Maybe I think there's a little

peninsula that goes out.

268

00:16:59,655 --> 00:17:00,855

The lighthouse is setting off.

269

00:17:03,255 --> 00:17:08,055

All we're doing is just laying in some

Vandyke Brown here, start our land.

270

00:17:13,964 --> 00:17:14,474

Okay.

271

00:17:14,625 --> 00:17:19,635

Now use a little bit of the

umber, just to lay a little

272

00:17:19,635 --> 00:17:21,165

highlight out here on these rocks.

273

00:17:25,214 --> 00:17:25,304

Yeah.

274

00:17:25,425 --> 00:17:27,754

Like how I want them to get too bright.

275

00:17:27,784 --> 00:17:29,495

Now, keep them, keep them quite dark.

276

00:17:30,905 --> 00:17:32,225

This is supposed to be a night scene.

277

00:17:36,905 --> 00:17:37,304

Okay.

278

00:17:37,324 --> 00:17:37,685

Now.

279

00:17:40,605 --> 00:17:43,125

The lighthouse, keeper

needs a house to live in.

280

00:17:43,215 --> 00:17:47,865

So let's give him a little house and

I'm still using just Vandyke Brown.

281

00:17:49,325 --> 00:17:55,925

And we'll put a little thing right there

to one stroke and maybe, maybe that's

282

00:17:55,925 --> 00:17:57,485

a small one and here's a bigger house.

283

00:17:57,485 --> 00:17:59,045

We give them several

buildings to play with.

284

00:18:00,754 --> 00:18:01,264

Here we go.

285

00:18:02,075 --> 00:18:04,475

All of this, we can just

fill in with good dark color.

286

00:18:06,665 --> 00:18:07,685

She's not going to see it.

287

00:18:08,045 --> 00:18:08,735

It's very dark.

288

00:18:10,215 --> 00:18:16,215

There now a little bit of the umber and we

can put a little bit of highlight up here.

289

00:18:16,274 --> 00:18:17,475

We're a little light striking.

290

00:18:17,774 --> 00:18:24,195

Don't overdo this just a

little, maybe a little bit.

291

00:18:24,195 --> 00:18:26,354

It's coming right down the

roof here on the other side.

292

00:18:26,655 --> 00:18:27,524

Just a tiny bit.

293

00:18:28,905 --> 00:18:29,175

Yeah.

294

00:18:31,185 --> 00:18:37,125

Let's take a little bit of white in

the same gray color we used in the sky.

295

00:18:41,640 --> 00:18:45,630

Make it quite dark was color

shows up so much brighter here

296

00:18:45,630 --> 00:18:46,680

than it does on your palette.

297

00:18:47,310 --> 00:18:52,980

Just pull down this one house and

we'll put a little thing there

298

00:18:56,850 --> 00:18:57,660

now on this side.

299

00:18:57,750 --> 00:18:59,280

Ooh, really want a dark over here?

300

00:18:59,400 --> 00:19:00,180

Almost nothing.

301

00:19:00,300 --> 00:19:03,900

So just she has to work it

in and let it get very dark.

302

00:19:04,630 --> 00:19:05,760

It comes out a little too bright.

303

00:19:05,760 --> 00:19:06,510

Just keep working.

304

00:19:06,510 --> 00:19:08,430

It'll mix with a color

underneath and go away.

305

00:19:10,290 --> 00:19:12,570

And maybe there's some windows out here.

306

00:19:13,170 --> 00:19:14,820

Let me just put some

little windows in this.

307

00:19:14,940 --> 00:19:15,030

Okay.

308

00:19:16,280 --> 00:19:16,520

There

309

00:19:20,360 --> 00:19:23,750

maybe he liked me collected

too much junk and maybe he

310

00:19:23,750 --> 00:19:25,040

needs a little shed right here.

311

00:19:25,040 --> 00:19:28,310

So we'll just give him one,

but a little front on it.

312

00:19:28,340 --> 00:19:28,610

Soup.

313

00:19:29,120 --> 00:19:32,540

I can't, it's a dark side right here.

314

00:19:35,850 --> 00:19:38,820

And we got the little shit that quick.

315

00:19:40,470 --> 00:19:46,110

Now let's take a fan brush and

I want to use yellow ochre.

316

00:19:48,330 --> 00:19:50,960

Let's put a little bit of paint

thinner with that, just to thin it up.

317

00:19:50,960 --> 00:19:56,840

A little yellow ochre and little SAP

green and it to dull it load quite

318

00:19:56,840 --> 00:19:58,100

a bit of paint onto your brush.

319

00:19:59,690 --> 00:20:00,320

There we go.

320

00:20:02,850 --> 00:20:05,880

Now I'm going to some little

grassy areas and grow out here.

321

00:20:06,360 --> 00:20:12,150

Just touch bend, make the brush

bend upward to create all these.

322

00:20:12,150 --> 00:20:15,180

If it doesn't stick at a little

bit more of something to thin it, a

323

00:20:15,180 --> 00:20:20,520

little paint, thinner, a little magic

quite just there, then it'll stick.

324

00:20:22,260 --> 00:20:25,800

And so there's done then

paint was to do a thick paint.

325

00:20:29,235 --> 00:20:31,575

No, we can have all these

little grassy areas just running

326

00:20:31,575 --> 00:20:32,565

right down the Hill here,

327

00:20:36,225 --> 00:20:37,995

darker, darker, darker, darker back here.

328

00:20:38,355 --> 00:20:39,495

Let them just disappear.

329

00:20:40,155 --> 00:20:40,605

Writers.

330

00:20:40,605 --> 00:20:46,335

They get out from behind the

house, dark, dark, dark there.

331

00:20:47,865 --> 00:20:48,405

Okay.

332

00:20:48,645 --> 00:20:53,865

Now we can go back and play in some

water, a little magic quake from white.

333

00:20:55,395 --> 00:21:00,405

And we could begin making this water

comrade appear and hit, begin splashing.

334

00:21:02,145 --> 00:21:04,574

I go, you guys make these

crazy little noises.

335

00:21:04,574 --> 00:21:07,125

They help put you in the mood.

336

00:21:11,205 --> 00:21:15,584

And maybe there it is

big, old wave right there.

337

00:21:16,814 --> 00:21:18,645

And he's coming right down through there.

338

00:21:18,645 --> 00:21:22,455

Like, so just sort of wanders off.

339

00:21:27,440 --> 00:21:31,850

and we can put a little color

right here into the wave fan.

340

00:21:32,090 --> 00:21:32,870

They're like, huh?

341

00:21:35,840 --> 00:21:36,560

Maybe here.

342

00:21:37,040 --> 00:21:38,810

Maybe we're beginning

to get a little curl,

343

00:21:46,190 --> 00:21:47,060

just pull that up.

344

00:21:48,260 --> 00:21:49,490

The simplest nicest way.

345

00:21:49,490 --> 00:21:50,600

I've found to make waves.

346

00:21:51,330 --> 00:21:56,610

Happens a very easy, without a lot of

work, a lot of thinking, just drop it in

347

00:22:03,980 --> 00:22:05,540

and we can put all these little things.

348

00:22:05,540 --> 00:22:07,220

Sometimes they just run right up the wave.

349

00:22:08,450 --> 00:22:09,200

Just let him go.

350

00:22:13,910 --> 00:22:14,990

Darker, darker, darker.

351

00:22:14,990 --> 00:22:15,260

Over here.

352

00:22:15,260 --> 00:22:16,640

We don't want too much light over here.

353

00:22:22,895 --> 00:22:26,195

and we can take the large brush and

very gently just blend these right here.

354

00:22:32,284 --> 00:22:32,524

Okay.

355

00:22:32,554 --> 00:22:37,865

Maybe, maybe, maybe, maybe this

wave is already decaying here and

356

00:22:37,865 --> 00:22:42,004

breaking poosh, just hitting and

splashing and carrying on, right?

357

00:22:42,004 --> 00:22:42,574

Like that.

358

00:22:43,905 --> 00:22:45,245

It will just pull him right over.

359

00:22:46,290 --> 00:22:47,970

I didn't fall right up here on the shore.

360

00:22:51,290 --> 00:22:53,690

Oh, he's hitting there and splashing all.

361

00:22:53,690 --> 00:22:56,450

There's just all kinds of

beautiful little things happening.

362

00:22:58,430 --> 00:22:59,210

There we go.

363

00:23:01,730 --> 00:23:05,149

And maybe we're running

red into the shore here.

364

00:23:07,070 --> 00:23:08,090

Maybe we can see that.

365

00:23:08,840 --> 00:23:09,440

And.

366

00:23:09,945 --> 00:23:12,795

Let's put a, let's reflect

some of this sands wet.

367

00:23:13,455 --> 00:23:14,625

We learned that on the other one.

368

00:23:14,625 --> 00:23:18,105

So let's just reflect a little

bit of color right down into the

369

00:23:18,105 --> 00:23:21,435

sand here and just pull this back

370

00:23:31,035 --> 00:23:36,465

a little bit of reflection really

makes it look wet and so easy

371

00:23:36,465 --> 00:23:37,875

to do on these black canvases.

372

00:23:43,320 --> 00:23:43,890

Okay.

373

00:23:45,050 --> 00:23:48,920

Now let's come right back in here

with some Vandyke Brown and figure

374

00:23:48,920 --> 00:23:50,210

out where our land is going to be.

375

00:23:50,930 --> 00:23:51,980

Maybe it comes down, right?

376

00:23:51,980 --> 00:23:52,730

Like, so, okay.

377

00:23:55,550 --> 00:23:59,660

So I say this will not be an exact

duplicate of what's animated at the

378

00:23:59,660 --> 00:24:03,320

beginning of the show, but it'll give you

an idea of how it was painted and you can

379

00:24:03,320 --> 00:24:04,940

make your own almighty picture at home.

380

00:24:07,560 --> 00:24:10,920

You would be surprised if you knew

how long it takes to animate one

381

00:24:10,920 --> 00:24:16,350

of these, they spend a great deal

of time making that little thing.

382

00:24:16,350 --> 00:24:21,330

It only lasts a few seconds that we all

enjoy at the beginning, and it takes a lot

383

00:24:21,330 --> 00:24:23,880

of talent of a lot of fantastic people.

384

00:24:25,440 --> 00:24:25,800

Okay.

385

00:24:25,800 --> 00:24:28,530

Let's just put a little bit

of grassy areas right in here.

386

00:24:30,680 --> 00:24:31,370

There we go.

387

00:24:33,629 --> 00:24:36,450

Just drop them in wherever

you think they should be.

388

00:24:41,520 --> 00:24:42,180

Okay.

389

00:24:42,270 --> 00:24:45,540

I think we're about to

have us a lighthouse here.

390

00:24:47,190 --> 00:24:48,780

If you really wanted to get technical.

391

00:24:48,780 --> 00:24:52,889

Now we can go back and put maybe a little

chimney right up here on this house.

392

00:24:55,770 --> 00:24:58,290

Put that in, somebody would write and

say, you didn't put a champion there.

393

00:24:58,290 --> 00:25:01,020

He's freezing to death

right there on television.

394

00:25:01,830 --> 00:25:02,190

Okay.

395

00:25:02,190 --> 00:25:05,879

I think we're about ready for a little

signature, clean up my liner, brush

396

00:25:09,350 --> 00:25:14,330

a little bit of the thin oil,

little permanent red just work until

397

00:25:14,330 --> 00:25:17,100

it's almost like water very thin.

398

00:25:19,250 --> 00:25:20,570

And we can go right in here.

399

00:25:25,085 --> 00:25:26,495

put us a nice little signature.

400

00:25:27,395 --> 00:25:28,745

It's good to have a short name.

401

00:25:30,035 --> 00:25:34,055

Really helps when you're

signing paintings, maybe a

402

00:25:34,055 --> 00:25:35,465

little, little touch, more oil.

403

00:25:36,035 --> 00:25:38,465

Now next week, we're going

to be doing a white canvas.

404

00:25:38,705 --> 00:25:42,725

So if you're painting along with his heavy

canvas on your easel, be ready to go.

405

00:25:43,755 --> 00:25:45,575

We'll do a fantastic painting together.

406

00:25:47,375 --> 00:25:48,485

I'm going to get this signed.

407

00:25:51,690 --> 00:25:53,520

I think we have a completed painting here.

408

00:25:54,830 --> 00:25:58,280

I think I've mentioned to you before

that if you have questions or comments,

409

00:25:58,460 --> 00:26:00,320

please feel free to drop us a line.

410

00:26:00,320 --> 00:26:03,200

We'll try very hard to answer

any question that we get.

411

00:26:03,750 --> 00:26:04,790

Almost any question.

412

00:26:05,450 --> 00:26:09,590

So from all of us here, we'd like to wish

each and every one of you happy painting.

413

00:26:09,860 --> 00:26:10,790

Have a super day.

414

00:26:11,300 --> 00:26:11,870

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 22, 2020

S03E08 - Night Light

Bob Ross's

The Joy of Painting

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