Bob Ross's

The Joy of Painting

S03E05 - Distant Hills

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Welcome back.

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So glad to see you again today.

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I thought we'd do something that's

mainly in Browns and maybe we'll do,

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maybe we'll do a scene where like

you're standing on a cliff right here,

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looking we off in the distance and you

can see all kinds of little beautiful

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things happening far, far away.

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So I've already covered the canvas

with magic white in order to save a

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little time and let's start off here.

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We're going to take just a tiny,

tiny, little bit of Crimson.

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This is a lizard Crimson, put

it on the big brush and really

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beat it into the bristles.

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This is sure as a nice even distribution

of color throughout the bristles.

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We'll come right down in here.

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And just very gently making

little Xs begin putting in a

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little of the Crimson here.

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And when you're doing this at

home, don't use too much Crimson.

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It will look like your sky is only fire.

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And we just want to put

a little pinkish glow.

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We don't want to don't

want to set it on fire.

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There we go.

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Maybe we'll do a little bit

like back and forth, like, so,

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and then we'll go right into a little bit

of burn number without washing the brush.

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Um, allow the Crimson to mix with

the burn number and right above it.

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The umber

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will blend all this together.

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Just a second.

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A little bit more of the umber and maybe

we'll come from the outside inward here.

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Just put a little color down

in the bottom of the canvas.

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Try to keep these lines pretty straight.

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When you come across, this will end up

being a little bit of water down here.

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There we go.

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Now I'm going to go right into the van.

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Dyke Brown still have

not washed the brush.

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And right across the top here, a

little bit of the Vandyke Brown,

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just like, so

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now, now we can finally wash the brush.

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Well, let's add a little bit of

the Brown down here to keep the

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color the same on top and bottom.

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Then we can wash the brush.

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We wash our brushes with odorless paint

thinner, and does this screen in the

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bottom of the can here and you scrubbed

the brush against the screen to remove the

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paint and we shake off the excess thinner

and then just beat the devil out of it.

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Okay.

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Now we can take it and

blend all this together.

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Clean dry brush.

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Just bring it all together.

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And I'm still making the little

crisscross strokes, little extra

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yolks, whatever you want to call them.

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There we go.

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Very gently hypnotizing.

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Now let's take a little bit.

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Of the burn number, a little

bit of Bandag Brown and a little

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Crimson and about equal parts.

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Just mix them all together.

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Maybe touch more Crimson there.

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And now let's go right up in

here and just put some happy

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little clouds up in the sky.

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And I'm pushing very hard with a knife.

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Really push the paint into the canvas.

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And we're using very, very

little paint, very little paint.

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Maybe there's a little cloud.

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It goes right off the canvas here.

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Just sort of wanders around in the sky

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and maybe a little bit right here, just

wherever you think it should be a cloud.

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Just drop it in.

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Now we'll take the large brush and

following these angles very carefully,

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just blend across and that a super

way to make little clouds, just little

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stringy clouds out here in this guy.

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Okay.

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Now let's use the fan brush today

and do something a little bit

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different, same color as the clouds.

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This is just burn number, Vandyke Brown,

a little bit of Linzer lizard and Crimson.

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And let's go right up in here

and just lay in a basic little

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mountain shape of the fan brush.

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Very basic show you how to do very

simple little mountains today, the

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usual love, and we just gently pulled

down a little bit and want these

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mountains to be far, far away, far away.

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So we're not looking for a lot of detail.

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There we go.

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Now with our large brush again,

we're going to grab this and pull

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downward, just pull it down, right.

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And very gently we can

blend all this together.

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Want this mountain to be

very soft, very far away.

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and by using brush strokes here, you

can give the impression that there's

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highlights and shadows in the mountain

without actually doing hardly a thing.

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Just change the brush

strokes in a few places.

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that gives us the impression about a nice

soft little mountain that's far, far away.

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Okay.

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Let's, let's play with

some little clouds here.

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We'll have some clouds that are

floating right over the mountain.

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I'm going to add a tiny bit of magic

quite to titanium point, just to

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thin it down a small, small amount,

because once again, a thin paint

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we'll, we'll stick to a thick paint.

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So we thin the paint down here

just a little bit, so we can make

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it stick on this thicker paint.

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Let's go right up in here and

let's just start dropping some

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happy little clouds in here.

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Just the corner of the fan brush.

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Keep that brush moving.

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Turn it little tiny circles.

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Maybe just blue.

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Try it out.

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I can barely go.

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And at this point, the only thing

we're worried about, so nice top

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edge on these clouds, we could care

less what's happening underneath.

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Maybe, maybe, maybe.

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There it is.

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New.

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There was one over here.

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We just had to find it.

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Just let this one just sort of

drift right across the mountain.

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And clouds are one of the

freest things in nature.

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They just sort of go where they

please now with a large brush,

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very gently, we're going to blend

out the bottom of the clout.

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Very gently, very gently.

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This paint is quite thin.

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So you don't have as much blending

ability as you normally would.

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Then we'll hit my ties.

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It gently.

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Just touching.

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I don't want to destroy it.

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Just want to soften it and blend it.

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So it floats back here and you can put as

many layers of these little clouds in here

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that you want, maybe, maybe in your world.

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Maybe there's another little cloud that

lives right here and just sort of floats

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around the bottom of the mountain.

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You have to make these almighty decisions.

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Okay.

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And then what did you and blend

the bottom of this one out?

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And I'm just using the corner of the

large Brown, fluff it up a little bit,

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and then very gently, very Chandler

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I'll mix up some more color here.

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We'll take some more of the

burn number, Vandyke Brown.

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And Crimson put it all together.

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And then I'm going to take a little bit

of white and just dilute some of it here.

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Maybe I want to add a tiny bit

more into the Vandyke Brown.

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So you just add a little bit more to it.

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The hair is what we're looking for.

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Nice color.

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Now we'll use a one inch brush and we're

going to make some little foothills

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that are far, far away, far away

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there.

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Maybe, maybe let's go right up in here.

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And just the corner of the brush.

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We're just going to put some

little indications here.

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I have some foothills that

are we back in the distance.

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Super quiet little Hills, just barely.

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Can't see them laying

back here in the mist

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and I'm just pulling straight down.

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Just started, let them disappear.

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Just like so with a large brush

out, gently lift upward a little

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bit, just to soften the bottom even

more and make it look like mist.

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And maybe, maybe, maybe in your world

right here, maybe it has another

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little layer foothills that make a

lot of distance in this painting.

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So we can just play with foothills and

he, this little Misty you in between them

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to separate them, don't kill all that.

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You knew that you just

wanted to see if I did it.

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Here we go.

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Don't want much detail back here.

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It's too far away to have detail yet.

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Okay.

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Even with a large brush, we

can just gently lift up, right.

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Again, just to soften the bottom.

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And who knows, who knows?

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Maybe, maybe there's another

little cloud little Misty area.

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It just floats right down in here.

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Just the corner of the fan brush.

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This is titanium white with a

small amount of magic, quite in it

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with a large brush.

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We blend the bottom of it out,

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fluff it up, just like we did before.

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And very gently just blend it.

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Okay.

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We're going to have several ranges

of foothills in this painting.

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So as you come forward, each layer

of foothills should get a little bit

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darker in color, a little darker in

value, and that's what helps create

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the illusion of distance in a painting.

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So to the same color, I'm going to add

a little bit more of the Vandyke Brown.

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Just to dial it down a little bit more.

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I don't let it get too dark too soon

because we're going to put several layers

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in here now, maybe, maybe right in here.

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Maybe there's another little Foothill.

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It comes right down.

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Just like, so

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just let it wander around.

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There we go.

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Just letting it wander.

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Maybe, maybe right there.

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There we go.

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And when you start these payments at home,

don't worry about having an exact image in

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your mind of what you're going to paint.

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Just start painting.

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And see what happens as you

paint, you'll see all kinds of

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things happening on your canvas.

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And very soon you learn to use all these

beautiful little things that happened.

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I think in one of the earlier

shows, I mentioned we don't,

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we don't make mistakes.

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We have happy accidents.

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We learned to use anything.

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It can happen.

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Anything it can happen.

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That's when it really becomes fun.

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Okay.

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What gym I lift up right here.

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Just to create a little mist.

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Now I'm going to take the large brush

and go right into the same color,

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touch and pull gently downward.

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Then just gently down, starting

making a little reflection back here.

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Very gentle,

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like, so.

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And then go across.

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Now we'll take a little bit

of the magic quake and add the

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same color to the magic white.

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I'm just using the magic

quite to thin the paint.

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And we can go right back in here.

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We'll begin laying in

some little water lines.

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Little tiny bit of pain on the knife.

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Pushed very hard into the canvas.

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You're literally just

cutting these lines in

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let's come forward again.

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I'm going back into the Vandyke Brown and

right back into the same original color.

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Just to make it a little bit darker.

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There we go.

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Maybe right over here.

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Maybe there's a nice Foothill here.

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It just comes right on down.

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You see this color is quite a bit darker,

so it stands out, makes things look

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closer and we can just put layer after

layer, after layer of beautiful foothills

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and make all kinds of things happen.

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Recently, we did some

classes in North Carolina.

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Oh, that is that's God's country.

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That is so pretty.

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And they have so many little Hills

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that's just, just layer

after layer, after layer.

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Sometimes these get to be so much fun.

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You don't know when to stop.

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Just keep going.

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Now then once again, with

a large brush this time I'm

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going to tap it a little bit.

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I really want to diffuse this one.

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I really want to diffuse it.

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And then lift slightly upward.

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Maybe take just a tiny, tiny, little

bit of yellow ochre on the brush.

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Okay.

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Just a tiny, tiny, tiny, little

bit, very small amount of time.

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We'll just lay some little

areas in between here.

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Very gentle, just lifting upward.

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And then we can come back in here

and maybe put some more foothills,

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tired of foothills yet this will

really teach you how to make them.

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After you do this painting,

you'll probably never, again have

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problems making little foothills.

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Maybe we'll just let this

one wander right out there.

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and we'll go back and still have

a little ochre left on here.

254

00:15:57,660 --> 00:15:58,910

Maybe just blend a little bit of that.

255

00:15:59,000 --> 00:15:59,239

Yeah.

256

00:16:05,359 --> 00:16:08,540

And we can go right underneath it

and lay in a nice little reflection.

257

00:16:10,905 --> 00:16:11,925

Pulling straight down

258

00:16:15,335 --> 00:16:17,975

here, you would just use the corner of the

brush and do a little bit right in there.

259

00:16:26,615 --> 00:16:31,385

straight down and gently, gently

come across fast enough to

260

00:16:31,385 --> 00:16:32,675

give it a watery appearance.

261

00:16:38,565 --> 00:16:41,685

Now a little bit more of the

magic white and a little bit of

262

00:16:41,685 --> 00:16:43,125

the same color mixed into it.

263

00:16:43,785 --> 00:16:48,695

And we can begin putting some

beautiful little water lines right back

264

00:16:53,855 --> 00:16:56,885

and just let them follow the,

the general contour of the land.

265

00:16:56,915 --> 00:16:56,975

Yeah.

266

00:16:57,005 --> 00:16:57,245

Yeah.

267

00:17:06,915 --> 00:17:08,925

Once again, we're really

pushing quite hard.

268

00:17:09,675 --> 00:17:11,775

Really want to push this

paint into the canvas.

269

00:17:15,825 --> 00:17:19,355

So maybe we'll sneak over here.

270

00:17:19,565 --> 00:17:22,025

Add a little bit more of the

Brown, little more umber.

271

00:17:22,954 --> 00:17:24,214

It's getting quite dark now.

272

00:17:25,745 --> 00:17:28,715

And maybe we'll put another

little Foothill right here.

273

00:17:30,245 --> 00:17:30,845

There we go.

274

00:17:41,535 --> 00:17:42,915

Maybe it just drops right down.

275

00:17:42,915 --> 00:17:43,425

Like, so

276

00:17:53,745 --> 00:17:54,405

here we are.

277

00:18:01,770 --> 00:18:06,180

And we'll take a little bit more of the

yellow ochre, tiny, tiniest, little bit,

278

00:18:07,830 --> 00:18:12,660

just enough to change the color scheme,

a little drop, a little of that in there.

279

00:18:15,720 --> 00:18:16,440

Very soft.

280

00:18:22,860 --> 00:18:26,550

Maybe there's a few more little

foothills, little trees, far away,

281

00:18:30,330 --> 00:18:31,500

far, far away.

282

00:18:35,129 --> 00:18:39,600

Sometimes I'd like to do paintings when

I'm painting at home that are so soft.

283

00:18:39,720 --> 00:18:43,320

They almost look like

pastels and you can do it.

284

00:18:43,320 --> 00:18:46,860

We use a little brighter color than

normal on TV, so you can see it well,

285

00:18:47,730 --> 00:18:49,500

but at home you can use any color.

286

00:18:50,235 --> 00:18:52,485

Any value of color, it can be very quiet.

287

00:18:52,755 --> 00:18:53,535

Very peaceful.

288

00:18:55,305 --> 00:18:55,635

Okay.

289

00:18:55,695 --> 00:18:58,065

Now let's just take it,

pull that down a little bit,

290

00:19:02,445 --> 00:19:03,225

just like so,

291

00:19:07,545 --> 00:19:08,955

and very gently go across.

292

00:19:10,785 --> 00:19:12,705

And once again, we're ready for waterline.

293

00:19:15,135 --> 00:19:16,455

I come right along in here

294

00:19:21,215 --> 00:19:23,495

and just lay in this

happy little waterline.

295

00:19:23,525 --> 00:19:24,155

Just let him go.

296

00:19:32,945 --> 00:19:33,455

Okay.

297

00:19:34,625 --> 00:19:37,535

Now we can begin playing a little bit

in the foreground and I'm gonna go

298

00:19:37,535 --> 00:19:42,275

right into the Bandag Brown right into

the Brown, and maybe there's, as we

299

00:19:42,275 --> 00:19:43,355

said, there was going to be a nice.

300

00:19:43,950 --> 00:19:47,700

Big high overhang here that we were

standing up looking down into the Valley.

301

00:19:48,330 --> 00:19:52,590

So we'll just bring it right across jazz.

302

00:19:52,620 --> 00:19:53,880

Bring it right on across here.

303

00:19:54,240 --> 00:19:55,830

A lot of paint it's very dark.

304

00:19:58,320 --> 00:20:00,090

Really want this to be contrasting

305

00:20:13,745 --> 00:20:14,135

okay.

306

00:20:14,135 --> 00:20:20,105

Now we can, we can take a little bit

of the Brown, a little white, make us

307

00:20:20,105 --> 00:20:21,515

a nice little highlight color here.

308

00:20:21,965 --> 00:20:24,635

And let's just lay some happy

little highlights on top of this.

309

00:20:26,045 --> 00:20:27,365

Make it look like stones.

310

00:20:27,515 --> 00:20:27,635

Right.

311

00:20:33,155 --> 00:20:33,785

There we go.

312

00:20:37,650 --> 00:20:42,780

Now maybe, maybe out here on this

old cliff, maybe if there's one

313

00:20:42,780 --> 00:20:44,190

old tree, this trying to make it.

314

00:20:44,640 --> 00:20:48,930

So let's start right here with just

Vandyke Brown and let's put us in

315

00:20:48,930 --> 00:20:52,230

a basic, very basic tree shape.

316

00:20:53,150 --> 00:20:54,990

Just let this old tree wander around.

317

00:20:58,490 --> 00:20:58,550

Yeah.

318

00:20:58,580 --> 00:20:59,450

The trees just grow.

319

00:20:59,450 --> 00:21:00,650

However, it makes them happy.

320

00:21:01,490 --> 00:21:03,020

So there's really no right or wrong.

321

00:21:04,920 --> 00:21:10,080

You have basic shapes, but other than

that, just, just enjoy, have fun.

322

00:21:13,790 --> 00:21:14,450

There we go.

323

00:21:15,889 --> 00:21:18,620

Janice, let that tree just

wonder, I don't know if have a sky

324

00:21:23,810 --> 00:21:25,399

and you have to make these big decisions.

325

00:21:25,399 --> 00:21:28,520

Maybe, maybe he's got another

limit comes right up through here.

326

00:21:35,010 --> 00:21:37,050

Just let it travel wherever.

327

00:21:41,909 --> 00:21:42,419

There we go.

328

00:21:42,590 --> 00:21:44,959

And we're using just a small

roll of paint on the knife.

329

00:21:46,080 --> 00:21:47,689

Just a very, very small roll of paper.

330

00:21:47,899 --> 00:21:48,050

Okay.

331

00:21:51,620 --> 00:21:55,250

And let's put some Liam's here and

there just at random, wherever you

332

00:21:55,250 --> 00:21:56,419

think there might ought to be one.

333

00:22:05,000 --> 00:22:07,310

Oh, I see one right here, right here.

334

00:22:07,850 --> 00:22:11,149

Maybe this one just wanders

right on over like this.

335

00:22:18,450 --> 00:22:19,490

He's got two arms.

336

00:22:25,455 --> 00:22:27,315

And a few little limbs here and there.

337

00:22:29,075 --> 00:22:29,645

Okay.

338

00:22:35,835 --> 00:22:36,815

Let them wander around.

339

00:22:41,795 --> 00:22:42,075

Hang on.

340

00:22:42,075 --> 00:22:49,925

We'll put up just a few more up in here,

wherever, once again, this is your tree.

341

00:22:49,925 --> 00:22:51,185

So wherever you want to leave them.

342

00:22:51,570 --> 00:22:52,680

That's where one should be.

343

00:22:56,040 --> 00:23:00,270

Now, I'm going to take a fan brush

and a little bit of the yellow ochre,

344

00:23:02,100 --> 00:23:06,270

a little tiny bit of SAP green into

it, Dell it, and let's just drop some

345

00:23:06,270 --> 00:23:08,010

little grassy things back in here,

346

00:23:12,840 --> 00:23:13,139

Jenna.

347

00:23:13,160 --> 00:23:20,040

So we have some little things growing out

here on this rock, just like, so, okay.

348

00:23:20,820 --> 00:23:22,260

Adds a little color to the painting.

349

00:23:24,149 --> 00:23:26,429

Don't want it to be completely monotone.

350

00:23:32,610 --> 00:23:34,080

Let's finish up our tree here.

351

00:23:36,679 --> 00:23:41,629

I want to take a little bit of the yellow

ochre and use that from a highlight color.

352

00:23:42,179 --> 00:23:42,860

Just touch.

353

00:23:47,720 --> 00:23:48,290

There we go.

354

00:23:48,735 --> 00:23:51,735

Don't overdue just enough to make

this side to stand out a little bit

355

00:23:54,815 --> 00:23:56,524

and follow the general shape of your tree

356

00:24:03,425 --> 00:24:03,905

there.

357

00:24:05,975 --> 00:24:06,365

Okay.

358

00:24:06,365 --> 00:24:10,054

Now let's put some, let's put some

little leaves on the tree and we'll

359

00:24:10,054 --> 00:24:15,304

use some Vandyke Brown and burn

number mixed on the one inch brush.

360

00:24:15,875 --> 00:24:16,625

And let's just go in.

361

00:24:17,205 --> 00:24:20,205

Just put in a few very loose,

delicate little leaves.

362

00:24:21,254 --> 00:24:23,145

So trees had a hard life up here.

363

00:24:23,534 --> 00:24:25,034

He didn't have a whole bunch of leaves.

364

00:24:26,745 --> 00:24:27,435

There we go.

365

00:24:29,475 --> 00:24:32,564

Janice, lay on man, wherever

you think they should be.

366

00:24:33,585 --> 00:24:34,274

Isn't that a shame?

367

00:24:34,335 --> 00:24:35,405

All the work you did back here.

368

00:24:35,435 --> 00:24:37,215

Now you're putting leaves

over it and covering it up.

369

00:24:41,870 --> 00:24:43,709

Don't worry about it

because it wasn't wasted.

370

00:24:44,100 --> 00:24:45,360

You learned a great deal.

371

00:24:45,629 --> 00:24:49,080

You got a chance to practice and

that's really what it's all about.

372

00:24:49,080 --> 00:24:52,560

If there's a secret to it,

it's practice, it's practice.

373

00:24:52,560 --> 00:24:53,010

That's all.

374

00:24:53,909 --> 00:24:57,300

Maybe Amy, maybe there's

something that lives right there.

375

00:25:01,545 --> 00:25:03,985

And you can make your tree as

full or as loose as you want.

376

00:25:04,305 --> 00:25:07,215

Maybe these old Liam's here, diet,

and they're just hanging off the side,

377

00:25:09,285 --> 00:25:13,785

man, we'll take a little yellow ochre,

put a tiny bit of paint, thinner with

378

00:25:13,785 --> 00:25:18,495

it, to thin it and a little bit of

the burn number, quite a bit of ochre

379

00:25:18,495 --> 00:25:19,905

that we want it to be bright enough.

380

00:25:19,905 --> 00:25:24,675

So it stands out and we'll go

right up here and very gently.

381

00:25:25,560 --> 00:25:27,120

Lay some highlights on these leaves.

382

00:25:27,120 --> 00:25:27,870

Don't overdo them.

383

00:25:28,140 --> 00:25:29,280

We want a very quiet,

384

00:25:32,510 --> 00:25:32,600

okay.

385

00:25:33,320 --> 00:25:34,370

Just let them go.

386

00:25:36,500 --> 00:25:37,670

Just a few here and there.

387

00:25:38,210 --> 00:25:41,330

Now next week, we're going

to do a white canvas.

388

00:25:41,330 --> 00:25:44,270

So if you have your canvas ready

and sitting on the easel, you

389

00:25:44,270 --> 00:25:47,750

can paint right along with us and

you too can have a super time.

390

00:25:49,430 --> 00:25:49,910

There we are.

391

00:25:49,940 --> 00:25:51,770

We just about got leaves on this tree.

392

00:25:56,025 --> 00:26:01,605

We are just drop them in already.

393

00:26:01,945 --> 00:26:06,185

I think we're just about finished with

this painting and this is a super nice

394

00:26:06,185 --> 00:26:10,565

example of, of what can be done with

just a few colors, little imagination,

395

00:26:10,655 --> 00:26:12,035

and a happy dream in your heart.

396

00:26:12,755 --> 00:26:17,015

So for all of us here at WIPP,

we'd like to achieve in the

397

00:26:17,015 --> 00:26:18,665

every one of you happy painting.

398

00:26:19,205 --> 00:26:19,775

God bless.

399

00:26:45,975 --> 00:26:46,785

Uh,

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 22, 2020

S03E05 - Distant Hills

Bob Ross's

The Joy of Painting

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