Bob Ross's

The Joy of Painting

S03E12 - Hidden Lake

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:01,440 --> 00:00:02,130

Welcome back.

00:00:02,670 --> 00:00:05,970

Glad to see you again, thought today,

we'd do a nice little easy painting.

00:00:05,970 --> 00:00:08,130

That'll just bring a lot

of joy to your heart.

00:00:08,700 --> 00:00:11,430

So let's get started here and we're

going to start with a little bit of,

00:00:11,610 --> 00:00:13,230

let's take a little bit of thalo blue.

00:00:13,500 --> 00:00:14,430

I like the yellow blue.

00:00:14,430 --> 00:00:16,350

It's a very nice warm, bright blue.

00:00:17,355 --> 00:00:18,435

Work it into the brush.

00:00:18,794 --> 00:00:24,255

I'm gonna go read up here at the top and

just very quickly drop us in a little sky

00:00:25,125 --> 00:00:26,895

and use these little crisscross strokes.

00:00:27,134 --> 00:00:31,455

A little extra folks, leaves a little

places open don't cover it all.

00:00:31,845 --> 00:00:36,045

So it looks like you just, just painted

back and forth with a bunch of blue.

00:00:36,625 --> 00:00:38,864

We want some life in this

guy wants some action.

00:00:40,364 --> 00:00:40,995

There we go.

00:00:44,175 --> 00:00:44,685

Maybe.

00:00:45,030 --> 00:00:47,220

Maybe we'll have a tiny little

bit of water in this way.

00:00:47,309 --> 00:00:48,629

Just play a little bit.

00:00:48,629 --> 00:00:49,379

I love water.

00:00:50,099 --> 00:00:50,940

I hope you do too.

00:00:52,500 --> 00:00:53,489

So we'll just do that.

00:00:56,760 --> 00:00:57,209

Okay.

00:00:57,780 --> 00:00:59,010

Now let's clean the brush.

00:01:01,129 --> 00:01:03,300

We just cleaned the brush

with odorless paint thinner.

00:01:05,085 --> 00:01:10,665

Shake off the excess paint, then beat the

bristles dragon, cover the whole studio.

00:01:12,045 --> 00:01:12,735

There we go.

00:01:14,385 --> 00:01:15,615

Now we'll just blend this out

00:01:20,085 --> 00:01:21,885

and see all these little

areas that you left open.

00:01:21,885 --> 00:01:23,895

They look like little

things happening in the sky.

00:01:24,855 --> 00:01:27,675

Really makes a very effective,

quick, pretty little sky.

00:01:31,425 --> 00:01:32,054

There we go.

00:01:33,164 --> 00:01:33,675

Okay.

00:01:34,695 --> 00:01:36,585

Let's take, let's take

the fan brush today.

00:01:36,585 --> 00:01:37,485

We'll play a little bit.

00:01:38,025 --> 00:01:40,935

I'm going to take a little bit

of a lizard Crimson, just a small

00:01:40,935 --> 00:01:44,145

amount and pressure and blue.

00:01:44,475 --> 00:01:48,884

Now the pressure in blue is many,

many times stronger than the Crimson.

00:01:48,884 --> 00:01:53,175

So use a very little pressure in blue

and just mix it right here on the brush.

00:01:53,670 --> 00:01:57,370

Like, so now we're ready

and let's go up here.

00:01:58,160 --> 00:01:59,780

Just put in a basic little mountain shape.

00:01:59,810 --> 00:02:02,450

We'll just use a fan brush today,

so we don't have to work so hard.

00:02:05,539 --> 00:02:06,710

Yeah, there we are.

00:02:06,860 --> 00:02:09,350

Just drop it in there.

00:02:09,380 --> 00:02:10,850

It's a little bit redder than I wanted.

00:02:10,850 --> 00:02:12,320

So we'll add a little bit of blue to it.

00:02:12,320 --> 00:02:14,180

We can change the color

right here on the canvas.

00:02:14,180 --> 00:02:14,900

That's no biggie.

00:02:15,980 --> 00:02:16,700

Easy to do.

00:02:16,880 --> 00:02:17,930

The blue is so strong.

00:02:17,930 --> 00:02:19,010

It'll just consume it.

00:02:21,045 --> 00:02:22,425

There that's a little better.

00:02:22,455 --> 00:02:24,825

I wanted a little bit more

into the purple issue.

00:02:27,605 --> 00:02:31,085

It seems like he wrote a song

about purple mountain majesty.

00:02:31,385 --> 00:02:32,165

Beautiful song.

00:02:33,725 --> 00:02:34,355

There we go.

00:02:36,185 --> 00:02:38,885

Now with a large brush, we can grab this.

00:02:40,200 --> 00:02:41,130

And just pull it down

00:02:44,310 --> 00:02:44,790

there we are.

00:02:45,380 --> 00:02:48,230

And that'll give us a basic little

mountain that's far, far away.

00:02:48,859 --> 00:02:51,200

We don't have to worry about a

lot of detail in this mountain

00:02:51,200 --> 00:02:52,160

because it's too far away.

00:02:52,190 --> 00:02:53,720

We don't want a lot of detail into it.

00:02:55,220 --> 00:02:56,450

On some of our previous series.

00:02:56,450 --> 00:02:59,180

We've really worked hard on mountains

to show you how to make them.

00:02:59,180 --> 00:03:02,480

And this time we've, we've sort

of avoided getting into all

00:03:02,480 --> 00:03:03,620

the snow covered mountains.

00:03:05,025 --> 00:03:07,335

She just wants you to see how

to make some different things.

00:03:11,655 --> 00:03:12,225

Okay.

00:03:13,725 --> 00:03:16,335

And just by using brush strokes,

you can make it look like little

00:03:16,335 --> 00:03:18,735

things are happening and you really

haven't done it during thing.

00:03:18,735 --> 00:03:21,585

It's just, just impressions.

00:03:25,095 --> 00:03:27,644

Okay, that gives us a nice

little basic shape to play with.

00:03:27,654 --> 00:03:33,524

And then we'll wash this brush again

and we're ready to, to move right along.

00:03:36,674 --> 00:03:36,975

Okay.

00:03:36,975 --> 00:03:44,834

Maybe I'm going to take a little bit

more of the Crimson and pressure blue and

00:03:44,834 --> 00:03:48,015

we'll make some little, make some little

foothills weave back in the distance.

00:03:49,484 --> 00:03:51,465

I'm going to add a tiny

bit of white to that.

00:03:54,225 --> 00:03:54,975

There we go.

00:03:56,535 --> 00:03:58,364

Sorry to make a little

lavender color here.

00:03:58,394 --> 00:03:58,845

Purple.

00:04:01,665 --> 00:04:04,005

I think we're ready now.

00:04:04,035 --> 00:04:05,655

We'll go right back into the fan brush.

00:04:06,345 --> 00:04:07,785

We're having so much fun with it today.

00:04:07,785 --> 00:04:11,265

Let's just use it for a while and

figure out here basically where you

00:04:11,265 --> 00:04:12,575

want your little foothills to be in.

00:04:12,575 --> 00:04:15,524

Let's start right here and we're

just going to touch and go down.

00:04:17,099 --> 00:04:18,149

Just touch and go down.

00:04:18,149 --> 00:04:19,529

We just want distant trees here.

00:04:19,529 --> 00:04:20,790

We don't want a lot of detail.

00:04:24,840 --> 00:04:26,370

Put the detail in the foreground.

00:04:27,240 --> 00:04:31,770

You notice the lack of detail

sometimes is as important as detail

00:04:33,030 --> 00:04:35,940

when things are far, far away, you

don't make out all the little details.

00:04:35,940 --> 00:04:37,409

You don't see every single leaf.

00:04:37,890 --> 00:04:42,630

All you see is a basic shapes,

shadows, different colors, but you

00:04:42,630 --> 00:04:44,310

don't see all the little details.

00:04:45,375 --> 00:04:48,735

They disturbed me sometime when

I look at paintings to see a tree

00:04:48,735 --> 00:04:51,615

that's supposed to be 10 miles away

and you can count every leaf on it.

00:04:52,425 --> 00:04:53,295

Look out your window.

00:04:53,325 --> 00:04:54,165

You don't see that.

00:04:56,045 --> 00:05:00,335

There we go has some

quick little foothills,

100

00:05:04,505 --> 00:05:05,405

just drop them in.

101

00:05:09,405 --> 00:05:09,735

Okay.

102

00:05:09,735 --> 00:05:12,285

Now we can take the large

brush and I'm going to just

103

00:05:12,285 --> 00:05:13,785

gently tap the bottom of this.

104

00:05:14,655 --> 00:05:18,255

I want to create a little

Misty area right in here, just

105

00:05:18,255 --> 00:05:19,485

using the corner of the brush.

106

00:05:19,845 --> 00:05:23,105

Just happened, going to lift it up.

107

00:05:25,475 --> 00:05:26,075

There we go.

108

00:05:29,925 --> 00:05:31,295

Maybe, maybe, maybe.

109

00:05:31,725 --> 00:05:34,575

Maybe there's a few more trees right

here now because the mist is there.

110

00:05:34,575 --> 00:05:35,445

These will stand out.

111

00:05:35,445 --> 00:05:39,585

It's the same color, but the mist will

allow them to stand out a little better.

112

00:05:41,085 --> 00:05:42,975

If you put dark against

dark, you have nothing.

113

00:05:42,975 --> 00:05:46,215

You have to put dark against light,

light against dark, continually

114

00:05:46,815 --> 00:05:47,955

have to play games with it.

115

00:05:51,465 --> 00:05:52,215

There we go.

116

00:05:53,185 --> 00:05:57,615

I was like, so we have some

quick little foothills back here.

117

00:05:58,890 --> 00:06:00,720

Yeah, let's go right in here.

118

00:06:00,750 --> 00:06:05,040

And I'm going to add some SAP green

right into this color, just right into

119

00:06:05,040 --> 00:06:08,490

that lavender color and mix it up.

120

00:06:08,520 --> 00:06:08,790

Good.

121

00:06:12,450 --> 00:06:16,680

Now maybe as they get closer, you're

beginning to see more color when

122

00:06:16,680 --> 00:06:19,740

things are far, far away from you,

they have a blue issue to them.

123

00:06:19,740 --> 00:06:22,230

It's because of water

molecules in the air.

124

00:06:23,010 --> 00:06:26,670

So maybe here we're getting into

something that has a little more

125

00:06:26,670 --> 00:06:27,960

color, a little green to it.

126

00:06:29,190 --> 00:06:30,750

We'll just put another layer real quick.

127

00:06:32,850 --> 00:06:33,840

Janice drop a man.

128

00:06:37,820 --> 00:06:40,040

maybe I would have had a tiny

bit more of the green here.

129

00:06:40,100 --> 00:06:41,990

I want it to get a little

greener than that even.

130

00:06:42,770 --> 00:06:45,050

Oh, that's much better, much, much better.

131

00:06:50,205 --> 00:06:52,695

Just let some of these little

tones and values happen.

132

00:06:52,695 --> 00:06:54,435

Don't overwork them

until they turned to mud.

133

00:06:59,415 --> 00:07:01,095

Create all kinds of little things.

134

00:07:02,145 --> 00:07:04,035

Maybe these come right down through here.

135

00:07:07,035 --> 00:07:10,635

And every time you put another

plane into a painting, it creates

136

00:07:10,635 --> 00:07:11,775

the depth in the painting.

137

00:07:12,975 --> 00:07:17,115

So often we work so hard to put

depth into a painting and it ends

138

00:07:17,115 --> 00:07:24,075

up looking flat, work with layers,

with planes, each plane that you add

139

00:07:24,075 --> 00:07:25,725

increases the depth of the painting.

140

00:07:29,625 --> 00:07:33,375

Now let's just drop some little

color in here just a little bit.

141

00:07:40,560 --> 00:07:44,430

Here we are in already.

142

00:07:44,430 --> 00:07:46,890

We have several different planes here.

143

00:07:46,920 --> 00:07:51,240

One, two, three, four, right there

at a really pushed that painting back

144

00:07:54,450 --> 00:07:55,530

with a clean fan brush.

145

00:07:55,530 --> 00:07:58,260

And we'll take just a little bit

of titanium, white, small amount.

146

00:07:58,590 --> 00:07:59,969

We'll make it look like little trunks.

147

00:07:59,969 --> 00:08:01,620

We back in the distance, just touch it.

148

00:08:01,770 --> 00:08:02,490

Pull straight up.

149

00:08:03,630 --> 00:08:08,640

Just a little, just a little don't

overdue, just a little there.

150

00:08:08,880 --> 00:08:09,570

Knew you could do it.

151

00:08:12,450 --> 00:08:13,200

There we are.

152

00:08:14,130 --> 00:08:19,010

Now we'll take a fan brush

and put some yellow on it.

153

00:08:19,190 --> 00:08:22,070

A little bit of yellow

ochre and SAP green.

154

00:08:24,320 --> 00:08:25,040

There we go.

155

00:08:28,850 --> 00:08:30,740

And then we can begin

highlighting back here.

156

00:08:32,655 --> 00:08:34,185

Just let the little things happen.

157

00:08:35,675 --> 00:08:38,945

And this covers up the bottom of

the little trunks that you just

158

00:08:38,945 --> 00:08:40,895

laid in and brings it all together.

159

00:08:50,105 --> 00:08:50,945

Far, far away.

160

00:08:50,975 --> 00:08:52,265

We don't want a lot of detail yet.

161

00:08:53,705 --> 00:08:56,585

And maybe, maybe there's some

nice reflections right here.

162

00:08:56,645 --> 00:08:58,775

We're going to have a little

pond, just grab the bottom of it.

163

00:08:59,280 --> 00:09:05,430

Decide where your little pond is and

pull down, pull straight down, let it

164

00:09:05,430 --> 00:09:13,069

pick up all the colors and very gently

go across isn't that something that

165

00:09:13,069 --> 00:09:18,410

you can make a beautiful reflection

that fast, and maybe there's all kinds

166

00:09:18,410 --> 00:09:20,030

of little things happening in here.

167

00:09:20,120 --> 00:09:24,260

Maybe some little peninsulas

just drop them in wherever

168

00:09:24,260 --> 00:09:25,160

you think they ought to be.

169

00:09:27,080 --> 00:09:31,710

We'll take a little bit of the van Dyke

Brown, and let's put a little bit of

170

00:09:31,710 --> 00:09:34,590

land back here, just here and there.

171

00:09:40,140 --> 00:09:45,660

All these little grassy things have to

have a place to sit and we can take some

172

00:09:45,660 --> 00:09:51,360

Brown and white and a little bit of burn

number and very gently highlight this.

173

00:09:53,850 --> 00:09:55,170

Just like, so

174

00:10:01,800 --> 00:10:07,340

now want to use a little bit of the magic

quite, and we'll just very quickly drop

175

00:10:07,340 --> 00:10:08,840

us in a little water line back here.

176

00:10:08,900 --> 00:10:10,570

Just a little light area

to sort of separate.

177

00:10:11,030 --> 00:10:11,240

Yes.

178

00:10:13,910 --> 00:10:15,920

And we're using very firm pressure here.

179

00:10:15,920 --> 00:10:17,990

Just literally cutting

right into the canvas.

180

00:10:20,790 --> 00:10:21,449

There we are.

181

00:10:22,619 --> 00:10:23,219

Okay.

182

00:10:23,910 --> 00:10:24,209

Thank you.

183

00:10:24,209 --> 00:10:27,030

Is this a pretty nice little

background to play with now?

184

00:10:27,030 --> 00:10:29,069

We can get in here and

really have some fun.

185

00:10:29,849 --> 00:10:34,229

So let's go right into there's some

SAP green, a little bit of Crimson,

186

00:10:35,550 --> 00:10:41,489

Vandyke Brown, maybe a touch of Prussian

blue, just as very small amount.

187

00:10:43,920 --> 00:10:44,400

Okay.

188

00:10:44,610 --> 00:10:47,400

Now let's go right up in here

and we'll just begin dropping in

189

00:10:47,400 --> 00:10:49,020

some little basic tree shapes.

190

00:10:50,250 --> 00:10:52,290

And we're not worried

about detail here yet.

191

00:10:52,620 --> 00:10:55,829

We will in a minute, but at this

point, all we're doing is just

192

00:10:55,829 --> 00:10:57,870

dropping in basic, basic shapes.

193

00:10:58,110 --> 00:10:58,829

Don't worry about it.

194

00:11:01,290 --> 00:11:01,980

There we go.

195

00:11:03,344 --> 00:11:05,234

And you really pushed

this pain into the canvas.

196

00:11:05,234 --> 00:11:09,734

Use a lot of pressure, just get in

there and push bend the bristles.

197

00:11:10,454 --> 00:11:14,234

It's most important that you

bend these bristles, make all

198

00:11:14,234 --> 00:11:15,285

these little things happen.

199

00:11:19,785 --> 00:11:20,474

There we go.

200

00:11:24,194 --> 00:11:25,724

Wherever you think they ought to be.

201

00:11:25,995 --> 00:11:27,015

That's where they are to be.

202

00:11:31,365 --> 00:11:31,905

Tell you what?

203

00:11:31,905 --> 00:11:33,465

Well, we have this nice color going here.

204

00:11:34,065 --> 00:11:36,105

We can just sort of fill up

the rest of the canvas with it.

205

00:11:40,325 --> 00:11:40,745

Okay.

206

00:11:43,295 --> 00:11:44,105

There we are.

207

00:11:49,145 --> 00:11:50,105

Beautiful little spot.

208

00:11:50,105 --> 00:11:51,935

This reminds me of my home in Alaska.

209

00:11:55,680 --> 00:11:59,910

Here a couple of years ago, my mother

lives in Florida and I brought her up

210

00:11:59,910 --> 00:12:03,060

to Alaska to Tucker salmon fishing.

211

00:12:03,090 --> 00:12:07,530

Let her catch a great big salmon

and she had one heck of a good time.

212

00:12:09,950 --> 00:12:10,460

Okay.

213

00:12:11,570 --> 00:12:18,230

Well, I still have this brush

loaded last, just make a loaded,

214

00:12:18,230 --> 00:12:19,520

a lot of pain into the bristles.

215

00:12:20,540 --> 00:12:21,860

Maybe, maybe, maybe.

216

00:12:22,620 --> 00:12:25,229

Maybe there's a happy little

evergreen that lives right there.

217

00:12:25,709 --> 00:12:28,349

Start off by just touching the

canvas to sort of give you a guide.

218

00:12:28,890 --> 00:12:32,180

Use the corner of the brush at first,

maybe this one just runs a ride on

219

00:12:32,180 --> 00:12:37,739

off the canvas and just begin laying

in a beautiful little evergreen,

220

00:12:41,520 --> 00:12:46,920

just like so, and here we just have

SAF green with a little Vandyke

221

00:12:46,920 --> 00:12:48,300

Brown and it just to dull it down.

222

00:12:52,920 --> 00:12:54,780

She has pushed that tree

right out of your brush.

223

00:12:56,010 --> 00:12:57,000

They live in there.

224

00:13:02,250 --> 00:13:02,880

Okay.

225

00:13:03,839 --> 00:13:08,640

Now we can start putting some

details in this rascal going to take

226

00:13:08,640 --> 00:13:09,920

a little bit of the burn number.

227

00:13:13,395 --> 00:13:14,835

Touch your Vandyke Brown in it.

228

00:13:14,835 --> 00:13:18,405

So we have burn number and Vandyke

Brown, and let's put us in a basic

229

00:13:18,405 --> 00:13:20,595

trunk in this nice evergreen here.

230

00:13:21,165 --> 00:13:23,865

Always try to remember to do the

thing his father's away first.

231

00:13:23,865 --> 00:13:25,665

So you have to make all mighty decisions.

232

00:13:26,445 --> 00:13:31,545

Is this tree further away or is it closer

if it's far away, then you want to do it

233

00:13:31,545 --> 00:13:34,905

first, but a little highlight on there.

234

00:13:34,905 --> 00:13:37,035

A little Brown and white, just

so it stands out a little.

235

00:13:38,385 --> 00:13:43,385

There something like,

so now we can go back.

236

00:13:43,444 --> 00:13:44,645

We'll just use a fan brush.

237

00:13:45,125 --> 00:13:48,905

These are the lever evergreens can be made

with a fan brush, one inch brush two and

238

00:13:48,905 --> 00:13:51,665

a half inch brush just about anything.

239

00:13:52,084 --> 00:13:55,265

And I've got SAP green on here with

a little yellow and we can just

240

00:13:55,265 --> 00:13:58,385

come back and just lay some delicate

little highlights here and there.

241

00:13:59,344 --> 00:14:04,954

Just let that brush work around

and play bounce here and there.

242

00:14:05,850 --> 00:14:08,189

Don't want to kill all that

beautiful dark that you put in there.

243

00:14:09,000 --> 00:14:12,930

As you work down the tree, things

should get darker and darker and

244

00:14:12,930 --> 00:14:14,310

darker and darker as you come down.

245

00:14:14,819 --> 00:14:18,050

So by allowing the brush pick

up the color it's underneath

246

00:14:18,170 --> 00:14:19,370

automatically, that happens.

247

00:14:19,370 --> 00:14:21,350

You don't have to spend a lot

of time worrying about it.

248

00:14:21,650 --> 00:14:22,400

It happens.

249

00:14:23,480 --> 00:14:23,870

Okay.

250

00:14:23,870 --> 00:14:29,060

Now let's get us a, a one inch brush and

begin highlighting some of these things.

251

00:14:29,060 --> 00:14:33,560

I'll use a little CAD yellow

with some SAP green in it.

252

00:14:35,580 --> 00:14:36,840

Just mix it on the brush.

253

00:14:37,980 --> 00:14:41,250

So you have a multitude of colors

happening here, and let's go right

254

00:14:41,250 --> 00:14:46,080

over here on the right side and

just begin putting in some beautiful

255

00:14:46,080 --> 00:14:47,220

little leaves here and there.

256

00:14:47,970 --> 00:14:52,200

Just drop these Rascals, let

them fall off your brush and

257

00:14:52,200 --> 00:14:53,670

worry about shaping your tree.

258

00:14:54,465 --> 00:14:57,944

What makes a tree round look

at, look at how the leaves are.

259

00:14:57,944 --> 00:15:01,305

There's patterns in nature, and you

need to leave these dark areas in there.

260

00:15:01,305 --> 00:15:03,345

If you kill all the dark areas,

your trees are going to be

261

00:15:03,345 --> 00:15:05,925

very, very flat, very flat.

262

00:15:05,925 --> 00:15:06,915

They'll have no shape.

263

00:15:08,025 --> 00:15:08,295

Okay.

264

00:15:08,295 --> 00:15:10,155

Maybe a few little trunks here and there.

265

00:15:11,415 --> 00:15:12,074

It's just a little bit.

266

00:15:12,435 --> 00:15:13,275

Bandag Brown.

267

00:15:15,074 --> 00:15:15,375

Okay.

268

00:15:18,255 --> 00:15:21,225

Oh, there's a little trunk right

there in that little, little Bush.

269

00:15:22,410 --> 00:15:22,620

Okay.

270

00:15:22,620 --> 00:15:24,870

Maybe, maybe there's some trees

over here in the foreground.

271

00:15:24,870 --> 00:15:28,949

You don't really have to make any big

decisions yet in a minute, you will.

272

00:15:29,790 --> 00:15:32,880

There is another little trunk

just grows right down like that.

273

00:15:35,370 --> 00:15:40,410

And while I've got this Brown on

the knife here, Vandyke Brown,

274

00:15:40,410 --> 00:15:41,760

a little touch of Amber in it.

275

00:15:44,260 --> 00:15:46,680

Now we can begin maybe,

maybe there's some.

276

00:15:47,115 --> 00:15:48,915

Ground showing you places.

277

00:15:49,155 --> 00:15:51,075

So we just lay it in at random right now.

278

00:15:51,105 --> 00:15:52,125

We're not too worried about it.

279

00:15:54,585 --> 00:15:55,635

Just putting the dark in.

280

00:15:55,635 --> 00:15:58,485

So when we highlight

this, it'll look like LAN.

281

00:16:01,725 --> 00:16:06,105

Maybe this time it comes right

down here, wherever you want it.

282

00:16:08,175 --> 00:16:08,775

There we go.

283

00:16:15,035 --> 00:16:18,095

gotta have a way to walk out here and

catch that big trout that lives out there.

284

00:16:18,095 --> 00:16:24,815

And that Lake can able to take some

Brown and some white, maybe we'll put

285

00:16:24,875 --> 00:16:29,075

a tiny, tiny, little bit of blue and it

just missed a gray it down a little bit

286

00:16:30,785 --> 00:16:33,245

and very gently here using no pressure.

287

00:16:34,475 --> 00:16:35,195

No pressure.

288

00:16:35,375 --> 00:16:37,085

Just let this glide right across with.

289

00:16:37,560 --> 00:16:39,209

And you want the paint to break like this?

290

00:16:39,209 --> 00:16:40,439

So it has little holes in it.

291

00:16:42,569 --> 00:16:43,849

Let some dark show through it.

292

00:16:43,849 --> 00:16:46,380

You don't want to kill all that dark

that you've worked so hard to put in

293

00:16:46,380 --> 00:16:50,510

there, but it show through para Waco.

294

00:16:54,680 --> 00:16:59,689

All right, now we can go back to putting

some highlights on the bushes and the

295

00:16:59,689 --> 00:17:02,479

trees and bring all that together.

296

00:17:03,439 --> 00:17:05,629

Little yellow ochre, SAP green.

297

00:17:07,935 --> 00:17:10,875

Load the brush full of

paint, full of paint.

298

00:17:10,875 --> 00:17:14,175

Probably the biggest mistake made

when you're painting at home is not

299

00:17:14,175 --> 00:17:15,675

putting quite enough pain in the brush.

300

00:17:15,675 --> 00:17:18,974

It takes a lot of paint and

then a very delicate touch here.

301

00:17:19,244 --> 00:17:23,895

We're not using a lot of pressure, just

barely, barely touching the canvas.

302

00:17:26,435 --> 00:17:29,524

And because the paint on

the canvas is very firm.

303

00:17:30,395 --> 00:17:31,955

The thin paint will stick to it.

304

00:17:32,225 --> 00:17:34,985

If your paint doesn't stick,

then it's not thin enough.

305

00:17:37,185 --> 00:17:39,435

Just began working out

little individual bushes.

306

00:17:40,305 --> 00:17:43,985

And when you're doing these, do

one little Bush at a time, I know

307

00:17:43,985 --> 00:17:48,425

sometime when you're watching, it

looks like you just socked a canvas

308

00:17:48,665 --> 00:17:52,205

and a whole bunch of bushes appear,

but they're done one at a time.

309

00:17:52,235 --> 00:17:54,935

Each one's an individual,

each one has a personality.

310

00:17:55,715 --> 00:17:58,865

So separate them when you're in

this foreground, that's what creates

311

00:17:58,875 --> 00:18:02,885

distance that you can see layers and

layers and layers of bushes and trees.

312

00:18:03,065 --> 00:18:03,305

Okay.

313

00:18:04,379 --> 00:18:09,840

All right, let's go back

in here and begin layering.

314

00:18:09,840 --> 00:18:10,169

These

315

00:18:13,500 --> 00:18:14,070

there we are.

316

00:18:18,780 --> 00:18:21,570

Now, if we can look right in

here, you can see there's one,

317

00:18:21,570 --> 00:18:22,919

two, three layers right there.

318

00:18:23,219 --> 00:18:25,350

That's what leads the

eye into the painting.

319

00:18:26,100 --> 00:18:27,659

Spend some time working on that.

320

00:18:27,659 --> 00:18:28,530

It's worthwhile.

321

00:18:28,860 --> 00:18:30,629

It'll pay great dividends in the end.

322

00:18:30,659 --> 00:18:31,290

Make you happy.

323

00:18:33,389 --> 00:18:36,840

And of course, no one's interested

in monetary gains, but if you should

324

00:18:36,840 --> 00:18:38,459

be that's what sells the paintings.

325

00:18:44,240 --> 00:18:44,959

There we are.

326

00:18:48,530 --> 00:18:49,219

Okay.

327

00:18:51,709 --> 00:18:55,689

A little bit more of the SAP green here.

328

00:18:55,689 --> 00:18:56,629

We can just drop some.

329

00:18:57,450 --> 00:18:59,460

Beautiful little leaves

right out here on this tree.

330

00:18:59,490 --> 00:19:00,870

And it's in front of the evergreen.

331

00:19:02,310 --> 00:19:03,750

So show that in your painting.

332

00:19:04,050 --> 00:19:06,750

And it pushes that evergreen

back mixing far, far away,

333

00:19:10,379 --> 00:19:12,300

all kinds of little things happening here.

334

00:19:15,270 --> 00:19:18,180

Now let's go back to the

phone, to the fan brush.

335

00:19:18,450 --> 00:19:24,480

It makes such nice soft little grassy

areas and just begin falling right down.

336

00:19:24,480 --> 00:19:24,930

Like, yes.

337

00:19:25,350 --> 00:19:26,070

Now this is where.

338

00:19:26,505 --> 00:19:28,395

The lay of the land becomes important.

339

00:19:29,775 --> 00:19:33,465

So pay attention to the, to the

angles that you're using here.

340

00:19:34,155 --> 00:19:36,825

Don't just throw them in at

random follow the lay of the land.

341

00:19:39,615 --> 00:19:42,975

I want this to sort of look like

maybe there's a little, little Hill

342

00:19:42,975 --> 00:19:45,225

there, a little, little incline.

343

00:19:46,695 --> 00:19:50,085

So I'd do it in a layer is doing the thing

fathers to way first and working forward.

344

00:19:53,655 --> 00:19:55,425

Put some little happy things in there.

345

00:19:58,440 --> 00:20:04,710

Let a little bit of this ground area show

through here and there don't kill it all.

346

00:20:06,810 --> 00:20:10,620

So easy to do when you get started, it

turns into front of the next thing, you

347

00:20:10,620 --> 00:20:12,540

know, you've covered up the whole painting

348

00:20:15,600 --> 00:20:15,900

there.

349

00:20:17,700 --> 00:20:18,120

Okay.

350

00:20:18,750 --> 00:20:20,460

Now we can take just a clean knife.

351

00:20:21,580 --> 00:20:24,240

Use the point of the knife and

just grape, some little sticks

352

00:20:24,240 --> 00:20:25,230

and twigs here and there.

353

00:20:26,850 --> 00:20:29,399

These also show different

Plains in the painting and help

354

00:20:29,429 --> 00:20:30,870

create the illusion of distance.

355

00:20:32,980 --> 00:20:33,990

Let's go right over here.

356

00:20:33,990 --> 00:20:39,719

Maybe we can drop a few in here

and if you want a big stick, turn

357

00:20:39,719 --> 00:20:42,929

the knife sideways and pull that

and give you a bigger sticks.

358

00:20:44,040 --> 00:20:44,550

There we go.

359

00:20:47,610 --> 00:20:48,750

Not really now, maybe.

360

00:20:50,265 --> 00:20:54,405

Composition wise, maybe this needs a

nice big tree that lives right here.

361

00:20:55,275 --> 00:21:03,555

So let's take some Vandyke Brown and let's

build a, saw a tree right there and just

362

00:21:03,555 --> 00:21:05,835

make a decision, drop him in, go with it.

363

00:21:07,395 --> 00:21:08,325

I love trees.

364

00:21:08,325 --> 00:21:13,755

They're one of the most beautiful things

in nature in each one has a personality

365

00:21:14,835 --> 00:21:16,935

study them, make friends with them.

366

00:21:18,975 --> 00:21:21,645

Spend some time in the woods

and just talk to a tree.

367

00:21:22,995 --> 00:21:24,104

I know it sounds crazy.

368

00:21:25,004 --> 00:21:29,125

All I'm trying to do is to get you to

look at trees and to understand the beauty

369

00:21:29,125 --> 00:21:30,975

and understand what makes a tree, a tree.

370

00:21:31,814 --> 00:21:33,104

What makes each one different?

371

00:21:35,824 --> 00:21:36,485

There we go.

372

00:21:37,294 --> 00:21:39,544

Now maybe, maybe he's got a little arm.

373

00:21:39,544 --> 00:21:45,024

It lives right here and just,

let's just let it wander right on.

374

00:21:45,764 --> 00:21:48,345

There it goes, there it goes there.

375

00:21:50,115 --> 00:21:52,995

Now we can go back in here,

make this trunk a little bigger

376

00:21:57,545 --> 00:22:03,725

there and we can begin putting all,

all kinds of little Liam's here.

377

00:22:04,595 --> 00:22:08,345

Now you can also use the liner

brush with a thin oil to draw in all

378

00:22:08,345 --> 00:22:12,335

these small dams, or it's a super

good way to practice with a knife.

379

00:22:14,070 --> 00:22:16,620

You learned control of the

knife and make it your friend

380

00:22:21,690 --> 00:22:22,050

there.

381

00:22:22,920 --> 00:22:23,520

There's one.

382

00:22:23,580 --> 00:22:24,690

I see it right there.

383

00:22:25,410 --> 00:22:26,460

It goes right up like that.

384

00:22:29,100 --> 00:22:31,110

Maybe, maybe, maybe.

385

00:22:31,200 --> 00:22:31,470

Yep.

386

00:22:31,530 --> 00:22:33,180

There it is another one right there.

387

00:22:34,320 --> 00:22:38,440

So just let your tree just flow

right out of your imagination.

388

00:22:41,310 --> 00:22:43,830

But have a basic understanding

of what makes a tree.

389

00:22:46,200 --> 00:22:50,850

He came now, let's take a tiny bit

of yellow ochre, a little bit of burn

390

00:22:50,850 --> 00:22:57,540

number, mix it together, and we can put

a little bit of highlight on this trunk.

391

00:22:59,390 --> 00:23:04,790

There we are just to make it stand

out and just highlight the side.

392

00:23:04,800 --> 00:23:05,900

You think light would hit on.

393

00:23:07,725 --> 00:23:10,875

You have to make determinations where

your light sources or the lights

394

00:23:10,875 --> 00:23:12,074

coming from throughout the whole.

395

00:23:12,284 --> 00:23:15,304

Yeah, she does tear in there.

396

00:23:17,254 --> 00:23:17,915

Okay.

397

00:23:19,294 --> 00:23:24,004

Now we can leave some, some dark

color in here and then we'll

398

00:23:24,004 --> 00:23:26,885

highlight the dark color and

that'll turn out to be the beautiful

399

00:23:26,885 --> 00:23:29,044

leaves that live on this tree load.

400

00:23:29,044 --> 00:23:30,274

A lot of paint into the brush.

401

00:23:30,365 --> 00:23:35,615

I'm using SAP green and Brown, and let's

put a touch of Prussian blue into it.

402

00:23:36,300 --> 00:23:38,490

Pressure blue or really,

really dark net up.

403

00:23:40,320 --> 00:23:40,590

Okay.

404

00:23:40,650 --> 00:23:44,540

Now I want these leaves be nice

and loose and airy, so you can see

405

00:23:44,540 --> 00:23:47,960

through them and still make out a

little bit of the background behind.

406

00:23:49,100 --> 00:23:50,540

So don't kill all your background.

407

00:23:51,320 --> 00:23:52,910

Just barely touch the canvas.

408

00:23:54,080 --> 00:23:55,430

Barely, barely touch.

409

00:23:56,570 --> 00:23:57,920

Leave some air in here.

410

00:24:00,620 --> 00:24:02,570

Leave some places for

the little birds to sit.

411

00:24:05,805 --> 00:24:06,405

There we are.

412

00:24:12,225 --> 00:24:12,705

Okay.

413

00:24:13,155 --> 00:24:17,355

Now, maybe over here on this

little limb, let some dark color

414

00:24:18,735 --> 00:24:20,175

just so or highlight or show up.

415

00:24:21,615 --> 00:24:23,805

You need the dark in order to have light.

416

00:24:26,475 --> 00:24:26,955

Okay.

417

00:24:27,915 --> 00:24:30,915

Now we can go back here with a thin paint.

418

00:24:32,385 --> 00:24:38,865

And we'll use a color that's let's, let's

use a pretty bright yellow here, a little

419

00:24:38,865 --> 00:24:42,585

bit of green, and with mostly yellow,

we need quite a bright color to make

420

00:24:42,585 --> 00:24:44,085

it stand out from all the background.

421

00:24:46,625 --> 00:24:52,445

Once again, leave this loose and airy so

we can see through it and see that there's

422

00:24:52,445 --> 00:24:57,725

a mountain back there creates tremendous

depth and interest in your painting.

423

00:25:01,775 --> 00:25:02,405

look at that.

424

00:25:02,855 --> 00:25:04,145

Just barely touch.

425

00:25:04,955 --> 00:25:06,755

Barely, barely touch the canvas.

426

00:25:08,345 --> 00:25:09,035

Don't kill all that.

427

00:25:09,035 --> 00:25:11,165

Dark, your trio get flat.

428

00:25:12,635 --> 00:25:16,715

We don't like flat trees there.

429

00:25:18,965 --> 00:25:19,325

Okay.

430

00:25:19,325 --> 00:25:21,215

Maybe this a little bit

right happening here.

431

00:25:21,305 --> 00:25:21,935

Like, so.

432

00:25:26,570 --> 00:25:29,240

And right over here, you need to

slight color to bring it out from

433

00:25:29,240 --> 00:25:30,560

the evergreen, this behind it.

434

00:25:35,340 --> 00:25:36,170

Here we are.

435

00:25:38,660 --> 00:25:41,780

Now we can take the fan brush and

very gently here, put a little

436

00:25:41,780 --> 00:25:46,190

bit of the grass area around his

foot and bring all that together.

437

00:25:47,750 --> 00:25:48,260

Like, so.

438

00:25:50,625 --> 00:25:51,075

Okay.

439

00:25:51,105 --> 00:25:53,745

I think we have a painting it's

about ready for a signature here.

440

00:25:54,075 --> 00:25:58,965

So let's take a little bit of the thin

oil, a little bit of permanent red, and

441

00:25:58,965 --> 00:26:01,725

we've just signed this Rascoe next week.

442

00:26:01,725 --> 00:26:07,034

We'll be doing a white canvas, so

heavy easel set up big glass of

443

00:26:07,034 --> 00:26:10,215

ice tea there besides you join us.

444

00:26:10,395 --> 00:26:10,774

Thank you all.

445

00:26:10,784 --> 00:26:11,264

Enjoy it.

446

00:26:13,155 --> 00:26:14,595

There we have that one signed.

447

00:26:14,895 --> 00:26:17,835

And with that, the old clock on

the wall tells us it's time to go.

448

00:26:18,405 --> 00:26:20,595

I'd like to wish each and every

one of you happy painting.

449

00:26:20,655 --> 00:26:21,585

See you next week.

450

00:26:22,005 --> 00:26:22,515

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 22, 2020

S03E12 - Hidden Lake

Bob Ross's

The Joy of Painting

No comments:

Post a Comment

FREE DOWNLOAD Bob Ross' The Joy of Painting Subtitles .srt Files FREE DOWNLOAD!

Report Abuse