Bob Ross's

The Joy of Painting

S03E07 - Quiet Inlet

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Welcome back.

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Glad to see you today.

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And today let's just have some fun.

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Let's just do a quick

little painting here.

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That'll.

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It'll make you happy in here.

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I'm going to start out with a little

tiny bit of payload blue, beat it

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right into this large brush and

start right up in here and just sort

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of very this, just work it around.

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Want to leave some light areas in the sky.

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Don't want to kill all the light areas.

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Just work it around.

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There we go.

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That'll give us enough to start with,

and we'll, I've got to on the brush,

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add a little bit more of the blue and

a tiny, tiny little bit of thalo green.

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Not much, not much.

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It's very strong.

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Just a little bit.

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And we'll just come from out here.

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Like that just very quickly

drop in some bottle.

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Eventually be water fairly good.

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Now we can wash this old brush.

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Get off the excess paint thinner.

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And cover the studio.

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Okay.

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Now for the clean dry brush, we're

just going to gently blend this out.

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Just blended out, have fun, enjoy.

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Don't try to kill all

these little white areas.

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They ended up making

things happen in the sky.

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You don't end up with this guy

that looks like he pulled the

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window shade down at night.

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Some action in it, little

things that are happening

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there were super nice, quick little

way to make a happy little sky.

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I'm going to take some pressure

and blue and alizarin Crimson.

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Now the pressuring blue is a hundred

times stronger than the Crimson.

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So use very little blue,

quite a bit of Crimson.

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And if you want to test it, take

a little white and put somewhere

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else that you put a little bit

of the color and put it into it.

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That's really about the only way

you can tell exactly what you have.

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This just looks black.

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It's so dark.

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Okay.

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So that's about what I'm looking for.

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So now we'll use the fan brush.

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Put a little bit of the color in here.

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Very little, very little one, a

very soft little painting today

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in the Cisco right up in here.

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And just put us, uh, just a little basic

mountain shape, just however you want it.

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Just let it sorta, et cetera.

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Go off into nothing over here.

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Gently pull some of that down.

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Just very basic shape.

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We're not looking for detail in

this mountain and our other series.

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We've really put a lot of

detail into mountains and this

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time we'd do other things.

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We've done a lot of buildings

in this series going to do

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some more for it's over with.

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Okay.

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Now with a large brush, it's going

to grab the hole and pull it down.

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Just like, so don't spend a

lot of time worrying about it.

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This is just a little,

little mountain, sweetie.

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Back in the distance

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there.

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That's how easy that is

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now.

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Maybe.

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Maybe there's one, a little closer,

maybe just like a little Foothill

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or something, and maybe it's just

like this and we want it to be a

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little darker, a little bit darker.

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So I'm going to add a little

more paint into this one.

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As these things get closer to you,

allow them to get darker that helps

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create distance in your painting.

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Okay.

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Yeah, very gently.

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We'll just pull this one.

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You can, you can move this paint all over

the canvas, the magic lights underneath,

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and it allows the paint to slide

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that quick.

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We have two very nice ranges of.

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Hills in the background here.

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Now the only thing that separates

these two is the light area in between.

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And the difference in value, this one is

much darker than the one that's far away.

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So it creates the illusion

of distance already.

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Okay.

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Let's take that a little bit of.

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SAP green and throw it right

into this purple color we have.

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So we have SAP green, a little

bit of blue analyser, Lisbon

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Crimson there, put it all together.

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This should be predominantly green.

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Okay.

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Now then let's just take the one

inch brush and loaded, full of paint

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was pull it through the paint, but

a lot of pain into the bristles.

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A lot of paint.

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Maybe we'll lighten that a tiny bit.

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I want to add the least

little amount of white to it.

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Just to lighten it up a

little, little bit of white.

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Don't get carried away a

lot of pain in the bristles.

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Now let's go right up in here and we'll

put some little distant trees back there.

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They are.

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Let the brush work, fresh word

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as far away, little trees.

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And you put as many trees

in your world as you want.

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So just let them happen.

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Let them happen.

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Don't worry about them.

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Enjoy, have fun.

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Go see how easy it is to

make little distant trees.

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It really gives the illusion of

trees that are far, far away.

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Over here.

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I want them to, just to sort of fade out.

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I want this whole side of this painting.

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Just sort of to fade out into

nothings, just indications.

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Okay.

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Now we can take the large

brush and very gently lift up.

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We're just to create a little

bit of a mess down at the bottom.

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Just a little bit of a mess.

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Now we know there's going

to be some water back here.

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So we can begin working on some

reflections and just begin pulling

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a little bit of this day off.

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Not much at this time.

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Just a little bit,

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not going to worry about it right now.

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Now I'm going to go right into

the, this is SAP green alizarin,

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Crimson impression, blue.

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We just mix it right here on the brush.

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Okay.

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And maybe, maybe, maybe he was

a tree lives right there he is.

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We're just putting in some basic shapes.

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Maybe he's got a friend

that's right along here.

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And all kinds of little things are

happening all down in this area.

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Just let them happen.

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I want this to get very light over here.

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Just sort of disappear.

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Maybe there's another little tree here.

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A little bullshit tree.

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You have to make these decisions.

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Why do you want it to be

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now?

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I'm going to take a

little bit of this color.

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It's a very brownish looking color and

just wipe a little bit of it like this.

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Just a little bit of it.

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Just pull it across.

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It wasn't my large brush,

pull it on out a little.

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I want it to go right into the water.

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What this water to have a brownish

hue to it up close to the land.

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Like you can see some of

the land through the water

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cut.

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Okay.

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Okay.

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A little bit more of the SAP green

desert Crimson, Prussian blue.

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I put the blue in to make it

much darker, much stronger.

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The blue is so, so strong.

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And maybe right over here, maybe.

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Ooh, there's an all mighty tree,

a super big tree lives right here.

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Just have some fun with him.

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There we go.

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All I'm doing is just putting in the dark.

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So the light will show sort of think

of it as painting the back of the tree.

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And then we'll paint the center

of the tree, which is the trunk.

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And then we'll do the front of

the tree, which is the highlight.

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Now.

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Maybe there's some, all kinds of

little things living back in here.

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Just make up little dreams in

your mind and put them on canvas.

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Okay.

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Now let's go into take a little titanium

white and some Vandyke Brown, a little

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bit of the umber burnt number there.

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Productive touch a blue into it to

gray it just a little bit of blue,

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Brown, white, and touch your blue.

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I had grazed it down very nice.

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Now we're ready now.

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We're ready.

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Now we can begin laying in some

NASA land areas back in here.

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Just drop them in.

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See you.

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Bye.

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Not over mixing your paint.

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All these beautiful colors

happen automatically.

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If you mix it until it's dead,

then you only have one color here.

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We have a multitude of

little colors happening.

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There we go in the back in here.

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I just want this to slowly just

disappear right on into nothing.

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And let's go right into a little bit

of Vandyke Brown and bird number.

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And up in here, we'll make this darker

much darker right up through here,

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Vandyke Brown and just a touch of Amber.

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we can sort of just gently

bring these together.

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let a little, the highlight go up on

the dark, a little bit of the dark

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come down into this lighter color.

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Okay.

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okay.

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Now we're ready to start

doing some playing back here.

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Let's put some little

trunks in these trees.

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We'll just take the pallet

knife with a little Brown on it.

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Drop some in.

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Wherever you think it should be a trunk?

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That's where you heard a B drop it dead.

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Okay.

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So a bit of Brown and white for highlight.

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Keep these quite subdued.

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They're far away.

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We don't want them too bright yet.

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No.

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In my mind that I'm going to give

this tree here, a shot of vitamins

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and make them grow a little, see

how you can make a tree grow,

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wanting to be a little stronger.

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Okay.

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Now we can start highlighting some of

these, and I'm going to take a little

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bit of the paint thinner into the brush.

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A little bit of yellow.

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Making a very thin paint here, very

thin yellow and SAP green, very thin.

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Then paint will stick to a thick paint.

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So you need to start

with a very thick paint.

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So you can put this then

paint over the top of it.

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And let's just do this, just

touch and let's begin highlighting

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some of these little trees.

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Let it drop right off the brush.

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There we go.

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Maybe we'll add a tiny bit of ochre to it.

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Just to change the color yellow ochre.

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We'll put some highlights right

up here on this little tree

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there.

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And while we got the brush going here,

maybe we'll just get right over in here

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and I'll drop some happy little things

on top of this one to let them happen.

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some down in here a little bit darker,

cause they're a little bit lower.

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Maybe not as much.

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Light's going to strike down there.

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Just let these little things

fall right out of your brush.

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It's over here.

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Just one of them sort of disappear

right off, ended nothing.

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And let's go right up in here.

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There is another one.

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And let them come right

down onto the land,

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all kinds of little ferns and things

that are growing, sort of reminds

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me of some of the little coves that

you find in the coast of Oregon

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have all the beautiful greenery.

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Good gosh, herself.

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So many, many beautiful, beautiful areas.

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Oregon is probably one

of my favorite States.

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It reminds me a great

deal of my home in Alaska.

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You have the beautiful mountains

and some of them and testic scenery

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there, Miguel.

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Okay.

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Yeah.

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I think maybe we better, better put us a

tree trunk in there unless they have a big

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old tree just comes right up through here.

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There van Vandyke Brown,

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just let this tree just wander around.

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And we put some little alums all out

here and tree, a lot of these will be

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covered up, but some of them will show it.

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It'll make you treat them

much, much more interesting.

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If you can see some of

these, those tear in there.

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In home where you have unlimited time,

you can just put all kinds of details.

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That's drop a little highlight right here

on the trunk, just so it stands out nice.

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This is just a little Brown and white

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and right on up into the limbs.

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There they go.

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Kate now let's add some

nice leaves to this tree.

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00:17:16,484 --> 00:17:20,655

Maybe we'll start with

a dark green SAP green.

258

00:17:21,284 --> 00:17:28,125

The paint is very thin and we can begin

just dropping some leaves right out here.

259

00:17:29,310 --> 00:17:31,980

Very thin paint, sticking to

that thick paint it's underneath.

260

00:17:36,780 --> 00:17:38,659

all we're doing is just

touching the canvas.

261

00:17:43,430 --> 00:17:45,590

this brush is a little bit

different than the ones we've

262

00:17:45,590 --> 00:17:47,180

normally been using it's around.

263

00:17:47,389 --> 00:17:49,520

So it makes all these

beautiful little round shapes.

264

00:17:54,689 --> 00:17:56,189

Can we just let them drop right off there,

265

00:17:59,600 --> 00:18:02,480

you know, in each series, I try to

introduce something new to you that you

266

00:18:02,480 --> 00:18:07,610

haven't seen before, just to keep you

excited and to keep you interested in

267

00:18:07,610 --> 00:18:12,530

this series, we've introduced the magic

black, which does fantastic things.

268

00:18:12,530 --> 00:18:16,280

I think we had a, we had

a super time with it too.

269

00:18:16,290 --> 00:18:17,810

Now we'll take a lighter green.

270

00:18:18,600 --> 00:18:19,890

Add some CAD yellow to it.

271

00:18:20,670 --> 00:18:26,300

And I'm going to come back and put

another little highlight up here, maybe

272

00:18:26,380 --> 00:18:27,870

a little bit lighter than that chin.

273

00:18:29,100 --> 00:18:30,480

So just to add a little more yellow

274

00:18:35,120 --> 00:18:35,790

Oh yeah, yeah.

275

00:18:35,820 --> 00:18:37,190

That stands out beautifully.

276

00:18:37,680 --> 00:18:39,710

Just one enough difference in color.

277

00:18:39,710 --> 00:18:43,700

So it stands out and then highlight these

individual little things in the tree.

278

00:18:52,035 --> 00:18:58,035

There they are all kinds of little

things happening out here and work

279

00:18:58,035 --> 00:18:59,655

with some basic patterns in the tree.

280

00:18:59,685 --> 00:19:00,765

Don't just hit it random.

281

00:19:00,765 --> 00:19:04,485

Think about it and think about how limbs

are projecting out here toward you.

282

00:19:05,385 --> 00:19:07,845

And they have shape and form,

and they're different than limbs

283

00:19:07,845 --> 00:19:09,075

that are going out the side.

284

00:19:10,965 --> 00:19:11,835

Look at trees.

285

00:19:11,865 --> 00:19:12,735

Spend some time.

286

00:19:13,425 --> 00:19:18,615

Just, just sit out in the yard or

something one day and said, look at trees,

287

00:19:23,825 --> 00:19:25,415

fairway up just a few more.

288

00:19:25,415 --> 00:19:28,745

And we'll have this whole big tree

all finished here and we can put

289

00:19:28,745 --> 00:19:30,215

some little things down in here.

290

00:19:36,185 --> 00:19:36,875

There we are.

291

00:19:38,315 --> 00:19:40,595

Now let's get out of here and

play with the water a little bit.

292

00:19:40,665 --> 00:19:41,855

We'll take a little bit of magic.

293

00:19:41,855 --> 00:19:42,185

Quiet.

294

00:19:43,185 --> 00:19:46,005

A little bit of the, from white

and put the magic white in just to

295

00:19:46,005 --> 00:19:52,655

thin it a little and we can begin

coming right in here, putting some

296

00:19:52,655 --> 00:19:54,695

water right up to the, to the land.

297

00:20:02,885 --> 00:20:03,545

There we go.

298

00:20:04,415 --> 00:20:05,525

And where the old fan brush it.

299

00:20:05,765 --> 00:20:06,695

It's very simple.

300

00:20:07,385 --> 00:20:09,005

I can do it in just a matter of seconds.

301

00:20:14,010 --> 00:20:16,480

Fan brushes up super, super brushed.

302

00:20:17,670 --> 00:20:18,960

You have to make friends with it though.

303

00:20:19,440 --> 00:20:20,280

It takes a little while.

304

00:20:21,720 --> 00:20:25,770

It's not the easiest brush in the

world to master, but once you do,

305

00:20:25,860 --> 00:20:27,570

Oh my gosh, what you can do with it?

306

00:20:28,920 --> 00:20:31,140

Why don't you can do with an

entire paintings can be done

307

00:20:31,140 --> 00:20:33,420

very easily with just a fan brush

308

00:20:36,810 --> 00:20:37,170

there.

309

00:20:43,875 --> 00:20:45,885

Yeah, let's put some little

indications here and there.

310

00:20:49,544 --> 00:20:50,054

Okay.

311

00:20:50,235 --> 00:20:50,655

Nano.

312

00:20:51,854 --> 00:20:53,024

Now we can get crazy.

313

00:20:54,135 --> 00:20:57,675

Let's take some Brown Vandyke Brown,

a little bit of burn number in it.

314

00:20:57,854 --> 00:20:58,364

Not much.

315

00:20:58,395 --> 00:21:00,854

Just a little lumber, just

a little bit of Humber.

316

00:21:02,459 --> 00:21:05,370

And maybe it will come right there.

317

00:21:06,239 --> 00:21:07,649

Just drop him some color.

318

00:21:09,330 --> 00:21:13,979

Don't be afraid of, you

can just throw it in here.

319

00:21:23,909 --> 00:21:25,800

We need the dark in order

for the light to show.

320

00:21:26,219 --> 00:21:27,300

So all we're doing here.

321

00:21:27,775 --> 00:21:28,965

Just adding some dark.

322

00:21:30,195 --> 00:21:31,605

Let's just let this

come all the way across.

323

00:21:31,605 --> 00:21:32,195

What the heck?

324

00:21:32,195 --> 00:21:32,795

What the heck?

325

00:21:33,975 --> 00:21:35,745

This is our world so

we can do it for long.

326

00:21:35,775 --> 00:21:36,015

327

00:21:40,125 --> 00:21:45,195

can you maybe, maybe, maybe,

maybe you have a happy little

328

00:21:45,195 --> 00:21:46,515

tree that lives right here.

329

00:21:48,405 --> 00:21:49,755

So we put some dark in.

330

00:21:50,939 --> 00:21:52,439

Same colors of dark just

331

00:21:55,469 --> 00:21:55,770

there.

332

00:21:58,399 --> 00:21:59,120

Oh, there's one.

333

00:21:59,209 --> 00:22:01,310

I see one right there, right there.

334

00:22:06,320 --> 00:22:06,949

Oh, we're doing this.

335

00:22:06,949 --> 00:22:10,669

Just laying in some dark, not really

worried about shape or form yet.

336

00:22:14,020 --> 00:22:16,070

We can take a little bit

of the highlight color.

337

00:22:19,215 --> 00:22:21,675

And very lightly just touch and pull.

338

00:22:22,425 --> 00:22:26,595

This is Brown and white

Bernie number, very gently.

339

00:22:26,595 --> 00:22:32,955

Just pull like so we can come back

340

00:22:36,255 --> 00:22:40,455

and begin laying in all kinds of little,

little things happening all over here.

341

00:22:41,400 --> 00:22:42,570

Need something a little lighter.

342

00:22:42,570 --> 00:22:43,830

It's not going to show right there.

343

00:22:43,830 --> 00:22:45,030

So it's just there.

344

00:22:45,570 --> 00:22:46,860

That's what I was looking for.

345

00:22:46,860 --> 00:22:49,950

I knew it was in there.

346

00:22:49,950 --> 00:22:50,910

We just had to find it.

347

00:22:52,830 --> 00:22:55,800

Maybe there's just all kinds of little

things growing right along in here,

348

00:23:01,350 --> 00:23:02,040

right in here.

349

00:23:03,190 --> 00:23:03,960

Just drop them in.

350

00:23:06,645 --> 00:23:12,065

Highlight this nice, soft

little Fern looking things.

351

00:23:15,935 --> 00:23:16,655

There we go.

352

00:23:23,495 --> 00:23:24,485

And that fantastic.

353

00:23:25,504 --> 00:23:27,365

And next week we're going to do it.

354

00:23:28,320 --> 00:23:29,790

I'll tell you what let's do next week.

355

00:23:30,600 --> 00:23:33,300

Let's do the little, the little

painting that we animated at

356

00:23:33,300 --> 00:23:34,380

the beginning of the show.

357

00:23:34,470 --> 00:23:35,430

A little lighthouse.

358

00:23:35,850 --> 00:23:37,860

So have a black canvas ready?

359

00:23:38,520 --> 00:23:39,810

We'll do a black one next week.

360

00:23:44,150 --> 00:23:44,300

Okay.

361

00:23:44,360 --> 00:23:46,580

Oh, I got a few little

highlights right up in here.

362

00:23:47,990 --> 00:23:48,800

Just drop them off.

363

00:23:50,600 --> 00:23:51,050

Let him go.

364

00:23:56,175 --> 00:23:58,365

And sort of layer these

it'll give distance tape,

365

00:24:06,545 --> 00:24:11,015

they're all kinds of little

things happening wherever

366

00:24:11,015 --> 00:24:11,945

you think they should be.

367

00:24:12,215 --> 00:24:13,325

That's where they should be

368

00:24:20,705 --> 00:24:21,185

like, so.

369

00:24:26,180 --> 00:24:29,480

and we can take the knife and just,

just hearing their gene, at least

370

00:24:29,480 --> 00:24:31,280

grape in a few little sticks and twigs.

371

00:24:33,270 --> 00:24:34,440

And they can be all over

372

00:24:40,280 --> 00:24:40,880

wherever you think.

373

00:24:40,880 --> 00:24:44,090

There should be a little, little twig

show in here and there just drop it in.

374

00:24:44,810 --> 00:24:47,990

And all I'm doing is using the point

of the knife, cutting right through

375

00:24:47,990 --> 00:24:50,930

the paint and allowing a little

bit of the canvas to show through.

376

00:24:51,530 --> 00:24:53,480

We're not really putting

any color on the canvas,

377

00:25:00,050 --> 00:25:00,660

just like.

378

00:25:03,330 --> 00:25:04,380

Maybe right up in the hair,

379

00:25:09,020 --> 00:25:12,830

maybe a little and a couple over in this

area that you could see in the background.

380

00:25:20,120 --> 00:25:22,700

And let's take right in here.

381

00:25:23,150 --> 00:25:26,330

Maybe just to add a little tiny

bit more of this growing right

382

00:25:26,330 --> 00:25:28,640

down, almost a ground level.

383

00:25:29,450 --> 00:25:29,990

Like, so.

384

00:25:33,899 --> 00:25:34,290

Fair.

385

00:25:37,820 --> 00:25:40,760

I think we have a painting that's

about ready for a signature.

386

00:25:41,360 --> 00:25:46,159

So let's take the liner brush a little

bit of the thin oil and I'll go right

387

00:25:46,159 --> 00:25:51,649

into some permanent red that's sort of

my color for signatures and we'll just

388

00:25:51,649 --> 00:25:54,679

drop a little signature right there.

389

00:25:56,149 --> 00:25:56,629

Like, so.

390

00:25:58,170 --> 00:26:00,750

As I say next week, have

your black canvas ready?

391

00:26:02,100 --> 00:26:04,230

And we'll do, uh, we'll

do that little lighthouse.

392

00:26:04,680 --> 00:26:05,790

That's such a fun painting.

393

00:26:05,790 --> 00:26:06,810

I think you'll really enjoy it.

394

00:26:08,930 --> 00:26:09,590

There we go.

395

00:26:10,430 --> 00:26:14,990

Signed, sealed and delivered, and the old

clock on the wall tells me I got to get

396

00:26:14,990 --> 00:26:16,370

out of here and leave you for this week.

397

00:26:16,880 --> 00:26:18,380

We're looking forward to seeing you again.

398

00:26:18,830 --> 00:26:19,580

Happy painting.

399

00:26:20,360 --> 00:26:20,660

Bye bye.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 22, 2020

S03E07 - Quiet Inlet

Bob Ross's

The Joy of Painting

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