Bob Ross's

The Joy of Painting

S03E10 - Campfire

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Oh, welcome back.

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Glad to see you today.

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You know, in every series, there has to

be a crazy day and this is our crazy day.

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So we thought we'd do a painting

that's really far out, and that

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maybe it'll excite the imagination.

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We're going to have a little campfire

down here and all the big trees around,

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and we'll just sort of see what happens.

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And I've taken a black canvas.

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It was painted with a flat black acrylic.

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That was allowed to dry and then covered

the entire canvas with the lizard Crimson.

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So let's go, let's start out

with CAD yellow on the one inch

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brush and decide where you want

the little campfire to be here.

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And we'll start, let's put it

right there and just start making

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little Xs or crisscross strokes.

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Man working around, there we go.

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And just let this go.

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Well, all the way up to the edges

of the canvas, even if you can't

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see anything happening, let it go.

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Cause little things are happening.

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It's picking up the color.

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Hair, just all the way out, just these

little cross X type strokes there.

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Now you can make this as bright

as you want it, but each time

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clean and dry your brush.

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Before you go back into the center, you

want that to be the brightest area in

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the painting, clean the brush, beat it

dry and add a little bit more of the

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CAD yellow to go right back in here.

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And just lay in some color and

then begin working out where

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to get bad way automatically.

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It gets darker as it goes farther

away from the little campfire.

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This is going to be here.

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All right,

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there we go.

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Now, clean this brush up and we're

ready to get serious with this.

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Okay, well, the large brush, I'm just

going to begin blending this out there.

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Just very gently, still making the

middle crisscross strokes, working

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out where you don't want to bring

a dirty brush back to the center.

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Don't want to, don't want to

ruin the beautiful, bright

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color you have right there.

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Okay.

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And then very gently we take

the brush strokes out just

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by going across the canvas.

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All right.

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And we're going to try to

show you some things today.

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They're a little different than

anything we've done in the past.

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So hope you'll enjoy this one.

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Okay.

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Now.

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Let's take the fan brush.

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We'll put some Vandyke Brown on

it and a little bit of Crimson,

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Vandyke, Brown, touch a Crimson,

just mix them on the brush.

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And maybe we back here in the distance,

we can just see the trunks of some trees

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and just let them sort of disappear.

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These are just some little

trees in the background.

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I started let them disappear.

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Maybe right here, maybe

there's a bigger one.

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So we just push a little harder

and just let it disappear.

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Okay.

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And if you can put a little Lael mat

here on him, he wants a little arm, man.

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Oh, wherever you want them here.

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You can just put little indications.

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She lives far away, all kinds

of little things happening.

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There we are.

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So now let's take a one inch brush and

we'll put Vandyke Brown and alizarin

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Crimson on the one inch brush loaded,

full of paint, and we can begin

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applying some little leaves back here.

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And all we do, and he's just touching the

canvas, bending the brush a little bit.

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All we're looking for is just

very basic general shapes.

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And I'm looking for a lot of detail.

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These are just a little background

trees that are far away.

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So just wherever you think there might

be some leaves, just drop them in.

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Don't really spend a lot

of time worried about it.

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Maybe there's a little Bush right there

that just sorta graduates into nothing.

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The glow of the fire here.

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We'll take care of the bottom of all

of these, so don't worry about them.

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Okay.

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Now we can take, and

let's add a little bit.

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Then that just a tiny bit

here, a little yellow ochre,

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Indian, yellow, mixed together.

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And we can just highlight some of

these where the lights striking

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them from the fire and just begin

picking out little individual things

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and drop some little highlights on

them here and there don't overdue.

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Keep it quite subdued.

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the yellow ochre, Indian,

yellow mixed together.

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Once again, this is just going

to be background trees far away.

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So we don't have to spend a lot

of time worrying about them or

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trying to make them perfect.

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Just a tiny bit over here.

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Not as much is a little bit.

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She asked some indications.

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There we go.

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Now we can have fun.

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Okay, I'm going to take the

large brush and very gently.

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I'm just going to blend all of this.

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I want it to be very

soft and very far away.

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So let's go right up here

and watch very gently.

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Just still making the

little crisscross strokes.

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Just begin blending.

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All of it, let it blend away.

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Okay.

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Now we just take the brush strokes

out by just pulling across.

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See how far away that looks already.

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Fantastic.

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Okay.

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You didn't put any highlights on this

one little Bush that I laid right here.

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So let's put a few

little highlights on him.

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Don't want him to get upset

cause we didn't have any.

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And then we'll just very

gently blend him also

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there.

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Hmm.

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Okay.

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Now we can use this big brush and

begin adding all kinds of little

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things that are happening around here.

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Maybe right in here.

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There's some nice little,

well, she's at a groin.

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I just dropped into some basic shapes.

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We're not, not too

worried about detail yet.

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There's one.

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Just let him just let him

fall right off your brush.

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And maybe as we get farther away here,

maybe there's some great big trees

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that are going to be growing over here.

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Great, big old ones.

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Just drop them in, still using

just Crimson and Vandyke Brown.

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There we are.

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Just give us some nice, basic

little shapes to work with.

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Okay.

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Now then we can start

playing a little bit.

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Let's take Indian,

yellow, and permanent red

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and just mix it together and

let's begin dropping some little

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highlights right up in here.

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Just let them sparkle think

where the light would hit them.

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There we go.

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Maybe a little bit up in here

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there.

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It's Indian, yellow, and

a touch of permanent.

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Right, right there.

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Okay.

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Maybe right here.

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There's another one.

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Yeah.

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As they get farther away from the fire,

less and less, you're going to see, so I

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can hear we're just going to begin putting

a little bit of stuff, but don't worry

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too much about highlights back in here.

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Like, so

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I started let them disappear a little

bit up here, then it just disappears

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just enough to set them off a little bit.

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So you can see them.

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There we go.

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Nice little one lives right there.

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There.

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No, that's correct.

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I paid to hear and play

with the fire a little bit.

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I got in trouble for playing in fire.

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When I was young today, we can

do it, gonna take a little bit of

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Vandyke Brown and we'll just make

some little indications of some

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wood here and it's all burned.

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It could be just about any

old way that you want it.

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There.

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And then let's, maybe there's some

ground area right down through

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here that we can see still Vandyke

Brown and just pull it across.

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Just pull up.

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I can.

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Now I'll take a little bit of yellow

ochre and burn number it mixed together.

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And we can put a little bit

of highlight right out here

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and start here and work down.

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So it gets darker automatically.

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Cause you're running out of

paint and you're picking up more

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and more of the under color.

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Let the canvas work for you.

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Thinking now tell you what

let's put a little, let's

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put a little fire right here.

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I'm just using a little bit of CAD

yellow and just touch and just give

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the indication of a little bit of

fire, a little small camp, right.

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There we go.

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That's enough to convey what

we're trying to show here.

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Now take the fan brush.

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And we'll use a little bit of the

yellow ochre, Indian, yellow, and

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permanent red, all mixed together on

the fan brush and mix them on the brush.

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And we can begin laying in some

little grassy areas here, a little

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bit brighter up here by the fire.

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So start at the brightest

area and work downward.

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I want these to be very soft.

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Just where the light striking them, get

darker, darker, dark hair, dark appear.

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And we just lay in all kinds

of happy little things,

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maybe right along here there.

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Okay.

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There's one that comes weed.

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Yeah.

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It's your world, so you

can put them anywhere.

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You want them

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barely go down.

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Like, so there's a good

place for a couple more.

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Okay.

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Now maybe, maybe, maybe, maybe.

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I want to take and add a little bit

more of the Bandag Brown bread in here.

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I know what we should do.

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Maybe this, maybe this is a little

Lake out here, a little, you know, if

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you're going to build a little campfire,

you need to have water close by.

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So we put a little caddy

yellow on the large brush.

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Go right here, touch

and pull straight down.

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Okay, just a little touch, pull straight

down, going to pick up the Crimson

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this underneath and turn a beautiful

reddish color work from the lightest

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area, which would be directly under the

fire out that way automatically as you

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go away from the fire, it gets darker

and darker and very gently come across.

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Very gently.

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Don't want to kill all these

nice lines that you put in there.

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Just make them.

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It's just look like water.

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Okay.

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Now maybe, maybe there's a

little projection that comes

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right out through here.

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Just to add a little

bit more of the Brown,

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bring it right on.

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Now.

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Drop a little bit of the

highlight, cover color on it.

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There we go.

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And we go back to her little fan

brush, yellow ochre, and Daniella,

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and a touch, a permit red.

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And we can just drop in some little grassy

things that are growing down this Hill.

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No, I think I've mentioned it

earlier, but in case you missed it,

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if you have questions or comments

or something, we can help you with.

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Please feel free to drop us a line.

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We'd like to know what you want.

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We'd like to know what

you want in future series.

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What type of things interest you?

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A lot of the paintings in this series

have come from letters that people have

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wrote and told us what they wanted to see.

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Okay.

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Let me clean up a big brush here

and let's play a little bit.

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Okay.

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That's still fun.

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Okay.

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I want to subdue all of

this as much too bright.

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So with the large brush, very gently.

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I'm just going to begin

blending it very gently.

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Just let it barely touch.

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Make it very quiet.

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Push it.

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We back.

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Cause you wouldn't see all

this much bright it's dark.

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So we just want us to do it here.

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Very quiet subdued,

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very quietly.

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Just blend it.

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As you know, when you have the little

campfire out there at night things almost.

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I almost look unreal.

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You get all kind of weird colors

and shapes and they're beautiful.

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clean up that reflection

there a little bit.

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I'm going to take a tiny bit

of the yellow and put a little

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bit of reflection on that.

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This little projection right here.

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Pull it straight down.

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Just come across.

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Okay.

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Okay, but you see how

quiet that makes that look.

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It's very, very quiet.

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Let's go right up in here.

257

00:16:17,510 --> 00:16:23,180

And maybe, maybe there's a

big, great big tree right here.

258

00:16:24,080 --> 00:16:24,680

Right here.

259

00:16:25,340 --> 00:16:28,400

Big son-of-a-gun he just

goes all the way off.

260

00:16:28,400 --> 00:16:29,030

The canvas

261

00:16:32,120 --> 00:16:32,510

are.

262

00:16:34,995 --> 00:16:37,275

And you can make your tree as

big or as small as you want him.

263

00:16:43,355 --> 00:16:43,775

Okay.

264

00:16:43,865 --> 00:16:45,574

This is just straight Vandyke Brown.

265

00:16:49,415 --> 00:16:50,165

There we go.

266

00:16:51,515 --> 00:16:52,685

Big, strong tree.

267

00:16:56,824 --> 00:16:57,605

I love to paint.

268

00:16:57,605 --> 00:17:00,814

Trees are one of the most

fantastic things in nature to me.

269

00:17:04,565 --> 00:17:06,795

Give him a little arm or lay him up here.

270

00:17:10,485 --> 00:17:11,235

There we go.

271

00:17:12,135 --> 00:17:18,315

Like, so now we can take a little

bit of permanent rib and sort of

272

00:17:18,315 --> 00:17:23,265

highlight this tree is a permanent

red with a little burn number in it.

273

00:17:25,815 --> 00:17:27,795

And then we can lay

some highlights on here.

274

00:17:30,835 --> 00:17:33,845

Just where you think the light from

the fire would strike the truth.

275

00:17:34,355 --> 00:17:39,365

Use your imagination, let your heart

take you wherever you want to go.

276

00:17:44,225 --> 00:17:49,955

There we are maybe a little highlight

playing on this lamb up here.

277

00:17:54,975 --> 00:17:55,425

Okay.

278

00:17:56,795 --> 00:17:57,155

Now.

279

00:17:58,455 --> 00:18:01,995

Maybe, maybe there's an old

fellow sitting down here, warm

280

00:18:01,995 --> 00:18:03,345

in his foot's next to the fire.

281

00:18:04,215 --> 00:18:05,865

Maybe, maybe we'll have a cowboy out here.

282

00:18:05,865 --> 00:18:06,765

We'll put him a hat on.

283

00:18:07,635 --> 00:18:10,245

So we just start right here

with a little edge of the knife

284

00:18:10,965 --> 00:18:11,985

and just sorta come around.

285

00:18:11,985 --> 00:18:13,125

We can just see part of him.

286

00:18:13,125 --> 00:18:14,415

He's leaning up against the tree.

287

00:18:14,415 --> 00:18:19,335

There's this old, the brim of

his hat, little top of his hat.

288

00:18:20,355 --> 00:18:20,805

And in-home home.

289

00:18:20,805 --> 00:18:23,085

When you have unlimited time,

you can take a lot more.

290

00:18:24,135 --> 00:18:27,555

Time and effort with this and

really go into some detail.

291

00:18:28,365 --> 00:18:31,395

Maybe he sort of slumped over and

there was a shoulder coming down

292

00:18:36,125 --> 00:18:38,794

and maybe there's an arm.

293

00:18:43,264 --> 00:18:43,865

There we go.

294

00:18:45,305 --> 00:18:48,365

And he sorta got his foot

sticking up like that.

295

00:18:48,544 --> 00:18:49,385

There's his leg.

296

00:18:51,004 --> 00:18:52,055

And these are just very.

297

00:18:52,380 --> 00:18:53,490

Basic little things.

298

00:18:54,780 --> 00:18:56,550

As I say at home, you can take your time.

299

00:18:56,550 --> 00:18:58,860

And I had a lot of detail into these.

300

00:18:59,960 --> 00:19:01,320

Just want to give you ideas here.

301

00:19:04,910 --> 00:19:05,240

Okay.

302

00:19:05,510 --> 00:19:08,210

Now we can sort of straighten

him out a little bit or give

303

00:19:08,210 --> 00:19:09,350

him some buttons to set on.

304

00:19:11,780 --> 00:19:12,560

Here we go.

305

00:19:13,970 --> 00:19:14,870

Give him a little flips.

306

00:19:17,630 --> 00:19:19,460

Maybe his hands just rested on his knee.

307

00:19:26,025 --> 00:19:29,045

see, I should have put him in before

I put the highlights on the tree.

308

00:19:29,045 --> 00:19:31,355

I've messed my highlights

up, but that's easy.

309

00:19:31,385 --> 00:19:37,195

It would just go back and drop

her highlights right back in here.

310

00:19:38,555 --> 00:19:39,725

So the tree stands.

311

00:19:40,500 --> 00:19:41,940

Stands away from the guy a little bit.

312

00:19:42,960 --> 00:19:46,020

Hey, we can take a little bit of

the yellow ochre and think we're

313

00:19:46,020 --> 00:19:49,500

light would strike here maybe a

little bit on his hat right there.

314

00:19:49,860 --> 00:19:58,230

Like, so maybe a little coming around,

just a little right there, maybe a little

315

00:19:58,230 --> 00:19:59,790

bit across the top of the shoulder.

316

00:20:03,240 --> 00:20:05,129

No, I got, I gotta tell

a little story here.

317

00:20:05,700 --> 00:20:08,610

We have a lot of requests that

have came in wanting portraits.

318

00:20:09,524 --> 00:20:14,595

And years ago, I studied with a super,

super painter and steadied portraits for

319

00:20:14,745 --> 00:20:17,054

Oh, maybe a year and a half, two years.

320

00:20:17,475 --> 00:20:21,554

And he became a very dear friend and he

took me aside one night and he says, Bob,

321

00:20:22,304 --> 00:20:23,925

he says, I've got to tell you the truth.

322

00:20:24,975 --> 00:20:27,075

He said, I want you to go

and paint bushes and trees.

323

00:20:27,075 --> 00:20:29,504

Cause that's where your heart

is and, and give up portraits.

324

00:20:30,065 --> 00:20:31,235

So that's why I'm here.

325

00:20:33,605 --> 00:20:34,385

Here we go.

326

00:20:35,774 --> 00:20:38,135

Just maybe a little highlight

bouncing across there.

327

00:20:41,130 --> 00:20:42,150

A little bit on his knee.

328

00:20:46,070 --> 00:20:47,630

That really is a true story, too.

329

00:20:50,030 --> 00:20:56,090

You really did tell me, I should give

up portraits takes a special neck.

330

00:20:59,810 --> 00:21:00,200

Okay.

331

00:21:01,050 --> 00:21:01,230

No.

332

00:21:01,230 --> 00:21:03,840

We talk about that sometime about talent.

333

00:21:03,930 --> 00:21:04,830

What is talent?

334

00:21:05,850 --> 00:21:08,280

The talent is nothing more

than a pursued interest.

335

00:21:08,820 --> 00:21:11,490

In other words, things that you're

interested in, you'll spend a

336

00:21:11,490 --> 00:21:14,250

lot more time working at than

something you're not interested in.

337

00:21:15,300 --> 00:21:16,680

So that's all talent is it's.

338

00:21:17,370 --> 00:21:21,600

If you're willing to practice,

spend the time to perfect something.

339

00:21:23,399 --> 00:21:24,030

Okay.

340

00:21:25,785 --> 00:21:29,445

Now, let me clean up

the brush a little bit

341

00:21:33,585 --> 00:21:34,275

and

342

00:21:39,245 --> 00:21:39,755

there we go.

343

00:21:40,505 --> 00:21:43,205

We can just soften all

this just very gently,

344

00:21:46,295 --> 00:21:47,315

very, very gently.

345

00:21:55,340 --> 00:21:59,990

we can come down here just a little bit

of the dark color and put a little tiny

346

00:21:59,990 --> 00:22:01,970

bit of a water line indication in here.

347

00:22:03,560 --> 00:22:04,669

Just a small amount.

348

00:22:09,110 --> 00:22:10,909

This is really a fun, little painting.

349

00:22:10,909 --> 00:22:13,669

It should give you a lot of ideas for

a lot of crazy things that you can

350

00:22:13,669 --> 00:22:16,010

do, and they should make you happy.

351

00:22:16,470 --> 00:22:18,330

We really want painting to make you happy.

352

00:22:19,290 --> 00:22:20,310

That's what it's all about.

353

00:22:26,760 --> 00:22:27,240

Okay.

354

00:22:27,360 --> 00:22:31,620

I can just quiet this down a

little bit over in the corner.

355

00:22:33,960 --> 00:22:40,850

Like, so now if you wanted to create a

little more depth here, then you can add.

356

00:22:41,220 --> 00:22:44,460

Maybe, maybe there's another little

Bush here that comes in front of the

357

00:22:44,460 --> 00:22:50,220

tree, and this will produce every

plane that you add into the painting

358

00:22:50,220 --> 00:22:51,930

will produce a little bit more depth.

359

00:22:58,650 --> 00:23:02,760

Can you take a little bit of the

Indian, yellow, permanent red?

360

00:23:04,230 --> 00:23:06,300

And we can put some highlights

on this little Bush.

361

00:23:08,805 --> 00:23:10,485

Push everything back a little farther.

362

00:23:19,185 --> 00:23:19,905

Okay.

363

00:23:21,355 --> 00:23:24,075

I think we're about to

get this one fixed up.

364

00:23:24,105 --> 00:23:29,565

We might put a few little leaves

up here just to show that this

365

00:23:29,565 --> 00:23:31,695

one goes into a nice big tree.

366

00:23:36,360 --> 00:23:41,460

A little bit of the color and

then yellow, permanent red.

367

00:23:43,110 --> 00:23:44,040

Just drop it in.

368

00:23:48,660 --> 00:23:52,230

Now, if you really wanted to have some

fun, you could take the liner brush with

369

00:23:52,230 --> 00:23:57,570

a little bit of thin color on it and sorta

go over some of these little logs here and

370

00:23:57,570 --> 00:23:59,850

make them stand out just a little more.

371

00:23:59,880 --> 00:24:01,560

Cause there'll be a lot

of light hitting these.

372

00:24:05,945 --> 00:24:07,865

and we can fix him up a little.

373

00:24:11,035 --> 00:24:12,125

He wants an indication.

374

00:24:12,125 --> 00:24:14,435

It is an old fella sitting

out here, warm in his foot.

375

00:24:16,265 --> 00:24:16,895

There we go.

376

00:24:21,995 --> 00:24:22,535

All right.

377

00:24:23,165 --> 00:24:24,605

It looks like an old guy out here.

378

00:24:24,605 --> 00:24:27,185

Just silhouetted against the campfire.

379

00:24:29,075 --> 00:24:31,235

And I think this one's

about ready for a signature.

380

00:24:33,525 --> 00:24:38,175

So let's take, put a signature,

right, right about here.

381

00:24:40,545 --> 00:24:43,575

And there comes a time when you can just

absolutely pedal a painting to death.

382

00:24:48,525 --> 00:24:48,915

Okay.

383

00:24:48,945 --> 00:24:49,575

There we are.

384

00:24:51,350 --> 00:24:54,870

We have that one all

signed down next week.

385

00:24:55,440 --> 00:24:56,100

Next week.

386

00:24:57,020 --> 00:24:59,840

I want to show you a fantastic

little painting that I think

387

00:24:59,840 --> 00:25:00,950

would just tickle you to death.

388

00:25:01,400 --> 00:25:03,800

So heavy canvas set up, we'll

be doing a white canvas.

389

00:25:04,370 --> 00:25:05,960

I think that you'll really enjoy it.

390

00:25:06,680 --> 00:25:09,740

And, you know, talk for just a second.

391

00:25:10,220 --> 00:25:13,250

We would really like to hear from you

and know what the type of paintings that

392

00:25:13,250 --> 00:25:14,720

you would like to see in the future.

393

00:25:15,170 --> 00:25:18,320

So drop us a line and carry

WIPP, Muncie, Indiana.

394

00:25:18,750 --> 00:25:21,840

And we'll be glad to answer any

question and we'll try to put together

395

00:25:21,840 --> 00:25:25,560

shows that supply you with the type

paintings that you want to see.

396

00:25:26,310 --> 00:25:30,330

We also would like to someday put

together a show where we bring on guests,

397

00:25:30,330 --> 00:25:34,680

artists from all over the country and let

them show you a multitude of different

398

00:25:34,680 --> 00:25:39,360

effects that you can try, that you can

enjoy that do good things to your heart.

399

00:25:40,260 --> 00:25:40,560

So.

400

00:25:41,595 --> 00:25:43,365

We're looking forward

to doing this for you.

401

00:25:43,455 --> 00:25:46,935

Anything else that you would

like to see on behalf of all

402

00:25:46,935 --> 00:25:48,465

of us here at the station?

403

00:25:49,155 --> 00:25:52,725

We'd like to wish each and

every one of you happy painting.

404

00:25:52,785 --> 00:25:54,075

We hope you have a super day.

405

00:25:54,855 --> 00:25:55,515

God bless.

406

00:25:56,655 --> 00:25:57,165

Take care.

407

00:25:58,185 --> 00:25:58,545

Bye-bye.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 22, 2020

S03E10 - Campfire

Bob Ross's

The Joy of Painting

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