Bob Ross's

The Joy of Painting

S04E03 - Majestic Mountains

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Hi, welcome back.

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I'm glad you could join me today.

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Today.

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I thought we'd do a great

big almighty mountain.

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I think you really enjoy this one.

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So let's have them graphically run

all the colors across the screen that

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you'd need to do this project and

they'll come across the screen in the

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same order that I have on the pallet,

starting with a titanium white in

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working around while they're doing

that, let's go up to the canvas here.

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I've already covered the canvas with

a thin even coat of magic, white

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it's wet and slick and ready to go.

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So let's start out the day with

a two and a half inch brush, and

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we'll go right into a small amount

of fallow blue and Fado blue is a

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very, very bright, beautiful blue.

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And we're just going to beat that

paint right into the bristles here,

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just to get a nice even distribution

of color all the way through the

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bristles Canin scope to the canvas now.

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And let's just sort of play a

little color just here and there.

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Bounce it around.

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Let it happen.

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Let it play family go.

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We don't want to cover

the entire sky here.

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I just, just want to cover here and

there and leave little spots open there.

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Here we go.

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Using the big old brush it didn't take

me just a second to think of some color

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on the canvas and what we have left here.

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Let's just, we'll just put it down here.

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It's a good place to clean the brush.

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Here we are.

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Now without cleaning the brush,

I'm gonna go right into a very

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small amount of burn number.

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And once again, tap it into the

bristles in the same manner.

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Okay, let's go up here.

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And these light areas, I'm

going to drop a little bit of

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this burn number right in here.

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I want a gray this guy down in area, so

it's not just a, a real bright blue color.

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And this is just a very small

amount of, of burn number.

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Almost, almost looks like a

burnt Sienna color a little bit

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over in here and right in here.

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And then once again, we can just sort

of wipe the brush off and put a little

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bit of this color down on the bottom.

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Okay.

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Now I have several brushes going.

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So I don't have to wash them continually.

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We'll take a clean brush and I'm just

going to begin blending this guy,

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just making little, little crisscross,

strokes this back and forth with Alexis.

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And this color is continuing

mixing with a magic, white and

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allows beautiful things to happen.

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It blends automatically rather

than having to mix several colors.

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Let happened happen on the

canvas with the brush work.

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Let the canvas work.

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I'm Blasi.

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I'm always looking for

nice, easy way to do this.

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Then a few horizontal strokes.

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Take out all the brush marks and give you

a very effective little sky that easy.

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Okay.

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As I say today, we're going to do

a huge, huge, big, strong mountain.

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It has a lot of rocks in it.

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So let's mix up some black here

and I'm going to start with the

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yellow green, and you might as well.

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If you're painting along with me,

mix up quite a large pile of this.

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They look green and a lizard and

Crimson and about equal parts,

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maybe a tiny bit more Crimson green.

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Now, normally we just mix

our color till it's marbled,

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but today makes it very well.

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We want it to be very thoroughly mixed.

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So we have a nice even black color, lot

of paint, shed history daily, mix it up.

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And when you're mixing, pick this paint

up off the pallet and turn it over.

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Otherwise what's next to

the pallet never gets mixed.

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Okay.

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Now it's very hard to

tell exactly what we have.

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So let's take a little white, put

it right there and just check it.

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There we go.

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Makes a nice gray color and that's

exactly what we're looking for.

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Okay.

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Clean my knife.

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And let's take some of this nice

black color and let's build us

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an almighty mountain up here.

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Boy, we're going to all look at this.

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We'll put a huge mountain today and you're

really pushing this pain into the fabric.

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Go.

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And maybe it comes.

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Yep.

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There it is right out through there.

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Just let it bounce and play

wherever you want it to go.

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You know, what we're doing

here is it's just blocking it.

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And so we're really not too concerned

about not anything happening in here.

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The only thing we're concerned about

is this nice edge over the outside.

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The rest of it doesn't matter right now.

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It'll matter a little while.

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Putting that little bump right there.

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You're going to do.

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Mountains is fun to put little

bumps on up right in there.

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You can probably hear I'm really

scraping that canvas harder, pushing

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up paint right into the fabric.

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It's really not a great

deal of color on the canvas.

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Now then take one of these old

dirty brushes, and I'm going

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to grab this color and pull it.

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And as we've mentioned on previous

shows, when you're painting mountains,

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if you can see the entire mountain,

it's always more distinct at the top.

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Then it is at the bottom

as we have missed.

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And now we have wonderful pollution

and all these things break up and

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diffuse light because the bottom of the

mountain to look softer than the top.

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Okay.

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Now you're doing this using, using

brushstrokes is a super way to

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lay out your mountain watch here.

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Can you see that?

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But just by pulling the brush across

there, let's come out across, you

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can give yourself all kinds of

ideas of how you want to lay this

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mountain out and you're not committed.

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You can change this super suits a

little later, sort of cheat a little bit

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already.

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You can see the bottom of this mountain

is much lighter than the top, and

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that's exactly what we're looking for

and how we can start some highlights.

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And I'm going to take a little bit of

the same black color, some burn number.

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So the Vandyke Brown and some point

and just mix up several different

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colors right here together.

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So it's dark you're here and it gets

lighter, lighter, lighter, and that

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way you have several things happening.

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Okay.

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And we'll cut across it and

get a small roll of paint.

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That's right out here on the knife.

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Good.

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You can see that.

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That's what you work with a small role.

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Okay.

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Let's go up here.

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Yeah, no pressure.

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No pressure.

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All you're doing here is whisper light.

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Barely, barely touch the canvas.

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Barely touch the canvas.

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Just let it bounce along and play.

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Barely touch it.

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So you didn't over mix this color.

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And so all kinds of things are happening.

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If you overmix it and you just get one

dead color up here, we want, you want

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all these beautiful things to happen.

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No over here, this would be in the

shadow side where we're going to

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have our light coming from the right.

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So let's take some pressure and blue.

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Ooh, very strong color,

dark, strong color.

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And with that will make us a shadow color.

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We're using some Vandyke Brown pressure

and blue and a little bit of white.

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Yeah, same little roll of paint.

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Let's go up here and over on this side.

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She has to last time, these

little things to happen.

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You're still just barely,

barely touching the canvas.

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Whisper light, whisper light.

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Just let your hands float across there.

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And here and there, we can add a little

bit of a little bit more highlights.

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So it shows a little light

playing through there.

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And same thing over in this

side, a little bit lighter color,

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just in a couple of places.

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So it gives you the impression there's a

little light, just bouncing through there.

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Now, I've got a little dark on the knife

and we just work out here and there to

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make some, some strong shadows, deep

areas, just let it bounce around and play.

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Just to see there.

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And that easy gives you a nice

feeling of a big strong peak

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in the background back here.

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Can you maybe tell you what today?

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Let's have a nice glacier

appear in this mountain.

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We'll start out with some titanium

white and I'll put a little bit of

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that black color to just agree it down.

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So it's not pure white.

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Pull it out, very flat, cut across it.

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We get that little roll of paint

right on the edge of the knife again.

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Okay.

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Now then touch.

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No pressure.

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Let the paint break, just let

it cover right across here.

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Just let it go.

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No pressure.

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No pressure, let it happen.

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And just sorta in your mind, think

where you want this little glacier

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to go in, or the snow should lay.

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This is your mountain.

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So you make these decisions, create

your own world right here on the canvas

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bear, wake out very soft, very gentle.

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And that'll give us a basic idea

of where a glacier is going to be.

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Maybe, maybe tell maybe there's a little

bit of snow areas lays right in there.

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And maybe while we get this going,

maybe there's some more right there

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wherever you want it, wherever.

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And this is what makes.

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The style of painting so much fun.

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We use no patterns.

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We trace no pictures on the

canvas, no drawing shoot.

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I can draw a straight line, but

it's easy to paint much easier

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than trying to learn to draw.

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Now let's put some shadows in that snow.

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We'll take some white and a little

bit of thalo blue, little bit of

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a little blue, very strong, and

we'll just mix that together.

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Let me get that same

little roll of pain again.

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Okay.

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Go back up here.

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Let me think.

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Maybe there's some shadows right in

here and we just sort of lay a man.

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Okay.

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Oh, man, I don't wanna happen.

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It's so, and that'd be

some shadows right there.

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You right up in there.

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We don't want this one to be left out.

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We'll put a few shadows in right now.

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That's basically all we need and

we can start figuring out where we

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want to have peaks and valleys and

all these big, beautiful things.

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Maybe there's other.

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It is there.

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Put a great big peak right there.

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It comes right up through,

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and maybe there's a little snow right

in between there any where you want it.

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Do you just lay it in, maybe

these peaks, that air just sort

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of let them work right in there.

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And again, working out some basic shapes.

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And all we're doing now is just blocking

it in, just putting in dark color, made

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the dark in order for the light to show

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quite a bit of paint on the canvas here.

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And when this is dry it'll, it'll actually

feel like rocks it'll have texture to it.

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I like paintings that have.

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Both softness and texture.

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Maybe we just bring that right on

across and change it into several.

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There we go.

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Bring some of that right on down and allow

a little bit of that white to, to run

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right up the side of the mountain here.

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Yeah.

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Then I'll take some burn number

right into my highlight color.

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Just mix it, then leave

it marbled like this.

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Don't don't overmix it.

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Maybe there you can

see it a little better.

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Sorry, it looks marbly.

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Okay, let's go up here and here

we just bad already touching at

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all these little things happen.

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Don't overwork it.

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You can keep pushing real hard

on this till it all just sort of

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blends together and we want it.

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We want to have all these different

areas happening, some dark

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sunlight stones and rocks and all

kinds of beautiful little things.

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I had them go.

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Okay.

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Maybe there's a little

touch right in there.

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I had a little more umber.

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Okay.

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No, the old knife now very gently,

barely, barely caressing the canvas

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and you hold your hand very flat here.

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Very flat.

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Uh, if you notice sometimes it's so

flat, my fingers touch the canvas.

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Don't worry about it.

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That means you're just right.

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Just right.

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Okay.

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Now we can sort of bring this together

a little bit, pull a little bit of

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that dark color right out into it.

252

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Just bring it all together.

253

00:13:02,315 --> 00:13:03,095

There we go.

254

00:13:06,720 --> 00:13:10,710

Nah, I had start over here.

255

00:13:10,740 --> 00:13:17,400

We went through a little bit of dark

in here, wherever, and if we can start

256

00:13:17,400 --> 00:13:24,770

with some shadows and highlights, let's

let it play right down through know,

257

00:13:24,780 --> 00:13:26,160

you just saw me get paint on my hands.

258

00:13:26,550 --> 00:13:28,290

Probably that's one of the biggest.

259

00:13:28,980 --> 00:13:32,880

Questions we get and letters and we get

hundreds and hundreds of letters from

260

00:13:32,880 --> 00:13:37,500

fantastic people and they want to know

how do you get this paint off your hands?

261

00:13:37,500 --> 00:13:39,240

It's very difficult.

262

00:13:39,240 --> 00:13:42,300

Sometimes to get it off, there is a

product on the market, several of them

263

00:13:43,830 --> 00:13:47,880

that you can put on your hand before you

start painting and paint will stick to it.

264

00:13:47,880 --> 00:13:50,010

All you have to do is

just wash your hand with.

265

00:13:51,180 --> 00:13:55,050

Warm soapy water, or just hold it out

of the water paint come right off.

266

00:13:55,800 --> 00:13:57,689

And you might check with

your local art store.

267

00:13:58,170 --> 00:13:59,459

See about picking some of that up.

268

00:14:00,840 --> 00:14:01,590

It comes in handy.

269

00:14:01,590 --> 00:14:06,380

If you're messy, as I can tell,

maybe there's a big Ridge right here.

270

00:14:06,530 --> 00:14:06,949

Shoot.

271

00:14:07,910 --> 00:14:08,000

Okay.

272

00:14:08,030 --> 00:14:10,610

It's our mountain so we can do

anything with it that we want to.

273

00:14:12,295 --> 00:14:14,785

Big Ridge post

274

00:14:18,564 --> 00:14:21,685

and all we're doing once again,

it's just blocking all this and a

275

00:14:21,685 --> 00:14:26,574

dark color and maybe there it is.

276

00:14:26,814 --> 00:14:28,375

And little bump it lives there.

277

00:14:29,655 --> 00:14:32,785

You see how you can just keep building on

this mountain and building and building.

278

00:14:33,564 --> 00:14:34,615

There's just no end to it.

279

00:14:35,780 --> 00:14:39,080

You can take and cover the entire

canvas with nothing but mountains.

280

00:14:39,680 --> 00:14:43,830

And that's a super, super way to

practice, which is clothes at the end.

281

00:14:43,830 --> 00:14:45,710

And that'll sort of hold that

glacier right up in there.

282

00:14:47,120 --> 00:14:50,500

And a lot of times glacier ice is

cause it has very little oxygen.

283

00:14:50,590 --> 00:14:53,505

It like be even, uh,

A greenish blue color,

284

00:14:57,365 --> 00:14:59,255

hang a little more of the umber.

285

00:14:59,255 --> 00:15:01,295

And some of the other colors,

we just mix them here.

286

00:15:02,225 --> 00:15:04,775

I've got to the point where I'm not

sure exactly what color we're using.

287

00:15:04,775 --> 00:15:06,485

It's just whatever happens

to be laying around.

288

00:15:07,385 --> 00:15:12,755

Okay, let's go up here and we just dropped

some of this sand here and there and

289

00:15:12,755 --> 00:15:14,405

just sort of look at it and evaluate it.

290

00:15:14,435 --> 00:15:15,515

See if it's what you want.

291

00:15:17,015 --> 00:15:20,345

If it's not change it, change it.

292

00:15:21,089 --> 00:15:22,260

A little bit right in there.

293

00:15:23,189 --> 00:15:25,859

See wiggles at knife and let

all these little things happen.

294

00:15:27,540 --> 00:15:28,439

It's unreal.

295

00:15:28,469 --> 00:15:30,270

What you can do with all mighty knife.

296

00:15:30,750 --> 00:15:35,939

A little bit of practice, just a few

little indications here and there.

297

00:15:35,939 --> 00:15:36,540

Not too much.

298

00:15:36,569 --> 00:15:41,699

Don't want to lose this nice darkness,

little things here and there.

299

00:15:42,750 --> 00:15:44,339

I don't want to lose all that darkness.

300

00:15:46,545 --> 00:15:48,074

Just sort of bring all that together.

301

00:15:49,875 --> 00:15:54,074

Maybe it's a little flat area right

in here and just lay in on with color.

302

00:15:57,285 --> 00:16:00,255

So wherever, wherever.

303

00:16:01,860 --> 00:16:04,080

In your world, you can do

anything that you want to do

304

00:16:05,790 --> 00:16:07,170

in painting offers you freedom.

305

00:16:08,160 --> 00:16:09,210

It offers you a world.

306

00:16:09,689 --> 00:16:11,000

You can make any way you want.

307

00:16:11,010 --> 00:16:16,430

It can be clean and crisp

sparkle, or you can.

308

00:16:16,705 --> 00:16:24,025

You can create moods, storms

and all mighty rivers painting,

309

00:16:24,465 --> 00:16:25,635

being offers, freedoms.

310

00:16:26,685 --> 00:16:28,485

Get you away from the everyday problems.

311

00:16:29,715 --> 00:16:30,885

Turns you loose on the world.

312

00:16:32,775 --> 00:16:35,625

That may be what attracted

me to painting initially.

313

00:16:37,680 --> 00:16:39,180

It's the only place I had any power.

314

00:16:41,820 --> 00:16:42,090

Okay.

315

00:16:42,210 --> 00:16:44,040

A few little rocks and stones.

316

00:16:46,140 --> 00:16:46,470

Okay.

317

00:16:46,470 --> 00:16:49,440

I think I should give you a pretty

basic idea of how you can do

318

00:16:49,980 --> 00:16:51,450

beautiful, beautiful mountain.

319

00:16:53,295 --> 00:16:55,334

In a very short period of time.

320

00:16:59,175 --> 00:17:02,715

Can we let's let's make some decisions

and decide what else is in this thing?

321

00:17:04,185 --> 00:17:07,815

Maybe there's some, maybe there's some

little evergreens back here that sort

322

00:17:07,815 --> 00:17:09,105

of move up the side of the mountain.

323

00:17:09,734 --> 00:17:11,444

So let's start with a fan brush.

324

00:17:11,474 --> 00:17:13,785

We use a fan brush and I'm

using that same, same old

325

00:17:13,905 --> 00:17:16,484

dark color, same dark color.

326

00:17:17,105 --> 00:17:19,805

Maybe I'll add a little bit of

a halo blue to it right there.

327

00:17:20,975 --> 00:17:21,335

Okay.

328

00:17:21,725 --> 00:17:25,175

So you have full that fan brush

as though a lot of pain in it.

329

00:17:25,505 --> 00:17:25,715

Okay.

330

00:17:25,745 --> 00:17:26,825

Let's go up to the cabinets here.

331

00:17:27,815 --> 00:17:30,095

Maybe there's a happy little

tree that lives right here.

332

00:17:30,125 --> 00:17:31,115

And he's far away.

333

00:17:32,105 --> 00:17:33,935

This whole group of trees is far away.

334

00:17:33,935 --> 00:17:36,695

All we want here is just some indications.

335

00:17:37,265 --> 00:17:38,525

We don't want a lot of detail.

336

00:17:40,505 --> 00:17:41,735

You asked the indications.

337

00:17:45,690 --> 00:17:47,879

Just her, let him work his

way up the mountain here.

338

00:17:51,780 --> 00:17:52,410

There we go.

339

00:17:53,430 --> 00:17:58,230

Now then we'll take a small

amount of blue on the brush and

340

00:17:58,230 --> 00:17:59,580

just begin tapping right here.

341

00:18:01,620 --> 00:18:04,410

Nice and dark color right

underneath these trees.

342

00:18:05,820 --> 00:18:07,740

And I turn this a little bit of white.

343

00:18:07,800 --> 00:18:08,460

Oh, look at there.

344

00:18:09,195 --> 00:18:12,585

Well, that's pretty good.

345

00:18:12,585 --> 00:18:15,794

Maybe, maybe we'll have a nice

Valley under this mountain.

346

00:18:16,754 --> 00:18:17,534

It's such a big, beautiful.

347

00:18:17,895 --> 00:18:19,625

I don't want to put too

much in here in distract.

348

00:18:20,375 --> 00:18:22,534

So we'll take a little

bit of this black color.

349

00:18:22,534 --> 00:18:23,735

I'm going to add to it.

350

00:18:23,825 --> 00:18:24,635

SAP green.

351

00:18:24,905 --> 00:18:27,905

So I have black with SAP

green and I'm just loading the

352

00:18:27,905 --> 00:18:29,315

brush brush full of pain here.

353

00:18:30,129 --> 00:18:34,270

Thanks go up here and then

just begin tapping it in.

354

00:18:34,780 --> 00:18:36,760

Now, the big thing we're

looking for here is angles.

355

00:18:36,850 --> 00:18:39,940

We have to make a decision about the

lay of the land and where it goes.

356

00:18:41,770 --> 00:18:45,460

So we're looking for angles again,

again, creating the lay of the land.

357

00:18:47,340 --> 00:18:48,030

There we go,

358

00:18:51,570 --> 00:18:54,510

you know, in the first show that

we had in this series, I mentioned

359

00:18:54,510 --> 00:18:58,590

to you that in this series, I was

going to bring a few friends on and

360

00:18:58,590 --> 00:19:00,810

show you some fantastic painters.

361

00:19:02,040 --> 00:19:06,240

And next week I hope you join us

because I'm going to bring you

362

00:19:06,240 --> 00:19:09,540

a super lady named Dorothy, that

she comes to us out of Missouri.

363

00:19:10,560 --> 00:19:13,535

If you haven't heard of Dorothy,

By the time the show is over.

364

00:19:13,595 --> 00:19:17,495

You'll understand why I'm so crazy

about Dorothy and the way she paints.

365

00:19:18,605 --> 00:19:20,135

She is unbelievable.

366

00:19:20,615 --> 00:19:23,285

So I hope you wear this next

week and hope you enjoyed.

367

00:19:24,065 --> 00:19:28,715

We're probably going to be doing a whole

series of a Dorothy in the near future.

368

00:19:28,715 --> 00:19:33,145

So stop by and see us next

week and see what you think.

369

00:19:35,185 --> 00:19:35,635

There we go.

370

00:19:36,115 --> 00:19:37,065

Just drop that, right.

371

00:19:37,125 --> 00:19:37,285

You.

372

00:19:39,064 --> 00:19:41,314

So we want it to blend evenly here.

373

00:19:41,345 --> 00:19:42,814

So here, I'm just taking that out.

374

00:19:43,985 --> 00:19:44,405

All right.

375

00:19:45,784 --> 00:19:48,425

Now, with the same old, dirty

brush, I'm going to add a little

376

00:19:48,425 --> 00:19:52,355

tiny, tiny bit of paint dinner

and go right into some CAD yellow.

377

00:19:53,525 --> 00:19:57,035

Now since I have green already on the

brush, when I hit this yellow, I'm going

378

00:19:57,035 --> 00:19:59,015

to get some beautiful, beautiful greens.

379

00:19:59,315 --> 00:20:01,025

And all I'm doing here is just tapping.

380

00:20:01,955 --> 00:20:05,945

Just tap, tap, tap, tap, maybe

a little yellow ochre and sorta

381

00:20:05,945 --> 00:20:07,235

work the color back and forth.

382

00:20:07,265 --> 00:20:08,405

Mix the color on the brush.

383

00:20:08,555 --> 00:20:10,255

Okay, let's go up here now.

384

00:20:10,255 --> 00:20:12,895

Maybe there's some beautiful

little Hills once again, pay

385

00:20:12,895 --> 00:20:14,095

attention to the lay of the land.

386

00:20:14,795 --> 00:20:19,055

And begin highlighting some of these

fairly touching, just gently tapping down.

387

00:20:20,825 --> 00:20:23,825

If there's a little Hill here, you want

to talk to the Hill to be the brightest.

388

00:20:23,855 --> 00:20:25,504

Cause that's where the

most light would strike.

389

00:20:26,345 --> 00:20:28,774

And that had to get darker,

darker, darker, darker, darker.

390

00:20:30,305 --> 00:20:33,425

Maybe, maybe I see

another one right there.

391

00:20:34,475 --> 00:20:37,524

Just visualize these, visualize

things in your mind and drop

392

00:20:37,524 --> 00:20:39,925

them in little Indian, yellow.

393

00:20:43,010 --> 00:20:45,650

Let him go, maybe right here.

394

00:20:45,890 --> 00:20:47,000

There's one back in the distance.

395

00:20:47,000 --> 00:20:48,590

I don't want as much color back in here.

396

00:20:50,420 --> 00:20:52,430

They're very soft, very quiet.

397

00:20:53,600 --> 00:20:57,260

I like this kind of painting because it

has both harshness in the mountains and.

398

00:20:57,820 --> 00:20:59,650

And then it's very, very soft down here.

399

00:21:01,090 --> 00:21:03,100

It brings so many

different things together.

400

00:21:04,660 --> 00:21:09,040

Just the way nature does and study nature.

401

00:21:09,160 --> 00:21:11,140

Nature is the best teacher.

402

00:21:11,380 --> 00:21:14,500

Each nature will teach

a color composition.

403

00:21:16,690 --> 00:21:17,350

Just study it.

404

00:21:17,770 --> 00:21:18,820

Look at what's around you.

405

00:21:18,940 --> 00:21:19,930

No matter where you live.

406

00:21:20,450 --> 00:21:26,380

Even if you live in the city nature,

still there, beautiful things everywhere.

407

00:21:27,040 --> 00:21:30,880

But sometimes, sometimes we

look at them every day and we

408

00:21:30,880 --> 00:21:31,930

get to where we don't see them.

409

00:21:34,930 --> 00:21:35,530

There we go.

410

00:21:38,920 --> 00:21:40,510

Well, I have this big

old brush going here.

411

00:21:41,260 --> 00:21:44,260

Tell your friend, maybe.

412

00:21:44,495 --> 00:21:45,935

Maybe this a big tree lives right here.

413

00:21:46,175 --> 00:21:47,885

So I'm gonna go right

back into this dark color.

414

00:21:47,915 --> 00:21:50,285

This is black, right into some SAP green.

415

00:21:50,675 --> 00:21:52,535

I'm going to pull this

brush in one direction.

416

00:21:52,535 --> 00:21:52,925

Look it there.

417

00:21:53,225 --> 00:21:55,805

Really pull it through the

paint and turn it around here

418

00:21:55,805 --> 00:21:57,035

so you can see the end of it.

419

00:21:57,155 --> 00:21:59,165

Look at all the paint

is in that son of a gun.

420

00:21:59,995 --> 00:22:01,165

It is really full of them.

421

00:22:01,185 --> 00:22:01,375

Okay.

422

00:22:01,375 --> 00:22:03,265

Let's go to the canvas now.

423

00:22:03,325 --> 00:22:07,105

Decide where you want to have a tree

and maybe a tree lives right there.

424

00:22:07,555 --> 00:22:14,755

Touch, push the band, just touch

it, bend it, touch it and bend it.

425

00:22:17,909 --> 00:22:20,010

Let me make that brush

work, make the paint work.

426

00:22:21,000 --> 00:22:23,010

Maybe it comes right on down the Hill.

427

00:22:23,010 --> 00:22:27,090

Here is it just black SAP green?

428

00:22:27,090 --> 00:22:33,330

And we just fill all this indication.

429

00:22:33,330 --> 00:22:33,959

Join us late.

430

00:22:33,959 --> 00:22:35,729

The blackness made from

the lizard and Crimson.

431

00:22:36,209 --> 00:22:39,389

If they low green makes a

beautiful, beautiful, true black.

432

00:22:39,935 --> 00:22:41,284

And it's very transparent.

433

00:22:42,635 --> 00:22:45,725

A lot of the shows we do the

black canvases and we're always

434

00:22:45,725 --> 00:22:47,284

looking for transparent color.

435

00:22:48,665 --> 00:22:52,115

Can we be going down this Hill

here till you want to use this same

436

00:22:52,115 --> 00:22:56,195

old, black and green color, throw

a little pressure and blue in it.

437

00:22:56,195 --> 00:22:57,095

That's nice and strong.

438

00:22:58,330 --> 00:23:01,360

Maybe there's some little

evergreens that live right there.

439

00:23:03,010 --> 00:23:05,100

And same as we did in the backpack here.

440

00:23:05,130 --> 00:23:07,380

We're just making indications

as these little evergreens.

441

00:23:07,380 --> 00:23:09,000

We don't want them to

get them to distinct.

442

00:23:09,000 --> 00:23:11,760

We want him to run right

over the edge of the Hill.

443

00:23:12,150 --> 00:23:12,420

Right.

444

00:23:12,420 --> 00:23:14,340

I don't know, off into the

distance they had to go.

445

00:23:15,330 --> 00:23:15,420

Okay.

446

00:23:15,610 --> 00:23:19,330

Now maybe take away.

447

00:23:19,900 --> 00:23:21,640

Maybe there's one that is right there.

448

00:23:22,810 --> 00:23:25,420

Maybe it rained a little more

on him and he got strong or

449

00:23:26,110 --> 00:23:27,040

maybe he's a little older.

450

00:23:27,190 --> 00:23:28,420

We'll make a little more detail.

451

00:23:30,070 --> 00:23:30,850

Tough old tree.

452

00:23:31,755 --> 00:23:33,585

But even tough old trees need friends.

453

00:23:33,585 --> 00:23:37,265

So we'll give him a little

bit right there, right there.

454

00:23:38,765 --> 00:23:42,425

Now, then she was one inch brush and

I put a little paint thinner on it.

455

00:23:44,135 --> 00:23:46,775

Or you could use a little magic

white I'm using paint thinner today.

456

00:23:46,835 --> 00:23:48,995

Just something to thin the

paint, our golden rule.

457

00:23:48,995 --> 00:23:49,565

If you remember.

458

00:23:50,255 --> 00:23:52,895

Then paint will stick to a thick

paint pool at bursts through

459

00:23:52,895 --> 00:23:57,805

there a lot of color on a canvas

here now, then touch push.

460

00:23:58,465 --> 00:24:00,775

And this is where we make

all the beautiful highlights.

461

00:24:01,705 --> 00:24:04,375

Now, when you're doing this at home,

if your paint doesn't want to stick

462

00:24:04,375 --> 00:24:08,245

on here, which is one of the major

problems, then your paint's too thick.

463

00:24:08,305 --> 00:24:11,065

Add a little bit of paint thinner

or a little magic white to

464

00:24:11,065 --> 00:24:13,105

it, and you'll find it sticks.

465

00:24:13,825 --> 00:24:15,085

You have to start with a paint.

466

00:24:15,085 --> 00:24:15,955

It's very thick.

467

00:24:16,430 --> 00:24:22,340

Mining little yellow ochre to my color and

we'll go right here and we'll make another

468

00:24:22,340 --> 00:24:26,960

happy little Bush, just like so, and.

469

00:24:29,010 --> 00:24:29,640

Right there.

470

00:24:29,700 --> 00:24:30,390

There's another one.

471

00:24:31,140 --> 00:24:31,890

Just drop him in.

472

00:24:33,600 --> 00:24:34,020

Okay.

473

00:24:34,530 --> 00:24:39,690

Maybe there's one right there,

wherever, wherever this is your world.

474

00:24:39,690 --> 00:24:40,950

So you drop them in where you want them.

475

00:24:43,560 --> 00:24:43,950

Thank you.

476

00:24:43,950 --> 00:24:44,270

I don't know.

477

00:24:44,280 --> 00:24:47,280

Just wipe off his fan brush a

little bit, and I'm going to go

478

00:24:47,460 --> 00:24:48,840

right into some Vandyke Brown.

479

00:24:51,560 --> 00:24:56,690

And maybe there's a, there's a big,

beautiful pine tree that lives right here.

480

00:24:56,720 --> 00:25:02,120

I like to do big trees and I'm just using

this Vandyke Brown and tap, just tap it

481

00:25:02,120 --> 00:25:04,310

right into the right into the canvas.

482

00:25:09,050 --> 00:25:11,600

There's a big old tree,

Kevin right along there.

483

00:25:12,080 --> 00:25:13,610

Now we need some highlight on this tree.

484

00:25:13,640 --> 00:25:16,940

So without cleaning the brush, I'm

going right into some burn number.

485

00:25:17,790 --> 00:25:22,260

And a little bit of white and I'm

going to come right down the side

486

00:25:22,260 --> 00:25:26,400

here and just put a little bit of, a

little bit of highlight right along

487

00:25:26,400 --> 00:25:31,530

here, just like, so there we go.

488

00:25:32,520 --> 00:25:36,360

And just work it in now, then.

489

00:25:38,024 --> 00:25:40,034

With a little bit of paint

thinner on the liner brush.

490

00:25:40,034 --> 00:25:44,834

I'm going into some Brown, let's put

a happy little Elmer too, out here on

491

00:25:44,834 --> 00:25:46,514

this tree and I'm turning the brush.

492

00:25:47,294 --> 00:25:49,334

So it makes all kinds

of little things happen.

493

00:25:50,895 --> 00:25:54,645

Just like, so, and

we're using a pain here.

494

00:25:54,645 --> 00:25:57,675

That's a very, very thin and it's flows.

495

00:25:58,875 --> 00:26:01,245

So wherever you want, these

limbs just drop them in.

496

00:26:01,935 --> 00:26:05,715

Maybe if they come ride on

around wherever they don't all

497

00:26:05,715 --> 00:26:07,125

just hang right off the sides.

498

00:26:08,245 --> 00:26:11,955

We can put some little

arms out here like that.

499

00:26:12,435 --> 00:26:12,735

Okay.

500

00:26:14,205 --> 00:26:18,195

Now then I'm going to use a

little yellow, little SAP green.

501

00:26:19,125 --> 00:26:19,215

Okay.

502

00:26:19,745 --> 00:26:22,675

I think we've put a little tiny

bit of highlight on these 11

503

00:26:22,675 --> 00:26:23,555

greens here don't want much.

504

00:26:23,555 --> 00:26:28,505

You want to keep them dark and

back to my other fan brush with

505

00:26:28,505 --> 00:26:32,405

the white on it, and maybe tell you

why there's a little bitty path.

506

00:26:32,435 --> 00:26:34,325

There it is right there.

507

00:26:35,405 --> 00:26:39,665

Give us the indication of a little

path then with the fan brush.

508

00:26:40,485 --> 00:26:45,584

Can you just very gently pop in

some of the grassy areas, pushing

509

00:26:45,584 --> 00:26:46,995

upward with a brush, let them go.

510

00:26:48,405 --> 00:26:48,645

Yes.

511

00:26:48,645 --> 00:26:51,135

Some right there coming right on a wall

512

00:26:54,195 --> 00:26:54,885

and that easy.

513

00:26:55,514 --> 00:26:55,935

That'd be easy.

514

00:26:55,935 --> 00:27:03,094

You can build a beautiful mountain

almighty tree leave right up here.

515

00:27:04,104 --> 00:27:06,935

I'm gonna think with that, the old clock

on the wall tells us it's time to go.

516

00:27:07,745 --> 00:27:10,205

So from all of us here, I'd

like to wish you happy painting.

517

00:27:10,565 --> 00:27:11,195

God bless.

518

00:27:11,495 --> 00:27:12,455

I'll see you next week.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 23, 2020

S04E03 - Majestic Mountains

Bob Ross's

The Joy of Painting

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