Bob Ross's

The Joy of Painting

S03E03 - Bubbling Stream

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Well, here we are ready to go again.

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You have your brush set up

and the almighty easel ready?

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Let's do it.

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I've already covered the canvas with

a thin even coat of magic white.

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So it's wet and ready to go.

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So let's start out today with

a little bit of they load blue.

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Just take a little bit on your

brush and beat it into the bristles.

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So you get a nice even

distribution of color.

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We'll start right up here at the top.

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Just making her little crisscross

strokes, little Xs there we are.

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Let it blend downward.

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Just do it in layers, working

downward automatically.

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Your brush is picking up the magic

white and he gets lighter in value

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as it goes down toward the horizon.

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Most of this guy's going to disappear.

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I think we'll do up above

the little stream today.

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A lot of little trees in the background.

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Just see what happens.

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Okay.

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Now we can gently blend that out.

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We're ready to go.

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So let's just take the big brush

and we'll go right into some Vandyke

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Brown, a little bit of SAP green.

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Just use a big brush.

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Don't be afraid of it because it's big.

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So Brown and SAP green,

maybe a little Crimson.

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We'll throw a little lizard

and Crimson in there too.

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Now let's go right up here to the canvas

and figure out where we're going to

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have some almighty trees and stuff.

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All we do is touch, bend the bristles

in the bristles, turn the brush in

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the direction you want the leaves

to go in the limbs to lay there.

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And all we're looking for now is

just some basic background shapes.

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Okay.

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We'll put a little more

color in the brush here.

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Just drop these in all you're looking

for basically as a mass dark color.

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So our light color will

stand out on top of it.

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Okay.

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Maybe, maybe there's one

that lives right here.

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Just sort of let your

imagination take you.

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From one place to another.

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Don't worry about it.

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These are just background trees.

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All we have the brush dirty.

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We can just go right in here

and fill in some of this area.

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This is mostly Vandyke Brown, just

using the same old, dirty brush,

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little green, a lot of Brown.

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And we're going to have a little

stream coming through here.

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Begin parking.

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On the lay of the land, let these

come down and angles like, so,

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so it creates a depression here.

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So the water will set in it.

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You've got this painting

half done already.

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Okay, get a little bit

more right over here.

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Once we get all we're doing is

laying in some nice base color,

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not worried about detail yet.

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Okay.

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Now let's take the fan brush

and this loaded full of Vandyke

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Brown, a little bit of umber.

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This is burn.

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Number little bird number Vandyke Brown.

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On both sides of the brush and I'm

going to take it and just pull one

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side of the brush through white.

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So we have Brown on one side, white

on the other, and we'll go up here

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and we'll touch the canvas and

just pull straight down and make

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us some indications of tree trunks.

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And by double loading the brush,

we have the highlight in the

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shadow in one stroke, Brown, little

white, and these are your trees.

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So you can decide how

many trunks are in here.

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Whatever makes you happy.

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Can you let's go.

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Maybe there's a little

trunk right in here.

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Has another little show

through there's one.

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Okay.

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Maybe, maybe there's one over here.

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I think he's got sort of a

crooked him, all tree trunks.

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Aren't straight.

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So sometime make some of

them with little crooks.

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I don't.

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There we go.

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Now we can start putting some highlights

on these trees and we'll use the one

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inch brush, a little bit of magic quite

to thin the paint used some CAD yellow

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and SAP, green, CAD yellow and SAP

green, and just mix color on your brush.

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That way you have a multitude

of colors on your brush rather

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than just one flat dead color.

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There we go.

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Now let's just go right up in

here and begin applying some

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highlights, go slightly above the

dark and just bend the bristles.

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Put some leaves on some

of these trees back here.

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Just let them fall right off your brush

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and would take a little bit

of the yellow ochre down.

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Let's start putting some

bright little colors in here.

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Maybe this one right here.

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There we go.

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There Janice met.

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Those leaves just fall right on the tree.

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I've added a small, small

amount of permanent red.

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Maybe we'll get something in here.

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That's a little bit brighter

in the orange colors.

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Okay.

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Yellow.

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Added right to that.

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We can come right back up here

and do this nice little tree.

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This little tree really is pretty,

has a very nice little shape to it.

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Little bit over here.

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There we go.

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I think that gives us some

nice background trees.

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We'll take a little more of the SAP green.

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And use the brush sideways touch, push

bend upward, just make it bend upward.

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We'll put some of the bushes and stuff.

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We eat back in the background, not

looking for a great deal of detail

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yet, as we come forward, then

we'll worry about detail right now.

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We just want to fill up some of

this area with a little color

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there.

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And when you start these

paintings, all you need to have

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in your mind is the time of year.

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And the time of day and

just let them happen.

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That I'm going to happen.

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Don't spend a lot of time worrying

about what you're going to paint.

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Just start painting.

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It'll it'll happen and you

can see it on the canvas.

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Okay.

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Okay.

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We'll put some highlights

on a big tree here.

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We'll just use some green.

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There we go.

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Little SAP green.

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Okay.

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Make it a little bit darker.

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I had a little bit more ingredient to it.

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There we go.

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That's what we're looking for.

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Some indications back here.

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We're not worried about

a great deal of detail.

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Okay.

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That gives us something

to work with back there.

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And maybe if we're going to have a little

stream, it's flowing down through here,

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maybe we need to start putting some rocks

and stuff, sort of contain the stream

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and keep it inside of its boundaries.

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So we'll just use some Vandyke Brown,

a little bit of umber in it and take

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Brown of touch of burn number and just

sort of touch the canvas and let the

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paint just glide right off the knife.

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You just barely touch it.

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You want the paint to break like this?

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Hopefully by the time we're finished

here, this will look like little

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rocks she has to touch and just

sort of follow the lay of the land.

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Once again, we want to keep the

water down in a recessed area.

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and we're not too worried

about shapes and stuff.

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Right now.

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I handle a little bit right

over in here right now.

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We're just worried about

putting the undercover in.

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And we'll come back

and begin highlighting.

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There we go.

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We need the dark in order to show light.

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Okay.

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Now we'll make a little highlight

on these little strokes that

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are going to end up being rocks.

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So we'll take some Vandyke Brown.

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White and a touch of Prussian blue,

just a touch blue is so strong and

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sort of make a little grayish color

there and leave your paint marbled.

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Don't overwork it, leave it, leave it

so you can see color swirling in it.

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Now very gently, just

barely touch the canvas.

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Just so it grabs the high points,

just barely, barely touching.

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Don't want to overdue.

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You could very easily kill all

your dark color that you've

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worked so hard to put in there.

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You don't want to hurt

them, need the dark.

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We're just making the

bottom of the stream bed,

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following the lay of the land.

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So, so important.

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Okay.

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Now we can take the fan brush a little

bit of yellow SAP green, and we can get

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over here in the ochre a little bit to

just mix all these colors on your brush.

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Just let them just let

them mix on the brush.

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Now let's go.

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We back into the background back here and

begin putting some little grassy areas.

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Maybe there's a little metal back here.

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Quiet.

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Beautiful little place that you'd like to

go sit and listen to the stream bubble.

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I think streams makes

such beautiful sounds.

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There we go.

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Now I'm going to take a little magic

white and mix it with a titanium white.

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I just want to thin this

pink down a little bit.

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Once again, our golden rule at then

paint will stick to a thick paint.

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So I'm thinning it just

a tiny, tiny bit here.

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And we'll begin putting in some water for

our little stream and maybe the little

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stream comes from right there and it

just sort of comes right over, like, so

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right in here, maybe there's a little,

Oh, there, it went just fell right over.

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Just let it drop out slowly, drop off.

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See how easy that is.

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Then it hits down here and you'll

be a little splashed down in here.

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And when you're doing this at home

traffic, both sides of your fan brush,

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you will find that one side of the fan

brush Ben's better than the other side.

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Okay.

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A little more of the magic

light to keep the paint.

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Good and thin.

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Just barely touching here.

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They're barely touching.

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Maybe it falls again right there.

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Your stream.

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You can go anywhere.

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You want it to go.

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Maybe it goes both ways.

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Touch.

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The little splash when it hits,

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maybe look at there.

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There's another one.

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There's another one.

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It's just going over.

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Which way?

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Then little more the magic white.

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Okay.

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Now, even though this.

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Is going to be covered up

with little foamy things.

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There's still a reflection in the

water, even if you can't see it, it

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still picks up the color from a pier.

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So I'm going to take a little

bit of depression, blue, little

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Vandyke Brown, just a little blue.

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The blue is so, so strong and

right in here, let's drop in some

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little reflections, just like, so

just touch, pull straight down.

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It's most important that you pull

straight down you, once you reflections,

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even if they're under the water here.

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To look natural.

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So pull them straight down.

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gently, just like we

were making Stillwater.

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We need that dark color

underneath our water shows up.

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Now we can go back to the titanium

white at the end with a little

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magic coin and maybe right there.

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There's another little drop-off.

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Maybe these just sort of come around,

just let your imagination go crazy.

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Okay.

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Don't worry about it.

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We don't make mistakes.

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We have happy accidents.

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You learn to work with anything.

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It happens very, very rapidly.

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That's what's so fantastic

about this technique.

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You don't have to worry

about mistakes or accidents.

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We don't have them.

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It's very easy to, to repair anything.

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It happens to fix it, to change it.

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You can change your

mind right in the midst.

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There we go.

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Just some little actions

out here on the water.

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Yeah.

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Let's go back to our brush

that has the green on it.

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And the yellow little yellow ochre.

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Once again, just use your

brush to mix these colors.

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So you have a multitude of

color happening on the brush.

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And we can begin working with our

little grassy areas some more.

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And that's why you didn't have to worry

in here when you were putting in all

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the rucks, anything you don't want.

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You just covered up with a little

bit of grassy area, very soft, quiet,

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little grassy places as place to go.

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Lay him, read a book or something.

255

00:14:17,910 --> 00:14:18,720

Look at the birds.

256

00:14:19,440 --> 00:14:20,760

Talk to the little bunny rabbits

257

00:14:24,390 --> 00:14:24,630

now.

258

00:14:24,944 --> 00:14:27,675

We need to close up this

side, so it it's contained.

259

00:14:27,675 --> 00:14:28,995

So we'll just start right up here.

260

00:14:29,604 --> 00:14:32,175

Just push that right up

over the water there.

261

00:14:33,314 --> 00:14:37,275

And now it's contained, you don't

know where it's coming from, but you

262

00:14:37,275 --> 00:14:38,594

don't have to worry about it anymore.

263

00:14:43,834 --> 00:14:46,064

We can drop some more little

things right in there.

264

00:14:47,714 --> 00:14:49,035

Just sort of close all this in.

265

00:14:52,969 --> 00:14:55,579

yeah, by loading the

brush with several colors.

266

00:14:55,969 --> 00:14:59,869

If you load the light color first to go

into the yellow first and load it very

267

00:14:59,869 --> 00:15:04,099

deep, and then your other colors, try

to keep them on the tip of the brush.

268

00:15:04,699 --> 00:15:07,790

Then when you're painting along

and you want, if you want just

269

00:15:07,790 --> 00:15:09,050

a regular color, you just push.

270

00:15:09,079 --> 00:15:13,459

If you want a bright color, you push very

hard and you can get a nice, bright color.

271

00:15:13,969 --> 00:15:14,209

Okay.

272

00:15:16,069 --> 00:15:16,520

Here we are.

273

00:15:21,814 --> 00:15:23,675

Yeah, we're going to have to figure

out what we're going to do here.

274

00:15:23,675 --> 00:15:28,744

Pretty, so maybe, maybe

this comes down here.

275

00:15:28,895 --> 00:15:29,885

This gets more Brown.

276

00:15:30,694 --> 00:15:32,045

Maybe comes right down through here.

277

00:15:32,045 --> 00:15:33,185

Like it all look at here.

278

00:15:33,515 --> 00:15:34,265

That's what it does.

279

00:15:34,295 --> 00:15:35,645

It comes right across like, yes,

280

00:15:39,844 --> 00:15:42,635

Maybe there's a, maybe there's a

big old stone lives right here.

281

00:15:47,235 --> 00:15:50,715

Maybe this comes down through there.

282

00:15:51,135 --> 00:15:53,955

This is just Vandyke Brown with a

little bit of burn number in it.

283

00:15:55,805 --> 00:15:57,375

A little bit of burnout, not much.

284

00:16:01,865 --> 00:16:03,455

And then we can just sort of fill this in.

285

00:16:06,485 --> 00:16:06,995

There we go.

286

00:16:08,015 --> 00:16:09,965

We're really not worried

about anything right here.

287

00:16:10,115 --> 00:16:11,705

Just, just drop it in.

288

00:16:14,955 --> 00:16:15,615

Let it happen.

289

00:16:18,075 --> 00:16:18,465

Okay.

290

00:16:19,535 --> 00:16:21,665

We just throw a little bit

of color all over here, too.

291

00:16:26,675 --> 00:16:27,515

This is just the dark.

292

00:16:27,515 --> 00:16:28,835

So our light will show up.

293

00:16:32,380 --> 00:16:33,620

Now we can go in here.

294

00:16:34,430 --> 00:16:38,089

Let's get a little more of a

highlight color was some Vandyke

295

00:16:38,120 --> 00:16:44,329

Brown, white touch your Persian

blue, just to make a nice gray color.

296

00:16:45,020 --> 00:16:47,270

And let's put a little highlight

right out here on this little rock.

297

00:16:47,329 --> 00:16:47,569

Okay.

298

00:16:49,579 --> 00:16:50,060

Here we go.

299

00:16:57,780 --> 00:16:59,010

Just bring them right on down.

300

00:17:02,880 --> 00:17:03,300

Okay.

301

00:17:07,670 --> 00:17:08,329

Lay of the land.

302

00:17:08,389 --> 00:17:11,869

I know you're tired of hearing me

say that, but it's so, so important.

303

00:17:21,139 --> 00:17:23,359

yeah, it gives us some nice

little Rocky areas here.

304

00:17:24,710 --> 00:17:26,389

Go back to her fan brush and some of the.

305

00:17:26,819 --> 00:17:32,310

Yellow ochre, CAD yellow, little

SAP green, and just begin dropping

306

00:17:32,310 --> 00:17:33,780

in some little grassy areas here.

307

00:17:37,340 --> 00:17:39,530

You don't want to cover up all

these nice rocks that you've made.

308

00:17:40,820 --> 00:17:41,900

Just some of them leave.

309

00:17:41,900 --> 00:17:42,560

Some of them show up.

310

00:18:00,295 --> 00:18:02,945

let's go over to the other side here

and we can bring all this together.

311

00:18:12,065 --> 00:18:15,245

if you find that your paint will not

stick, add a little magic, quieter, a

312

00:18:15,245 --> 00:18:19,085

little paint, thinner to it, something

within it down, but then paint will

313

00:18:19,085 --> 00:18:20,765

stick very easily to the firm paint.

314

00:18:22,524 --> 00:18:24,135

You gotta start with that from paint

315

00:18:29,195 --> 00:18:31,835

now, a little more magic,

white and titanium white.

316

00:18:32,435 --> 00:18:36,335

And maybe, maybe this little

stream here comes right over

317

00:18:36,965 --> 00:18:37,955

and falls right over there.

318

00:18:40,655 --> 00:18:43,895

Just let it fall splashes a little bit.

319

00:18:45,335 --> 00:18:46,264

And here it goes again.

320

00:18:47,495 --> 00:18:49,115

It's just wandering all over the woods.

321

00:18:53,705 --> 00:18:58,115

maybe it comes out this way,

wherever you want it to go.

322

00:19:01,085 --> 00:19:03,725

Just have a little, it looks like a

little bitty waterfall right there.

323

00:19:06,965 --> 00:19:07,415

Okay.

324

00:19:07,715 --> 00:19:09,125

I'm going to take just a clean knife.

325

00:19:09,455 --> 00:19:12,155

Let me just scratch a few little

trumps in the sticks here and there.

326

00:19:14,325 --> 00:19:18,495

Just here and there wherever

you think there might be one.

327

00:19:20,045 --> 00:19:23,435

And let's put a couple of

little trees and I'm gonna start

328

00:19:23,435 --> 00:19:24,245

off here with just playing.

329

00:19:24,245 --> 00:19:27,965

I mean, Vandyke Brown and

maybe, maybe there's a little

330

00:19:27,965 --> 00:19:29,135

tree that lives right here.

331

00:19:31,145 --> 00:19:33,215

Maybe he's a crooked little tree.

332

00:19:35,195 --> 00:19:35,885

There he goes.

333

00:19:37,805 --> 00:19:39,935

All we're looking for here

is just a basic shape.

334

00:19:43,530 --> 00:19:47,460

Maybe there's another limit comes

off wherever you want it right there.

335

00:19:49,830 --> 00:19:53,790

Uh, maybe, maybe there's one that

hangs out over the water a little bit.

336

00:19:57,630 --> 00:19:58,440

Just let it go.

337

00:20:03,300 --> 00:20:05,040

Give him a little foot hair to stand on.

338

00:20:08,220 --> 00:20:09,930

Maybe there's a limb

right up through here.

339

00:20:09,990 --> 00:20:10,170

Yeah.

340

00:20:16,700 --> 00:20:17,060

Okay.

341

00:20:17,120 --> 00:20:20,800

But a few little limbs here and there,

then we can put some leaves on it.

342

00:20:27,020 --> 00:20:30,710

and if you have trouble making this knife

work, you can do this with a liner brush.

343

00:20:31,970 --> 00:20:35,000

All you have to do is stand the paint

down with a little thinner or light oil.

344

00:20:36,240 --> 00:20:36,980

It'll work fine.

345

00:20:41,264 --> 00:20:42,175

There's this little foot.

346

00:20:44,715 --> 00:20:48,375

Now let's take a little

bit of a burn number.

347

00:20:49,485 --> 00:20:54,675

Touch of Vandyke Brown, little bit

of white, tiny, little bit of white,

348

00:20:54,705 --> 00:20:56,024

just to brighten it up a little bit.

349

00:20:56,774 --> 00:20:58,845

And then let's just go along

here and begin touching.

350

00:21:00,315 --> 00:21:07,455

She has to put, she has to put a little

bit of highlight on this tree here.

351

00:21:15,120 --> 00:21:17,100

Wherever you think the light

would strike this trunk

352

00:21:20,700 --> 00:21:21,899

while we're in the tree business?

353

00:21:21,899 --> 00:21:26,700

Maybe we need one on the other

side, maybe over here, maybe

354

00:21:26,700 --> 00:21:27,810

a little bit closer to us.

355

00:21:27,810 --> 00:21:29,970

Maybe there's a much bigger tree

356

00:21:33,930 --> 00:21:34,200

there.

357

00:21:34,200 --> 00:21:34,530

Yes.

358

00:21:35,715 --> 00:21:37,605

Just straight Vandyke Brown to start with,

359

00:21:43,345 --> 00:21:46,335

give him a little route to

just goes right down bottles.

360

00:21:46,335 --> 00:21:46,995

The lay of the land.

361

00:21:46,995 --> 00:21:50,325

Also quite a bit of paint here.

362

00:21:50,325 --> 00:21:51,915

I want this tree to be very thick

363

00:21:55,275 --> 00:21:56,865

and we'll come right up through here.

364

00:22:00,195 --> 00:22:01,245

Give him a nice home.

365

00:22:04,035 --> 00:22:06,255

And trees grow, however, makes them happy.

366

00:22:08,025 --> 00:22:13,005

So there's really, really no,

absolutely correct way to make a tree.

367

00:22:13,895 --> 00:22:15,855

Depends on the individual tree.

368

00:22:15,945 --> 00:22:17,325

Depends on your mood a lot.

369

00:22:17,325 --> 00:22:18,315

How do you feel today?

370

00:22:18,525 --> 00:22:20,895

Is this tree have a lot

of limbs, a few limbs.

371

00:22:22,545 --> 00:22:23,895

Just let your imagination go.

372

00:22:25,755 --> 00:22:26,955

I see another one right there.

373

00:22:29,804 --> 00:22:32,685

Maybe, maybe there's one that

comes from back here somewhere

374

00:22:33,375 --> 00:22:34,754

and just sort of wanders off.

375

00:22:36,574 --> 00:22:42,245

I can put a few little

leaves here and there,

376

00:22:46,475 --> 00:22:47,165

there we go.

377

00:22:51,004 --> 00:22:51,335

Yeah.

378

00:22:51,564 --> 00:22:53,675

Let's take a little bit

of the highlight color.

379

00:22:53,735 --> 00:22:56,074

I'm going to add a little

tiny bit of blue to that.

380

00:22:56,794 --> 00:22:57,635

So we have.

381

00:22:58,485 --> 00:23:02,685

So he's blue, white,

little bit of burn number.

382

00:23:04,395 --> 00:23:10,725

This tree is a little older, he's

tired and we just touch, just touch.

383

00:23:10,845 --> 00:23:13,605

This was a nice little gray color

we're using for a highlight here.

384

00:23:16,455 --> 00:23:20,025

And when this tree dries, you can

feel this as bark will be raised.

385

00:23:20,025 --> 00:23:21,435

It's quite heavy, quite thick.

386

00:23:25,530 --> 00:23:26,160

There we go.

387

00:23:26,610 --> 00:23:30,570

Ooh, that's a good looking

old for either now.

388

00:23:31,735 --> 00:23:34,725

What take a little bit of, we

just mixed it on the brush here.

389

00:23:34,815 --> 00:23:39,525

A little bit of SAP green, some Vandyke

Brown, little pressure and blue.

390

00:23:39,645 --> 00:23:43,515

We need a good dark color and we can

begin laying some leaves on here.

391

00:23:43,665 --> 00:23:48,015

And we just put these in at random

sort of look at your basic shape.

392

00:23:48,975 --> 00:23:49,575

Here we are.

393

00:23:50,455 --> 00:23:51,285

Okay.

394

00:23:53,505 --> 00:23:56,515

Just basic shape there.

395

00:24:01,095 --> 00:24:01,575

Okay.

396

00:24:03,155 --> 00:24:06,125

And sometimes there's maybe this

belief growing down in here, I'm

397

00:24:06,125 --> 00:24:07,264

going to kill all the background.

398

00:24:09,575 --> 00:24:10,685

Just a few out here.

399

00:24:10,745 --> 00:24:12,695

Need the dark in order

for the light to show.

400

00:24:12,825 --> 00:24:13,385

There we are.

401

00:24:15,605 --> 00:24:15,995

Okay.

402

00:24:17,735 --> 00:24:18,754

Let's drop your leaves here in

403

00:24:21,995 --> 00:24:22,955

need the dark back here.

404

00:24:22,955 --> 00:24:23,825

So the light does show.

405

00:24:30,074 --> 00:24:31,605

This one hangs right over the stream.

406

00:24:31,605 --> 00:24:34,594

I'd be the place to sit right into

that tree and watch his stream.

407

00:24:34,635 --> 00:24:35,235

Listen to it.

408

00:24:44,324 --> 00:24:49,784

Now we can take, I'm going to use CAD

yellow, a little tiny bit of green,

409

00:24:49,784 --> 00:24:51,615

and I want quite a bright color here.

410

00:24:51,615 --> 00:24:52,725

So it stands out.

411

00:24:54,135 --> 00:24:55,635

So a lot of pain in the bristles.

412

00:24:56,445 --> 00:25:01,125

And go slightly above the dark and

begin laying in your little leaves here.

413

00:25:03,015 --> 00:25:05,055

Just drop them in wherever

you think they'll be.

414

00:25:10,505 --> 00:25:11,945

I think it doesn't have to be a mystery.

415

00:25:11,945 --> 00:25:13,145

It doesn't have to be hard.

416

00:25:15,785 --> 00:25:19,505

All you need to do is earn the basic

technique and practice a little bit.

417

00:25:27,435 --> 00:25:29,525

Few little bright leaves right out here.

418

00:25:35,945 --> 00:25:37,055

A few right in there.

419

00:25:38,705 --> 00:25:40,415

We just about got this little tree down.

420

00:25:41,855 --> 00:25:42,065

Yeah.

421

00:25:43,835 --> 00:25:44,715

Let's get into it.

422

00:25:44,715 --> 00:25:51,395

A tiny little bit of ochre and

Seth green, a little different

423

00:25:51,395 --> 00:25:52,745

color than I have on the other one.

424

00:25:53,345 --> 00:25:53,435

Okay.

425

00:25:54,760 --> 00:25:59,700

Stand apart a little better and we can

go right along in here and drop it in.

426

00:26:01,860 --> 00:26:02,370

Look it there.

427

00:26:03,140 --> 00:26:04,710

Just drop those leaves in that quick.

428

00:26:06,150 --> 00:26:06,810

No big deal.

429

00:26:07,920 --> 00:26:08,660

Just enjoy.

430

00:26:11,430 --> 00:26:12,720

Don't kill all the dark areas.

431

00:26:12,720 --> 00:26:15,180

We really want to save some

of these nice dark areas

432

00:26:18,180 --> 00:26:19,290

a little bit right in here.

433

00:26:20,730 --> 00:26:21,480

Just like so.

434

00:26:22,920 --> 00:26:25,830

Maybe a little grass down here at

his foot just to cover up the foots.

435

00:26:27,420 --> 00:26:29,670

And I think we've just about

got a finished painting there.

436

00:26:30,149 --> 00:26:34,530

So on behalf of all of us here, I'd

like to wish you happy painting.

437

00:26:34,830 --> 00:26:35,460

God bless.

438

00:26:35,760 --> 00:26:36,690

We'll see you next week.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 22, 2020

S03E03 - Bubbling Stream

Bob Ross's

The Joy of Painting

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