Bob Ross's

The Joy of Painting

S02E13 - Final Grace

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Hello.

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Welcome back again.

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This being the final show.

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Normally we devoted to a question and

answer period, but we've had so many

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cards and letters requesting that we

paint a little picture that you see

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on the introduction that I thought

we'd go ahead and do that today.

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I think most of the questions

in the problem areas we've went

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over somewhere during the series.

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If you have some questions that we

haven't answered, drop me a line and

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care of this station, and I'll be

glad to try to answer them for you.

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Okay.

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Let's paint.

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The one that you always see at the

beginning of the show, I'm going to start

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with a little bit of the little blue,

tiny bit of Vandyke Brown mixed with it.

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Okay.

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And we'll just start right up in here.

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Just making little crisscross patterns.

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This is a fun little picture.

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I think you'll really enjoy it.

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Just let it work down right here.

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Well, we have the brush dirty.

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I'm going to add a little

bit of fellow green to it.

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Just a small, small amount.

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Hey, we'll throw in some water.

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Okay.

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Now clean the brush.

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And we'll go back and

blend all this together.

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Okay.

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Start in the light area and

work upward into the darker

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areas and just move this out.

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This particular painting that

you've been watching has a

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lot of almighty clouds in it.

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There are a lot of fun to do.

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So I'm gonna go right into the

Prussian blue Vandyke Brown.

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Little touch of Crimson blue, Brown

Crimson, and we'll just taking it, just

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lay it all mighty cloud right in here.

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Just let it work around

and play and have fun.

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This may not be an exact duplicate of

what you see at the beginning of the

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show, because it's virtually impossible

to create an exact duplicate, but I'll

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try to show you all the steps in it.

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So you know how it was done and

you can do your own at home.

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All right.

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That gives us some nice cloud shapes.

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Clean the brush.

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Again, this is a nice one because

I get to clean the brush a lot.

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Okay.

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With a fan brush, titanium

white and a tiny, tiny, little

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bit of the permanent red image.

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Just to give it a little warmish

glow, a lot of pain in the brush.

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Now let's just.

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Go right above the dark

and lay in some highlights.

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There we are.

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No, hold on.

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I'm doing that one question.

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I will answer.

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We've got a lot of, a lot

of cards from the last show.

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My son was on that show in the last

one and he read the questions to me.

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So I'll tell you just

a little bit about him.

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He's just about 18 years

old, six foot four.

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He's a black belt in karate.

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It's bad when you have to ask

permission to spank him, but he

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couldn't be with us this time.

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He's getting ready to set up a class.

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He would travels with me and

teaches this fantastic method.

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So maybe if we come to your

town and demonstrate or

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teach, you'll get to meet him.

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I hope you enjoy him as much as I do.

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They're

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just.

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Outlining the clouds now very quickly

with a large brush, just blend the

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bottom out, leaving the tops on effected.

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Don't touch them.

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They're just the bottoms.

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Don't overwork these things.

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They're very, very easy to overwork.

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Now.

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Very gently.

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We lifted up just sort of fluff it

and don't worry if you pull some

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of these little stringy things

up in this guy, they'll go away.

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Clean dry brush, just gently blended.

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Very gently.

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Almost let her hair touch a canvas.

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There we go.

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Okay.

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Now we had a Ridge of mountains in

that painting, and this is probably the

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most complicated and hardest mountain

to do, and it looks the easiest.

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So that's, that's what tricks here.

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Blue Brown, little touchy

Crimson, and we'll just very

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quickly throw in the basic shape.

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Very, very little paint here.

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Very little paint,

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and really push it into the canvas.

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Okay.

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Now with a large brush, I'm just

going to take and pull it down just to

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take off all that excess loose paint.

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And to blame the color out on the canvas.

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There we are.

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Now we'll take a little bit of the

titanium white, pull it up very flat,

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tiny, tiny, tiny, little bit of paint.

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And just begin thinking where

you think light will strike this.

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Almost no pain on the life.

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Very very little just where you

think the light will strike.

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We are maybe a little bit over in here.

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Yeah.

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For the shadow.

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I'll use a little bit of

blue and Brown and white.

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There we go.

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Just to make sort of a bluish gray color.

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And then we can lay some of that

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in there once again, very little paint.

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And we just sorta bring all this

together that all these little

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things start happening in here.

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You're doing this at home.

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You can put all kinds of

little details in here.

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They sorta get upset.

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If I go over 30 minutes

here and yell at me a lot.

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So just want to give you a

brief idea of how this was done.

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Yeah.

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Maybe there's a little something

that plays right along in here,

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just like, so, and you can put these

little peaks and stuff wherever you want.

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This one.

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You're very quiet, soft little

mountain as far, far in the distance.

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Okay.

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Maybe a little shadow right in

here somewhere now with a clean,

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dry brush, I'm going to just

tap the bottom here and diffuse.

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It don't want to destroy it.

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Just diffuse it just like in all

the other mountains, we've done.

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Always follow your ankles

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and then lift up.

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We're still following the angles most

important that you follow those angles.

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Just bring all this together.

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And that gives us a nasty little

Ridge of mountains back here.

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Okay.

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Let's come forward and I'll use the

same colors that was pressuring blue.

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Bandag Brown, a little bit of lizard

Crimson and let's take and put an

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all mighty mountain right up in here.

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Just let it go.

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Push that paint into the canvas, get

strong with it and really push it in.

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I want this one to be darker

because it's closer to us.

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So I use a little bit more paint

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and then pull it just to get

that excess paint off here.

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Right?

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Okay now clean up the brush.

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Okay.

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Yeah, a little bit more of the

titanium white and we can lay some

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little highlights right along here.

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Just let it flow with the mountain.

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Follow the angles in your mountain.

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and this is a very, very delicate touch.

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Very delicate too.

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Gotcha.

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It'll snow laying right along there.

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And for the shadow color, we'll

take some impression blue.

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Vandyke Brown.

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Let me make us up a shadow color.

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We want this shadow color to be lighter

in value than the base coat that

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we've put on it so that it stands out.

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And we can just lay in some happy

little shadows here and there.

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Just let them roll off your knife.

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All right.

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Okay.

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Now once again, with a clean dry

brush will diffuse the bottom

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lift upward to create the Misty effect.

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We're ready to move right along.

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Now,

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I'll take just a little bit of the

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Prussian blue Vandyke Brown

and SAP green, and about equal

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parts, blue, Brown, and green.

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There we are.

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That'll be our base color

for our trees and stuff.

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And let's take the fan brush loaded,

full of paint, and we can begin laying

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in just little indications here.

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Yeah, there we go.

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Just keep the brush moving,

keep them moving there.

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Okay.

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We'll make a little

Foothill right through here.

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Just drop the exam

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in wherever you think they should be.

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That's where they should be.

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There's one.

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And it's funny how you can do this and

it looks like just hundreds of little

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trees back here, and it's so simple.

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And if you want to make it look like

they're getting farther and farther

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away overall, let them get a little bit

smaller and we can begin putting in some

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ground area underneath them, just like, so

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now we had a few of them.

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It was a little bit closer,

a little more detail in them.

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That looks like a good one

to bring a little closer.

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So we'll just take it, give him some

little branches, just back and forth with

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a fan brush, making it bend downward.

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Maybe, maybe, maybe you can,

you can put one right there.

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there we go.

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Just bring him right on down the forward.

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And it helps create the illusion

of distance in the painting.

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With the large brush, grab the

bottom of this and begin pulling

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downward down, down, down, down.

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And this is where you make your

reflections and have a general

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idea of where your shoreline

is going to be come across.

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Okay.

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We'll take a little bit of magic right

now with a touch of Vandyke Brown in it.

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Just mix it up.

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Good.

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And we can begin laying a

little water line in here.

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Keep these lines basically straight.

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So your water didn't

run out of the painting.

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Nothing's worse than having a wet floor.

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Cause the water run out of your painting.

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Now I want to, I want to make a separate

little projection right out here.

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So all I do is take a little

dark, just bring it right on out.

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I can see how easy that is.

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Grab a hold of it, pull a little bit down.

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So we have some reflections for that part.

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Cross back to our magic weight.

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We can throw a happy little

water line right in there.

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Maybe there's a couple little

ripples on the water here and there.

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There we go.

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Yeah, let's take a little.

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The magic, a little

yellow and some SAP green.

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It makes a lot on your brush and we can

put a few little highlights in here.

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Just touch it, follow right down that

angle that you have darker, darker,

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darker as it comes around the Hill.

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You want to talk to be the brightest

and gets darker as it comes around.

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So it makes it look round this way.

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Maybe there's a little back in here.

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There we go.

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Now we can begin putting

in some trees and stuff.

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Let's have a nice treat right here.

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I think I'll just continue to

use a fan brush today since

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I've already got it dirty.

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Just lay it in.

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Here we are.

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These little trees live right there.

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And your fan brush, you just got

to outsmart them, push them out.

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Maybe there's one right there,

back and forth with a fan brush.

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I use the same corner of the brush

all the way through the tree.

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Just to add more pressure

as we work downwards.

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Okay.

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Don't want this one to get lonely.

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We'll give him a friend

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here we are.

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And I think, I think we had a large

one on the other side, so let's

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come right over in here and would do

an almighty tree right along here.

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There we go

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there.

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A lot of paint on the brush.

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Just let it work off your brush

and it flow right on down.

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Okay.

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Hi bro.

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She's getting too slow.

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Let's let's get into whole brush here.

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I'll use the large one and just go right

through this same color and let's just

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pop us in some new bushes and trees

and stuff, just like, so, and while we

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have paint on the brush, just reverse

it and drop some right into the water.

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That'll end up being our

reflections, a little more paint.

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And we'll let this one just

wander right on down the canvas.

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So,

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okay.

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Clean the brush up.

259

00:17:17,929 --> 00:17:18,440

Give it a good one.

260

00:17:19,879 --> 00:17:22,310

Now let's put some trunks in those trees.

261

00:17:22,310 --> 00:17:23,389

I'll use some burn number.

262

00:17:24,105 --> 00:17:30,975

A little touch your white in it, and

let's go right up here and let's put

263

00:17:30,975 --> 00:17:32,445

a happy little trunk here and there.

264

00:17:37,415 --> 00:17:38,495

Just touch here and there.

265

00:17:45,455 --> 00:17:45,784

Okay.

266

00:17:46,145 --> 00:17:47,495

Let's scratch a few little limbs.

267

00:17:51,585 --> 00:17:52,135

Okay.

268

00:17:52,545 --> 00:17:57,165

Let's have a little SEF green and

yellow mixed on the fan brush.

269

00:17:57,765 --> 00:17:59,835

And let's highlight these

trees just a little bit.

270

00:18:01,425 --> 00:18:04,365

Now, if your light's coming from the

right, you want the right side of the tree

271

00:18:04,365 --> 00:18:05,595

to be a little brighter than the left.

272

00:18:07,775 --> 00:18:08,075

Okay.

273

00:18:09,035 --> 00:18:10,895

Don't kill all that beautiful dark color.

274

00:18:13,565 --> 00:18:14,885

Leave that dark in there.

275

00:18:15,845 --> 00:18:17,105

Otherwise it'll be flat.

276

00:18:19,350 --> 00:18:21,480

You want to mention the

depth in these paintings?

277

00:18:25,500 --> 00:18:25,650

Okay.

278

00:18:25,660 --> 00:18:28,530

Let's go over to this whole big

one over here and give him some

279

00:18:28,530 --> 00:18:29,940

nice little shiny highlights

280

00:18:34,450 --> 00:18:35,100

everywhere.

281

00:18:39,660 --> 00:18:40,950

Clean up the pan brush.

282

00:18:46,340 --> 00:18:51,950

now clean brush would just pull

these reflections down to drop

283

00:18:51,950 --> 00:18:54,290

them in the water, go across

284

00:18:58,100 --> 00:19:01,910

and we'll use a one inch brush,

a little bit of the yellow

285

00:19:03,950 --> 00:19:07,280

and SAP green and mixed load.

286

00:19:07,280 --> 00:19:08,660

A lot of pain into the bristles.

287

00:19:10,460 --> 00:19:10,930

Push those.

288

00:19:11,355 --> 00:19:13,155

Pretty little leaves right off the brush.

289

00:19:19,235 --> 00:19:20,555

There's another one right there.

290

00:19:20,945 --> 00:19:22,625

If you wanted to reflect

him into the water.

291

00:19:22,655 --> 00:19:25,835

So all you gotta do is drop him in.

292

00:19:28,265 --> 00:19:29,355

Maybe not a nice one, right?

293

00:19:29,405 --> 00:19:29,515

Yeah.

294

00:19:29,515 --> 00:19:30,065

I'm here.

295

00:19:31,625 --> 00:19:36,545

Like, so now let's go over in

the other side of the canvas.

296

00:19:40,980 --> 00:19:43,320

And let's put a happy

little Bush right there.

297

00:19:48,740 --> 00:19:51,560

Yeah, just a touch, more within paint.

298

00:19:54,830 --> 00:19:56,330

Just so it sticks a little easier.

299

00:19:57,800 --> 00:19:59,240

Put a little Bush right in here.

300

00:20:00,649 --> 00:20:01,610

Oh, there's a nice one.

301

00:20:04,340 --> 00:20:05,000

Just let them.

302

00:20:05,625 --> 00:20:06,705

Fall right off your brush.

303

00:20:09,875 --> 00:20:10,475

Okay.

304

00:20:10,865 --> 00:20:15,995

Now with the fan brush, we've used

a little, the magic, quiet, little

305

00:20:15,995 --> 00:20:18,335

yellow, and a little SAP green.

306

00:20:19,835 --> 00:20:21,935

Maybe we'll even throw a little

old crew in there just to break

307

00:20:21,935 --> 00:20:25,655

it up a little and we can put some

nice little grassy areas in here.

308

00:20:32,105 --> 00:20:33,725

She has little soft things happening.

309

00:20:35,370 --> 00:20:40,440

Maybe maybe, maybe we need a little

stone, some dirt showing through, so

310

00:20:40,440 --> 00:20:43,860

we'll just take some Bandag Brown,

let it break and play through there.

311

00:20:46,740 --> 00:20:51,240

And we'll highlight it with some Brown,

white and blue, very little blue.

312

00:20:51,240 --> 00:20:52,650

The light blue is strong.

313

00:20:54,330 --> 00:20:56,040

Just enough to give us

a little bit of color

314

00:21:00,530 --> 00:21:01,550

and then bring it together.

315

00:21:03,735 --> 00:21:05,205

Just bring it all together.

316

00:21:12,785 --> 00:21:13,025

Okay.

317

00:21:13,025 --> 00:21:14,465

Now, same thing over here.

318

00:21:14,525 --> 00:21:15,605

Let's just bring them together.

319

00:21:23,075 --> 00:21:25,865

Let's take and put some little

reflections into the water.

320

00:21:29,820 --> 00:21:34,860

Now with a clean dry brush and the

lightest touch imaginable, pull straight

321

00:21:34,860 --> 00:21:40,740

down and very, very gently go across to

make those nice mirrored reflections.

322

00:21:43,650 --> 00:21:50,040

We can take a little bit of

the Vandyke Brown, put us a

323

00:21:50,040 --> 00:21:51,240

bank over here on this side.

324

00:22:00,555 --> 00:22:04,805

Little touch of highlight here

and there, just here and there.

325

00:22:07,715 --> 00:22:10,295

Now with the fan brush, we can

bring all that back together.

326

00:22:16,595 --> 00:22:17,825

It's coming along quite well.

327

00:22:18,705 --> 00:22:21,254

A little bit of magic white to

make us a waterline underneath it.

328

00:22:26,764 --> 00:22:33,004

once again, if there's something that

you want to see in future series, please

329

00:22:33,004 --> 00:22:34,895

drop us a line, let us know what you are.

330

00:22:36,365 --> 00:22:37,895

And we'll certainly

try to come up with it.

331

00:22:40,325 --> 00:22:44,105

If it's not within my knowledge

to do it, we'll should go see if

332

00:22:44,105 --> 00:22:45,395

we can find somebody that can.

333

00:22:48,510 --> 00:22:48,900

Okay.

334

00:22:48,990 --> 00:22:50,940

We'll just scratch a few

little trunks here and there.

335

00:22:57,780 --> 00:22:58,440

Like, so

336

00:23:03,270 --> 00:23:09,990

one or two over here and there

now with the liner brush and

337

00:23:09,990 --> 00:23:11,640

a little bit of the Brown.

338

00:23:14,070 --> 00:23:15,450

Little bit of oil on the brush.

339

00:23:15,960 --> 00:23:16,560

There we go.

340

00:23:18,060 --> 00:23:21,510

Let's just throw a quick

little happy tree right there.

341

00:23:22,020 --> 00:23:22,260

Mr.

342

00:23:22,260 --> 00:23:23,760

Volvo, still slay in there.

343

00:23:27,620 --> 00:23:30,470

I think we had one in the painting

that you see in the opening.

344

00:23:35,120 --> 00:23:35,810

There we are.

345

00:23:36,300 --> 00:23:37,160

Something like that.

346

00:23:50,975 --> 00:23:55,625

I think we're about ready for a

signature on this one, a little

347

00:23:55,625 --> 00:23:59,855

bit of an oil permanent red.

348

00:24:01,054 --> 00:24:03,905

Bring the brush to a nice sharp

point with very thin paint.

349

00:24:06,075 --> 00:24:07,635

And let's just go right up in here.

350

00:24:10,215 --> 00:24:11,774

Put a happy little signature in here.

351

00:24:25,655 --> 00:24:27,754

once again, it's very

nice to have a short name.

352

00:24:28,385 --> 00:24:30,274

Only takes a second to

sign these paintings.

353

00:24:31,905 --> 00:24:33,795

And I think we'll call

that painting finished.

354

00:24:35,295 --> 00:24:40,055

And I'd like, I'd like to take a few

minutes of your time if I may and tell you

355

00:24:40,265 --> 00:24:44,915

how very much we appreciate you allowing

us into your home, we hope you've enjoyed

356

00:24:44,915 --> 00:24:48,815

this series and something that you never

see that I'd like to take a minute.

357

00:24:49,385 --> 00:24:52,535

I'd like to thank all the fantastic

people here at this TV station

358

00:24:53,075 --> 00:24:54,395

that have made this possible.

359

00:24:55,025 --> 00:24:57,305

You don't see all the people

that are behind the cameras.

360

00:24:57,990 --> 00:25:00,810

That worked very hard to bring

you a quality production show

361

00:25:01,889 --> 00:25:03,270

and they too deserve credit.

362

00:25:03,929 --> 00:25:07,979

So right here in publicly now, I would

like to tell each and every one of them

363

00:25:08,129 --> 00:25:11,370

from the bottom of my heart to that, thank

them for everything they've done for us.

364

00:25:12,600 --> 00:25:17,070

And I thank you more than anyone

for enjoying and watching our show.

365

00:25:17,070 --> 00:25:19,649

We sincerely hope that we

teach you something here.

366

00:25:20,370 --> 00:25:23,459

And once again, let us hear from you,

let us know what you want to see.

367

00:25:24,750 --> 00:25:29,879

And on behalf of all of us

here, We really hope to see you

368

00:25:29,879 --> 00:25:31,530

again in the very near future.

369

00:25:32,550 --> 00:25:35,639

We wish you the absolute

best that life has to offer.

370

00:25:37,379 --> 00:25:40,050

Once again, have a super day.

371

00:25:40,530 --> 00:25:41,220

God bless.

372

00:25:41,460 --> 00:25:42,960

We look forward to seeing you again.

373

00:25:43,889 --> 00:25:44,310

Bye-bye.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 17, 2020

S02E13 - Final Grace

Bob Ross's

The Joy of Painting

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