Bob Ross's

The Joy of Painting

S04E13 - Mountain Challenge

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Hi, I'm glad you could join me today.

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Today.

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Let's do something a

little bit different today.

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I'm going to start with a

canvas is just it's dry.

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Didn't have any magic white on it.

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So I'll have them graphically run all the

colors across your screen that you need

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to do this painting and let's get started.

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I'm going to start today with that.

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Two and a half inch brush them.

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We'll put a little paint thinner on

it and go right into some burn number.

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Very thin paint, just

a small, small amount.

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And I'm just going to put a

little wash up here on the canvas.

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Let I see.

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Just burn number, just wash

the canvas, just playing a

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small, small amount of color.

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Okay.

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Really scrubbing that

pain into the fabric.

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Can you take a tiny bit more of the

thinner and I'm going to go right

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into a little bit of fellow blue.

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Didn't clean the brush.

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Didn't clean.

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The brush takes very little of

this blue, very strong color.

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We'll just throw a little

happy wash up here by wash.

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I mean, the paint is so thin.

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It's, it's almost like water.

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This will dry in just a couple of minutes.

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It'll dry, even faster here in

the studio, because we have all

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the lights on the canvas at home.

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He might want to give it to three

minutes to dry a little bit.

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So it's not so runny.

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It's very thin, very light.

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Okay.

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That gives us a little

background color that easy,

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right?

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Let's lay the brush down and today let's

have some fun with the knife right in

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here and get some titanium white and less.

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Let's just start playing, like maybe

there's some little cloud shapes just

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sort of float around in the sky up here.

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And this whole knife

will do fantastic things.

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Fantastic things.

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But you got to turn it

loose and let it go.

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God, let it go.

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Be be brave with it.

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See, now it's picking up that color

underneath and you can make all kinds

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of beautiful little cloud effects

just using the knife, just using,

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maybe those were, I don't know if

the canvas there, this is your sky.

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So you, you put things where

you want them, let them happen.

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And when you're painting with a knife,

normally we would probably use a

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little more painting you normally do

because it's thicker on the canvas.

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It has texture when it's dry makes

a beautiful, beautiful effect

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though, just clean that knife off.

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And we can just rub this a little bit

and it picks up the under color and just

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blends the bottom of these clouds, right?

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In all the beautiful blues and

Browns that we've got there.

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There we go see how easy you can make

it a sky, just, just using the knife.

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So you don't have to have all

the big fancy brushes you use.

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Nice, nice knife, little practice.

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Have some fun maybe, maybe.

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And under this.

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Beautiful little sky here.

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Maybe there's a happy little mountain.

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I'm take some Vandyke Brown,

take some pressure and blue.

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Good, strong, dark blue, a little

bit of a lizard and Crimson.

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Just mix them together here.

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Put a little white in there.

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Okay.

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So we get blue Brown, a little

Crimson and the small amount of white.

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Can you just go up here?

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Maybe, maybe, maybe there it is.

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I knew there was a big old mountain.

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We lived up here somewhere.

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You just have to sort of finally

decide where he's at dropping, man.

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So they're just, and when these

paintings are, are dry, they look, they

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look a great deal, like traditional

paintings, where you would take washes

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and glazes and all those good things.

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These paintings will

give you that feeling.

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Can you just rub that?

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Right?

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And I'm like, yeah.

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Cause we want this mountain to be a little

bit lighter down toward the horizon,

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rub it, but it pick up that color.

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It's underneath

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any excess paint, you can just scrape off.

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All you looking for is that

dark, dark value in the canvas.

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There we go.

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That's a little bumps things in there.

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Alrighty.

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Now we put some, let's put some

highlights on this mountain.

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Let's take two.

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You take some white, a little

bit of a lizard Crimson, just

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a very, very small amount.

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We don't want to set this mountain fire.

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I just want to warm it up a little bit.

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And it's also easier for you to

see at home and maybe there's a.

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Maybe there's a little light that

plays right down through here.

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Let it strike the canvas.

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Just like, so wherever you think light

would strike that is play and have fun.

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Okay.

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A little bit.

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Yep.

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Right there.

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There it is.

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There it is little bit head right there.

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Just let all these things happen

flow right out of your mind.

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They're there.

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They're there come right down,

man, down to some of this color and

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let it pick up blending together.

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I'm gonna take some whites, a little

bit of and blue mixed into it.

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We'll make a little shadow type

color and we'll go in here.

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Just hearing, they will put

some indications of few shadows.

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I don't want to cover all that

dark, just hearing their few

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little shadowy things happening.

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painting to be very soft and very quiet.

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Understand can maybe this little

light strikes out here on that peak.

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So your mountain, you let light

strike wherever you want it.

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And that's where I wanted right there.

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Here we go a little shadow right in there.

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There's another happy little shadow.

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Just let those little shadows display in

the fall in there, clean the knife again,

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just blend that together.

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So it makes it look nice and Misty.

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Easy, you can just bring it together.

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I'm really pushing quite hard here.

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I want to blend that Misty.

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Okay.

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Let's have a.

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If want to have a happy little

Foothill back here and for that, and

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I'll use a little Brown, little SAFT

green, let's put some white in it.

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So we got some Brown, some SAP green, some

white, and I'm going to put into that.

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We'll just put a little bit of

this blue, just a little blue.

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This is stay low blue there.

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And that's about what I'm looking for.

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Okay.

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Let's go right up here.

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Maybe there's a happy little Foothill.

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Yes, right here at first, we were

just still just using the knife.

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I want to just use a knife today

and show you what can be done.

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Say they're just dropping just a little

indication of a little Foothill back here.

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And then you want it to be

very soft at the bottom that

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need that little Misty area.

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That's your separator

that separates everything.

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Now I'm going to just keep

using that same color.

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Maybe I'll add a small

amount of blue to it.

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Make it a little bit

more into the blue issue.

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Let's go right over here.

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Maybe there's a yup.

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There he is.

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I see it.

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It's another little bit

that comes right down.

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So this is a little darker.

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It's a little closer to you.

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So it stands out a little more.

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I'm just pushing this up here

and there to make it look like

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little trees far, far away.

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And it's the thing that's

getting closer to you.

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You want, you want to

have more and more detail.

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Now I had a little white, so I can

create some miss down here at the bottom.

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And as things get closer, you

begin to making out color.

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You can see.

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Let's see all kinds of little

colors as things get closer.

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So if you wanted to begin showing

at least at least little amount of

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color, I'll add a tiniest little

bit of CAD yellow here and there.

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Tiniest, tiniest little bit.

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Just want to put an indication

here that don't want overdue.

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Janice, the little it's too far away

yet the want one, a lot of detail in it.

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It's still too far away.

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Maybe.

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True an add a little more Brown to

that same color, a little Brown.

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Then you just keep making these

cars darker as you come closer.

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And maybe there it is.

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There it is.

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A little Hill, same, you can make as

many as these little Hills, as you want.

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Just decide how many Hills are in your

world and drop them in, drop them in.

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I can do anything.

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There we go.

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Kinds of depth and a painting

using nothing but a little knife,

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stills color,

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lot of rubbing and rubbing

makes it very smooth.

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And.

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And this has done it.

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Look almost like it was done with a brush.

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It will be so smooth.

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I hope, I hope that's what

we're shooting for anyway.

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And it takes a lot of this

blending and rubbing and you can

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spend hours and hours on these.

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I have a lot of fun.

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Good painting do when

you're not in a hurry.

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And I just have some fun,

more color right in there.

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I want to lighten this a little song,

that small amount of white and blended.

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Another layer right there.

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I just added a little more blue,

little Brown and some dark in here.

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And then we can begin working on

some shady form playing a little

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Kim we'll go right into a little

bit of yellow ochre, yellow ochre.

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And to that, I'll put a little bit

of blue, a little, a little blue into

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my yellow ochre, like a nice green,

but it's not so bright and shiny.

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It's adultery.

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Let's go back up here.

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Maybe you're beginning to

make that detail in here.

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Little things are starting to happen

and you can vary these colors.

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It's not bright enough.

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You man.

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Oh, the yellow.

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Make it as bright or as dark as you want.

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But these colors play through

there, here and there.

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Excellent painting to do to, if you

have a lot of paint left on your

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palette, because you can just use any

old color that you have and put all

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these things together and just make

beautiful, beautiful, beautiful paintings.

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And did you really make

friends with unite?

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You'll get to know that thing.

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Just like an extension of your hand.

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And that's when the fun really starts.

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Can you maybe go back and get

a little pressure and blue

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Vandyke Brown and white into it?

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Little Sam green,

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Brown there.

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No, then that's go up to the

canvas maybe right in here.

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Maybe there'll be some water.

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So we need some, I need a little bit of

dark into here to show our reflection.

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We just rubbed some dark in here.

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Some over here.

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I don't want to kill totally all

of that, but most of it, a little

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bit of that fan area show through.

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Okay.

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That'll give us some dark and

onto that we can add light.

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So I'll take some point.

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And a little bit of a alizarin Crimson.

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We'll get pretty here.

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There we go.

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Just a nice pinkish glow and let's

go right up in here and just lay

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a little that here and there.

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Just let it play in

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all these little colors just happened

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over here.

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Pushing very hard, right there.

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Very hard.

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Okay.

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Now I'm going to go into

some white and a little bit.

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Let's go into some fellow

blue, white, blue cross.

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Let's go up here and we can begin

just laying some little watery looks.

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Right on, there has to come across.

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Are these little lines

that you're putting in.

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They need to be straight.

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Fair enough straight.

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He's not going to look like for water.

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Really need to be straight

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just to keep going back and forth.

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Keep them straight.

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I can't say that enough.

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We can just play this back for

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just a little bit of titanium white.

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Me, just let it go across and pick up

color, little things happen, touch,

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come across, bring all this together.

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Very lightly.

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Very, very.

255

00:16:32,340 --> 00:16:35,130

There that probably sounds loud.

256

00:16:35,160 --> 00:16:36,780

But remember, this canvas is dry.

257

00:16:37,650 --> 00:16:38,850

This is a dry canvas.

258

00:16:39,660 --> 00:16:41,550

Normally we're working

with a canvas it's wet.

259

00:16:42,750 --> 00:16:43,800

And so you don't hear all that.

260

00:16:43,800 --> 00:16:45,990

The, the knife would

just glide across there.

261

00:16:46,380 --> 00:16:49,590

And I've got a little band-aid Brown,

little bird number mixed here, and

262

00:16:49,590 --> 00:16:54,330

we'll just put some little areas

right here to make it look like where

263

00:16:54,330 --> 00:16:56,040

the land comes down into the water.

264

00:16:56,370 --> 00:16:57,600

And I'm just touching the canvas.

265

00:17:03,450 --> 00:17:04,290

Just touching.

266

00:17:06,940 --> 00:17:08,480

It's just sort of separates everything.

267

00:17:10,819 --> 00:17:12,920

If you little happy bushes,

right along in here,

268

00:17:15,950 --> 00:17:17,150

some of the different yellows

269

00:17:23,750 --> 00:17:24,980

clean the whole knife off.

270

00:17:28,200 --> 00:17:36,389

Maybe, maybe take some blue ones

Brown from Sam green, maybe.

271

00:17:36,649 --> 00:17:36,920

Yeah.

272

00:17:37,490 --> 00:17:38,090

Right in here.

273

00:17:38,570 --> 00:17:40,520

Maybe there's a little

peninsula that comes out here.

274

00:17:42,409 --> 00:17:44,060

So just lay in a basic shape.

275

00:17:45,740 --> 00:17:46,310

Very dark,

276

00:17:50,960 --> 00:17:51,680

very dark.

277

00:17:58,950 --> 00:18:03,900

There maybe, maybe right underneath,

there's a little color in water.

278

00:18:05,740 --> 00:18:11,240

Some of that dark underneath create

the illusion of a reflection,

279

00:18:11,570 --> 00:18:15,740

neater reflection in there to

set it down into the water, take

280

00:18:15,740 --> 00:18:19,220

some little blue and some white.

281

00:18:21,135 --> 00:18:26,505

Just let that go across that easy,

easy gives it the impression of water.

282

00:18:27,275 --> 00:18:27,395

Okay.

283

00:18:29,945 --> 00:18:30,695

Let me just pile up.

284

00:18:30,695 --> 00:18:34,025

A lot of this is just all the dark

colors that are laying around my palette.

285

00:18:34,385 --> 00:18:35,285

Let me just pick him up.

286

00:18:35,915 --> 00:18:37,535

Maybe there's a right here.

287

00:18:37,985 --> 00:18:40,355

There it is a happy little tree.

288

00:18:40,355 --> 00:18:43,085

It lives right there and

was a little evergreen.

289

00:18:43,085 --> 00:18:44,165

Let's just start out up here.

290

00:18:46,625 --> 00:18:47,195

There you go.

291

00:18:49,169 --> 00:18:50,550

Just work back and forth.

292

00:18:58,389 --> 00:19:00,060

Evergreens are fun to make with this.

293

00:19:01,679 --> 00:19:04,560

Maybe, maybe, maybe there's

another little tree lives here.

294

00:19:05,820 --> 00:19:08,669

It's a good way to close in this

corner, but just make it a little tree.

295

00:19:12,330 --> 00:19:13,500

It's also a good way to use up.

296

00:19:13,500 --> 00:19:15,810

Any, any old paints you

got left on your palette.

297

00:19:19,919 --> 00:19:21,659

There we'll just come

right around like it,

298

00:19:26,419 --> 00:19:29,870

spring is right around there.

299

00:19:29,870 --> 00:19:31,729

It goes, it goes, there it goes.

300

00:19:32,159 --> 00:19:33,629

It's just, Bandag Brown.

301

00:19:34,969 --> 00:19:35,239

Cool.

302

00:19:35,479 --> 00:19:38,300

Crushing blue lizard crams.

303

00:19:38,300 --> 00:19:39,500

And just call your dark colors.

304

00:19:39,560 --> 00:19:42,080

It's just, just throw all

your dark colors in here.

305

00:19:42,080 --> 00:19:43,129

Sam green.

306

00:19:46,185 --> 00:19:46,475

Here.

307

00:19:46,475 --> 00:19:50,355

We're just trying to fill up the rest

of the canvas with nice dark color.

308

00:19:57,365 --> 00:19:59,705

And these paintings are,

they're really a joy to do.

309

00:19:59,795 --> 00:20:01,965

They're a lot of fun, a lot of fun.

310

00:20:02,045 --> 00:20:05,345

Does that say these are the type

of things I like to spend hours

311

00:20:05,345 --> 00:20:06,485

and hours and hours on them.

312

00:20:07,680 --> 00:20:08,850

These are mood paintings.

313

00:20:09,240 --> 00:20:12,120

If you're in a good mood, Oh,

you can paint some of the most

314

00:20:12,120 --> 00:20:13,680

beautiful, delicate things.

315

00:20:14,580 --> 00:20:15,750

Figuring out bad mood.

316

00:20:15,750 --> 00:20:19,770

If you just had an argument or somebody

kicked you, these are ones you can edit.

317

00:20:19,770 --> 00:20:27,180

Take out your hostilities on

strong, strong paintings there.

318

00:20:27,620 --> 00:20:30,200

And we've used nothing,

nothing but a knife.

319

00:20:31,710 --> 00:20:34,440

Except we use that two and a

half inch brushes to put on some

320

00:20:34,440 --> 00:20:35,730

wash to give it some undercover.

321

00:20:36,090 --> 00:20:38,850

And some of that colors

is playing through this.

322

00:20:38,910 --> 00:20:39,870

You still can see it.

323

00:20:39,870 --> 00:20:43,080

So you have areas that are very thick

with paint areas that are very thin.

324

00:20:43,080 --> 00:20:47,990

It makes it beautiful,

beautiful composition, maybe

325

00:20:48,200 --> 00:20:49,540

not got small amount of whites.

326

00:20:49,540 --> 00:20:53,000

So we'll just take a little white

and just begin rubbing it in here.

327

00:20:53,270 --> 00:20:57,290

Seeing that all these little things

just happen, just let them happen.

328

00:20:59,159 --> 00:21:07,139

We'll get some SAP, green and green

in there and a little green, Brown,

329

00:21:07,139 --> 00:21:12,540

little white, just play these cars

back and forth, back and forth.

330

00:21:12,570 --> 00:21:15,060

I'm going to keep this

very, very dark in front.

331

00:21:18,930 --> 00:21:21,720

Maybe our lights coming from the

right, maybe right here in this tree.

332

00:21:21,720 --> 00:21:24,300

There's a little light striking

out here on these leaves.

333

00:21:25,020 --> 00:21:26,129

I don't want a bunch of color.

334

00:21:26,459 --> 00:21:27,240

Let me keep it dark.

335

00:21:27,300 --> 00:21:33,060

Just so there's a little highlight,

a little highlight, little

336

00:21:33,060 --> 00:21:34,860

light, maybe striking right here.

337

00:21:41,240 --> 00:21:45,020

I ain't even has a little

land coming down, whatever,

338

00:21:45,110 --> 00:21:48,560

whatever little highlight here.

339

00:21:48,560 --> 00:21:49,580

And they're doing too much.

340

00:21:51,860 --> 00:21:52,159

Okay.

341

00:21:53,940 --> 00:21:58,980

Oh, Kevin's a little grassy things happen

and you just see little touches here and

342

00:21:58,980 --> 00:22:01,830

there don't really see a lot happening.

343

00:22:03,240 --> 00:22:04,260

Okay, let's go over here.

344

00:22:04,260 --> 00:22:08,730

Maybe there's one that lives

right there comes right back down.

345

00:22:10,760 --> 00:22:12,710

Yellow, ochre, Indian,

yellow, cat, yellow.

346

00:22:13,129 --> 00:22:14,659

I'm just mixing them all

together on the night.

347

00:22:15,860 --> 00:22:17,149

Just letting them happen.

348

00:22:19,129 --> 00:22:20,750

She has tried over whatever.

349

00:22:22,500 --> 00:22:23,670

Let the canvas do the word,

350

00:22:28,580 --> 00:22:30,200

all those little beautiful things.

351

00:22:37,100 --> 00:22:38,660

This is such a fun painting.

352

00:22:38,660 --> 00:22:39,920

I really hope you try it.

353

00:22:40,280 --> 00:22:45,110

I really do think you be, you'll

be very satisfied with it.

354

00:22:46,100 --> 00:22:48,590

You sent me a letter and

thanked me for giving you this.

355

00:22:52,159 --> 00:22:53,209

And I'd like to hear from you.

356

00:22:53,870 --> 00:22:58,010

Don't get to answer all of them,

but I certainly certainly do read

357

00:22:58,010 --> 00:22:59,419

every single letter that comes in.

358

00:23:01,990 --> 00:23:02,480

Everyone

359

00:23:09,590 --> 00:23:10,639

play with color here.

360

00:23:10,850 --> 00:23:11,970

Don't let this get too light.

361

00:23:12,860 --> 00:23:14,330

Want this to stay very dark.

362

00:23:16,305 --> 00:23:18,435

So it helps create the

illusion of distance.

363

00:23:18,505 --> 00:23:19,935

Go back to the other side over here.

364

00:23:19,935 --> 00:23:23,295

And, but a few little

happy things in here.

365

00:23:23,895 --> 00:23:24,525

I don't know.

366

00:23:26,475 --> 00:23:27,075

It's like, so

367

00:23:31,365 --> 00:23:34,875

see in here is often clean your

knife and you can just gently,

368

00:23:35,025 --> 00:23:36,405

gently bring all this together.

369

00:23:37,995 --> 00:23:38,535

Very light.

370

00:23:38,595 --> 00:23:41,775

If it's too bright for you, rub

it as so much dark on the canvas.

371

00:23:41,805 --> 00:23:42,465

It'll pick it up.

372

00:23:43,260 --> 00:23:45,300

And make all kinds of

beautiful things happen.

373

00:23:45,300 --> 00:23:49,139

You can dark and it just, by rubbing

it, blending it all together.

374

00:23:51,689 --> 00:23:54,570

As I say, this is a super,

super painful to use up.

375

00:23:55,379 --> 00:24:03,300

Any painted you have left on your palette,

super, super anything for that teaches

376

00:24:03,300 --> 00:24:04,949

you to love, color, and to play with it.

377

00:24:08,240 --> 00:24:09,320

Okay, let's see here.

378

00:24:09,530 --> 00:24:10,409

Let me go back.

379

00:24:13,005 --> 00:24:13,935

Clean up at age,

380

00:24:17,195 --> 00:24:19,155

maybe just a little water

line here and there.

381

00:24:20,655 --> 00:24:21,645

Just here and there.

382

00:24:31,365 --> 00:24:31,665

Golly.

383

00:24:31,685 --> 00:24:33,405

I think we just about got us a painting.

384

00:24:34,485 --> 00:24:34,575

Okay.

385

00:24:40,595 --> 00:24:46,655

maybe, maybe you want to put like

as a little stick here at lives.

386

00:24:47,765 --> 00:24:49,465

Let me just take your knife sticks.

387

00:24:49,535 --> 00:24:50,135

Easy to make.

388

00:24:50,135 --> 00:24:55,685

What a knife just drop you in

a happy little, little twig.

389

00:24:55,835 --> 00:24:56,615

Don't want it too bright.

390

00:24:56,645 --> 00:25:00,965

I don't want it to stand up too

much, wanting to be very quiet.

391

00:25:01,025 --> 00:25:01,895

Some dude just.

392

00:25:03,420 --> 00:25:03,930

Back here.

393

00:25:04,020 --> 00:25:04,890

I hadn't been dark.

394

00:25:07,400 --> 00:25:07,880

There you go.

395

00:25:07,920 --> 00:25:08,100

396

00:25:16,130 --> 00:25:17,390

give him a little arm

397

00:25:21,110 --> 00:25:23,060

and the least, least

little touch a highlight.

398

00:25:23,070 --> 00:25:23,930

So he stands out.

399

00:25:25,100 --> 00:25:26,180

This is just a light color.

400

00:25:26,180 --> 00:25:29,900

It looks like it has a little blue and I'm

really not looking for a specific color.

401

00:25:29,900 --> 00:25:31,280

This is just an office leftover.

402

00:25:31,695 --> 00:25:32,295

On the pallet

403

00:25:35,345 --> 00:25:36,815

or we can just blend him in letting go.

404

00:25:38,014 --> 00:25:41,885

And I think that'll give you a good

idea of how you can do a painting

405

00:25:41,885 --> 00:25:43,865

using nothing but your almighty knife.

406

00:25:44,285 --> 00:25:47,105

So on behalf of all of us here, we'd

like to wish you happy painting.

407

00:25:47,615 --> 00:25:48,514

See you next week.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 23, 2020

S04E13 - Mountain Challenge

Bob Ross's

The Joy of Painting

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