Bob Ross's

The Joy of Painting

S04E04 - Winter Sawscape

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Welcome back.

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I'm so glad you could

join us again this week.

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And today I'm very, very excited.

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We've got so many cards and letters

wanting to know how to paint saw blades

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that have invited a special lady.

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And today I would like to introduce you

today to a close personal friend of mine.

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I've known her and her husband,

Joe, for quite a while.

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I'd like to introduce

you today to Dorothy Dan.

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She comes to us right out of Missouri.

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Dorothy.

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We're so glad to have you with us today.

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Thank you, Bob.

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I'm really glad to be here.

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I'm going to get off here and let

you show them how to do a saw blade.

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And I'll be back with you

at the end of the show.

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Good deal.

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Thank you.

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Okay, we're going to

paint a saw blade today.

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You know, saws come in so many

different, interesting shapes and sizes.

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And many of you at home may have a

blade that you would like to paint on.

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If you have one, check it for rust.

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And if it's rusty, remove that with

some sandpaper steel wall and then

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spray your blade with a metal primer.

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That'll keep it from rusting back

through then spray with a flat black

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acrylic and you're ready to paint.

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I like to start with a loose sketch

that I've already put on this one.

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And I think they're gonna show the

colors that we'll be using today.

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And so we'll just get

right on into our painting.

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Let's start with our sky.

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I like to start at the very back and

move forward and let's go, and with a

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large breasts, all brush and you want to

make sure you're using a bristle brush.

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Let's pull a wide out

where we can get to it.

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And I liked the rather soft

wide here and then pick up some

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pressure and blue, no pressure.

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And blue is really a strong color,

so we don't really need a great deal.

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And that's rather bright.

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So now I'm going to add just

a touch of black and this will

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gray that blue right on down.

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Okay, get a color mixed up there.

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That's good.

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And then we'll start right up here

at the top of your sky and use

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the bottom corner of your brush.

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I'm giving it a little pushing motion.

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Is I go?

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And the reason I like to spray these sauce

black is I use that black pull that tight

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out a little thin and places, and that

gives you a little variation in your color

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tones, leave some room for some clouds.

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Now we're going to put a cloudy sky in.

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See that part's real lazy.

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Now we'd need the cleaner brush,

clean it real good and dry bristle

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brushes tend to hold the tarp and

I liked to keep them rather dry.

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And then we'll pick up some white again,

and I'm gathering this on one flat side

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of the brush, then turn your brush.

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So the paint is to the top and

we'll come right on in and just

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puff up a real nice little.

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Cloud now the paint's heavier up

here at the top of your cloud.

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And then as you're losing some of that

paint out of the brush, pull some of

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the blue into the base of your cloud.

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Now here can be another one.

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So I'm going to gather a

little bit more paint again.

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Now come right up here again.

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And here's another one I have to kind

of watch, or you have a tendency to

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work here, clouds and in long rolls,

and we don't really care about that.

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Let's come right on down toward

the ground line and keep your

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brush more or less moving back and

forth across the base of the sky.

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Now, there is a nice, soft, perfect

cloud, and that wasn't hard at all.

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Now let's go into that same color

and dark and it just a little

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bit more, a little more blue and

just a little more black again.

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Just kind of works into the brush

here and let's give ourselves

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a little distance back in here.

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Hold your brush.

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Oh, kind of sideways.

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And just Pat very loosely together.

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Suggestion of some real soft

trees, way off in the distance.

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You know, how they look kind of

blue-green when you see things from it.

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From a far just right in through there.

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Now I want to get rid of that

white that's in the brush and

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I'm going to clean it again.

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And we will go into a darker color because

we've got some foliage that will be

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coming right on down into the foreground.

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So we're going back into our blue,

black, and our blue and get a color.

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That's just some want darker.

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Now back again, and this time

I'm on the bottom corner of the

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brush, and I'm just going to Puffin

this foliage up toward the top.

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You can let it look a little bit

loose, come around your building.

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I kind of leave us bit of

space there for the building.

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If you get over into it, some

it isn't going to hurt a thing.

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Now we're just going to let that color.

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Set up a bit and we're going

to work on our building.

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Let it dry just a bit.

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Now let's go to a small

Sable brush something though.

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And a medium size is fine.

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Doesn't have to be too tiny and

let's pick up some bird umber and

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we'll lay this right underneath.

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The edge of our barn, Yves there,

and this side will determine

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will be our shadowed side.

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So we'll just put a little bit in here.

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It's not going to show up too much on

that black, but we'll see it in a minute.

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Then I'm going to wipe that

brush a little bit and then

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pick up some of the nation red.

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That's a good barn color.

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And let's start right here

on the front and stroke down.

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Follow the line of your boards.

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These boards were nailed on up and down.

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So that's the way we're

going to paint them.

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Leave some of that black showing in

between there just a little bit and

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that'll help your borderline look.

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Let's put just a hint over here.

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Watch the corner of your building

because we're going to need

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good sharp contrast there.

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Okay.

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We'll wipe our brush and then we'll

pick up just a little bit of white

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and we'll stroke right up on the.

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Fraud of that barn.

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See that highlight that that's

going to put on there just a bit.

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That's really all we need.

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Just something to soften it in there.

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Okay.

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Let's go to just a little

bit smaller flat Sable now.

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And we've got a little bit

of a wind up here at the top.

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Most of those Barnes had a loft up there.

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We need to paint that in that's black.

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And I've gotten just a touch of

white now, and we're going to just

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suggest a little edge to our window.

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Okay.

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Now then we're going to

clean our brush again.

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Well, now wait just a minute.

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Let's go back into that.

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Burnt umber and black hair and make a

little bit of a all, but underneath the.

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Overhang of the roof area from the angle.

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We're seeing that barn.

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We'll see just a little shading there.

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Okay.

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Now then we'll go to a little

larger brush and let's get a

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little gray blue on this roof.

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Now we're going to establish this

picture at this point as a snow scene.

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So we're going to have some gray

blue on that roof or shading.

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In the snow and then a little white and

we'll come right across the top of that

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roof and then pull down just very loosely

to suggest the snow piled on the roof.

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We don't want to overwork our

paint at this point because it'll

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just get too much, all one color.

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Okay, now then just a little bit of

an edge ride over here that snow's

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piled up high on the other side there.

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Okay.

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Now let's go to a fan brush and

make just a suggestion of some snow.

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On our background trees.

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This is a little bit

of pale blue and white.

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That's that same blue mix and

add some white load your brush

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on one flat side like that.

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See, okay.

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Now with the paint up, we need to

come in right on the corner and tap.

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Notice how this is going to throw your.

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Uh, brighter paint right

there to that edge.

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We want these leaves to look like they're

hanging over the barn just a little

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bit, this like, so now you at home,

we'll have a bit more time than we have

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here and you can take a liner and go

back and add more, Oh little sticks and

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twigs and all kinds of things in here.

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Just kind of let them go in and out.

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And they'll just look great, but we're

going to leave that for you to do at home.

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Okay.

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Let's go on down to our foreground and

let's take Oh, a medium size brush and

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we'll go into that blue, gray again, and

we'll establish the shading in the snow.

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And we're going to very quickly just

brush and right here above that water.

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Well brush in that shadow of

the bank where it will begin

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to drop down toward the water.

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We want to show the drop with a shadow.

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We've got a little bit

over here behind that barn.

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That's the shadowed side of the barn.

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It's going to throw a

shadow on the ground too.

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Okay.

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Then we've got another little

bank here and let's get some

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shading at the bottom of it.

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And while we're putting the shadows in.

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Let's just do it all and get some

down here in the foreground too.

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And that way we'll have

that much established.

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Now, when you're pulling out the shadows,

particularly in the shadow area, allow

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some of that black to work for you.

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Sometimes people cover their

canvas with black and they're not

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used to that or their saw blade

or whatever they're painting on.

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And they think.

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Gee, they better cover up all that black.

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Well, that's not the

reason we put it on there.

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We just put it on there so you can use it.

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So, okay.

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We'll just get a little

bit of that in there.

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That shouldn't be enough and

we'll just let that sit now.

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Then we need to, uh, put our, our white

and our snow and we'll go to a, uh,

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Little flat brush here and we'll take

our white and pull it out loaded on one

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side of the brush and come ride across

the background trees with your white.

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Now, as you move down toward

your blue, we'll be working

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right in to it there in a minute.

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And we want to go with the direction

that that ground is slow thing.

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Very important when you're

painting ground, whether it's

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grass or snow or whatever it is

back in here, it's more flat.

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So that's the way we work.

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Our brush slept that pile up under that

barn just a little bit, right in through

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there, back here in the shadows work

in and just kinda go around the whole.

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A little bit of shading, maybe

from over here to the side, then

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we've got a little more white right

in here and here is another bank.

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And so we've got to make a distinction

there and we'll just put that white end

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and we'll brush the blue into it there.

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Now then let's let that

rest just a little while.

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That looks good.

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And we'll go back to our big

brush and put a little Bush here.

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We've left her area here on painted.

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So back to our dark colors

and we'll just puff that.

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And

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there it comes out here just a little bit.

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Okay.

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Now back to our fan brush.

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Remember, we were loading only

on one side and then turn it.

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So your paid is up and

again, just give it a hit.

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Don't drop the handle down, like,

so just stand it up and that gives

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it a little bounce and you can

just make all kinds of bushes.

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Okay.

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Let's go to our water.

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Okay.

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Get down here.

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We've got a little strain

coming down through this.

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Field, and we always want to lay

our dark and the water first.

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So we're going to pick up our oppression,

blue and our black again now, right

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in here, right under the bank.

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And then pull it down slightly.

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You won't see this too good again, but we

have to have a little bit of a dark there.

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For the moistening on the surface.

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We'll just pull that down again.

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Some of that dark of this

saw blade can work for us.

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There's a little bit of a dip

in your bank here, and then

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we will clean out our brush.

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Okay.

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Now then we're going to go to our.

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Gray blue mix again.

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And we're going to start

riding under the dark.

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I'm not starting in it.

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I'm starting just under it

and pull down, pull down.

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There's a tendency, especially when

your banks are a little bit zig-zaggy

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you want to tend to follow the.

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Contour of the bank and pull

this way sometimes, but we really

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don't want to do that because

your reflections look much better.

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If they're going down, that's

the way they need to go.

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You want to pull that dark

right into that gray blue.

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00:14:41,040 --> 00:14:44,970

Now I'm kind of staying away

from the middle of the water.

243

00:14:45,540 --> 00:14:49,050

We want that to catch some

of the light from the sky.

244

00:14:49,620 --> 00:14:53,699

You know, water is clear and it

just reflects what's around it.

245

00:14:54,285 --> 00:15:00,555

So this water is going to reflect what is

around it now, then right in that middle

246

00:15:00,555 --> 00:15:06,405

let's pick up some white and I'm going

to put just a speck of orange in it.

247

00:15:06,405 --> 00:15:08,475

This will give it just a little off wall

248

00:15:11,704 --> 00:15:17,555

and then we'll start right in that

center and work ride over the gray blue.

249

00:15:18,210 --> 00:15:23,040

But you start with heavier paint in

the middle and then work out toward

250

00:15:23,040 --> 00:15:24,780

your other colors in that way.

251

00:15:25,770 --> 00:15:33,260

You're not losing those colors when

everything gets in, I'm covered and

252

00:15:33,260 --> 00:15:35,310

we have a nice reflection there.

253

00:15:36,180 --> 00:15:37,680

We all take our brush.

254

00:15:37,710 --> 00:15:41,300

Same brush is fine, or you

might want to use a fan, but.

255

00:15:41,835 --> 00:15:46,215

You want to just go wiggly,

weirdly real, soft and light.

256

00:15:46,665 --> 00:15:50,805

If you push too hard at this point

what's going to happen is you're

257

00:15:50,805 --> 00:15:52,725

going to over blend your water.

258

00:15:53,055 --> 00:15:58,935

Cause you will take out those

downward strokes and that way your

259

00:15:58,935 --> 00:16:01,125

water begins to have a flat look.

260

00:16:01,125 --> 00:16:05,505

And we really don't want it to

look like it's flat and hard.

261

00:16:06,645 --> 00:16:08,295

Just a little bit there.

262

00:16:09,060 --> 00:16:09,690

Okay.

263

00:16:10,140 --> 00:16:13,140

Now we're going to let that rest a

little while and then we'll go back

264

00:16:13,140 --> 00:16:14,760

and do some things to that bank.

265

00:16:14,790 --> 00:16:19,170

But real quickly, we can

get our foreground in here.

266

00:16:20,780 --> 00:16:26,780

We've got quite a bit of snow

right here in this front section.

267

00:16:27,230 --> 00:16:31,250

And again, we might pick up just a

touch of orange to appear to the top

268

00:16:31,250 --> 00:16:36,740

that will brighten it up and put just

a head of warmth in your, in your snow.

269

00:16:37,905 --> 00:16:40,935

Looks like the sun might be

hitting it at that point.

270

00:16:42,245 --> 00:16:42,635

Okay.

271

00:16:42,635 --> 00:16:47,135

And again, you remember to

follow the slope of the ground.

272

00:16:48,165 --> 00:16:49,935

Okay, there is our front.

273

00:16:49,995 --> 00:16:50,445

Ian.

274

00:16:50,955 --> 00:16:56,445

Now let's go back and do a little bit

of work to this back bank that doesn't

275

00:16:56,445 --> 00:16:59,175

look real to have just a straight line.

276

00:16:59,625 --> 00:17:02,295

So we're going to double load our brush.

277

00:17:02,325 --> 00:17:07,305

Now, when I double load the brush, I'm

loading it on one flat side here, and

278

00:17:07,305 --> 00:17:11,595

then I'm turning it over and putting

a little white on the other flat side.

279

00:17:12,045 --> 00:17:13,275

Now we're starting.

280

00:17:13,540 --> 00:17:16,990

Right at the bank and

pulling toward the water.

281

00:17:17,140 --> 00:17:18,340

See what happens?

282

00:17:19,810 --> 00:17:26,140

That will pull just a bit,

all the little drop-off down.

283

00:17:26,150 --> 00:17:29,830

See that, and then just

blend it right there.

284

00:17:30,250 --> 00:17:33,940

Now, anything that's down in

that water needs to be flat.

285

00:17:33,970 --> 00:17:39,580

Remember that sometimes instead of

doing a whole lot of little drop-offs,

286

00:17:39,580 --> 00:17:41,140

we don't want to lay them along.

287

00:17:41,140 --> 00:17:41,440

Just.

288

00:17:42,030 --> 00:17:43,680

One right after the other.

289

00:17:44,100 --> 00:17:49,670

It looks better if you just kind of

soften out that line and just put

290

00:17:49,670 --> 00:17:56,600

a few little snow covered rocks or

little chunks in there, they will

291

00:17:56,600 --> 00:17:59,900

look very nice in your painting.

292

00:18:00,650 --> 00:18:03,830

And while we've got this brush

in our hand, let's double load

293

00:18:03,830 --> 00:18:05,930

with our burnt umber this time.

294

00:18:06,554 --> 00:18:10,125

There's burnt umber on one side

and turn it over in the little of

295

00:18:10,125 --> 00:18:11,774

the white, any kind of that dirty.

296

00:18:11,774 --> 00:18:12,615

White's fine.

297

00:18:12,615 --> 00:18:13,665

On the other side.

298

00:18:14,205 --> 00:18:17,205

And we're going to come down on

the chisel edge of the brush.

299

00:18:17,235 --> 00:18:22,004

Now I'm starting right there and just

pulling down and look what happens.

300

00:18:23,205 --> 00:18:28,245

You get a light and a dark

stroke at the same time.

301

00:18:28,965 --> 00:18:33,764

And there comes a little fence right

on down to the edge of the water.

302

00:18:34,605 --> 00:18:42,345

Okay fact, these barn lots

have lots of little fences.

303

00:18:42,375 --> 00:18:47,505

Let's put a little wiggly when right

back here in the back, it might've

304

00:18:48,165 --> 00:18:52,425

lost a few rails along with the years,

so we don't need to make too much.

305

00:18:53,865 --> 00:18:55,274

Perfect rails there.

306

00:18:55,274 --> 00:18:57,405

Let's put a little brace post there now.

307

00:18:57,435 --> 00:18:57,764

Okay.

308

00:18:58,385 --> 00:19:02,074

Now then we need to work on our

foreground just a little bit here.

309

00:19:02,074 --> 00:19:05,105

So I'm cleaning that same

brush and picking up bounce,

310

00:19:05,195 --> 00:19:08,105

um, bur and a little black.

311

00:19:08,105 --> 00:19:12,875

We're going to put a tree right here

in the front, and I'm picking up just

312

00:19:12,875 --> 00:19:15,155

a little bit of medium at this point.

313

00:19:15,155 --> 00:19:19,445

I like to use a medium

that that is a dryer.

314

00:19:19,745 --> 00:19:21,095

Something that will help us.

315

00:19:21,510 --> 00:19:25,740

Speed your drawing of your paint

a little bit, plus then it,

316

00:19:26,220 --> 00:19:27,750

and we'll start right in here.

317

00:19:27,750 --> 00:19:30,510

You can just decide where

you want to make a tree.

318

00:19:30,690 --> 00:19:32,370

That tree can grow anywhere.

319

00:19:32,370 --> 00:19:36,540

Just balance this picture

off with a little tree shape

320

00:19:36,570 --> 00:19:38,460

right here in the foreground.

321

00:19:38,460 --> 00:19:43,740

And we're just going to face in that

trunk, pick up some of our background

322

00:19:43,740 --> 00:19:50,010

colors and that'll help to give your tree

just a little bit of highlighting any way.

323

00:19:51,615 --> 00:19:53,805

There it is just grew right there.

324

00:19:54,335 --> 00:19:58,595

Now, then let's clean our brush and

get rid of that dark and back to

325

00:19:58,595 --> 00:20:02,855

our white again and load one flat

side and I'm turning the brush.

326

00:20:02,855 --> 00:20:09,725

So the white is against the outside edge

and I'm coming right down on the side

327

00:20:10,175 --> 00:20:12,935

and just establishing a nice sharp line.

328

00:20:12,965 --> 00:20:14,675

See how I'm just pulling that in.

329

00:20:15,455 --> 00:20:15,875

Okay.

330

00:20:15,875 --> 00:20:16,895

Little more paint.

331

00:20:16,925 --> 00:20:17,465

And now.

332

00:20:17,865 --> 00:20:22,815

Let's do little chopping strokes,

pulling over into that tree.

333

00:20:23,355 --> 00:20:24,495

See what that does.

334

00:20:24,495 --> 00:20:26,625

That gives you a little bark texture.

335

00:20:27,575 --> 00:20:32,085

It makes it look like that the snow

has stuck to that tree when it blew

336

00:20:32,085 --> 00:20:38,235

in the wind, go around a few little

areas and see you've got some little

337

00:20:39,075 --> 00:20:41,715

holes for the squirrels to crawl in.

338

00:20:43,365 --> 00:20:46,335

Okay, now we better have a lamb or two.

339

00:20:47,055 --> 00:20:52,425

And again, I'm going to double load one

flat side like this, then turn it over

340

00:20:52,815 --> 00:20:54,675

and have your white on the other side.

341

00:20:55,185 --> 00:20:59,325

Now, to me, it's easier to start

on the outside and pull in and

342

00:20:59,325 --> 00:21:03,915

I'm coming down right on the

bottom corner of the chisel edge.

343

00:21:03,945 --> 00:21:08,504

Now see it turn, then push

harder as you get into the tree.

344

00:21:09,014 --> 00:21:10,905

And then just a few strokes there.

345

00:21:10,905 --> 00:21:11,835

We'll blend it in.

346

00:21:13,650 --> 00:21:19,650

That takes just a little practice, but

you can do it because it's not hard.

347

00:21:20,100 --> 00:21:25,590

Just start right down here

and then pull in very easy.

348

00:21:25,920 --> 00:21:29,460

It helps to keep the

dark side a little moist.

349

00:21:29,730 --> 00:21:34,110

That way your paint will

slide where to put lamps.

350

00:21:34,860 --> 00:21:37,170

Big dilemma, not really so big.

351

00:21:37,170 --> 00:21:38,670

You can put them anywhere.

352

00:21:39,300 --> 00:21:42,300

Just try to get a balanced look as you go.

353

00:21:43,230 --> 00:21:45,480

Just kind of balance that tree out.

354

00:21:45,510 --> 00:21:48,450

Doesn't have to have lambs

in any certain place.

355

00:21:49,140 --> 00:21:53,520

These are the main lambs that we're

putting on, and then we're going to take

356

00:21:53,520 --> 00:21:56,700

our liner and thin that paint just to bet.

357

00:21:57,645 --> 00:22:04,094

And let's start right here and

pull out a few small twigs have to

358

00:22:04,094 --> 00:22:06,135

keep that dark pretty moist too.

359

00:22:07,125 --> 00:22:07,574

Okay.

360

00:22:07,635 --> 00:22:09,794

These are just like our other lambs.

361

00:22:09,794 --> 00:22:13,125

We can just let those

wiggle right on out there.

362

00:22:13,125 --> 00:22:14,415

Just anywhere.

363

00:22:16,004 --> 00:22:20,564

Some of you may have trouble holding

your hand up in the air to do this.

364

00:22:20,564 --> 00:22:25,544

You can always brace your hand

with the end of a brush or.

365

00:22:26,030 --> 00:22:31,590

Are you as a mall stick, a lot of

artists like to do that gives you a

366

00:22:31,590 --> 00:22:37,830

little support and we'll just all,

let's put a little one down in here.

367

00:22:37,830 --> 00:22:42,629

He's just kind of wiggling off,

down here, make your lambs bigger,

368

00:22:42,629 --> 00:22:44,520

where they connect to the tree.

369

00:22:46,020 --> 00:22:47,729

Mother nature does that.

370

00:22:48,780 --> 00:22:50,129

So we bet her too.

371

00:22:51,209 --> 00:22:52,379

She knows how.

372

00:22:53,670 --> 00:22:58,110

Star from that one, just a little, put a

little wiggly lamb right in through there.

373

00:22:59,370 --> 00:22:59,880

Tay.

374

00:23:00,570 --> 00:23:04,460

Now this tree isn't going

to have any leaves on it.

375

00:23:04,490 --> 00:23:09,260

Maybe those back in there, Oak trees,

they hold their leaves all winter.

376

00:23:09,260 --> 00:23:12,560

So they've got some leaves

that are catching the snow,

377

00:23:12,560 --> 00:23:14,510

but this old tree here is bare.

378

00:23:14,960 --> 00:23:18,260

So we'll just let it see it and we'll go.

379

00:23:18,990 --> 00:23:22,080

Back to our flat brush

and double load again.

380

00:23:22,679 --> 00:23:28,290

And we're putting an, Oh, adjust

an old post it's down here in the

381

00:23:28,290 --> 00:23:35,669

front and it's got a brace on it

and we've got another one over here.

382

00:23:35,669 --> 00:23:40,530

That's leaning a little, this

fence was built a long time ago,

383

00:23:40,530 --> 00:23:42,840

so it's not in real good shape.

384

00:23:44,580 --> 00:23:46,320

And part of it is down.

385

00:23:48,420 --> 00:23:53,520

Little snow on one side snowed

so hard everywhere else.

386

00:23:53,520 --> 00:23:57,210

We'd better have some there

just a little bit on one side

387

00:23:57,210 --> 00:24:01,020

of the brush, many times people.

388

00:24:01,560 --> 00:24:05,550

Load both sides of their brushes

when they only need to load one

389

00:24:05,550 --> 00:24:09,030

side and then they get paint where

they don't really want it to be.

390

00:24:09,870 --> 00:24:10,470

Okay.

391

00:24:10,470 --> 00:24:13,510

Now we'd better plant those little posts.

392

00:24:13,530 --> 00:24:15,600

They're floating up in the air right now.

393

00:24:15,600 --> 00:24:20,669

So let's go back to our Bush color

background, tree color, a little pressure

394

00:24:20,669 --> 00:24:27,810

and blue and black again, and back to that

big brush and just bounce that in what?

395

00:24:27,810 --> 00:24:29,189

Down in the front here.

396

00:24:30,885 --> 00:24:34,695

Just get some real loose little bushes.

397

00:24:34,695 --> 00:24:36,465

Some of them are taller than others.

398

00:24:38,535 --> 00:24:39,195

Okay.

399

00:24:39,825 --> 00:24:43,545

That'll cover the bottom

up of the tree there too.

400

00:24:44,805 --> 00:24:49,815

And then we'll go back to

our fan brush and let's get a

401

00:24:49,815 --> 00:24:51,435

little snow on these bushes.

402

00:24:51,465 --> 00:24:51,975

No doubt.

403

00:24:51,975 --> 00:24:53,325

It's fallen there too.

404

00:24:53,715 --> 00:24:55,695

Again, notice the angle of the brush.

405

00:24:56,265 --> 00:24:57,525

It's sideways.

406

00:24:58,800 --> 00:25:03,919

And we're just bouncing and

real nice loose Lacy looking

407

00:25:05,750 --> 00:25:08,419

a little snow clusters here.

408

00:25:10,250 --> 00:25:10,879

Okay.

409

00:25:11,750 --> 00:25:18,980

Now, right in under these, let's say that

we've got a little snow that's drifted

410

00:25:18,980 --> 00:25:25,129

and we'll just go ahead with our fan and

just kind of soften that in underneath.

411

00:25:26,970 --> 00:25:29,190

And pull it to the side a bit.

412

00:25:29,190 --> 00:25:32,060

This will give us a little windblown look

413

00:25:35,450 --> 00:25:36,860

drifted up in there.

414

00:25:39,530 --> 00:25:42,050

This will also give you

just a little bit of.

415

00:25:42,930 --> 00:25:48,060

Of a contrast and color, but it's still

keeping darker colors toward the front.

416

00:25:48,060 --> 00:25:53,220

And you want always pull a light into

the back or middle of your painting.

417

00:25:55,800 --> 00:25:57,600

I think that's just about that.

418

00:25:58,700 --> 00:25:59,060

Dorothy.

419

00:25:59,090 --> 00:26:00,050

Thank you very much.

420

00:26:00,260 --> 00:26:01,100

That is beautiful.

421

00:26:01,220 --> 00:26:02,930

Did not tell you she was fantastic.

422

00:26:03,260 --> 00:26:05,600

We'll be looking forward to

seeing you next week until then.

423

00:26:05,630 --> 00:26:06,410

Happy painting.

424

00:26:06,470 --> 00:26:07,130

God bless.

425

00:26:07,310 --> 00:26:07,700

Bye-bye.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 23, 2020

S04E04 - Winter Sawscape

Bob Ross's

The Joy of Painting

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