Bob Ross's

The Joy of Painting

S04E09 - Cool Waters

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Um, hi, how are you doing today?

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Hope you're ready to do a

fantastic painting with me.

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And I thought today would do a painting.

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That's just a lot of fun and

we'll have a good time together.

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So I've already covered the canvas

with magic white, and I'll have

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him run all the colors that we're

going to use across your screen.

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And they'll come across your screen in the

same order that I have them on my pallet,

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starting with a white incoming around.

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So.

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Let's get started.

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Does that say I've already covered the

canvas with a thin even Coda magic white.

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And today I'm going to start out with a

little bit of fallow blue and I'm going

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to pull it out and work it into the brush.

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This will get us a nice even distribution

of color all the way across the brush.

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Just tap the brush into the paint.

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Okay, let's go right

up here to the canvas.

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We'll start out here.

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Just making little crisscross

strokes, little, little X patterns.

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And as you can see the, the

colors mixing with the magic white

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and he gets lighter in value.

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Can I add a little bit more of the flu?

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It's very easy to add color.

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It's a sign of a gun though,

to take it off the canvas.

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So he was very little color appeared in

the sky when you first start very simple

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to add more and we'll just bring it right

on down to, to about there wherever.

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And if you wanted to make it a little

bit darker, as I say, it's very

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easy to add a little more color.

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And if you're going to put clouds in

the sky, which I think I'll put some

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in today, you want just kind of maybe

to be a little bit darker than normal.

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If you're just using quite to make

the clouds that way your clouds will

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look brighter and stand out stronger.

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If you have light against

light, nothing happens.

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A thing happens.

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Okay.

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Now, while I've got a dirty brush,

I'm going to add a very small amount

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of failed green, and I'll just

mix it right here on the brush.

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So we get the yellow blue, and they look

green and I'm just beating that right

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into the bristles the same way there.

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Okay.

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Let's go back to the canvas now

and we'll put some water in here

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and coal from the outside in.

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Start at the bottom and work up that way.

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Once again, it's mixing with the magic

white and it gets lighter toward the

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horizon, everything, and the landscape

should get lighter toward the horizon,

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pull from the outside in and leave

little area open right here, right here.

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And when it's all done, it'll look like

a sheen of light coming across the water.

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Be very pretty, and try to

keep your stroke straight.

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Still water is always

flat, so always level.

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Okay, now we can wash our brush and

the brush just cleaned and odorless

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paint thinner, avoid using turpentine

leaves a residue in your brushes.

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Ooh, there we go.

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Okay.

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Let's build a happy little cloud

today and today we'll just do it

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with a, with a one inch brush.

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You can do it with a one inch brush

two and a half inch brush and brush.

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Today, I feel like using the one inch.

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So we'll pull some color into

the brush using titanium white,

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and we'll put a small, small

amount of permanent red in it.

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Just a little bit.

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It's very strong.

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Pull that brush through the paint there.

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A lot of pain in the brush.

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Very, very little permanent red.

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You'll set these clouds on fire.

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Ooh.

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Hey, let's go up to the canvas here.

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Maybe there's a happy little

cloud that lives right there.

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Just lay some color.

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Okay.

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Just drop it in.

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There we go.

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Now with the large brush, I

want to blend out the bottom of

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this without touching the top.

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So let's start tiny little circles.

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The circles barely go.

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Yes.

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Blend out.

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Don't touch the top yet.

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Now fluff it.

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And all we're doing here is lifting

it, just lift very lightly and then

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very gently blended three hairs and

some air right here in that simple.

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We make a beautiful little cloud.

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Now, maybe we'll load a little bit

more pain in here and let's give him a

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little friend that lives right there.

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And you're pushing quite

hard with a brush here.

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Do you want to push his paint

right into the fabric and don't

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stay in one area and keep working.

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All you'll have is his great

big cotton balls up in the sky.

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Put the paint on move,

and then blend it ended.

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The clouds are very free

and you paint them free.

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Your paintings reflect what you feel.

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There we go.

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I'm having a bad day.

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My paintings look entirely different

than if I'm having a soup per day.

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Okay.

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Let them give you an idea of how to

make some very effective, easy little

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clouds, uh, clean the old brush

up and we'll be ready to go here.

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Okay.

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We'll do that.

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The large brush.

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Okay.

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Now today let's put some mountains in

here and I'm going to use with, take

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some pressure and blue, very dark blue

Vandyke Brown in about equal parts and a

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little bit of a lizard Crimson, not much.

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And just mix it together.

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Not much Crimson.

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And I'm going to put a little

bit of white right there.

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I have retained it dark

over here and light here.

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It's the same color.

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Just different values.

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Okay.

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Yeah.

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We'll take the old fan brush and I'm

going to load some of the lighter

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color in there, just like it.

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Okay.

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And maybe there's a little mountain lead

back here in the distance and we use just

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the corner of the brush, just a corner and

you can make a beautiful little mountain.

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Just pull

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using a corner of the brush.

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Yeah.

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I would take a large brush and go right

up here, touch court, super easy way to

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make the indication of distant mountains.

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And you can, by changing brush strokes,

you can make it look like there's

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highlights and shadows, and you

really haven't done hardly a thing.

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Awesome miss down here at the bottom.

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So we'll just tap it very lightly.

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Lift up in that simple.

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We get a little distant mountain.

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Okay.

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Now let's put a, let's put

another mountain right here.

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Shoot.

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Now we use a dark color, a little

bit on the knife and we'll have a

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mountain that lives right there.

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Just pushed that paint

right into the fabric.

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Push it hard.

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Maybe there's a little bump right there.

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Since these are your mountains,

you can put in bumps.

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Anytime you want big

stones, little stones.

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Okay.

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Now we can take the large brush and

grab that dark color and pull it.

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And when you're painting

mountains, mountains are always

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more distinct at the top.

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Then they are at the bottom.

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If you can see the entire mountain by

pulling it down like this, it mixes

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with a magic white and automatically

it gets lighter on the bottom.

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You don't have to think

about it or plan it.

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It happens.

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And that's, that's the joy of painting.

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Get a little plug in

there for the title C.

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There we go.

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Okay.

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That gives us a basic shape.

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And you can also use these brush

strokes to sort of give you ideas of

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where the highlights and shadows will

be playing with this a little bit.

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And you'll see what I'm

talking about is a light hits.

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You can see highlights and shadows

and you haven't committed yourself.

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Okay.

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Let's take a little bit of the titanium

white, get a pallette paint out flat.

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Go across and get a, just a tiny little

roll of paint right there on the knife.

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Okay.

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Let's go up to the canvas now.

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Touch no pressure and just let it follow

right down the mountain, but no pressure.

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If there's a secret to

it, that's probably it.

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Biggest mistake made is

applying too much pressure.

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When I was teaching my son, Steve

to paint, I used to tell him just

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to pretend he was a whisper floating

across the map to pretend that if

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he didn't didn't hang on his hand

would just literally float away.

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It's that light of a touch.

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But today he's one of the most

fantastic painters in the country.

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And this method travels all

over the country teaching.

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So it works, it works.

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And you can do it.

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now for the shadow side, I'll take

a little bit of pressure and blue

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and white, just blue and white.

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Mix it up and get that same little

roller paint right on the knife there.

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Okay.

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Now let's go ahead.

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Up here and put some shadows.

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And now the shadows go at opposite angles.

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Highlights go with one angle

shadows at the other right here.

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There, it needs a little shadow.

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Okay.

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That separates those.

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Maybe it comes out over in here.

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See how easy it is to

make beautiful mountain.

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You can do it.

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You can do

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very delicate touch.

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Go back.

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And if you want to change anything,

you could add subtract that's

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your world so you can change it.

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You can change it.

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Tremendous amount of power you

have on canvas here can change

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all mighty rivers, mountains.

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Okay.

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Yeah, let's take a clean, dry.

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Large brush.

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And I want to create some

myths down here at the bottom.

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So very championing we'll tap.

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Following the angles.

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Always pay attention to

your angles over here.

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We'll go in this direction.

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Just tab.

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Now we're going to lift up very gently,

very gently to take out the little

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tap marks and blend it all together.

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And that simple, we have beautiful mist

right at the bottom of those mountains.

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Now here's the line that, that

bothers me on this mountain.

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It's a little bit too straight.

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So I'm going to take a little bit of white

and just go back in here and break it

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up a little, see how you can change it.

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It's easy to change it and want to

put another little shadow right there

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and it gets rid of that straight line.

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So if something bothers you change

it once again, this is your world.

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You have absolute control.

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Okay.

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Now that this let's put some, maybe a

little Foothill back here and I'm going to

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take, we can use the same mountain color.

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We have blue, fresh and blue and

Brown, a little bit of Crimson.

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And to that, I'm going to add SAP green.

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So I've got blue, Brown staff green.

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And there was a little

bit of Crimson in there.

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That's not necessary, but if you have a

pile of paint already leave it in there.

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There we go.

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Okay.

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Now let's take a am brush and

load a lot of pain into that brush

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really, really work, shake those

bristles wiggling, see how that

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loads it up and then pull them there.

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Okay, let's go up to the canvas here.

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Maybe, maybe there's a little evergreen

tree and normally I would do this

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straight on, but you can't see it.

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So I'm going to turn at an angle like

this, and maybe you can see, it gives

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you an idea of what's happening and it

doesn't work quite as well when I'm at an

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angle as it does when you're straight on.

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But at least you can see here

how these little trees are made.

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Okay.

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Little more paint and I'm

going to go straight on it.

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And so we can get these painted.

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You see how they're done and when

you're at home, you go, you'll

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see exactly what I'm talking about

when you're doing them your own.

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Now you want to leave this a little

bit of mist between the background

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and the mountain.

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If you don't, if you don't leave

that little bit of mist in there.

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These foothills are going to be

right up against your mountain

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and you want them to be separate.

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Okay, there we go.

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And if you want to give the illusion

that it's going farther away, let them

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get smaller down here toward the end.

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Let them get smaller.

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There we go.

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Until it comes right on down to

you just doing this and lifting up

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a little and that'll help create

the illusion of distance here.

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00:14:42,685 --> 00:14:46,875

See if we can get a shot at this, I'm

touching, pushing, and bending up.

253

00:14:46,905 --> 00:14:50,805

I can you see that sometimes you don't

see that cause my hands in the way,

254

00:14:51,345 --> 00:14:53,055

but I'm bending and pushing upward.

255

00:14:54,405 --> 00:14:57,465

And that's the same way we'll

highlight these, but that's the

256

00:14:57,465 --> 00:14:58,725

action of the brush right there.

257

00:15:00,314 --> 00:15:00,615

Okay.

258

00:15:03,885 --> 00:15:04,395

There we go.

259

00:15:09,425 --> 00:15:13,085

And notice this angle, this helps

lead the eye into the painting.

260

00:15:13,145 --> 00:15:16,204

If it was to go in the opposite

direction, it would lead the eye

261

00:15:16,265 --> 00:15:21,365

out of the painting, which would,

would not be as pleasing this way.

262

00:15:21,435 --> 00:15:22,265

It always leads you.

263

00:15:22,265 --> 00:15:22,805

I right here.

264

00:15:24,015 --> 00:15:27,645

Alrighty, let's make up a few reflections.

265

00:15:27,645 --> 00:15:27,765

Now.

266

00:15:27,795 --> 00:15:32,805

Normally all we have to do is touch and

pull down because the canvas is wet.

267

00:15:33,225 --> 00:15:36,585

So very simple to make

beautiful, beautiful reflections.

268

00:15:37,035 --> 00:15:39,165

If you had a dry canvas,

now you'd be in trouble.

269

00:15:39,255 --> 00:15:42,195

It wouldn't work like this, but

since you had the magic white

270

00:15:42,195 --> 00:15:44,175

under there, the paint will Slack.

271

00:15:44,205 --> 00:15:48,915

It will move and reflections are

one of the most beautiful things

272

00:15:49,065 --> 00:15:50,175

it's done in this technique.

273

00:15:50,565 --> 00:15:52,485

And one of the simplest now very lightly.

274

00:15:53,189 --> 00:15:53,970

Come across.

275

00:15:54,510 --> 00:16:00,360

This is very likely, just barely,

barely touching the canvas in that

276

00:16:00,360 --> 00:16:02,189

simple, we have beautiful reflections.

277

00:16:03,209 --> 00:16:07,620

I'm gonna take a small amount

of white on my fan brush and put

278

00:16:07,620 --> 00:16:08,910

some little trunk indications.

279

00:16:09,209 --> 00:16:10,140

Very lightly.

280

00:16:10,199 --> 00:16:10,920

Lift upward.

281

00:16:12,510 --> 00:16:14,670

Don't want too many, just

a few here and there.

282

00:16:16,079 --> 00:16:17,310

Just a few here and there.

283

00:16:20,765 --> 00:16:21,095

Okay.

284

00:16:21,995 --> 00:16:22,805

And that's all you need.

285

00:16:24,605 --> 00:16:29,165

Now we'll take a little bit

of yellow and SAP green.

286

00:16:29,975 --> 00:16:34,925

We'll use them and I'll put a little bit

of paint thinner and with my paint to

287

00:16:34,925 --> 00:16:37,055

thin it load a lot of pain in the brush.

288

00:16:37,535 --> 00:16:38,765

Look at all the paint that's in there.

289

00:16:40,235 --> 00:16:41,645

Tremendous amount of paint.

290

00:16:42,635 --> 00:16:42,875

Okay.

291

00:16:43,355 --> 00:16:46,355

Let's go up to the canvas and we'll touch.

292

00:16:46,844 --> 00:16:49,245

And use that same stroke,

bend that brush upward.

293

00:16:49,995 --> 00:16:54,074

We'll put a little bit of highlight

back here and do it in layers.

294

00:16:54,074 --> 00:16:57,344

Do the one that you thinks of

fathers away first and work forward.

295

00:16:58,635 --> 00:17:02,925

Work forward here we

have CAD yellow and SAP.

296

00:17:02,925 --> 00:17:04,365

Green is really all we have on here.

297

00:17:08,790 --> 00:17:10,020

And then would go like, yes.

298

00:17:15,690 --> 00:17:16,260

All right.

299

00:17:16,470 --> 00:17:19,470

And that gives us a nice little

background, very simple, very easy.

300

00:17:20,490 --> 00:17:24,450

And we're in business, but you can

pull a little bit more of this down.

301

00:17:24,450 --> 00:17:27,090

If you want to pick up a tiny

bit of that yellow color, you can

302

00:17:27,090 --> 00:17:28,470

pull it down into the reflections.

303

00:17:29,820 --> 00:17:30,570

It's very simple.

304

00:17:32,159 --> 00:17:35,790

Lightly go across these strokes

across need to always be straight,

305

00:17:37,139 --> 00:17:39,179

or once again, your water will

run right out of your painting.

306

00:17:40,379 --> 00:17:45,000

And we'll take a little bit of magic,

quite a diploma palette at across it.

307

00:17:45,389 --> 00:17:49,740

And let's go right up here and we'll make

some happy little water lines, and I'm

308

00:17:49,740 --> 00:17:51,899

just literally cutting into the canvas.

309

00:17:52,110 --> 00:17:52,679

Push hard.

310

00:17:53,699 --> 00:17:56,340

Now these lines need to be

basically straight in go anywhere.

311

00:17:56,340 --> 00:17:57,120

You want to go with them.

312

00:17:58,409 --> 00:17:59,580

They need to be straight.

313

00:18:01,425 --> 00:18:05,595

Or your water will run out of the

painting, get your floor with, and if

314

00:18:05,595 --> 00:18:09,285

you get one like right here that maybe

has a little too much paint, just take

315

00:18:09,285 --> 00:18:14,655

a clean knife and rub it and it'll mix

with a color underneath and just goes

316

00:18:14,655 --> 00:18:19,295

away because very soft, you can keep

doing this till it's done there at all.

317

00:18:21,485 --> 00:18:21,935

Alrighty.

318

00:18:22,745 --> 00:18:25,055

Let's make some, let's make

some happy little trees here.

319

00:18:26,090 --> 00:18:29,550

I have several fan brushes that I use,

so I don't have to keep cleaning them.

320

00:18:30,300 --> 00:18:33,629

But if you heard home only

have one, that's fine.

321

00:18:34,290 --> 00:18:35,610

You just have to wash it a little more.

322

00:18:36,209 --> 00:18:36,479

Okay.

323

00:18:36,510 --> 00:18:40,379

I'm loading a lot of this dark paint,

same dark color, blue, Brown, green.

324

00:18:42,060 --> 00:18:42,330

Okay.

325

00:18:42,389 --> 00:18:43,320

A lot of it in the brush.

326

00:18:43,500 --> 00:18:44,419

Just go right up here.

327

00:18:45,500 --> 00:18:45,620

Now.

328

00:18:45,649 --> 00:18:48,169

Maybe there's a nice little

tree that lives right here.

329

00:18:48,620 --> 00:18:53,240

Touch the canvas corner of the

brush and just go back and forth.

330

00:18:54,855 --> 00:18:55,695

Back and forth.

331

00:18:56,285 --> 00:18:58,305

That's all there is to make

it a happy little tree.

332

00:18:59,745 --> 00:19:01,665

They're easy and they're fine.

333

00:19:03,285 --> 00:19:04,185

Look more paint.

334

00:19:04,305 --> 00:19:07,095

And maybe we're giving her

a friend that's right there.

335

00:19:10,305 --> 00:19:12,735

And in your world, you put

as many trees as you want.

336

00:19:13,935 --> 00:19:19,185

If you want more trees, if you

want less, don't put as many.

337

00:19:21,854 --> 00:19:23,925

We didn't how many trees

it takes to make you happy?

338

00:19:24,074 --> 00:19:24,945

That's what's important.

339

00:19:31,475 --> 00:19:32,735

Happy little tree right there.

340

00:19:35,824 --> 00:19:36,125

Damn

341

00:19:40,834 --> 00:19:42,064

dark, dark, dark color.

342

00:19:44,584 --> 00:19:46,415

Maybe while I got the brush dirty.

343

00:19:47,460 --> 00:19:50,190

Maybe there's a couple of trees

over here on the other side.

344

00:19:50,190 --> 00:19:51,120

So let's go right over here.

345

00:19:51,120 --> 00:19:56,840

And Larry is quite out of

the brush back and forth,

346

00:20:01,250 --> 00:20:02,660

dropping a happy little tree.

347

00:20:03,480 --> 00:20:04,280

These types of things.

348

00:20:04,280 --> 00:20:05,270

Remind me of my home.

349

00:20:05,420 --> 00:20:09,500

I live in Fairbanks, Alaska, and

I see it a lot of this type of

350

00:20:09,500 --> 00:20:10,700

scenery right out of my window.

351

00:20:12,560 --> 00:20:13,910

Beautiful, beautiful country.

352

00:20:18,585 --> 00:20:18,975

Okay.

353

00:20:19,814 --> 00:20:21,975

And maybe let's let's let's table.

354

00:20:22,034 --> 00:20:22,875

Let's put one right here.

355

00:20:22,875 --> 00:20:24,705

Cause trees, trees need friends too.

356

00:20:26,445 --> 00:20:27,435

They're you get lonely?

357

00:20:27,645 --> 00:20:28,935

Just like all the rest of us

358

00:20:37,504 --> 00:20:41,115

know, one of the rules of art is that

you should always have odd numbers.

359

00:20:41,970 --> 00:20:43,380

Three five, seven, et cetera.

360

00:20:45,060 --> 00:20:45,390

Of course.

361

00:20:45,390 --> 00:20:46,320

That's a man-made rule.

362

00:20:46,330 --> 00:20:46,770

Nature.

363

00:20:46,920 --> 00:20:52,080

Nature has some word that yet it

makes composition a little better.

364

00:20:52,080 --> 00:20:53,280

If you have odd numbers.

365

00:20:55,110 --> 00:20:55,500

Okay.

366

00:20:55,650 --> 00:20:56,940

Let's take the old big brush here.

367

00:20:57,450 --> 00:21:03,450

I would take some SAP, green

Prussian blue Vandyke Brown, and

368

00:21:03,450 --> 00:21:04,710

I'm just mixing them on the brush.

369

00:21:06,390 --> 00:21:09,960

Polet brush it right

through the paint bandit.

370

00:21:10,409 --> 00:21:11,430

They're loaded deep.

371

00:21:11,460 --> 00:21:11,730

Okay.

372

00:21:11,730 --> 00:21:15,210

Let's go up to the canvas

and touch right there.

373

00:21:18,659 --> 00:21:20,879

We'll put our happy little

things lives right there.

374

00:21:23,399 --> 00:21:24,810

And you got to paint on the brush.

375

00:21:24,840 --> 00:21:32,430

Plus reflecting the water that was left

to do reflections the same color and where

376

00:21:32,430 --> 00:21:34,710

the trees are, where the trees are tall.

377

00:21:34,919 --> 00:21:36,149

Do you want long reflections?

378

00:21:37,155 --> 00:21:37,334

Okay.

379

00:21:38,264 --> 00:21:42,615

Now I'll get a little more

paint on the brush, same colors.

380

00:21:43,935 --> 00:21:48,074

And maybe right here, I'll have a NASA.

381

00:21:48,915 --> 00:21:49,425

There it is.

382

00:21:52,695 --> 00:21:53,985

And just let these things happen.

383

00:21:54,375 --> 00:21:55,215

Don't worry about them.

384

00:21:55,215 --> 00:21:56,955

Don't try to plan them all that much.

385

00:21:57,554 --> 00:22:00,254

Have a general idea in your mind

of what you're going to paint.

386

00:22:00,615 --> 00:22:01,995

And let it just let it happen.

387

00:22:03,885 --> 00:22:04,335

Let it go

388

00:22:07,765 --> 00:22:08,325

that easy.

389

00:22:10,845 --> 00:22:11,355

Okay.

390

00:22:12,675 --> 00:22:18,015

Now let's take a large brush here

and pull Seminis down for reflection.

391

00:22:18,045 --> 00:22:25,155

Just pull it down and lightly come across

and I'll use a little bit of burn number.

392

00:22:26,715 --> 00:22:28,065

Oh, there's a small amount of white in it.

393

00:22:29,399 --> 00:22:30,570

Get a little bit on the knife.

394

00:22:31,020 --> 00:22:35,040

Let's go right up here and

we'll put in a few little trunk

395

00:22:35,040 --> 00:22:38,100

indications just here and there.

396

00:22:41,510 --> 00:22:42,139

There we go.

397

00:22:43,520 --> 00:22:49,179

And maybe a little bit over

here, a few little indications.

398

00:22:49,199 --> 00:22:51,560

You don't have to show the entire

trunk cause you wouldn't see it all.

399

00:22:54,199 --> 00:22:57,620

And we'll use a little bit of SAP,

green, small amount of yellow.

400

00:22:58,770 --> 00:23:00,150

And let's highlight these trees.

401

00:23:00,330 --> 00:23:02,100

Mountain says the lights

coming from the right.

402

00:23:02,850 --> 00:23:07,020

So more emphasis on the

right and that easy.

403

00:23:07,710 --> 00:23:09,240

You can throw a little

bit of highlight on there.

404

00:23:11,580 --> 00:23:14,130

Derek goes, go over here.

405

00:23:14,300 --> 00:23:17,640

I'm gonna put some on this

one still on the right side.

406

00:23:22,050 --> 00:23:23,460

Just where you think light would hit.

407

00:23:25,080 --> 00:23:25,620

Okay.

408

00:23:27,360 --> 00:23:30,420

Let's get in here, but they

all one inch brush take some.

409

00:23:31,110 --> 00:23:31,770

I like that.

410

00:23:32,250 --> 00:23:33,570

We use some yellow ochre,

411

00:23:37,280 --> 00:23:38,420

a little bit of SAP green.

412

00:23:38,840 --> 00:23:39,140

Okay.

413

00:23:39,470 --> 00:23:42,920

Let's drop in some, some nice

little bushes right in here.

414

00:23:44,180 --> 00:23:45,740

Can you just drop them

in while we got it on?

415

00:23:45,740 --> 00:23:50,600

The brush will reflect them a little

bit of permanent red added to it.

416

00:23:50,600 --> 00:23:52,100

That's nice.

417

00:23:52,100 --> 00:23:52,790

Bright color.

418

00:23:53,060 --> 00:23:53,360

Pretty.

419

00:23:55,965 --> 00:23:57,975

Drop it right into the reflection.

420

00:24:00,845 --> 00:24:04,985

And I just put in some little

bushes and stuff here and

421

00:24:04,985 --> 00:24:05,855

there, wherever you want them.

422

00:24:08,245 --> 00:24:11,465

So let them go.

423

00:24:15,004 --> 00:24:18,435

Can you, let's go to the other side

while we get this brush running and

424

00:24:18,545 --> 00:24:20,075

let drop in some right over in here.

425

00:24:25,595 --> 00:24:27,215

I'll tell you what I'm

going to get another brush.

426

00:24:27,215 --> 00:24:29,764

And I have, once again, I have

several brushes going here at once.

427

00:24:29,764 --> 00:24:32,975

I'm going to put a little bit of

a lizard Crimson, a little bit of

428

00:24:32,975 --> 00:24:36,725

Failla glue, and I'm just mixing

on the brush a little white.

429

00:24:40,825 --> 00:24:42,245

I get a little more of a paint thinner.

430

00:24:42,275 --> 00:24:44,045

I want to thin this out

without diluting color.

431

00:24:46,575 --> 00:24:49,905

Let's go right here and maybe, maybe

there's a beautiful little purple Bush.

432

00:24:49,905 --> 00:24:50,265

It lives.

433

00:24:50,265 --> 00:24:50,415

Right.

434

00:24:50,495 --> 00:24:50,675

Okay.

435

00:24:53,675 --> 00:24:54,275

Let's drop him.

436

00:24:54,275 --> 00:24:54,425

Yeah.

437

00:24:58,085 --> 00:24:59,945

And we'll put a little

one on the other side too.

438

00:25:00,155 --> 00:25:07,865

So there's just a small one on both

sides just to brighten it up and reflect

439

00:25:07,865 --> 00:25:09,125

a little that right into the water.

440

00:25:10,385 --> 00:25:12,515

Now with a large brush,

gently pulled down.

441

00:25:14,070 --> 00:25:15,600

An instant reflections.

442

00:25:17,120 --> 00:25:17,689

That's simple.

443

00:25:19,820 --> 00:25:20,000

Yeah.

444

00:25:20,000 --> 00:25:24,260

I'll take the knife a little bit of

Bandag Brown, little umber mixed with it.

445

00:25:26,720 --> 00:25:31,639

Touch pool, put some land in there.

446

00:25:33,649 --> 00:25:35,210

We use a little Brown and white.

447

00:25:38,120 --> 00:25:39,800

You throw it in the highlight on it.

448

00:25:39,889 --> 00:25:41,270

Just come back here.

449

00:25:42,959 --> 00:25:45,530

A little bit of that

magic white in waterline,

450

00:25:53,990 --> 00:25:54,379

easy.

451

00:25:55,159 --> 00:25:59,240

And we'll just use a clean point of the

knife and cut a few little sticks and

452

00:25:59,240 --> 00:26:01,159

twigs here and there just breaks it up.

453

00:26:01,220 --> 00:26:02,060

It gives a little depth.

454

00:26:04,639 --> 00:26:05,240

Okay.

455

00:26:05,270 --> 00:26:07,879

Let's go back over here and

finish up this other side.

456

00:26:08,895 --> 00:26:13,774

Go back into my yellows and reds, Indian,

yellow, just back and forth, right.

457

00:26:17,395 --> 00:26:18,875

Is just a fun little painting.

458

00:26:18,875 --> 00:26:20,495

I think you probably enjoyed it.

459

00:26:20,615 --> 00:26:22,415

Give you a lot of practice

with all the equipment

460

00:26:25,925 --> 00:26:27,155

stare at your imagination.

461

00:26:28,565 --> 00:26:34,024

Maybe, maybe, maybe there's a little

path that lives right here, just

462

00:26:34,024 --> 00:26:35,345

back and forth with some Brown.

463

00:26:37,379 --> 00:26:40,560

Let it go wherever you want it to go.

464

00:26:41,990 --> 00:26:45,660

Little bit of highlight,

barely touching the canvas.

465

00:26:48,150 --> 00:26:48,540

Okay.

466

00:26:48,960 --> 00:26:53,670

Then we can go ahead and put the bushes

on the other side, put your path in

467

00:26:53,670 --> 00:26:56,400

first and then let the bushes hang over.

468

00:26:58,200 --> 00:26:58,830

Just like that.

469

00:27:07,139 --> 00:27:11,580

Hey, take the knife, cutting

a few little sticks and twigs.

470

00:27:15,030 --> 00:27:16,889

And I think we've got a finished painting.

471

00:27:18,689 --> 00:27:19,739

We'll call that one done.

472

00:27:20,219 --> 00:27:24,149

So on behalf of entire crew here,

we'd like to wish you happy painting.

473

00:27:24,570 --> 00:27:25,110

God bless.

474

00:27:25,110 --> 00:27:25,889

And we'll see you again.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 23, 2020

S04E09 - Cool Waters

Bob Ross's

The Joy of Painting

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