Bob Ross's

The Joy of Painting

S04E07 - Cabin in the Woods

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Welcome back.

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Glad you could join me today.

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Today.

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We're going to do something

as quite a bit different.

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It's a lot of fun and you're going

to have a good time doing it with me.

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So I'll have them graphically run

all the colors across the screen

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that you need to do this painting.

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And they'll start with a titanium

white and go around in the same

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order that I have MoMA palette.

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And while they're doing that, let's

go up to the canvas and get started.

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I'll take the fan brush today and

we'll go right into a titanium white.

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And just put some right on the brush.

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Let's go up to the canvas.

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And today I want to do a scene, uh,

like you're deep, deep into the woods

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and maybe there's a little light coming

through all these background trees.

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And I would just let things happen

a lot of times when like in Oregon,

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California, et cetera, you go into the

deep woods and you see scenes like this.

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So let's have some fun.

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And we start off here with a fan

brush and let's just do this.

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I've already covered this canvas with a

thin coat of failover blue and SAP green.

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And I just mixed them on the brush

and covered the canvas with him.

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Okay.

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Let's just do this here and there.

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Wherever, wherever,

wherever this, let it go.

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Have fun there.

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See, and I know you're saying,

well, he's, he's done at this time.

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He has got number one, masculine.

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Maybe, maybe let's see,

let's see, just have fun.

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Just left.

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Let these things happen here and there.

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These are always fun paintings and

these black canvases are like, there's

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so much fun and they're, they're good

canvases to make you a happy book.

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If you're interested in monetary

gains, they're just here and there.

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Wherever now we'll take our

large brush and very gently.

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We'll just plan this out, smooth it out.

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And that's all there is to that part.

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And I'll wash the brush and we

wash your brushes with odorless

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paint thinner, shake it off

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and beat the drip bristles dry.

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Okay, I'm going to take another fan brush.

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I have several of them going here

and we'll mix up some color first.

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Take, I want a black color.

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So I'm gonna use the little green

analyser and Crimson and about equal

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amounts, maybe a little bit more

Crimson and green, tiniest bit more.

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Usually the Thaler greens, a little

bit stronger than the Crimson.

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And when you're mixing color,

pick it completely up off the

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pallet and turn it over at way.

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It all gets mixed.

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Otherwise what's against the palate.

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When you're doing this, won't get mixed.

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If you don't pick it up and turn it

over most important, when you want to

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get a nice even, even distribution.

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Nice mix of color.

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All right.

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How does have some fun?

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Let's put some trees that are we back in

the background here and we'll take a fan

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brush loaded, full of paint, and let's go

right up here and already you can begin

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seeing areas where it looks like trees.

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So we'll just take a little,

this black color, fill it in

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wherever these are your trees.

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So you put them where you want and

every painting will be different.

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Every one there's one

there's one there's one.

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Let it go.

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Let it go.

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Make a mistake or as

skinny as you want them.

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As many as you want, these are your woods.

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So whatever you want

in there, they're okay.

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Maybe, maybe.

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I see another one right

there, right there.

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And this is such a nice painting

because it's very simple to do it works.

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This one will work on your first attempt.

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It's that easy.

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Now I've got most of the pain

off the end of the bristles here.

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I want to put some that are far, far away.

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So without adding more paint,

I want this to be lighter.

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They're farther away, more

lights between this tree and you.

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So I want that one to be lighter.

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Maybe, maybe, maybe, maybe,

maybe he lives this one.

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Let him go put them in at random,

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wherever you think they

should be taking away.

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That looks like a natural place

right there for Nash tree.

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So we'll put one in.

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And if you were real careful, when

you put your light color in here, you

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could probably leave these places and

wouldn't have to go back and paint them.

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But I'm not very careful

most of the time I just throw

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things in and let them happen.

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Can you maybe, maybe, maybe

there's one right there.

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Drop it.

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Yeah.

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Easy.

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Maybe, maybe they're there.

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Here's another one.

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I see it.

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I see it right there.

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Don't you

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think sometimes they're close together?

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Sometimes they're far apart.

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Sometimes they grow in clumps.

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Just however it makes them happy

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over there.

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Maybe.

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Maybe it is a big one right here

that you can only see half of maybe

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the other half is off the canvas

somewhere and that's all we're doing.

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That's basically all you need to do to

put in all these little indications.

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Now I'm going to take

the script liner brush.

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This is a number two script liner,

a little paint thinner on it.

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Go right into the same color.

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Turn the bristles, turn it brush.

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I brings it to a nice sharp point.

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Let's go to the canvas.

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Now I want to put some indication

here in there of some layers that

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are hanging across and we'll just

put these in very loose, very free.

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I don't go to stand paint and I will

stick on top of the thicker paint.

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We use a very, very dry from pain

underneath, and then we can put all these

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little things on very easy there, like

little limbs, tell you what I want to do.

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This looks like a little

bushes, but I don't want to.

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Land up a little bit to soften them,

push them back a little further

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for too many levels of there.

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That'll push them back

or something right there.

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They're pushing back, back and

farther away that easy can never

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go back, put in a few more of

these little Liam's here and there.

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And you can put in as many as you want.

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I mean,

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Just think like a tree.

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I was like, I remember my dad

telling me when I was a kid.

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I wanted to catch a rabbit.

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I stood behind the tree,

made a noise, like a carrot.

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And when the rabbit came by, he

grabbed it works pretty good until

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you trying to figure out what kind

of noise a carrot makes there.

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Needless to say, I

didn't catch any rabbits.

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Okay.

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It's been a good place for a little

rabbit to live beautiful deep woods,

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nobody to ever find him in here.

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I spent quite a bit of time in

Oregon and this really reminds me

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of some of those scenes in Oregon.

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Uh, there's some beautiful,

beautiful woods in Oregon.

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Like nowhere else, California,

Northern California.

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Beautiful things happen.

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Beautiful hair.

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Okay.

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Now maybe, maybe, maybe you don't

want this one to feel left out.

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We'll put a few lamps here now.

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Just want to show you how to do this.

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You can put as many as you

want back in there for you.

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Just let them happen already.

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That should be giving them

oppression of deep woods.

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The deep woods.

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If your paint will not stick, add a

little more of your paint, thinner to

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your brush, you gotta have it thin paint

to make it stick to the thick paint.

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Okay.

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Now that will give us, uh, a

nice feeling of some woods.

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Maybe there's a musty let's take,

let's take a little bit of yellow.

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I'm using just this old, dirty brush.

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Put a little green on it, a

little green and just tap it.

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Just tap.

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See, that'll load it up and I'll

just go up to the canvas here and

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we have to make some decisions

back here, maybe right in here.

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I use very little color color.

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Really stands out more on a black

canvas and it does on a white canvas.

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I used very little color and I

don't want this to be very soft.

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Oh my goodness.

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Just like a little clearing

back here in the woods.

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Little clearing.

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Very soft, beautiful little

place, hidden, nice place to go

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and sit and talk to the birds.

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The trees I've had the little Indian,

yellow, the yellow ochre, both to the

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brush and just mix these on the brush.

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Brash, let things happen.

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Let them happen there.

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So you begin creating layers.

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Let's go right up here.

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Now we need some, the trees

wouldn't all stop back there.

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Some of them will be closer.

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So we need to make some that

are a little bit closer.

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We don't do that.

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Cause we can do anything.

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We have an artist's license.

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It says, says anything we want to do.

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We can do.

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All right.

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Let's go back to our fan brush

and I'll go right back into this

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black color right back into it.

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Okay.

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Let's pull a few of these trees

out and bring them closer.

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Maybe like this one right here.

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See, I just extending it

right over the grassy areas.

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Then it comes forward that easy.

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I mean, we need an indication.

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It was a little foot on him.

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Maybe we'll give him a

little flips, like, so.

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Maybe maybe, maybe, maybe

they live the tree right here.

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You can put a new one.

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It doesn't matter.

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And he comes down to there.

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Yes, he does stay there.

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Give him a little flats.

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Maybe, maybe, maybe, maybe Miami, Miami.

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Yep.

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You're right.

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You're right.

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There's another one.

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And you can put as many

trees in here as you want.

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Just let them happen.

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Okay, good.

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Maybe let's break.

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I tell you what, let's bring this one

a little bit closer to shoot them.

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I have a bunch of them.

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It's a little closer.

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Now.

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We want to, I want to make

this look like there's a little

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bit of light coming through.

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So I'm going to take a little bit of

permanent red, little, little Tayloe

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blue with it and a little white.

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That'll be our shadow color.

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Now let's use, there we go.

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We'll go back.

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We'll use permanent red and less

blue, just a tiny bit of blue.

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And this is the same color.

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Only one is to the red issue.

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Okay.

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And what mr.

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The blue hue, same color,

a little more white there.

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Good.

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All right.

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Now watch.

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Come right down here on the palette.

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Watch right here.

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We want to cut across that and get

small, tiny, tiny, little roll of paint

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right out on the end of the night.

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Okay, let's go up here now.

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Let's say today, maybe, maybe

our lights coming from the left

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and all I'm going to do is pick

out a tree and begin to touch it.

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Just touch it, just touch, or

you think the light would hit.

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The lights coming from the left.

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You want the left side

of the tree to be bright.

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The other side to be cool.

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Okay.

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Maybe, maybe, maybe there's a little

light striking this one right here.

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There we go.

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And if you want it to get darker,

you just keep working on it, tapping

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touching, and the black color underneath

will come through and it'll make

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your color darker automatically.

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You don't even have to worry about it.

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And that's the joy of painting

and you don't have to worry.

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Oh, there was a good plug.

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Good plug.

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More light hitting right there.

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Red blue Kang.

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Let's put a little bit on this one.

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Right here.

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There we go.

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Just barely touch and you

just touch the canvas.

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Uh, canvas will pull off what

it wants to give you back.

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What's left.

255

00:13:18,420 --> 00:13:19,469

You don't have to worry about it.

256

00:13:21,930 --> 00:13:23,280

Don't even have to worry about it.

257

00:13:28,969 --> 00:13:30,770

No extra light right there in my mind.

258

00:13:30,770 --> 00:13:35,329

That's where that sun's going to

come through and hit right there.

259

00:13:35,930 --> 00:13:37,520

Now into the shadow color.

260

00:13:37,520 --> 00:13:39,439

This is the same color, permanent red.

261

00:13:40,130 --> 00:13:43,310

They look blue, but there's,

this is more to the blue issue.

262

00:13:43,339 --> 00:13:44,000

There's more blue.

263

00:13:46,515 --> 00:13:48,704

That'll give it a dark

side, the shadow side.

264

00:13:53,074 --> 00:13:53,314

Okay.

265

00:13:53,375 --> 00:13:54,094

A little bit on this.

266

00:13:54,094 --> 00:13:56,675

I don't want him to

feel left out or lonely.

267

00:13:58,564 --> 00:13:59,104

There we go.

268

00:14:01,074 --> 00:14:05,885

Isn't that a super nice little way

to make a very effective trees.

269

00:14:07,145 --> 00:14:08,375

I knew you'd enjoy that one.

270

00:14:09,064 --> 00:14:11,974

That really, really, and truly

is a beautiful way to do it.

271

00:14:13,380 --> 00:14:18,949

A little bit right there and

it worked so simple, so easy.

272

00:14:20,569 --> 00:14:24,079

So I say this as a fantastic

first painting to try if you've

273

00:14:24,079 --> 00:14:27,439

never painted along with me

before, this is a good one to try.

274

00:14:27,500 --> 00:14:28,760

And this is on a black canvas.

275

00:14:28,760 --> 00:14:33,050

Now we prepare these black

canvases with a flat black acrylic

276

00:14:33,770 --> 00:14:37,430

they're painting of a flat black

acrylic allowed to dry completely.

277

00:14:37,880 --> 00:14:39,829

And then we go back and

apply the color over them.

278

00:14:39,979 --> 00:14:41,270

And in this case, we applied.

279

00:14:42,089 --> 00:14:49,020

They look blue and SAP green, just

brush mixed all over the canvas

280

00:14:50,670 --> 00:14:54,540

and you see what happens and

something comes out across the tree.

281

00:14:54,540 --> 00:14:55,829

So they're not all on each side.

282

00:14:56,939 --> 00:14:57,300

Okay.

283

00:14:57,300 --> 00:15:00,000

That'll give you enough

practice on Liam's.

284

00:15:00,000 --> 00:15:01,020

Do you know how to do them now?

285

00:15:02,599 --> 00:15:02,990

Okay.

286

00:15:02,990 --> 00:15:07,099

I'm going asking a parent plate,

but you can see by pulling those

287

00:15:07,099 --> 00:15:10,219

trees down, how it creates depth.

288

00:15:12,510 --> 00:15:12,780

Okay.

289

00:15:12,810 --> 00:15:14,339

Now we need to cover up his little flips.

290

00:15:18,199 --> 00:15:20,180

You can take a little bit of

the black color on your brush.

291

00:15:20,180 --> 00:15:21,920

If you want to put a little

shadow behind these trees.

292

00:15:22,819 --> 00:15:27,040

So you there easy, easy.

293

00:15:27,050 --> 00:15:31,610

You can drop a little shadow

right behind them that simple.

294

00:15:31,910 --> 00:15:32,120

Okay.

295

00:15:32,120 --> 00:15:36,860

Now, when you go back into her yellows,

I got CAD yellow, Indian, yellow.

296

00:15:37,245 --> 00:15:40,454

Yellow hooker in here and they're

a little touchy permitted red.

297

00:15:42,735 --> 00:15:47,925

Hey, that's just dropping some little

soft, quiet grassy areas, little SAP

298

00:15:47,925 --> 00:15:49,425

green added to that dealt with down.

299

00:15:50,505 --> 00:15:51,704

Don't want it to get too bright

300

00:15:54,944 --> 00:15:57,675

and that is super way to

make a lot of trees fast.

301

00:15:58,905 --> 00:16:00,194

Let's put some over in here.

302

00:16:00,495 --> 00:16:01,574

Can you believe this side out?

303

00:16:02,445 --> 00:16:03,915

All I'm doing is touching the canvas.

304

00:16:04,035 --> 00:16:09,015

Just tapping it very soft, very

quiet, darker, darker, darker as

305

00:16:09,015 --> 00:16:10,035

it goes toward the foreground.

306

00:16:11,135 --> 00:16:17,435

You know, if you had a beautiful place,

like, yes, I didn't want a little house.

307

00:16:17,555 --> 00:16:18,575

I'd want to live back here.

308

00:16:18,575 --> 00:16:20,015

Cause this is where

the bunny rabbit lives.

309

00:16:20,015 --> 00:16:22,085

And you could sit here

and you could talk to him.

310

00:16:22,685 --> 00:16:23,855

You could have all kinds of fun.

311

00:16:24,155 --> 00:16:25,565

So let's put a little house back here.

312

00:16:26,345 --> 00:16:28,925

I'm going to start out with

van Dyke Brown on the knife.

313

00:16:30,510 --> 00:16:32,550

Just get a little bit

of paint cut across it.

314

00:16:32,550 --> 00:16:34,890

Get that little roll of paint

right out on the edge of the knife.

315

00:16:34,920 --> 00:16:35,340

There you go.

316

00:16:36,210 --> 00:16:36,360

Okay.

317

00:16:36,360 --> 00:16:37,050

Let's go up here.

318

00:16:37,080 --> 00:16:42,180

Maybe our little house

lives, right, right there.

319

00:16:42,510 --> 00:16:42,930

Right there.

320

00:16:44,010 --> 00:16:45,060

We'll do the back Eve.

321

00:16:45,630 --> 00:16:46,140

There we are.

322

00:16:47,700 --> 00:16:49,770

Let's do, let's do the front of the house.

323

00:16:49,860 --> 00:16:50,220

Zip.

324

00:16:53,150 --> 00:16:54,200

There we go.

325

00:16:58,920 --> 00:16:59,670

There we are.

326

00:16:59,969 --> 00:17:01,530

We can straighten out this edge.

327

00:17:03,030 --> 00:17:04,980

Now there's numerous ways to make houses.

328

00:17:05,520 --> 00:17:06,300

This is just one.

329

00:17:07,409 --> 00:17:10,200

And maybe, maybe in your world,

there isn't a house back here.

330

00:17:10,310 --> 00:17:12,720

I just want to show you also how to

make a little house in the woods.

331

00:17:12,720 --> 00:17:18,149

If, if you want one, you may not want

a house in your painting, and this is

332

00:17:18,149 --> 00:17:20,430

a beautiful painting without a house.

333

00:17:22,170 --> 00:17:23,730

So there's no house in your world.

334

00:17:23,819 --> 00:17:24,869

Don't put one in your painting.

335

00:17:30,465 --> 00:17:32,055

Maybe he's like me, he ran out of room.

336

00:17:32,055 --> 00:17:33,135

We'll have to give him a shit.

337

00:17:33,135 --> 00:17:38,715

I like to make little sheds on the

houses, little storage areas, or maybe

338

00:17:38,715 --> 00:17:39,764

it's where he's chicken and lifts.

339

00:17:40,215 --> 00:17:45,284

You know, chickens need a house to a

little shed right there and bring it down.

340

00:17:46,485 --> 00:17:46,965

Okay.

341

00:17:47,504 --> 00:17:47,955

Okay.

342

00:17:49,215 --> 00:17:51,135

Now then let's, let's do some playing.

343

00:17:51,135 --> 00:17:53,925

I'll take some quite a

little bit of Bandak Brown.

344

00:17:55,800 --> 00:17:56,250

A little burn.

345

00:17:56,250 --> 00:17:56,940

I'm very into it.

346

00:17:57,180 --> 00:18:01,260

White Bendigo Brown,

little burn number there.

347

00:18:01,290 --> 00:18:02,070

Just mix it up.

348

00:18:02,580 --> 00:18:04,380

And this we're not going to mix too much.

349

00:18:04,380 --> 00:18:07,020

We want this to be marbly

and we'll just cut across it.

350

00:18:07,410 --> 00:18:07,620

Okay.

351

00:18:08,720 --> 00:18:10,550

Now here we go.

352

00:18:10,850 --> 00:18:13,340

Barely, barely touching, barely touching.

353

00:18:14,630 --> 00:18:16,220

Oh, just barely touch.

354

00:18:16,230 --> 00:18:20,330

Let it just gently, gently,

gently slide across there.

355

00:18:20,330 --> 00:18:20,750

You want that?

356

00:18:20,750 --> 00:18:21,620

Paint a break.

357

00:18:22,695 --> 00:18:26,085

Make it look old and I won't take the same

color and had a little more white to it.

358

00:18:26,865 --> 00:18:28,785

Cause we said our light

was coming from the left.

359

00:18:28,965 --> 00:18:32,175

So the front of the cabin would be

a little bit brighter than the side.

360

00:18:32,895 --> 00:18:35,775

Same color with white and to it.

361

00:18:37,785 --> 00:18:38,925

Now that stands out better.

362

00:18:39,385 --> 00:18:42,225

Same color, just a different value.

363

00:18:43,485 --> 00:18:45,135

Maybe out here there's a lot.

364

00:18:45,135 --> 00:18:49,185

And I'm going to add a small

amount of blue to that to

365

00:18:49,185 --> 00:18:50,685

cast it into a little shadow.

366

00:18:52,560 --> 00:18:53,909

Just a little bit right in here.

367

00:18:56,360 --> 00:18:57,350

A little bit of color on that.

368

00:18:58,070 --> 00:19:00,080

That's going to end up

being a little shed.

369

00:19:01,490 --> 00:19:01,909

Okay.

370

00:19:02,240 --> 00:19:07,010

Maybe, maybe tell you what, maybe

there's some shingles would take some

371

00:19:07,010 --> 00:19:08,870

permanent red, little Vandyke Brown.

372

00:19:10,100 --> 00:19:11,790

Let's put a few little shingles here.

373

00:19:11,810 --> 00:19:15,110

Just indications of shingles that are

374

00:19:18,620 --> 00:19:20,600

coming right across, do it in layers.

375

00:19:20,720 --> 00:19:20,899

So.

376

00:19:21,000 --> 00:19:25,170

Yeah, the top is covered by the

bottom of the one above it just

377

00:19:25,170 --> 00:19:26,730

like when you put real shingles on

378

00:19:31,490 --> 00:19:32,360

that's all there is to it.

379

00:19:33,620 --> 00:19:38,120

And we need, I put a little highlight

just to what separates this.

380

00:19:40,580 --> 00:19:48,200

Just a little bit of highlight

right down edge and that acute in

381

00:19:48,200 --> 00:19:49,340

the cabin out there and wounds.

382

00:19:50,310 --> 00:19:53,550

I need a door, got to

have a door can't get in.

383

00:19:53,550 --> 00:19:55,350

Or Kevin indoor lives right there too.

384

00:19:57,060 --> 00:19:59,580

And around the door, we

need a little bit of light.

385

00:19:59,610 --> 00:20:00,720

So the door stands out

386

00:20:08,210 --> 00:20:09,080

a little quiet on there.

387

00:20:09,080 --> 00:20:10,010

That'll make it stand out.

388

00:20:10,160 --> 00:20:10,580

Oh yeah.

389

00:20:10,580 --> 00:20:11,480

That's much better.

390

00:20:11,510 --> 00:20:12,740

I guess that dark canvas.

391

00:20:13,970 --> 00:20:18,890

Just a little indication maybe,

maybe, maybe, maybe, maybe there's.

392

00:20:19,185 --> 00:20:22,605

Maybe there's a couple of

windows over here, Arizona.

393

00:20:23,475 --> 00:20:24,195

Here's what it looks like.

394

00:20:24,195 --> 00:20:25,304

Two big guys looking at you.

395

00:20:27,665 --> 00:20:30,764

I won't take a little

bit of blue light there.

396

00:20:30,825 --> 00:20:31,655

Make it look.

397

00:20:31,655 --> 00:20:36,155

Maybe like it's a little light Shannon

across from glass in the window, little

398

00:20:36,155 --> 00:20:40,294

glass out here, a little straightening up.

399

00:20:42,304 --> 00:20:44,524

Give him a little highlight around

the windows that stands out.

400

00:20:47,080 --> 00:20:50,460

You want boards I got to do is cut

through this and make it look just

401

00:20:50,460 --> 00:20:54,930

like little boards, your cabin,

so you can do whatever you want.

402

00:20:57,210 --> 00:20:58,290

Oh, okay.

403

00:20:58,320 --> 00:21:00,810

Now we need, now we need a little path.

404

00:21:01,260 --> 00:21:02,280

Let's get up to this cabin.

405

00:21:02,280 --> 00:21:04,320

So I'll go back into the

Brown and the burn number.

406

00:21:04,350 --> 00:21:09,810

Just sort of mixed together

and hand right here.

407

00:21:11,265 --> 00:21:18,095

I think there comes a little path and this

little path just, just wanders, wherever

408

00:21:18,095 --> 00:21:20,945

you want it, let it wander, let it play.

409

00:21:21,815 --> 00:21:23,285

And like brand or a number.

410

00:21:26,915 --> 00:21:28,475

let it get darker, darker, darker.

411

00:21:28,475 --> 00:21:29,615

We don't care where it goes.

412

00:21:31,535 --> 00:21:37,265

Now we can take a little

Brown and white and bad touch.

413

00:21:38,945 --> 00:21:40,125

A few little indications.

414

00:21:40,125 --> 00:21:42,305

It looks like it looks like

there's a little blue in it too.

415

00:21:42,305 --> 00:21:48,635

A little thing of Brown, white, barely

touch, darker, darker over here.

416

00:21:50,465 --> 00:21:50,795

Okay.

417

00:21:51,845 --> 00:21:59,855

And then let's go back to her two and a

half inch brush, little yellow, SAP green.

418

00:22:02,585 --> 00:22:05,015

And we can come back in here.

419

00:22:05,825 --> 00:22:06,005

Yeah.

420

00:22:06,375 --> 00:22:09,975

Uh, you know, all these beautiful

little grassy areas, bring them

421

00:22:09,975 --> 00:22:13,335

right down to the edge of this

little path, little dirt area,

422

00:22:18,105 --> 00:22:21,075

yellow ochre, CAD yellow, Andy.

423

00:22:21,075 --> 00:22:22,695

Now just mix them on the brush.

424

00:22:29,775 --> 00:22:32,445

We have a small, small amount

of permanent red to that.

425

00:22:32,685 --> 00:22:34,575

Just maybe it put a little

spot right in there.

426

00:22:35,085 --> 00:22:35,175

Okay.

427

00:22:36,595 --> 00:22:37,155

Right there

428

00:22:41,595 --> 00:22:42,885

don't want too much of that in there.

429

00:22:42,885 --> 00:22:53,564

Just a little Sam green and the

yellow is mainly just let it go there.

430

00:22:55,804 --> 00:22:57,004

It's really is a fun painting.

431

00:22:57,004 --> 00:23:00,905

I think, I think if you will do

this one, this one will make you

432

00:23:00,905 --> 00:23:02,345

happy and make your heart feel good.

433

00:23:04,185 --> 00:23:05,265

Really make you happy.

434

00:23:06,675 --> 00:23:09,975

And that's what paintings all about

painting should make you happy.

435

00:23:12,615 --> 00:23:13,754

Should make you happy.

436

00:23:15,555 --> 00:23:18,165

Okay, let's go the other

side a little bit, right?

437

00:23:18,254 --> 00:23:18,645

Look there.

438

00:23:18,825 --> 00:23:19,525

See how easy it is.

439

00:23:19,575 --> 00:23:21,105

All I'm doing is touching

the canvas and sorta.

440

00:23:22,215 --> 00:23:23,565

Just barely in the gun.

441

00:23:23,565 --> 00:23:24,615

Don't let the brush slide though.

442

00:23:24,615 --> 00:23:25,515

Just tap it.

443

00:23:25,575 --> 00:23:26,535

Don't let it slide on it.

444

00:23:26,595 --> 00:23:30,345

If it's lines, it'll just make

streaks and you, pretty soon you

445

00:23:30,345 --> 00:23:36,105

ended up mixing mud and we don't want

to be mud mixers, very soft, quiet.

446

00:23:37,395 --> 00:23:40,395

And if you get one that's too

bright or too distinct I have

447

00:23:40,395 --> 00:23:41,745

to do is tap it a few times.

448

00:23:42,555 --> 00:23:45,105

It'll pick up the color it's

underneath and it'll go away.

449

00:23:45,975 --> 00:23:50,475

It'll just go to whatever you want

it to be very, very soft, very quiet.

450

00:23:51,285 --> 00:23:54,135

Maybe tell you what, I'll go into

a little bit of SAP, green and

451

00:23:54,135 --> 00:23:55,425

yellow with a one inch brush.

452

00:23:55,605 --> 00:23:56,145

I'll do that.

453

00:23:57,375 --> 00:23:59,855

I want to keep this

quite dark, quite dark.

454

00:24:00,965 --> 00:24:01,205

Okay.

455

00:24:01,235 --> 00:24:01,865

Let's go up here.

456

00:24:02,525 --> 00:24:04,925

Maybe, maybe there's a

little Bush here and there.

457

00:24:06,035 --> 00:24:08,315

That just grows around

the edge of the hat.

458

00:24:08,345 --> 00:24:08,885

There he is.

459

00:24:08,945 --> 00:24:09,455

There he goes.

460

00:24:09,465 --> 00:24:10,145

Wherever you want it.

461

00:24:11,405 --> 00:24:13,415

So you can add these little

bushes and stuff in here.

462

00:24:13,595 --> 00:24:17,525

Maybe this guy didn't cut his yard

too well, and it's beginning to grow.

463

00:24:17,805 --> 00:24:18,515

That's go right.

464

00:24:19,470 --> 00:24:20,370

Put a little one right there.

465

00:24:20,370 --> 00:24:21,540

A little lights hitting this one.

466

00:24:21,540 --> 00:24:22,590

I wanted a little brighter.

467

00:24:22,920 --> 00:24:24,899

Yeah, very good.

468

00:24:25,470 --> 00:24:27,149

It comes right down in

front of that big tree.

469

00:24:29,399 --> 00:24:29,790

Okay.

470

00:24:32,040 --> 00:24:33,090

SAP green.

471

00:24:33,899 --> 00:24:35,520

We'll put one way back in here.

472

00:24:35,520 --> 00:24:36,840

I don't want this one to be very bright.

473

00:24:37,080 --> 00:24:38,010

I want it to be far away.

474

00:24:38,610 --> 00:24:41,129

Dark Canyon.

475

00:24:41,129 --> 00:24:42,840

We can drop a few of them.

476

00:24:43,409 --> 00:24:46,290

Let them come out over the Lander that

pushes land down into the painting.

477

00:24:47,040 --> 00:24:50,010

Sometimes when you do land or

pads, a little roads or something.

478

00:24:50,399 --> 00:24:50,610

Yeah.

479

00:24:50,850 --> 00:24:54,060

You have the feeling that it's

floating above the painting.

480

00:24:54,149 --> 00:24:59,370

If that happens, bring some of this and

bring it over it, let it come literally

481

00:24:59,370 --> 00:25:02,790

over part of it and it'll push the

path or the land right down into the

482

00:25:02,790 --> 00:25:06,659

painting and it makes it fit so much

better than you'll be happier with it.

483

00:25:08,480 --> 00:25:09,020

Okay.

484

00:25:09,649 --> 00:25:15,889

I think we've got that mic might take

flips, tiniest, little bit of highlight.

485

00:25:16,380 --> 00:25:19,500

I had apparently at the top of

this roof, just to make that

486

00:25:19,500 --> 00:25:20,940

little shed stand out a little bit.

487

00:25:22,380 --> 00:25:25,260

And I think I just about

gives us a finished painting.

488

00:25:26,250 --> 00:25:28,950

I'm going to sign this one,

use a little bit of thin oil.

489

00:25:29,640 --> 00:25:31,320

I want to use a thin oil.

490

00:25:31,320 --> 00:25:35,270

I usually use something like Lindsey

dweller, uh, cocoa, whatever.

491

00:25:36,440 --> 00:25:36,530

Okay.

492

00:25:36,560 --> 00:25:37,700

Whatever, just at the NOL.

493

00:25:38,000 --> 00:25:39,050

And we can sign this one.

494

00:25:39,830 --> 00:25:40,820

I hope you've enjoyed it.

495

00:25:41,390 --> 00:25:42,190

Just talk to you a lot.

496

00:25:43,185 --> 00:25:45,165

I really do hope you try to

spend, because you will find

497

00:25:45,165 --> 00:25:46,245

it to be a great deal of fun.

498

00:25:47,415 --> 00:25:50,175

And from all of us here, I'd

like to wish you happy painting.

499

00:25:50,975 --> 00:25:51,274

Yes.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 23, 2020

S04E07 - Cabin in the Woods

Bob Ross's

The Joy of Painting

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