Bob Ross's

The Joy of Painting

S04E08 - Wetlands

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Welcome back.

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I'm glad to see you today.

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Today.

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I think we'll do a canvas it's

vertical and we'll have some fun

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there and I'm going to have them

graphically run all the colors it

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will use today across your screen.

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And they'll come across in the same

order that I have MoMA palette.

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And while they're doing

that, Let's get started.

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I'm gonna start out today with a

small amount of pressure and blue,

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just small amount, and we will work

it into the bristles, just beat

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it, bang, bang, bang like that.

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And it works it into

the bristles Nasin even.

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And I'm going to add a little

bit of Vandyke Brown that I want

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to dull this blue down a day.

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So we have Vandyke Brown, Prussian blue.

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Let's go up to the canvas.

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And very gently making little exes,

just sort of come across like, so

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a little more color on

the brush, blue and Brown.

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Just bring it across.

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We're just sort of making little Chris

cross strokes, set them play across

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the canvas, have fun, very like.

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and maybe, maybe, maybe we'll

have a little water in this.

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So I'll take a little more of

the blue and the Vandyke Brown

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and maybe there'll be water.

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It doesn't matter where

it's going to be down here.

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So we'll just do this.

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We'll put the water wherever we want it.

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Okay.

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Let me clean the brush.

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And we clean our brushes with

odorless paint thinner, and I have

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a screen in the bottom of the bucket

here to scrub the brush against.

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All right.

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Here we are.

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Okay.

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Let's go right up in here

now and begins blending this.

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I have a clean, dry brush.

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I'm just going to sort

of blend it together.

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Like, so

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now let's, let's build up.

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Let's build a little,

little cloud up in here.

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I'm going to take some titanium white and

just pull the one inch brush through it.

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Just like, so, okay.

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Let's go right up here.

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And let's let's maybe make

some layers of little clouds.

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It's making small, tiny circles.

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Alright.

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Right.

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Just wherever you see them.

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This one

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put the white right on,

right on this dark color.

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So it stands out.

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You need, you need the dark

in order to show the light, I

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would take a clean, dry brush.

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You just.

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The car corner up, it gently

blend those clouds out

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and then we'll fluff on it.

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Just lift them up fluff, very lightly.

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Blend them.

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Maybe we'll put a, maybe we'll have

another layer of clouds right there.

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You can put as many clouds

in your sky as you want.

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Just let them go.

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Clouds are free

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and these are happy.

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Little clouds, Statista

have fun with them.

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Can you take her clean, dry brush again?

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Lightly blend.

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Fair

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fluff it a little bit.

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And this is super, super nice way of

making some very effective clouds.

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That's a lot of depth in

your sky and very easy.

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Thank you.

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I enjoy making them my cat.

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Let's play a little bit.

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I'm going to take up a one inch brush

and I'm going to dip it into some

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paint thinner and take a little bit

of Bandag Brown, a little burn number,

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and I'm just mixing them on the brush.

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A little bit of the

Prussian blue into it there.

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Now I've put a little bit of paint

thinner into the brush to make it thin.

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I'm going to get just a touch more there.

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Oh, I can't.

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Paint is quite thin today.

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We're going to have some fun

school up here and maybe, maybe

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there's a nice big old tree.

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It lives right here.

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And all I'm going to do is

just tap in a basic shape.

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And this is, this is paint is quite thin.

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Yeah.

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And just tapping in a basic shape.

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Almost like a wash, almost like a

wash, just very loose then paint.

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We're going to come back and put some

firmer paint over the top of it and

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make some fantastic things happen here.

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All kinds of different things you can do.

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Maybe we'll make history a little bigger,

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gonna be a big old tree.

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Here's a nice one.

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I see him right there and

we're still just tapping into

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some basic, very basic shapes.

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With very thin paint.

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Here we go.

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It's Brown, a little bit of blue.

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Very little blue.

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Blue is so strong right here.

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Very basic shape.

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So.

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okay.

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Now we'll take one of our large

brushes and I want to pull

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down just a little bit of this.

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To make the indication

of some reflections.

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We lead back distance here,

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pull it down.

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And I asked him to long,

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very lightly to go across it.

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Very lightly.

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Just enough to make it look,

look watery and then Quip.

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Okay.

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Now then that's take.

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I'm going to try a little bit of the

CAD yellow here, and we'll go into some

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green in CAD yellow, and I'm looking to

load quite a bit of paint on the brush.

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Okay.

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Let's go right up here.

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Yeah.

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All I'm going to do is taking

lay in some basic color.

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Just very lightly lay in a little

bit of color, and I'm going to

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come back with a larger brush.

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And we're going to blend and

mute that color, make it very

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soft, very, very soft, far away.

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Okay.

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Now we'll take a dry two and a

half inch brush and very lightly.

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I'm just using the corner.

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Just soften this.

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Look at that.

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So soft, peaceful.

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And that's all there is to it.

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Okay.

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Thought you'd like it, it's

a little bit different.

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It's a lot of fun.

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Okay.

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Let's just play a little bit here with

some of these there's one lay, a little

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color and you need some basic shapes.

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Just lay the color on and then

we'll come back and soften it.

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Using the large brush.

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Add a little more green to that color.

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There we go.

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SAP green.

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Now we can come back with our

large brush and very gently tap.

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Paris,

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maybe we'll add a small amount

of permanent red right in there

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and maybe put line right there.

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all kinds of little things.

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Just let them fall off your brush.

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This is very easy.

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All we're doing is just

tapping very, very easy.

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Put a little bit down

in here for reflection.

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Okay.

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Yeah.

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Let's soften that.

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Very lightly.

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And this is reflection and pull it down

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gently.

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Come across.

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Okay,

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let's go over here a

little bit on this one

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little bit up here.

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Barely touching

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here and I'm just using CAD yellow,

little permit, red, little yellow,

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ochre, little Indian, yellow.

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I'm just mixing them all on the

brush and just varying the amounts

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a little bit, going back and forth.

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touch it.

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drop in a little bit of color.

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There we go.

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Now we can begin playing maybe, maybe,

maybe, maybe there's a little peninsula.

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It comes out through here

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and probably we should, before we

come forward and we'll take a little

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bit of magic, quite a little Brown.

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So Brandon it's a Delta down,

out, across, just so pull it out.

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Flat, cut across.

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Go right up in here.

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Lay in some little water lines,

just like you trying to cut

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a hole through the canvas.

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There we'll add a little bit darker Brown.

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Just mix it up a little.

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I'm going to take a little

paint thinner on my liner brush

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and go right into this Brown.

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And I'm just using paint thinner

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and maybe.

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Here and there there's

a fuel trees that live.

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Let's start up here, pull it that way.

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You can see it better.

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You can start at the top Mark down

or bottom and workup either way.

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Whichever is convenient for you.

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Maybe it is just a few old trees up here.

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Dead trees are a reality in nature.

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So don't leave them out

just because they're dead.

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They're part of nature's beauty.

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Sometimes there's old parts

of the trees that protrude

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out one leg maybe gets tired.

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He gives up, but the

other ones keep going.

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Just hearing there.

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Yeah.

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Yeah.

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Let's have some fun.

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Maybe back in there.

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I've got paint thinner on my fan brush and

let's add a little bit of light to that.

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Maybe there's some Moss grows

back here and hangs on the tree.

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Okay.

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Paint thinner, little Brown, little white.

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just use your fan brush that these

things hang wherever you want.

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There we go.

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It makes it look nice and swampy some

of the beautiful places in the South

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where they have so many fantastic swamps.

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A lot of, a lot of boogers live in there.

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Okay.

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Now let's go back and decide

where we're going to go with this.

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Maybe, maybe it comes right down

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wherever you want it.

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Let's pull some of that color down.

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What makes some nice reflections

right down into the water.

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Okay.

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Big brush pulled down straight down.

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No matter if these go to an angle, still

pull your reflections straight down.

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Otherwise they won't look

right and then go across.

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And these strokes, I have

to go straight across.

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If they don't your water, you don't

want to stay in your painting.

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It'll run out.

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Alrighty, let's go in here and

play some color and let some

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little things happen in there.

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And just in your mind, pick out

where you think of basic bushy would

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be and work on the shape of it.

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Busch, do one at a time.

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Get it completed before

you go to the next one.

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Don't try to do them all

at once one at a time.

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And I'm just using the corner

of the one inch brush here.

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And we're using still the

same colors, CAD yellow.

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Andy and yellow, yellow ochre, and a

little bit of permanent red, little SAP

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green thrown in every once in a while.

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Just work it back and forth.

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If it wants to tick, add a little

paint thinner, keep it as thick as

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he can on top of the thinner paint.

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So this will blink.

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Yeah, let's take a two and a half inch

brush and just barely, barely touch.

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Very soft, very quiet.

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you're more than one

things here and there.

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Just like, so we'll drop some of

those down here in the water and

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turn them right into a reflection.

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Just pull down that easy, that easy.

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okay.

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Let me take a little magic way, a

little from white, mix it together

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and then put some Brown into it.

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So we have magic white from

white and a little bit of Brown.

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I'm going to cut across it and let's go

up here and I want to put in a little

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bit of land area, not a great deal.

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just all kinds of pretty

little things happening there.

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We'll bring some of the grassy areas

down onto that, just to break it up.

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So it doesn't look too straight.

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yeah, we can cut in a few

little sticks and twigs just

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using the point of the knife.

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If you want a bigger turn, the knife

sort of sideways and make little

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steaks, small ones go straight on.

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Okay.

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Now then we got to make some decisions on.

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Do we have over here?

263

00:18:27,845 --> 00:18:28,445

Let's take.

264

00:18:31,080 --> 00:18:33,360

Take some more of the Brown burn number.

265

00:18:33,750 --> 00:18:39,270

This is Vandyke Brown burn number a little

bit of blue and is quite thin quite then.

266

00:18:41,070 --> 00:18:41,610

And let's go.

267

00:18:41,670 --> 00:18:44,280

Maybe there's a huge big

tree that lives right here.

268

00:18:45,540 --> 00:18:53,220

And he's got limbs at hanging

out big tree and big lamps.

269

00:19:01,755 --> 00:19:03,405

Goodness, maybe comes way over in here.

270

00:19:03,885 --> 00:19:04,425

It's your tree.

271

00:19:04,425 --> 00:19:05,775

So you're making wherever you want it.

272

00:19:07,635 --> 00:19:08,325

Where ever

273

00:19:12,995 --> 00:19:14,565

right on down through here.

274

00:19:22,635 --> 00:19:24,345

Let your imagination go crazy.

275

00:19:26,040 --> 00:19:27,210

Wherever you think it ought to be.

276

00:19:27,510 --> 00:19:28,530

That's where it ought to be.

277

00:19:30,169 --> 00:19:32,540

Maybe there's a nice Bush misery here.

278

00:19:40,100 --> 00:19:40,699

There we go.

279

00:19:46,409 --> 00:19:49,770

See now you could very well use a

large brush for this and you'd get

280

00:19:49,770 --> 00:19:54,389

done much, much faster, much faster,

and it would work just as well.

281

00:19:58,680 --> 00:19:59,220

Okay.

282

00:20:02,790 --> 00:20:08,310

This is the burn number Bandag and

Brown pressuring blue, and quite thin.

283

00:20:08,730 --> 00:20:10,500

All I'm trying to do

is cover up this area.

284

00:20:10,980 --> 00:20:13,379

You could probably put this on with

a paint roller, if you want it to.

285

00:20:15,040 --> 00:20:16,110

You really have some fun there.

286

00:20:19,050 --> 00:20:19,500

Okay.

287

00:20:20,379 --> 00:20:23,510

How did we can begin working

on little individual shapes

288

00:20:23,510 --> 00:20:24,590

and stuff in these trees?

289

00:20:24,649 --> 00:20:32,030

Let's go into some SAP green, go a appear

and we'll work on this whole big tree

290

00:20:32,030 --> 00:20:41,060

here using dark green, saffron green,

and just putting some basic shapes.

291

00:20:45,195 --> 00:20:47,295

You mean as to where you

think the leaves will be

292

00:20:52,905 --> 00:20:53,535

fairway go

293

00:20:56,535 --> 00:21:02,025

large brush and we can very lightly,

lightly, lightly just tap and soften.

294

00:21:08,015 --> 00:21:10,385

very, very soft, very quiet painting.

295

00:21:16,735 --> 00:21:18,155

This is one that should relax you.

296

00:21:22,025 --> 00:21:25,475

And maybe up in here, maybe, maybe, maybe

297

00:21:29,645 --> 00:21:30,455

let's put.

298

00:21:31,545 --> 00:21:36,815

Use a little white, a

little Brown, maybe in here.

299

00:21:37,264 --> 00:21:40,745

Maybe there's some nice

mossy things are hanging out.

300

00:21:41,075 --> 00:21:45,365

Just pull down very thin

paint, very thin paint.

301

00:21:45,365 --> 00:21:49,175

Almost like water, just

wherever you want them.

302

00:21:55,355 --> 00:21:58,235

I was born and raised in Florida and

this sort of reminds me of some of them.

303

00:21:58,685 --> 00:22:00,004

They will mossy trees at home.

304

00:22:00,360 --> 00:22:01,590

Were around when I was a kid.

305

00:22:05,690 --> 00:22:05,930

Of course.

306

00:22:05,930 --> 00:22:08,300

I'm not going to tell you how

many, many, many years ago

307

00:22:08,300 --> 00:22:11,840

that was, seems like forever.

308

00:22:13,639 --> 00:22:14,120

Okay.

309

00:22:15,470 --> 00:22:19,610

Now that we can come right in here

and begin deciding maybe there's

310

00:22:19,610 --> 00:22:21,170

another little tree lives right here,

311

00:22:26,120 --> 00:22:27,830

drop in some basic shapes.

312

00:22:30,795 --> 00:22:36,515

Then get the large brush and go

back in very likely just tapped it.

313

00:22:42,035 --> 00:22:42,575

Okay.

314

00:22:42,575 --> 00:22:45,095

Maybe, maybe, maybe

there's another big Bush.

315

00:22:46,325 --> 00:22:49,565

And once again, just, just put

in some, some basic little leaf

316

00:22:49,565 --> 00:22:56,225

shapes, drop them in and then

we'll come back and soften them.

317

00:22:58,379 --> 00:22:59,910

You can vary the colors here and there.

318

00:23:03,260 --> 00:23:03,370

Hello.

319

00:23:03,370 --> 00:23:07,190

This is a little bit easier than some

of the bushes we've made in the past.

320

00:23:07,190 --> 00:23:11,870

This is just all we're doing here is

tapping and just using different colors.

321

00:23:11,870 --> 00:23:15,020

And maybe, maybe for someone,

this will be a little bit easier.

322

00:23:15,020 --> 00:23:16,550

And if it helps you, then it's good.

323

00:23:22,635 --> 00:23:24,555

Okay, just, Ooh, there's a nice red light.

324

00:23:24,675 --> 00:23:25,965

I really hit that red with that one.

325

00:23:27,915 --> 00:23:32,175

Now with there, large brush,

that's just very gently tap it.

326

00:23:35,625 --> 00:23:40,935

Tampa, Tampa, Tampa lightly,

lightly, ever so lightly.

327

00:23:55,975 --> 00:23:58,145

And we just go into some

color with a big brush here.

328

00:23:59,705 --> 00:24:01,385

Let me just put some little indications.

329

00:24:14,720 --> 00:24:18,379

so, as I say, this is a very,

very soft commuted painting.

330

00:24:21,020 --> 00:24:23,330

Some people really like these,

and I've had a lover, a lot

331

00:24:23,330 --> 00:24:24,320

of letters requesting that.

332

00:24:24,320 --> 00:24:25,820

We'll do a couple of them on television.

333

00:24:26,480 --> 00:24:29,240

So maybe, maybe this will

give you some new ideas.

334

00:24:33,240 --> 00:24:34,200

I'll tell you what let's do.

335

00:24:35,670 --> 00:24:42,500

Maybe, maybe we'll put up a

little tree, just a small little

336

00:24:42,500 --> 00:24:44,000

tree and he lives right here.

337

00:24:44,000 --> 00:24:45,860

It's just Vandyke Brown on the fan brush.

338

00:24:48,530 --> 00:24:48,740

Yes.

339

00:24:48,740 --> 00:24:49,490

Put him right there.

340

00:24:49,490 --> 00:24:54,230

Like, yeah, clang hit

the easel with a pallet.

341

00:24:59,120 --> 00:25:01,010

Just give him a few little

arms here and there.

342

00:25:03,315 --> 00:25:07,335

Take a little white paint,

sprucing up a little bit.

343

00:25:07,335 --> 00:25:07,995

And I knew Shannon

344

00:25:11,405 --> 00:25:16,445

covers little foot stuff in some

grass, and we can come right along

345

00:25:16,445 --> 00:25:23,345

here and take some of our dark color

eight, some dark under here before the

346

00:25:23,345 --> 00:25:26,465

light will show a little of that on.

347

00:25:31,364 --> 00:25:37,245

And then we can come back and

we'll put a little, maybe we'll

348

00:25:37,245 --> 00:25:38,415

get a little crazy on him.

349

00:25:39,645 --> 00:25:41,205

This'll be the last Bush in the painting.

350

00:25:41,205 --> 00:25:46,125

So here's a little Crimson,

little white, blue.

351

00:25:47,985 --> 00:25:51,195

Maybe we'll just make a pretty,

pretty little Bush out of him.

352

00:25:53,774 --> 00:25:54,675

Let's go right up here.

353

00:25:56,130 --> 00:25:59,400

Give him a little purplish

shoe that will be different.

354

00:26:00,360 --> 00:26:02,940

And in your world, you make these

bushes any color that you want them.

355

00:26:05,720 --> 00:26:06,050

Okay.

356

00:26:06,940 --> 00:26:11,300

So, and we'll take the whole

big brush, very lightly tap it.

357

00:26:12,800 --> 00:26:13,850

And that's about all we need.

358

00:26:15,500 --> 00:26:17,300

And I hope this has

given you some new ideas.

359

00:26:17,300 --> 00:26:18,140

It's a lot of fun.

360

00:26:18,410 --> 00:26:18,830

Thank you.

361

00:26:18,850 --> 00:26:20,480

Enjoyed from all of us here.

362

00:26:20,810 --> 00:26:21,440

Happy painting.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 23, 2020

S04E08 - Wetlands

Bob Ross's

The Joy of Painting

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