Bob Ross's

The Joy of Painting

S05E01 - Mountain Waterfall

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Hello, I'm Bob Ross.

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And I'd like to, well, can you to our

fifth painting series, if you've been

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with us before, I hope you have y'all

might easel set up and you're all ready

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to go along with me and paint a fantastic

little painting, and let's go across

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the colors that we're going to use.

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I'll have them graphically run the

colors across the screen, starting

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with a titanium white and going

all the way around and they'll come

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across your screen in the same order

that I have them on my palette.

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If you haven't been with us before

hanging around, I think you'll

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really enjoy what we're going to do.

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Now I've already covered the

canvas with, and even code of magic

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white in the magic white, it makes

the canvas wet, makes it slick.

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It allows us to literally blend

color right on the canvas.

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So let's go up here and do it.

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And I'll start with a big old two and

a half inch brush today, and we'll

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go right into a little bit of halo

blue, and we'll just work some of

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that right into the bristles here.

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Just beat it into the bristles.

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So you have a nice even

distribution of color.

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It just go up to the canvas here.

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Maybe it would make out.

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Let's just make a happy little sky here.

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We just use little,

little crisscross strokes.

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I mean, just let the brush just

sort of bounce around and play.

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So I did have fun.

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I could have fun, a little more color.

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Let's go up here in this corner and I'm

not covering the entire canvas evenly.

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I'm leaving some little spots here

and there that hopefully when we're

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done, it'll look like some happy little

clouds floating all across the sky.

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That's easy, real easy to make

the sky darker, but it's a sun.

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We've got to make it lighter.

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So he was very, very little color.

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When you first start, you can

always go back and add more color.

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Now I'll get this old,

dirty brush going here.

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I'm going to retread it to this color,

which is a little bit of, they look

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green and we want very, very small

amounts, extremely, extremely strong.

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And we'll just mix it right on the brush.

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There we go.

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The little green and payload blue.

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Okay, let's go back up here and we'll

have some water in this painting.

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I love water.

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And water is always level.

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It's still water.

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It's always level.

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So just kind across and try to keep

these strokes straight as possible.

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Okay.

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Now let's go the other

side and pull this way.

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You see how the colors are blending.

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It it's, it's continually mixing with

the magic white and you could do all

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these things on the palette, but they

would take you to get a long time here.

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We let it happen right on the canvas.

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Okay.

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Now I'll wash the brush and we

wash our brushes with odorless

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paint thinner, and I never, never

wash my brushes with turpentine.

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Only with odorless paint,

thinner shake off the excess.

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And that's the most fun of all.

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Now with a clean, dry brush.

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I'm gonna go back into this

guy and just very quickly.

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Blend it out a little bit.

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Those light spots remain there

and just let this happen.

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Really.

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We're ready to just sort of let

it just flow right out of our

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mind, right onto the canvas.

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You don't have to spend a great

deal of time planning and worrying.

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Just let it go.

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Okay.

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Tell you what let's do.

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Let's take an almighty fan brush here

and we'll make a happy little cloud.

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And I'm using a number six fan

brush and some titanium white.

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Tell you what let's put, let's put the

least little amount of permanent red,

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and I put a little sunshine on it.

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We want some sunshine in our clouds

load, a lot of pain into the bristles.

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Lot of paint, he to go up to the canvas

here, maybe, maybe, maybe right here

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using just the corner of the brush.

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We'll put a happy little cloud

and clouds of very, very free.

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Very free.

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Just let them bounce around and play.

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And we're looking for areas here

that have thick areas that at the

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end areas that have no paint, keep

the brush moving, keep it moving.

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If you let it stay in one place

and keep doing this you're on it.

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Yeah.

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I ended up with a big

cotton ball up in this guy.

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Can tell you what my go

to the other side here.

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Maybe various are happy little

cloud that yeah, there was.

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He is right there.

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Let him go there.

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And you put these clouds

wherever you want them.

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This, this piece of canvas

is your world, your world,

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and you make your world

the way you want it.

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And I'm going to take a clean,

dry two and a half inch brush.

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And I want to blame him.

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I want to blame the bottom

of these clouds out.

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Without touching the top.

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So let's start right here and

very lightly, very lightly, very

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lightly three hairs and some air.

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Just let it caress canvas

barely, barely, barely touch it.

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Blend the bottom out, leave

the top of the cloud alone.

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Kings, do this one and work in the layers.

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Okay.

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Now let's fluff this cloud

and watch what happens.

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We're going to lift this cloud up.

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And you're going to pull a little,

little stringy things of paint up.

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Don't worry about them.

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Don't worry about them.

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You want those to happen right now?

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And then very lightly you just blend

them and it brings all of it together.

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Can you just do that again?

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Over here on the other side, just

blame the bottom of the cloud out.

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Just like so fluff it up.

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And then blended and this little son of

a gun here, we don't want to forget him.

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We'll just blend him out and fly him up.

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And then very likely, very

likely, and that easy, that easy.

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You've got some beautiful, beautiful,

very effective little clouds.

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Okay, I'll wash my brush and there's

a screen in the bottom of this.

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Can the best scrub the brush

against it really helps, helps

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get the pain out of the brush.

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Tell you what my home

is in Fairbanks, Alaska.

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So, um, I'm sort of

hung up on the mountain.

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So let's build a, I spilled a

fantastic little mountain here.

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I wouldn't take some, they

little blue, some Vandyke Brown.

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And, and I'm gonna use a

little bit of a lizard Crimson.

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So we have a little blue Vandyke

Brown and a small amount of a

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lizard Crimson, more Crimson.

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You put into more purplish.

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Your Mountain's going to

be pull this paint out very

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flat and just cut across it.

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So you have a small roll of they're

right out on the edge of the knife.

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Just go up here and you have

to make, yeah, you have to make

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some decisions in your world.

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Where's the mountain going to live?

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I'm going to have my mountain

on that for right there.

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And you're really, really

pushing this pain into the,

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push it into the canvas.

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And anywhere you decide there's

a bump or Hill or big stone,

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but it hand put it in this.

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This is the instance where you

exert your fantastic power.

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It's right here.

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Okay.

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Now, so you scrape off the excess paint

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and the canvas will keep what it wants.

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The value is in the material.

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Okay.

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Now I want to remove more

access, paint and blend this

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out because the canvas is wet.

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This painful move it'll slide

and be moved all over the canvas.

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There we go on.

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Just pull it out.

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And when you're painting mountains,

always remember if you can

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see the entire mountain, it's

always more distinct at the top.

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Did he visit the bottom at

the bottom of the mountain?

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We have missed, and now we have pollution.

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All these things have a tendency to break

up and diffuse light, and you can see from

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that top of the mountain is very dark.

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It's very strong and down at the

bottom of the mountain, then it's

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very soft and quiet, peaceful.

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And that's what we're looking for.

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Okay.

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Now I'm going to go

right into my titanium.

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White.

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We'll put a little snow on this mountain,

a little bit of snow, pull it out.

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Very flat, very, very flat, just like

we did before and then cut across it.

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Get that small roll of paint.

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Okay, let's go up here.

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Now.

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You have to make some decisions, which

one of these peaks is a father's delay.

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The one that's farthest away.

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Let's do it first.

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They're just follow

right down the mountain.

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No pressure.

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Absolutely.

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No pressure, no pressure.

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All this touching the canvases, that

little roll of paint that's on the night.

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And then you begin thinking about

where the light would strike

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as it just comes through here.

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Some people find it easier to put the

shadow on first, personally, I like to,

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I like to put the highlight on first.

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And then put the shadow in later,

but either way that works for you.

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There are no set from rules and painting.

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You find what works for

you, and that's what you do,

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man.

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You can bring us down

to wherever you want.

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You can end up covering your whole.

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Ken was with mountains, which

is a super way to practice.

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It's going to take some, a little blue and

titanium white we'll mix that together.

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And to that, I'm going to add a

small amount of Vandyke Brown.

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The Brown is there just to dial it down

and I'm not worried about over mixing

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that, just leave it paint marbled.

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Okay.

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And once again, we'll take

that little roll of paint.

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Let's go up here and we'll go in opposite

direction, the opposing direction.

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However you want to call it and put

it in some shadows and every shadow.

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He needs his own little private highlight

or he won't play, it just disappear

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like a dad painted for over 20 years.

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And it still excites me to

see these things happen.

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It's unbelievable.

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I was traditional painter for

many years and I suffered and,

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uh, my gosh, what's been weeks

and weeks and weeks on a painting.

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And when I got finished, I had

turned it to mud or I was, I

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was so tired of looking at it.

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I didn't want to paint on it anymore.

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And this, this offers you unlimited

freedom, unlimited freedom.

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And that's what we're all looking for

a little bit of highlight right there.

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Now let's just sort of

bring these together.

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Maybe it comes from right here

and just let it just let it

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sort of work together, I guess.

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So write down

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and you can keep adding.

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Just wherever you think there should

be a almighty peak where it should be.

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And on this series, we've got to

try to, I'm going to, I'm going

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to bring in a couple of friends.

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I think I'll bring in a couple of

friends and let, to show you some

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fantastic things that can be done.

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The more people as you see that can

do this, the more you'll understand

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it, that you can do it too.

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There's no big secret to

it and anybody can do it.

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If they're willing to

practice a little bit.

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Now we'll take the large brush.

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I want to create some myths down here.

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So here I'm tapping just lightly tapping

pay particular attention to the angles.

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Always follow the angles in your

mountain, and then we'll lift up.

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Very lightly lift up and look at that

creates very soft Misty, Misty effects.

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Maybe let's play a game.

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Let's play a little bit here.

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Maybe one of these peaks here show you

how to have to bring your mountain.

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Well, I'll tell you what.

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We're having such a good time here.

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Should we do something else too?

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While I'm here?

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I'm gonna take a little of a magic weight

and edit right into my titanium white.

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So it's a little bit thinner.

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One of our golden rules, then

paint will stick to a thick paint.

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I want to, I want to put a cloud

coming right across the mountain

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there, let it come right across.

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You know, these old clouds,

they just sort of drip across a

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mountain, so just barely touch it.

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And this is a thinner paint and

it'll stick on top of the thick

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paint that's already up there.

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Okay.

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Maybe he's got a little friend that lives

right here and maybe shoot, who knows?

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Maybe there's a happy little cloud.

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He sorta, maybe he fell out of this

guy and he just floating right down

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here at the bottom of this mountain.

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And we'll take the big brush and

just blend in the hat in there,

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00:13:47,085 --> 00:13:52,635

fluff it up, and then very likely

we'll display all this together.

245

00:13:53,415 --> 00:13:55,635

We'll put a happy little cloud right

down at the bottom of the mouth.

246

00:13:57,615 --> 00:13:59,625

And you can put as many of

these in here, as you want.

247

00:14:02,475 --> 00:14:06,795

Maybe tell you what, let's just bring

this one right down in front of the cloud.

248

00:14:07,875 --> 00:14:14,295

And you can just keep adding on and on and

on wherever you want it to go look at that

249

00:14:18,645 --> 00:14:20,775

and we'll drop a happy

little shadow here and there.

250

00:14:21,555 --> 00:14:25,244

See how that shadow makes

it just pop out at you.

251

00:14:25,545 --> 00:14:26,594

That's where it happens.

252

00:14:29,145 --> 00:14:29,355

Hmm.

253

00:14:30,475 --> 00:14:33,825

We could spend the whole show working

on mountains here, but I'm sure I

254

00:14:33,825 --> 00:14:36,345

would want to, we want to look at

some other things, so we'll just

255

00:14:36,345 --> 00:14:40,245

put some best right here, over here.

256

00:14:40,245 --> 00:14:46,275

We follow these ankles, soften

all this up and go from there

257

00:14:49,755 --> 00:14:50,415

and that easy.

258

00:14:50,715 --> 00:14:54,045

Now you can see how this plane

projects out a little mist

259

00:14:54,045 --> 00:14:55,095

in here and the softening.

260

00:14:56,084 --> 00:14:57,285

It just brings it right out

261

00:15:01,545 --> 00:15:03,005

what I'm going to mix up.

262

00:15:03,725 --> 00:15:07,265

We just use the same mountain color

and we'll put some SAP green into it.

263

00:15:07,265 --> 00:15:11,375

So we have blue and Brown,

little alizarin, Crimson, and

264

00:15:11,395 --> 00:15:13,235

a touch of SAP green into it.

265

00:15:16,564 --> 00:15:20,345

Just a little though, clean my knife.

266

00:15:21,645 --> 00:15:24,585

We use the fan brush and I just

quickly lay a little on here.

267

00:15:24,945 --> 00:15:25,095

Now.

268

00:15:25,095 --> 00:15:27,945

I want to have maybe like a little tree

line going up the side of this mountain.

269

00:15:27,945 --> 00:15:32,235

So all I'm doing here with a fan brush is

just touching and you still, still need

270

00:15:32,235 --> 00:15:33,855

to follow the angles in that mountain.

271

00:15:35,385 --> 00:15:40,875

Always follow the angles in that

mountain and that easy, that easy.

272

00:15:40,875 --> 00:15:44,805

You can put a whole forest, nearly

climbing right up the side of the map.

273

00:15:48,305 --> 00:15:48,965

There we go.

274

00:15:49,635 --> 00:15:51,614

And all we're doing is laying

it on with the fan brush.

275

00:15:52,905 --> 00:15:53,775

Just lay it off.

276

00:15:56,395 --> 00:16:00,435

Then we'll take a one inch brush is

clean and dry and very lightly began

277

00:16:00,435 --> 00:16:08,564

lifting straight up, just straight up,

barely go barely, barely touching it.

278

00:16:08,974 --> 00:16:12,915

This softens, it brings

everything together that easy.

279

00:16:16,140 --> 00:16:19,589

You know, it's hard for me to believe

that we're into our fifth series.

280

00:16:20,835 --> 00:16:21,495

Oh, my gosh.

281

00:16:22,545 --> 00:16:27,615

It's you can't believe what wonderful

things it does to my heart to know

282

00:16:27,615 --> 00:16:32,055

that you've allowed me into your

home this many times, and then

283

00:16:32,055 --> 00:16:33,255

you're inviting me back again.

284

00:16:34,875 --> 00:16:37,635

You've literally made a

dream come true all my life.

285

00:16:37,665 --> 00:16:42,615

I have wanted to, to be able

to share my views of nature.

286

00:16:44,675 --> 00:16:45,335

Hello everybody.

287

00:16:46,955 --> 00:16:48,125

And you've allowed me to do it.

288

00:16:48,515 --> 00:16:48,845

And now.

289

00:16:50,130 --> 00:16:51,870

I want to thank you from

the bottom of my heart.

290

00:16:52,140 --> 00:16:53,910

It's very special to me.

291

00:16:56,339 --> 00:16:56,599

Change.

292

00:16:56,599 --> 00:16:57,120

Let's go up here.

293

00:16:57,270 --> 00:16:59,310

Maybe I can hear there's.

294

00:16:59,579 --> 00:17:00,060

There it is.

295

00:17:00,180 --> 00:17:06,659

You can this there some happy little

trees that live way back here, and this

296

00:17:06,659 --> 00:17:09,599

is that same color, same, same color.

297

00:17:15,854 --> 00:17:16,454

There we go.

298

00:17:21,905 --> 00:17:23,194

Now you're looking for as distance.

299

00:17:23,224 --> 00:17:24,514

This two indications here.

300

00:17:24,514 --> 00:17:26,704

We don't want, I don't

want a lot of detail yet.

301

00:17:27,125 --> 00:17:30,485

When things are far away, you

don't see all the detail that

302

00:17:30,485 --> 00:17:31,804

you see when they're close up.

303

00:17:33,165 --> 00:17:37,065

So lack of details of time

can be as important as detail.

304

00:17:39,135 --> 00:17:41,715

Just let these little trees grow

wherever you think they should.

305

00:17:44,745 --> 00:17:49,185

Don't worry about covering up some of this

because it's going to show through and

306

00:17:49,185 --> 00:17:52,035

that's what makes it look real nature.

307

00:17:52,035 --> 00:17:52,965

Doesn't move trees.

308

00:17:52,965 --> 00:17:54,945

Just so it's pretty for you.

309

00:17:56,135 --> 00:17:57,755

They grow wherever it makes them happy.

310

00:18:00,035 --> 00:18:03,245

Very quickly here and just dropping

some happy little things here.

311

00:18:03,425 --> 00:18:04,805

Same color, same color,

312

00:18:12,935 --> 00:18:15,875

same single color, very dark color.

313

00:18:17,495 --> 00:18:19,175

And this fan brush has

a little white on it.

314

00:18:19,175 --> 00:18:20,915

I want to put some little

indications, maybe.

315

00:18:21,655 --> 00:18:23,095

A few little tree trunks back here.

316

00:18:23,095 --> 00:18:25,705

So all I'm doing is

lifting upward slightly.

317

00:18:26,545 --> 00:18:27,115

Very few.

318

00:18:27,175 --> 00:18:28,645

Don't get, don't get crazy.

319

00:18:28,975 --> 00:18:29,965

Don't get too many here.

320

00:18:31,315 --> 00:18:32,635

Just a few, just a few.

321

00:18:32,815 --> 00:18:35,755

And if you get one that's too light,

all you have to do is rub it a little

322

00:18:35,755 --> 00:18:39,535

bit and it'll, it'll pick up that dark

color underneath and it'll go away.

323

00:18:41,025 --> 00:18:41,175

Yeah.

324

00:18:41,185 --> 00:18:42,765

Then let's, let's put some highlight here.

325

00:18:42,765 --> 00:18:46,245

I'm going to start with,

this is cadmium yellow.

326

00:18:46,845 --> 00:18:50,085

Oh, put a little yellow ochre

into it and some SAP green.

327

00:18:50,115 --> 00:18:54,135

And we'll just mix these right on the

fan brush a lot of pain in the brush,

328

00:18:54,585 --> 00:18:59,955

a lot of pain just work at brush, but

you can see all the layers of color.

329

00:19:00,375 --> 00:19:03,285

And when you mix on the brush, you

get all these different layers.

330

00:19:03,285 --> 00:19:06,495

You don't have one flat old,

dead color, and we're looking

331

00:19:06,495 --> 00:19:07,635

for a bright, shiny color.

332

00:19:08,715 --> 00:19:09,015

Okay.

333

00:19:09,375 --> 00:19:11,265

How we touch and push, bend up.

334

00:19:12,645 --> 00:19:14,055

Just bend that brush upward.

335

00:19:14,850 --> 00:19:17,729

You see how that's it, touch

it, push it and bend it.

336

00:19:18,270 --> 00:19:25,229

And that makes all those little grassy

things me back here in the distance far,

337

00:19:25,229 --> 00:19:29,310

far away, maybe there's, maybe it comes

right down through wherever you want it.

338

00:19:29,370 --> 00:19:30,000

There it goes.

339

00:19:31,500 --> 00:19:33,750

There it goes right through there.

340

00:19:38,610 --> 00:19:41,639

Can you just sort of make these little

paintings up in your mind as you go along?

341

00:19:42,690 --> 00:19:43,440

And let them happen.

342

00:19:44,040 --> 00:19:45,270

And I want some reflections on there.

343

00:19:45,270 --> 00:19:48,990

So I'm going to touch the small,

small amount of the halo blue.

344

00:19:49,380 --> 00:19:53,730

I want the reflections to have a little

more blue cast to them and Coretta period.

345

00:19:53,730 --> 00:19:55,350

I don't know, pick up a

little bit of the color.

346

00:19:56,040 --> 00:19:58,919

And it's going to mix with the blue and

all of it's going to mix with a magic,

347

00:19:58,919 --> 00:20:02,100

quite an instant, instant reflections.

348

00:20:03,000 --> 00:20:06,300

This may be one of the most fantastic

things that happens in this technique

349

00:20:07,379 --> 00:20:12,239

is some of the most spectacular

reflections are imaginable and it's easy.

350

00:20:13,080 --> 00:20:13,739

So easy.

351

00:20:15,510 --> 00:20:16,050

There we go.

352

00:20:17,879 --> 00:20:24,120

And then very likely go across this will

give it a, a watery appearance that easy.

353

00:20:26,355 --> 00:20:28,425

Now then maybe there's

some stones back here.

354

00:20:28,425 --> 00:20:34,035

So let's take some burn number and I'll

use yellow ochre, yellow ochre, and burn

355

00:20:35,265 --> 00:20:37,185

a little titanium white in there too.

356

00:20:37,485 --> 00:20:40,785

What the heck, that'll

be your highlight color.

357

00:20:41,655 --> 00:20:46,305

And then we can start with just straight

Vandyke Brown and put in our base color.

358

00:20:46,405 --> 00:20:48,615

We'll just drop into

some happy little things.

359

00:20:53,365 --> 00:20:55,615

I'm happy painting.

360

00:20:55,715 --> 00:20:56,965

Painting should make you happy.

361

00:20:57,415 --> 00:21:03,745

Should bring a song to your heart, make

you appreciate life, all the beautiful

362

00:21:03,745 --> 00:21:05,155

things that are happening around you.

363

00:21:06,145 --> 00:21:09,985

Take time to take time, to look

at nature, to appreciate it.

364

00:21:10,345 --> 00:21:15,715

Sometimes we, we look at it every day and

we, we have a tendency to overlook it.

365

00:21:16,855 --> 00:21:17,005

Okay.

366

00:21:17,005 --> 00:21:21,205

This is that highlight color, yellow ochre

burn number and a little titanium white.

367

00:21:23,040 --> 00:21:25,830

See, and you get all these things

because you don't, overmix your pain.

368

00:21:25,860 --> 00:21:27,570

Let it, let it happen.

369

00:21:27,810 --> 00:21:28,710

Don't fight it.

370

00:21:30,420 --> 00:21:31,500

That's what it's all about.

371

00:21:33,360 --> 00:21:34,170

Just relax.

372

00:21:35,280 --> 00:21:38,220

Be calm, peaceful, and let it go.

373

00:21:40,170 --> 00:21:40,410

Okay.

374

00:21:40,410 --> 00:21:45,870

Now then I will take, and let's

just drop in some little grassy

375

00:21:45,870 --> 00:21:47,970

areas coming right down through

there, wherever you want them.

376

00:21:49,650 --> 00:21:56,250

Okay, here are a few and that sorta

just ties it all together and now use

377

00:21:56,250 --> 00:21:58,470

a little of the magic quite very thin.

378

00:21:59,210 --> 00:22:01,410

It will drop in a happy

little water line back here.

379

00:22:05,535 --> 00:22:10,185

And the beauty of this beauty of this

technique is right in the middle of it.

380

00:22:10,185 --> 00:22:12,525

You can, you can change your mind.

381

00:22:12,525 --> 00:22:16,485

You can redesign paintings

because this is your world.

382

00:22:17,395 --> 00:22:19,545

You can do anything that you

want to do in this world.

383

00:22:21,615 --> 00:22:23,265

And anything that you want to do

384

00:22:27,415 --> 00:22:27,885

real quick.

385

00:22:29,730 --> 00:22:30,000

Okay.

386

00:22:30,060 --> 00:22:33,970

A little bit of magic, white metal

titanium, white, maybe who knows?

387

00:22:34,040 --> 00:22:34,350

I don't know.

388

00:22:35,940 --> 00:22:39,600

Maybe back here, it's just a

little indication there it is.

389

00:22:39,810 --> 00:22:40,440

Look at that.

390

00:22:40,680 --> 00:22:44,670

Look at that a little stream lives

right there and just, it drops right

391

00:22:44,670 --> 00:22:49,710

in here and let some water right into

our painting right into her painting.

392

00:22:51,510 --> 00:22:54,090

A few little happy grassy

things and that easy.

393

00:22:54,900 --> 00:22:54,990

Okay.

394

00:22:55,755 --> 00:22:56,505

And that easy.

395

00:22:56,565 --> 00:23:00,105

You can just put your happy little

stream, little foam here where it's

396

00:23:00,675 --> 00:23:03,945

coming out into this river or Lake or

pond or whatever you want it to be.

397

00:23:05,805 --> 00:23:06,285

Okay.

398

00:23:06,345 --> 00:23:09,885

Now we can, we can get over here into

the foreground and really have some fun.

399

00:23:10,725 --> 00:23:12,435

So I'm going to take all

the dark colors that I got.

400

00:23:12,435 --> 00:23:14,325

There's Brown, blue.

401

00:23:15,045 --> 00:23:20,325

Oh, there's some Crimson, big GABA

SAP green big thing is that it's dark.

402

00:23:20,835 --> 00:23:21,165

Okay.

403

00:23:21,225 --> 00:23:22,455

Let me get a big brush here.

404

00:23:24,524 --> 00:23:27,405

And I'll just use this old dirty

brush and we'll go right up into

405

00:23:27,405 --> 00:23:31,665

the, this color, wiggle that brush,

wiggle, wiggle, wiggle that brush.

406

00:23:32,175 --> 00:23:34,335

Bring it to a nice, sharp, sharp edge.

407

00:23:35,295 --> 00:23:36,175

See if you can see that.

408

00:23:36,225 --> 00:23:39,315

See very nice sharp chisel edge.

409

00:23:39,345 --> 00:23:42,524

Let's go up here now,

right here in my world.

410

00:23:42,524 --> 00:23:46,605

Their lives they're certainly

better than they are now.

411

00:23:46,995 --> 00:23:48,225

A big evergreen tree.

412

00:23:49,485 --> 00:23:51,105

And he just lives right in this brush.

413

00:23:51,135 --> 00:23:55,335

And all you do is just go back

and forth and push him out.

414

00:23:56,294 --> 00:24:02,355

And I was pushing him out and here

he comes, he comes, don't be afraid

415

00:24:02,355 --> 00:24:03,615

of this brush because it's big.

416

00:24:03,645 --> 00:24:08,325

It will do absolutely

fantastic things right here.

417

00:24:08,325 --> 00:24:11,355

There's a little Bush in a

tree and it comes right across.

418

00:24:13,650 --> 00:24:14,460

Wherever you want it.

419

00:24:16,710 --> 00:24:18,120

We'll just fill all this stuff with dark.

420

00:24:18,120 --> 00:24:23,220

You need the dark in order for you to like

to show you can't have light without dark.

421

00:24:25,260 --> 00:24:29,430

No, it's just like, it's just like

in life, you can't no happiness.

422

00:24:29,970 --> 00:24:31,560

Unless you've done a little bit of sorrow.

423

00:24:33,000 --> 00:24:36,510

So the good Lord gives us all a

little bit of sorrow so we can,

424

00:24:37,890 --> 00:24:39,150

so we can know the happiness.

425

00:24:39,150 --> 00:24:44,840

When it comes three trucks,

that'll burn number two.

426

00:24:45,060 --> 00:24:49,560

There we that'll highlight color

misses, little yellow ochre.

427

00:24:50,640 --> 00:24:50,730

Okay.

428

00:24:51,629 --> 00:24:58,140

Okay, I'm going to take a one inch

brush, a little paint, thinner to thin

429

00:24:58,140 --> 00:25:03,810

the paint SAP green and yellow, and must

just very quickly here dropping some

430

00:25:03,810 --> 00:25:06,900

little indications of a few highlights.

431

00:25:07,470 --> 00:25:11,480

Just a few indications, darker,

darker, darker as I go down here.

432

00:25:12,945 --> 00:25:13,185

Okay.

433

00:25:13,455 --> 00:25:17,295

Now, if your paint, if you have

trouble making it stick, add a little

434

00:25:17,295 --> 00:25:19,365

bit of paint in or a magic white.

435

00:25:19,425 --> 00:25:20,355

I don't think you paint.

436

00:25:21,285 --> 00:25:21,855

There we go.

437

00:25:21,915 --> 00:25:23,595

Drop in a happy little Bush right there.

438

00:25:24,225 --> 00:25:25,845

It's a sad green CAD yellow.

439

00:25:27,475 --> 00:25:30,045

Just drop them in wherever

you want them to your world.

440

00:25:30,105 --> 00:25:33,975

Tell you what on add a small

amount of Indian, yellow.

441

00:25:35,850 --> 00:25:37,770

Yellow ochre and some permanent red hair.

442

00:25:37,770 --> 00:25:44,820

I want one that shines right

here, just like so, and I

443

00:25:44,820 --> 00:25:46,710

really hope you've enjoyed this.

444

00:25:47,940 --> 00:25:48,870

So a lot of fun.

445

00:25:49,020 --> 00:25:51,480

I hope to see you every week here with us.

446

00:25:53,010 --> 00:25:56,310

And we'll teach you some of the most

fantastic and easy paintings you've

447

00:25:56,310 --> 00:25:58,440

ever seen, and they're very effective.

448

00:25:58,440 --> 00:25:59,280

They'll make you happy.

449

00:26:00,090 --> 00:26:01,980

Your friends will never

believe you've done them.

450

00:26:05,070 --> 00:26:05,640

Okay.

451

00:26:05,640 --> 00:26:08,040

Now we're just clean knife here.

452

00:26:08,610 --> 00:26:12,210

You can drop in a few little

sticks and twigs easy wherever

453

00:26:12,210 --> 00:26:13,110

you think they should be.

454

00:26:14,250 --> 00:26:15,030

Just drop them in.

455

00:26:18,840 --> 00:26:20,670

And I think we have a finished painting.

456

00:26:21,630 --> 00:26:23,610

And with that, we'll stop here.

457

00:26:23,880 --> 00:26:25,950

I'd like to wish each and every

one of you happy painting.

458

00:26:26,130 --> 00:26:27,660

I look forward to seeing you next week.

459

00:26:27,960 --> 00:26:28,320

Goodbye.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 24, 2020

S05E01 - Mountain Waterfall

Bob Ross's

The Joy of Painting

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