Bob Ross's

The Joy of Painting

S04E06 - Warm Summer Day

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Welcome back.

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I'm glad you could join me today.

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And today I thought I'd do something

it's very soft, very quiet.

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Think you'll enjoy it.

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So let's start out.

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I'm going to take the large brush.

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I've already covered the canvas

with magic white, and I'll have

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them graphically run all the colors

across the screen so you can see

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the colors we're going to use today.

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And they'll be in the same order that

I have MoMA palette, and we'll start

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with a little bit of a lizard Crimson

and just really work it into the brush.

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So you have a nice even

distribution of color.

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I'm going to go right up in

here and just here and there,

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lay in a little bit of Crimson.

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Beautiful, beautiful little pink

color in without cleaning the brush.

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I'm going to go right into a

little bit of pression blue without

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cleaning the brush and very lightly

that it bounced around in play.

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Don't cover up your Crimson

because the blue is so many

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times stronger than the Crimson.

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It'll eat it all up.

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just let it play.

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Maybe we'll go into a little tiny bit

of burn number, just a small amount and

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just lay some of that here and there.

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Just a, just a great down a little

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And we'll put a little bit of

a pinkish color down in here.

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Just general idea, a little bit of

the Crimson, a little bit of blue,

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and we still haven't cleaned the brush.

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Just put in some nice, soft

little colors and let them go.

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Okay.

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Now very lightly.

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I'll blend all this together.

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Very lightly, barely touching

the canvas JS like, so

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that'll give us a nice little

background to work with.

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Now.

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Let's put some little background trees in

here and I'll use the same dirty brush and

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we'll go right into some Vandyke Brown.

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And a little bit of the burn

number, and we'll just take

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the corner of the brush here.

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And I'm just going to lay

in some basic little shapes.

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We're not worried about a

great deal of detail here.

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We're just looking for very

basic, quiet little shapes.

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Bandag Brown burn number.

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Very very basic.

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Just have fun.

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Enjoy.

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Maybe this just goes right on up.

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We just let it go.

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What the heck?

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I didn't know.

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All kinds of little

background things happening

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wherever you want them.

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This is your world.

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Let things happen.

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Let them fall off the brush.

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Maybe a little darker right in here.

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So we'll have a little separation.

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Okay.

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And while I have this dirty color on

the brush, I know there's going to

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be a little bit of water right here.

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I think.

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So I'll just take the same color and

pull down a little bit, and this will

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end up being reflections on roll.

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Done.

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But since we don't know exactly where the

water's going to be, yet, we really, we

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really don't care where this goes gently,

gently, gently go across very lightly.

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Okay.

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And we'll take a one inch brush and go

right into a little bit of cadmium yellow.

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Little yellow ochre.

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And just mix these on the brush.

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I think I'll put a tiniest, tiniest

little bit of paint thinner into

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the brush just to thin the paint.

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Yeah.

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So we got CAD yellow, yellow

ochre, and we'll take the

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smallest amount of SAP green.

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And then there's three different

colors mixed here on the brush.

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And we're going to go right up here and

I'm just using the corner of the brush.

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I'm just, I want to tap in some color.

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This is just background

color, just here and there.

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Just barely, barely touching the

canvas, not looking for detail yet.

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Just laying in color, add a

little bit more green to that.

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She was tearing there.

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Say we are not looking for detail yet.

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These are just background colors.

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Let's go into a little bit of

the permanent red and mix it in.

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Just to break it up a little bit.

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Oh, that's pretty, very nice.

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Wherever, wherever.

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Okay.

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Now we'll take, after you have

some of these basic shapes laid

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in, we'll take a clean, dry.

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Two and a half inch brush, and I'm going

to use just the corner of the brush and

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I'm just going to touch and I'm going

to soften all this fair, very soft, very

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quiet, and you can take the corner of

the brush and really soften up the edges.

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Make it look very far away.

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Just touch there, Kenny.

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And we'll just quickly run through these.

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We want to make this very soft.

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Very far away, quiet

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there, there, great big brush and makes

a little delicate, soft things like that.

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Just give it a chance to let it go.

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And that quick, you got a

beautiful little background.

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Can you take a little

bit of the yellow, maybe?

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And I'll just drop in some more

little indications here and

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there, wherever you want them.

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Remember, this is your world.

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You create the illusions that

you want a little bit of that

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color down into the reflections.

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Hmm.

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Lightly, lightly go across

you with a liner brush and a

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little bit of thin oil here.

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We can go into some Vandyke Brown.

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And we'll just make a few little

indications here and there are some trunks

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we're not worried about a lot of detail

too far away, and you can lift upward or

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pull down whichever way is more concise.

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Yeah, it was tearing there.

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Maybe back in here, make

out some indications.

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These, these will be lead

in the background there.

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With that large brush, I'm going

to gently tap here and there

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just to soften and break them up.

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Yeah, we can take a little bit

of color and just add some middle

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indications up through here.

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Not looking for detail.

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At the other corner of the brush is clean.

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So I turn it over and I'll soften it.

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okay.

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It's a little things happening now.

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Let's take some magic white and I'll

put it on the pallet and I'm going

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to mix a little bit of the Brown.

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This is be a very thin paint cut

across it, and let's go right

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up in here and let's just lay in

all kinds of little things here.

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Just let him go.

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They're

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super nice little way.

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To make a very, very effective background

and very quickly, and you could make these

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as soft as you want them, or you could

make them very bright, very distinct.

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It's an individual thing.

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So let your imagination take

you where you want to go.

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Okay.

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It gives us a nice little background

and maybe there's a, maybe there's some

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land that comes around through here.

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So we'll go, let's go right

into some Vandyke Brown with a

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little burn number mixed into it.

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Figure it out, figure out

where you want land to be here.

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Maybe, maybe there it is.

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There it is.

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There.

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Just make a decision and

go, just make a decision.

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Let it go there.

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See that quickly.

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We have some dirt in here now we'll

come back and put some grass on it and

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all kinds of beautiful little foliage

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and then let's put some highlights

on there and I'll take some Brown,

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a little bit of Prussian blue.

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And white.

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I want to add a little fail-over

blue to that, right enough.

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Just a tiny airway girl.

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Likes a nice gray, sort of a blue, gray.

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Okay.

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We'll load a little bit of paint on

the ninth and let's go right up here.

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They're all in the lay of the land.

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It's very, very important.

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Just lay on a few little highlights,

just a few, and we'll take the

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same color and add white to it to

make it, get another value lighter.

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And don't cover up all your first color,

but a few more highlights here and there.

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Just let the paint break.

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You're using a very, very delicate touch.

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No pressure, no pressure.

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Okay.

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And let's take the old fan brush

and I'm gonna go right into

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some Vandyke Brown, little burn

number and a little bit of white.

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So it's sort of a light color to

tell you what let's take and put

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a tiny little bit of paint thinner

on death then at time a little bit.

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So it'll come off the

brush a little easier.

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So we can go right over the top

of this thicker paint back here.

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And maybe back in here, maybe, maybe

they're just a little tree lives

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right there, and he's got a little arm

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and these are just little indications

that are far away and we can take them,

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begin applying some color to that.

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And I'll take a little bit of

the CAD yellow, yellow ochre.

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And some SAP green and here,

I'm just going to use a

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corner of the brush and tap.

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You're just looking for a color

that stands out a little better.

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Don't want it real bright.

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Just tap on some basic shapes here.

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There we go.

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That's using the corner and

making the breastfeeding downward.

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I'm going to add a little bit

of paint thinner to my brush.

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This is a little bit brighter, yellow

and green, and that'll stand out there.

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It'll stand out, shine and light.

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Okay.

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Now we can start worrying

about what's happening.

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We get back in here.

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Okay.

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And if you want to soften this, you

can use the big brush and very lightly

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just use the corner and just tap it.

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It'll soften it, bring it right down to

any degree of softness that you want.

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Some people like they like to

leave it brighter like that.

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And it's up to you, however you want it.

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Can you, I'm going back into the Brown.

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Now this time, I'm going to put

white on one side or a light color.

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Darko one light on the other and maybe,

maybe, maybe, maybe, maybe there's a

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nice tree and he lives right there.

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So you do one tree and come forward,

always coming forward and give

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him another branch right there.

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There we go.

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And just a few indications here

and there, wherever you want them.

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I don't worry about making a

mistake on the lens because you're

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going to put leaves on this tree

so you can cover up your mistakes.

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Of course, we don't make mistakes.

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We don't make mistakes.

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We have happy accidents.

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Never, never make mistakes.

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And that'll give us.

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A nice little tree trunk,

and let's go right in here

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and we'll take some yo let's.

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I had a little bit of

permanent red to our color.

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This time,

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yellow ochre, a little

bit of permanent red.

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As things get closer to you, they should

get a little, little more distinct.

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You should be able to

pick out more detail.

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And I'm just, I'm just using the

corner of his brush and just tapping

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and you got to make basic little shapes.

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You can't just throw these in at random.

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Think about that.

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Lay on those little projections.

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Think like a tree.

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That'll give you a challenge.

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There we go.

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No, we just let this go

right on off the canvas.

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We don't know where it goes, and

if you want to highlight it, you

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can take a little bit of color.

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I'm using a little bit of

sour cream, little yellow.

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Just here and there touch.

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Now.

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I'm not going to diffuse this

one as much because it's closer.

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So I don't want to, I don't want to

kill all of this just here and there.

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Okay.

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Now let's take and begin laying some,

some little things back in here.

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Start working on these land masses.

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And here we're just dropping in

some basic color test, wherever

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with a large brush, then we'll tap that.

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Just soften it, make it very, very soft.

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Very quiet.

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Okay.

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Now then let's go into some color.

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To me, this area down in here would

probably be in quite dark shadow.

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So I'm going to leave

these colors very dark.

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I don't want to kill

all my landmass in here.

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Gonna leave a little

bit of the land chewing

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and I'm still just having just another

way to use the brush to make all kinds

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of beautiful little things happen.

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and just sort of play with color

back and forth between all the

253

00:16:45,425 --> 00:16:46,625

colors is two views in there.

254

00:16:48,635 --> 00:16:48,965

Yeah.

255

00:16:49,055 --> 00:16:52,115

Maybe, maybe we want to show

some light coming through here.

256

00:16:52,265 --> 00:16:53,795

So I'll take a little bit of the white.

257

00:16:53,885 --> 00:16:57,455

This is just white added under the

same brush to indicate a little

258

00:16:57,455 --> 00:16:58,745

light chatting through here.

259

00:17:01,595 --> 00:17:03,395

Tiniest little bit, barely touch.

260

00:17:10,355 --> 00:17:12,724

maybe that's a level of grass

that grows right in the hair,

261

00:17:13,054 --> 00:17:15,964

wherever where this is your world.

262

00:17:18,185 --> 00:17:22,204

So you drop them in or

you want to, there we go.

263

00:17:26,675 --> 00:17:28,204

Nice and soft, quiet.

264

00:17:43,405 --> 00:17:46,175

that'd be a super place to walk,

sat under the tree and read a

265

00:17:46,175 --> 00:17:49,925

book and talk through the little

squirrels with your bunny rabbits.

266

00:17:52,115 --> 00:17:53,045

And you know, my secrets.

267

00:17:53,045 --> 00:17:54,425

I talked to squirrels and bunny rabbits.

268

00:17:55,365 --> 00:17:56,804

Now let's let's do another tree.

269

00:17:56,895 --> 00:17:57,165

Go ahead.

270

00:17:57,195 --> 00:17:57,495

Gosh.

271

00:17:57,554 --> 00:17:58,544

Threes is so much fun.

272

00:17:59,385 --> 00:18:00,415

This time we'll use a knife.

273

00:18:00,435 --> 00:18:03,524

I'm going to show you several different

ways of making trees and maybe

274

00:18:03,524 --> 00:18:05,804

their lives, a big tree right here.

275

00:18:07,024 --> 00:18:08,225

Yeah, just let it go.

276

00:18:08,975 --> 00:18:09,064

Okay.

277

00:18:09,095 --> 00:18:12,185

Or everyone wants to go Vandyke Brown,

278

00:18:15,365 --> 00:18:16,324

a lot of pain on the knife.

279

00:18:17,225 --> 00:18:22,715

A lot of paint, pull that paint

out flat like that, and just

280

00:18:22,715 --> 00:18:24,004

cut you off a big hunk of paint.

281

00:18:26,010 --> 00:18:30,560

Want this tree to have

texture, the paintings dry.

282

00:18:30,590 --> 00:18:34,700

Want to be able to feel the park

these back here soft, farther away.

283

00:18:37,430 --> 00:18:37,560

Yeah.

284

00:18:37,560 --> 00:18:38,600

This one was getting closer.

285

00:18:38,660 --> 00:18:40,040

Give him a big foot's out here.

286

00:18:45,260 --> 00:18:48,290

There, there we go.

287

00:18:49,730 --> 00:18:49,910

Yeah.

288

00:18:50,690 --> 00:18:52,639

Maybe he's got an arm, right?

289

00:18:53,880 --> 00:18:54,150

There.

290

00:18:58,310 --> 00:19:02,120

And since there's going to be a lot

of leaves on here, we can just make

291

00:19:02,120 --> 00:19:06,050

indications and we don't have to

worry a great deal about them being

292

00:19:06,050 --> 00:19:08,570

just perfect because the leaves

are going to cover up most of them.

293

00:19:14,750 --> 00:19:15,000

Yeah.

294

00:19:15,080 --> 00:19:15,350

Yeah.

295

00:19:15,570 --> 00:19:20,720

We need some bark on that tree and

let's take some Brown and white.

296

00:19:23,625 --> 00:19:26,985

And we'll put the tiniest little bit

of permanent red and it just barcode

297

00:19:26,985 --> 00:19:32,055

up a little bit there and we start,

and all I'm going to do is just touch.

298

00:19:33,105 --> 00:19:33,735

Just touch

299

00:19:37,935 --> 00:19:42,645

a little tiny bit of

paint and touch touching.

300

00:19:43,305 --> 00:19:43,695

All right.

301

00:19:43,695 --> 00:19:48,195

Up the tree, just to where you think

light would strike and make it brighter.

302

00:19:50,485 --> 00:19:51,165

I don't know.

303

00:19:52,665 --> 00:19:53,574

A little bit right there.

304

00:19:59,554 --> 00:20:04,264

now on the other side to indicate a

little bit of reflected light, take

305

00:20:04,264 --> 00:20:06,784

a little bit of pressure and blue.

306

00:20:08,745 --> 00:20:10,024

Just lay a little color over here.

307

00:20:10,054 --> 00:20:14,135

Cool color just helps.

308

00:20:14,135 --> 00:20:18,365

Give a tree a little more depth,

a little more texture, Mexican

309

00:20:18,425 --> 00:20:19,804

personality, all of his own.

310

00:20:22,410 --> 00:20:27,420

And a little bit of grass growing

around his foot cleans up the bottom.

311

00:20:29,040 --> 00:20:29,430

Okay.

312

00:20:29,430 --> 00:20:40,290

Now let's take that's tank and we'll

go right into yellow sand green, put a

313

00:20:40,290 --> 00:20:41,880

little bit of Vandyke Brown there to dull.

314

00:20:41,880 --> 00:20:44,970

It don't want it too bright.

315

00:20:45,300 --> 00:20:48,990

So we got yellow, Sam

green, little Vandyke Brown.

316

00:20:50,820 --> 00:20:58,230

Yeah, let's put some leaves right up here

on this almighty tree, big tree here,

317

00:20:59,790 --> 00:21:05,370

just still using just the corner of the

brush, work with your basic patterns.

318

00:21:12,800 --> 00:21:13,409

Here we go.

319

00:21:15,840 --> 00:21:17,040

Right over the top of that one.

320

00:21:18,784 --> 00:21:23,955

Right your world, you can put

it anywhere that you want it.

321

00:21:26,375 --> 00:21:26,645

Hmm.

322

00:21:27,185 --> 00:21:33,004

I think I've been, I'm going back

to my brush with a yellow on it, and

323

00:21:33,004 --> 00:21:34,504

I'm going to lighten that same color.

324

00:21:37,264 --> 00:21:41,044

I've added a little bit of paint, thinner

to my brush, just to thin the paint.

325

00:21:41,044 --> 00:21:45,334

So to stick to this thick paint that we

already have up here and just here and

326

00:21:45,334 --> 00:21:47,044

there, lay a little bit of highlight.

327

00:21:49,169 --> 00:21:49,950

Just touch it.

328

00:21:49,950 --> 00:21:56,149

Like, so here and there, like these little

sparklers just fall right off you brush

329

00:22:00,929 --> 00:22:01,280

hair.

330

00:22:03,350 --> 00:22:03,830

Okay.

331

00:22:03,830 --> 00:22:07,629

Now maybe, maybe there's something

that lives over in a corner.

332

00:22:07,639 --> 00:22:08,270

Nice Bush.

333

00:22:08,740 --> 00:22:10,939

I'll use a large brush and

I'll go right into some Vandyke

334

00:22:10,970 --> 00:22:15,139

Brown, a little bit of the umber.

335

00:22:16,605 --> 00:22:18,825

And right there, right there.

336

00:22:20,655 --> 00:22:22,965

You decide where it's at and drop it in.

337

00:22:24,375 --> 00:22:24,975

Drop it here.

338

00:22:25,335 --> 00:22:25,845

There you go.

339

00:22:29,054 --> 00:22:33,225

And while I got that old, dirty color

on the brush, maybe there's a nurse Bush

340

00:22:33,495 --> 00:22:40,125

lives right here comes right down here.

341

00:22:40,125 --> 00:22:42,585

We let it come right

on down through there.

342

00:22:45,675 --> 00:22:48,345

And we can go back to her

fan brush with a Brown on it.

343

00:22:50,775 --> 00:22:53,355

We'll put the indication of a

couple of little trunks in here.

344

00:22:54,555 --> 00:22:59,415

Just a couple little things

happening inside back to her

345

00:23:01,245 --> 00:23:02,445

brush with the yellow on it.

346

00:23:05,105 --> 00:23:10,565

Yeah, just the corner of the brush drop

in a few little shapes here and there.

347

00:23:13,080 --> 00:23:14,520

Maybe a little bit of red edit in there.

348

00:23:14,520 --> 00:23:18,270

That'll sparkle that son

of a gun up, make it shine

349

00:23:21,290 --> 00:23:23,750

so that all these little colors

just come right off your brush,

350

00:23:29,120 --> 00:23:34,820

have a little greens and yellows

want to take a tiny bit of the

351

00:23:34,820 --> 00:23:38,960

thin oil and then down some Brown.

352

00:23:39,810 --> 00:23:42,810

Yeah, we'll put a few little

sticks that are poking out of here.

353

00:23:46,550 --> 00:23:51,200

Jess Taryn dare let some of these

little things just have fun come out.

354

00:23:52,040 --> 00:23:52,129

Okay.

355

00:23:55,320 --> 00:23:58,040

Maybe there's one that lives

right there, old dead one.

356

00:24:02,330 --> 00:24:02,840

Okay.

357

00:24:02,840 --> 00:24:03,530

We can clean that.

358

00:24:03,530 --> 00:24:04,070

Brush up.

359

00:24:05,960 --> 00:24:06,710

Let's drop in.

360

00:24:07,510 --> 00:24:09,360

Few little happy things

right down in here.

361

00:24:12,920 --> 00:24:15,410

Now we need something over in here.

362

00:24:16,250 --> 00:24:20,600

So I'm gonna take a little bit of

this same color and we'll put a

363

00:24:20,600 --> 00:24:21,860

little more dirt right in there.

364

00:24:23,480 --> 00:24:25,129

I think I'm making all mighty tree.

365

00:24:26,899 --> 00:24:33,200

This tree lives right there, right there.

366

00:24:35,100 --> 00:24:38,850

That's how easy it is

to making Bandag Brown.

367

00:24:41,780 --> 00:24:41,870

Okay.

368

00:24:41,910 --> 00:24:46,700

When I asked trunk, I

came strong, big foot.

369

00:24:49,639 --> 00:24:52,250

They need a little bit of

highlight on this tree, made the

370

00:24:52,250 --> 00:24:53,450

same way as we did the other one.

371

00:24:55,430 --> 00:24:56,870

Just some indications here and there.

372

00:25:00,950 --> 00:25:01,490

Let him go.

373

00:25:05,600 --> 00:25:07,580

Little bit of the balloon, the balloon.

374

00:25:12,800 --> 00:25:13,190

Okay.

375

00:25:13,190 --> 00:25:14,300

And then we can go in here.

376

00:25:15,710 --> 00:25:18,409

That's a little grassy areas

all down here on his foot.

377

00:25:23,720 --> 00:25:24,050

Okay.

378

00:25:26,510 --> 00:25:28,760

And we need, I use SAP green.

379

00:25:29,805 --> 00:25:33,345

We need some leave for this big

tree, and this is just pure SAP

380

00:25:33,375 --> 00:25:36,675

green, and it doesn't matter if you

pick up at Brown, you're looking

381

00:25:36,675 --> 00:25:38,145

for a very, very dark color.

382

00:25:39,705 --> 00:25:42,105

This is so, so close.

383

00:25:42,585 --> 00:25:43,605

So it should be very dark.

384

00:25:46,515 --> 00:25:51,615

And we'll put a, just a few, very,

very few little highlights on this.

385

00:25:54,905 --> 00:25:58,975

And I hope this has given you some

ideas and set your imagination on fire.

386

00:25:59,775 --> 00:26:01,035

You'll do a fantastic painting.

387

00:26:01,515 --> 00:26:08,025

We'll sign this one little bit

of thin oil and there we go.

388

00:26:09,135 --> 00:26:10,605

And hope you've enjoyed this painting.

389

00:26:11,445 --> 00:26:13,545

They looking forward to seeing

you next week and from all

390

00:26:13,545 --> 00:26:15,075

of us here, happy painting.

391

00:26:23,790 --> 00:26:24,420

Uh,

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 23, 2020

S04E06 - Warm Summer Day

Bob Ross's

The Joy of Painting

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