Bob Ross's
The Joy of Painting
S04E10 - Quiet Woods
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Hey, welcome back.
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I'm glad to see you today.
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I'm very glad you could join me today.
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I think we'll do a fantastic little
painting that I think will make you
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happy and do good things for you.
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I'm going to have them graphically run
all the colors across the screen and
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they'll come across your screen in the
same order that I have them on my palette,
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starting with a white and going around.
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And while they're doing that.
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Let's go up here.
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Let's do a fantastic painting together.
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Gonna start today with a little
bit of silo blue and just
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work it into the bristles.
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Here we go.
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Let's add, let's add to that a little bit
of Vandyke Brown just to dull it down.
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So we have the little blue and Vandyke
ground and go up to the canvas and would
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just drop off happy little sky in here.
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Just using a little Chris cross strokes.
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Just work it around, but it play have fun.
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now we've already covered
the canvas with magic white.
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So the colors mixing with the magic
white and automatically it gets lighter
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toward the horizon as we're painting.
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In that easy.
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We have a very basic, quick little sky.
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And while I have this dirty color on
the brush, Hey, we'll just take, I'll
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add a little more Brown, a little more
blue and let's go right down here.
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We'll just, just do that.
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There we go.
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Okay.
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Now I clean the brush and we clean our
brushes with odorless paint thinner.
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And there's a screen in
the bottom of my can.
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And I scrubbed the brush against that
screen and that removes the solid
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particles from the bus brush and keeps
your paint thinner, relatively clean.
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Now with a clean brush, we
can just blend this out.
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So let it go.
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Let it go.
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And let's put a happy little
cloud or two in the sky.
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What the heck?
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What the heck?
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And today, maybe we'll, we'll put a little
cloud in the sky using the one inch brush.
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And we'll just pull that burst through
the paint and load a lot of paint,
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not a pain, a little permanent read
into it and that'll brighten it up.
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It was a sunshine.
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Okay.
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Let's go up to the canvas here and
maybe there's a beautiful little
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cloud and he lives right there.
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Little tiny circles with a brush and
don't stay in one spot and keep working.
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Oh, we want to create the
big cotton balls in the sky.
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We want fluffy happy little clouds.
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Just let it work around
here and play have fun.
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Can maybe right up here this
end, now the little cloud comes
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right down wherever you want to
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come here.
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Maybe you don't want
this side to get lonely.
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So we just dropped one right here.
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That'll give you a little practice
making these little claps there.
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There are a lot of fun, a lot of fun.
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Now let's go back and take a large brush
and very lightly, very lightly here.
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I'm just going to blend the bottom out a
little at all these colors blend together.
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Don't overwork.
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These just blended a
little, get away from it.
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It shouldn't look finished at this point.
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There we go.
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Now we'll fluff it up.
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Just lift it off.
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Maybe we'll fluff this one this way.
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Whichever chair backed
it up, fluff it out.
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And then very lightly, very lightly
just caressed the canvas lightly
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seeking and that easy Pat, easy.
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You can make some very effective,
beautiful little clouds.
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Okay.
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Wash his pressure real quick.
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And let's, let's take a fan brush
today and we'll have some fun.
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Maybe we'll put a little thinner
on the fan brush and we'll go.
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I'm going to go right into a little bit
of thalo blue and the lizard and Crimson.
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It would just mix this on the brush, lewd
Crimson, little small amount of whiteness.
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We can see what color we got
and I'm looking for a lavender
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color more into the blue, you a
little bit more blue than Crimson.
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Okay, but the pain is quite thin here.
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Let's go up to the canvas and maybe
there's some distant little trees that
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live way back here and we'll just tap,
tap, tap, and just lay them little
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Rascals in there wherever you want them.
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Wherever.
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These are very far away, very soft.
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Don't want too much detail, just drop
them in like, so, so all there is to it.
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Just let it happen.
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Kane, I'm going to add a
little more of the Crimson.
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I'm going to go a little more into the,
to the Crimson side, just to break it up.
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So it's not all one, one flat color.
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Maybe right there, right here.
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She had us let these little things
happen, let them come right of brush.
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We're not looking for detail once again.
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We're really just looking for
some background shapes wherever
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you think they should be.
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That's where they ought to be.
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Now I want to create some.
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Some missed in here.
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So I'll take the large brush
and just tap the bottom of this.
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And this is quite firm I'm hitting
the canvas pretty hard right here
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to make a nice, soft Misty appearance
and let a little bit go up into the sky.
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So it looks like little, little
leaf trees that are far, far away.
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Far away.
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And we lift up just to soften
that mist and bring it together
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that easy, easy to get an, to the
background with the same dirty brush.
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Let's add to that color.
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Let's add some Vandyke Brown
and some bird number, not just
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mixing these on the brush.
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Lot of paint to paint.
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Okay, let's go up to the canvas here.
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And maybe, maybe, maybe,
maybe there it is right there.
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Maybe there's a tree here that you
can make out a little more detail.
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This paint's still quite then,
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then paint will stick
to a thick paint there.
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Add a little SAP green to that too there.
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Good.
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Good.
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Nice.
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Just let these little things happen there.
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Maybe right there.
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There he is.
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Mary, just let these come
right out of your brush.
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Maybe there's a bigger one here.
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This is your world.
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So wherever you want a tree, your Bush,
that's where it ought to be drop it in.
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Do you remember?
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We'll take that old big brush
again and just have the bottom.
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I want to soften this also.
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I want this to be a very
soft, quiet painting.
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it's unbelievable.
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The way you can create beautiful,
beautiful Misty effects can so simple.
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I used to work myself to death,
trying to make Misty effects and
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it's easy and people would never
believe you could do it with such a
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big brush so quick and so much fun.
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Okay.
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Alrighty.
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Alrighty.
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Maybe, maybe, maybe, maybe I got
into a little bit of a, take a
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little SAP green, a little Crimson,
just all these colors and just.
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Maybe it's a small amount of yellow
and let's begin making some little
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background things happening back here.
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Just let them go very soft.
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This is just under color
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there.
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Let me add a small, small amount
of paint, thinner to my brush.
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We've got bird number going
here, van Dyke, Brown, small
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amount of yellow into it.
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And we can just begin laying it all
kinds of beautiful little shapes
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and that things start getting
darker as they get closer to you.
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Just let all these beautiful
little things happen.
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Let the color sort of work back and forth.
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And wherever you want it to go at this
point, we really don't have to make any
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big decisions a little bit later on.
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We're going to have to make some decisions
about where all these landmasses go.
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But not yet.
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Not yet.
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Don't even, don't even
worry about it right now.
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Just dropping some background color.
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Okay.
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Now then I'm going to go with
the same old, dirty brush.
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I'm gonna go right into some
CAD yellow, Indian, yellow,
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little yellow ochre, SAP green.
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And I'm just mixing them
all right here on the brush.
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Just just touch, tap, tap.
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He has to go back up to the canvas here.
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Now I want to put a
little highlight on here.
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Just barely touching.
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Barely, barely touching.
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Yeah.
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Paint will not stick out a little
bit of paint, thinner, small, small
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amount, small amount, but don't do
that unless you paint will not stick.
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Okay.
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Maybe right in here and a little
more green and yellow to that.
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I want it to be a little softer
and stand out more there.
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There we go.
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Now go ahead.
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I had to start making some big
decisions what's happening in here.
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Well, let's mix up.
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Let's mix up a very dark color.
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So I'm going to use they low green.
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They look green and lizard
Crimson and about equal amounts.
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Are these two colors mixed together.
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We'll make black, very
dark and very transparent.
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Beautiful.
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Okay.
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That let's go back.
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Get the old fan brush here and I'm gonna
go right into that good dark color load.
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A lot of pain in the brush.
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A lot of paint, maybe,
maybe, maybe, maybe, maybe.
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There it is a little
tree lives right there.
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That'll tree.
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That'll treat sometimes it helps
to make the whole, the whole trunk.
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And that sort of gives you a guide and
you can go right in there and decide
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where all your little happy levels
are and trees aren't always perfect.
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You know, limbs don't grow
equally on both sides.
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They don't grow to the same length.
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Maybe it was a bad year.
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Maybe there wasn't much water.
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Maybe it's too much water trees.
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They grow, however, makes them happy.
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And maybe one was happy here in grew.
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There he is.
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Very, yes.
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See how easy they are to make all I'm
doing is tapping with a fan brush.
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There we go.
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Maybe, maybe, maybe,
maybe give him a friend.
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I don't want him to get lonely back here.
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Don't want him to be lonely.
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Let's put, let's put some little leaf
indications once again, once again, they,
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they grow, however, makes them happy.
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So they're not always perfect.
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They're not always exactly, even.
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Okay.
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This dark color helps, helps give
you painting a little more interest.
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Really, really will make it look good.
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Okay.
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Maybe wherever you want to treat.
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Maybe shoot too.
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There's one right there.
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There it is
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just as many dreams as you want.
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This is your world.
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So.
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Just drop them in, let them go.
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Let them happen.
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Have fun, have fun.
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sometime I get carried
away and start singing.
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Forget there's a microphone right now.
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Go back into some yellow, green, and
we can clean up the little foots here.
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And the more you tap this,
the softer it'll become.
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So maybe at home, when you have unlimited
time, you really want to take some
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time and tap, tap to make these just
a soft it almost look like, but say
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it a little permanent reenter color
might as well have some fun back here.
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There that's middle things happen.
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Maybe, maybe, maybe right there.
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There's some little bushes and stuff.
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It grew just touching wherever you
want them little Bush here and there.
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It's a pretty much better
permanent red in that.
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What makes him makes him sparkle?
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Maybe maybe, maybe right over here.
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Just put some little things in the
background, break it up a little.
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So it's not a straight line.
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Pick up a little bit dark it's.
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Cause there's a shadow under these trees.
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Just don't stand out here.
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There's a shadow there.
246
00:14:17,375 --> 00:14:23,084
I've got dark on one corner and highlight
on the other so I can put a shadow in and
247
00:14:23,084 --> 00:14:24,854
then blend it right into the painting.
248
00:14:26,370 --> 00:14:26,609
Okay.
249
00:14:26,609 --> 00:14:28,859
Let's take a, let's
take a clean fan brush.
250
00:14:29,790 --> 00:14:36,979
I'm to put a little bit of little bit
of white on it and right up in here.
251
00:14:37,939 --> 00:14:38,030
Okay.
252
00:14:38,510 --> 00:14:40,949
Maybe, maybe, maybe there's a
little path that goes right.
253
00:14:40,949 --> 00:14:41,870
Head on around the corner.
254
00:14:41,870 --> 00:14:42,680
We don't know where it goes.
255
00:14:44,000 --> 00:14:45,199
We don't know where it goes.
256
00:14:45,410 --> 00:14:46,339
Wherever it wants to go.
257
00:14:46,760 --> 00:14:49,550
I see you're picking up a
lot of this grass color and
258
00:14:49,550 --> 00:14:50,630
pulling it right into this.
259
00:14:52,080 --> 00:14:53,580
Let's see, and it all blends together.
260
00:14:53,880 --> 00:14:56,010
It makes beautiful, beautiful
little things happen.
261
00:14:56,040 --> 00:14:56,550
I don't go.
262
00:14:57,090 --> 00:14:59,340
Don't fight with it at the canvas work.
263
00:15:00,360 --> 00:15:01,620
This is where it happens.
264
00:15:03,300 --> 00:15:03,870
This is here.
265
00:15:04,050 --> 00:15:08,280
You're depending on it, picking up
this color, don't fight with it.
266
00:15:13,160 --> 00:15:13,940
Let it happen.
267
00:15:14,030 --> 00:15:14,840
Let it happen.
268
00:15:19,250 --> 00:15:20,300
See how easy that is.
269
00:15:21,405 --> 00:15:26,505
Now we can begin playing here a little
more with all these little grassy effects.
270
00:15:30,065 --> 00:15:33,035
If you want one to stand out,
make it a little bit brighter and
271
00:15:33,035 --> 00:15:34,115
then it'll pop right out there.
272
00:15:38,555 --> 00:15:40,685
All kinds of beautiful
little things happening.
273
00:15:45,210 --> 00:15:45,870
There we go.
274
00:15:54,180 --> 00:15:54,720
Okay.
275
00:15:58,680 --> 00:15:59,610
I told you it was easy.
276
00:16:03,200 --> 00:16:06,710
Now we get so many letters from people
that are there painting along with us.
277
00:16:07,760 --> 00:16:10,130
And I said, Bobby, you are,
you were telling us the truth.
278
00:16:10,829 --> 00:16:14,400
It does work and it'll work for you.
279
00:16:14,729 --> 00:16:16,680
If you haven't tried it, give it a try.
280
00:16:17,880 --> 00:16:19,319
You'll find that it's fantastic.
281
00:16:19,319 --> 00:16:22,829
And you can do paintings that you
never, never believed possible.
282
00:16:24,510 --> 00:16:25,589
And you can do them.
283
00:16:27,630 --> 00:16:28,110
There we go.
284
00:16:29,310 --> 00:16:30,599
That'll highlight right over here.
285
00:16:32,640 --> 00:16:34,050
Little bit, little bit.
286
00:16:35,580 --> 00:16:39,470
Maybe another little bump can divide
these up as many times as you want.
287
00:16:39,890 --> 00:16:40,699
And don't worry about this.
288
00:16:40,699 --> 00:16:43,850
Anything you don't want, you just
take your fan brush and blend it right
289
00:16:43,850 --> 00:16:45,560
into the, ran into the ground area.
290
00:16:48,890 --> 00:16:53,030
This is your world and you
can do anything in your world.
291
00:16:53,600 --> 00:16:54,199
Anything
292
00:16:57,490 --> 00:17:01,640
there, you can let a little
ladder play up in there.
293
00:17:02,340 --> 00:17:03,990
So it's not all just perfectly straight
294
00:17:10,560 --> 00:17:10,950
hair
295
00:17:18,079 --> 00:17:19,609
as many years as I've painted.
296
00:17:19,609 --> 00:17:22,400
I still get excited when
I see these things happen.
297
00:17:23,420 --> 00:17:24,380
So fantastic.
298
00:17:27,630 --> 00:17:32,150
Okay, tell you what, maybe,
maybe we'll just use a fan brush.
299
00:17:32,150 --> 00:17:34,910
Maybe there's a, a Bush
that lives right here.
300
00:17:34,910 --> 00:17:35,990
We need some dark underneath.
301
00:17:35,990 --> 00:17:37,790
I'm just using the black
it's on the fan brush.
302
00:17:37,790 --> 00:17:39,950
You could use it, Brown,
whatever color you want.
303
00:17:41,570 --> 00:17:42,920
All you need is a dark color though.
304
00:17:42,920 --> 00:17:46,340
So the light will show and we'll
put a happy little Bush right there.
305
00:17:47,450 --> 00:17:51,170
Then let's lay some highlights
on it and I'll just use the
306
00:17:51,170 --> 00:17:52,310
corner of the large brush.
307
00:17:53,030 --> 00:17:53,690
It works fine.
308
00:17:56,274 --> 00:17:57,014
It works fine.
309
00:17:58,754 --> 00:18:01,215
Covered up her little red Bush
back here that we liked so much.
310
00:18:04,935 --> 00:18:09,824
Let's go into a little yellow ochre,
change the color, a little, just play
311
00:18:09,844 --> 00:18:13,094
back and forth between the ochre and
the Cadieux and the Indian yellow,
312
00:18:13,784 --> 00:18:18,195
and just let all these little things
happen and you don't worry about it.
313
00:18:18,225 --> 00:18:19,034
Don't try to plant them.
314
00:18:19,679 --> 00:18:21,179
Donald try to plant them, let them go.
315
00:18:22,439 --> 00:18:22,889
Okay.
316
00:18:23,370 --> 00:18:23,970
Okay.
317
00:18:24,480 --> 00:18:25,350
Let's have some fun.
318
00:18:26,310 --> 00:18:29,250
Maybe, maybe there's a few
great big trees in here.
319
00:18:29,939 --> 00:18:34,110
Let's go right into some Vandyke Brown,
a beautiful, beautiful chocolate Brown.
320
00:18:35,340 --> 00:18:39,570
Maybe got to make some decisions there.
321
00:18:40,580 --> 00:18:41,189
There he is.
322
00:18:41,370 --> 00:18:42,300
We knew he was there.
323
00:18:42,990 --> 00:18:44,490
All I'm going to do is just tap.
324
00:18:45,990 --> 00:18:51,330
Just tap with a fan brush,
put in some dark right down.
325
00:18:51,330 --> 00:18:52,680
Like there we go.
326
00:18:54,330 --> 00:18:56,340
Now I have several fan brushes going.
327
00:18:56,850 --> 00:19:01,860
So I'm going to get another one here
and put some white on it and a little
328
00:19:01,860 --> 00:19:03,840
burn number, white bird number.
329
00:19:05,250 --> 00:19:05,760
There we go.
330
00:19:05,850 --> 00:19:07,470
Just load a lot of paint into the brush.
331
00:19:08,670 --> 00:19:13,410
Let's go up to the canvas and we
want to light side on his tree.
332
00:19:14,790 --> 00:19:20,490
So we'll just come right down this
side, see their pride on down,
333
00:19:24,060 --> 00:19:26,880
and you can make him as big or
as small as you want your tree.
334
00:19:28,260 --> 00:19:28,470
Okay.
335
00:19:28,470 --> 00:19:30,000
Just sort of let it play around in there.
336
00:19:31,520 --> 00:19:35,240
And then I'm going to go back into my
Brown and let the Brown play around.
337
00:19:35,240 --> 00:19:37,250
So they just sort of come together.
338
00:19:39,470 --> 00:19:40,010
There we go.
339
00:19:40,635 --> 00:19:45,135
Can't tell her one color starts
and the other one stops and it
340
00:19:45,135 --> 00:19:46,365
makes you treat, look around.
341
00:19:47,945 --> 00:19:49,985
Now we need some limbs
on it, big old tree.
342
00:19:51,905 --> 00:19:53,945
So let's go right into some Brown here.
343
00:19:53,945 --> 00:19:57,725
Maybe, maybe, maybe, maybe
Haven is a nice big lamb that
344
00:19:57,725 --> 00:19:58,625
comes right out through here.
345
00:19:58,625 --> 00:20:00,245
And then you could use your
liner brush and do this.
346
00:20:00,245 --> 00:20:04,565
If you wanted to, if you're using a liner
brush, you might need to put a little
347
00:20:04,565 --> 00:20:06,365
paint, thinner, a little thin oil with it.
348
00:20:07,410 --> 00:20:10,860
The paint to make it, to make it
slide off that brush easy there.
349
00:20:10,890 --> 00:20:11,670
Give him a little heart.
350
00:20:13,050 --> 00:20:13,710
There we go.
351
00:20:13,740 --> 00:20:15,480
Maybe there's another one right there.
352
00:20:16,170 --> 00:20:16,650
Whatever.
353
00:20:19,530 --> 00:20:23,970
Make a decision to drop him
in there's one there's one
354
00:20:27,360 --> 00:20:30,000
and maybe some little short wins
here and there wherever you want.
355
00:20:31,470 --> 00:20:32,850
And it helps add some character.
356
00:20:33,360 --> 00:20:35,520
We want this to be a strong almighty tree.
357
00:20:36,510 --> 00:20:38,040
Let's give them a little flips down here.
358
00:20:41,790 --> 00:20:44,690
We'll tap, pick up a little at dark.
359
00:20:45,020 --> 00:20:46,850
That'll help create the
illusion of a shadow.
360
00:20:47,660 --> 00:20:48,980
We need a shadow back here.
361
00:20:51,050 --> 00:20:51,590
Okay.
362
00:20:52,430 --> 00:20:53,000
Can I have us?
363
00:20:53,690 --> 00:20:54,590
That was so much fun.
364
00:20:54,800 --> 00:20:56,300
Let's go over to the other side.
365
00:20:56,780 --> 00:20:57,190
Let's go.
366
00:20:57,200 --> 00:20:59,630
The other side of the canvas,
maybe we'll just do another tree.
367
00:21:00,620 --> 00:21:01,910
Big, big, big tree.
368
00:21:02,965 --> 00:21:05,504
Maybe he only lives half
on the canvas and half off.
369
00:21:05,534 --> 00:21:06,645
And this is a huge tree.
370
00:21:08,175 --> 00:21:09,254
Big, big tree.
371
00:21:11,415 --> 00:21:12,044
Here we go.
372
00:21:12,375 --> 00:21:15,524
Just have, I want the edges to be fuzzy.
373
00:21:15,925 --> 00:21:17,774
I don't want them to be sharp.
374
00:21:18,764 --> 00:21:22,305
Cause on evergreen trees, you have all
these little, little things that hang
375
00:21:22,305 --> 00:21:25,875
off the side, or at least where I live.
376
00:21:27,555 --> 00:21:29,985
If you want them smooth, that's
probably easier than making them fuzzy.
377
00:21:29,985 --> 00:21:31,695
Just pull down, make a straight line.
378
00:21:32,685 --> 00:21:38,115
It's my homes, right outside of Fairbanks,
Alaska in a little town called North pole.
379
00:21:38,925 --> 00:21:40,155
That's where Santa Claus lives.
380
00:21:41,745 --> 00:21:42,375
There we go.
381
00:21:46,125 --> 00:21:50,475
And back to our Brown and white,
and we can begin working some
382
00:21:50,475 --> 00:21:53,865
of that in this to work again,
383
00:21:57,945 --> 00:22:00,765
even though we can't see it all,
there's still light hitting this side.
384
00:22:00,765 --> 00:22:01,935
So don't delete that off.
385
00:22:02,565 --> 00:22:03,525
Make a tree look flat.
386
00:22:03,525 --> 00:22:05,605
If you do that, we want it
to be around and strong.
387
00:22:06,255 --> 00:22:06,885
Very pretty.
388
00:22:08,939 --> 00:22:09,270
Okay.
389
00:22:09,659 --> 00:22:12,229
Now let's give him a nice arm.
390
00:22:12,260 --> 00:22:13,399
He needs some arms too.
391
00:22:14,090 --> 00:22:15,770
Maybe one comes right off here.
392
00:22:16,580 --> 00:22:18,729
I tell you what I'd like to make limbs.
393
00:22:19,399 --> 00:22:23,300
They come right back around here
and dropped right over the tree.
394
00:22:25,010 --> 00:22:26,270
So there's some in the front too.
395
00:22:26,360 --> 00:22:27,800
This is a big strong lip.
396
00:22:27,830 --> 00:22:30,050
Maybe there's all kinds of
things hanging off of it.
397
00:22:33,560 --> 00:22:36,320
These old trees sometime
and get all kinds of little.
398
00:22:36,870 --> 00:22:37,800
Little hangie downs.
399
00:22:38,010 --> 00:22:38,700
Good word for it.
400
00:22:39,390 --> 00:22:42,950
When you don't know you make
up a word, just make it up.
401
00:22:44,420 --> 00:22:44,900
Good word.
402
00:22:45,710 --> 00:22:47,960
I use it frequently when I'm
trying to explain evergreens.
403
00:22:47,960 --> 00:22:51,470
Cause they have all these little
things that hang off of hanging downs.
404
00:22:53,870 --> 00:22:54,170
Okay.
405
00:22:54,170 --> 00:22:55,160
Now we can take our brush.
406
00:22:55,160 --> 00:22:59,330
It has the light color on it
and let's, let's put a little
407
00:22:59,330 --> 00:23:00,440
highlight on this big limp.
408
00:23:00,470 --> 00:23:01,160
He needs something too.
409
00:23:02,270 --> 00:23:03,380
So he's an individual.
410
00:23:05,225 --> 00:23:07,335
Wanting just to be there by myself.
411
00:23:08,955 --> 00:23:09,524
There we go.
412
00:23:09,585 --> 00:23:14,495
A little highlight here and there and it
helps giving a little, little character.
413
00:23:14,524 --> 00:23:16,715
Let's go back to this first
tree, this big one right here.
414
00:23:17,195 --> 00:23:22,504
These limbs need a little help,
like to see, just touch, just touch,
415
00:23:22,715 --> 00:23:24,034
like we're lights going to strike.
416
00:23:25,625 --> 00:23:30,814
Just like, so maybe, maybe
over here, maybe it is up there
417
00:23:30,905 --> 00:23:32,195
just a little bit on that limb.
418
00:23:32,345 --> 00:23:33,485
There's a little right there.
419
00:23:34,680 --> 00:23:36,990
Middle there, right there.
420
00:23:37,560 --> 00:23:42,860
Just touch fan brushes will do fantastic,
fantastic things for give them a chance.
421
00:23:43,850 --> 00:23:45,320
Let me tell you what let's take.
422
00:23:45,590 --> 00:23:48,920
Let's take our script liner
brush and go right into some
423
00:23:48,920 --> 00:23:51,350
of this Brown turned brush.
424
00:23:51,590 --> 00:23:52,220
Turn it.
425
00:23:52,400 --> 00:23:55,400
It brings it to a nice sharp point there.
426
00:23:56,390 --> 00:23:59,840
Okay, let's go up here and maybe,
maybe, maybe, maybe, maybe.
427
00:24:00,340 --> 00:24:00,770
Yep.
428
00:24:01,875 --> 00:24:03,645
Maybe he has a little, little stick.
429
00:24:03,645 --> 00:24:10,935
It lives right out there, Janice,
like, so, and you just putting some
430
00:24:10,935 --> 00:24:15,165
little arms though, let the brush
bounce around and play and have fun.
431
00:24:16,875 --> 00:24:17,895
Just let it go.
432
00:24:18,585 --> 00:24:19,035
Let it go.
433
00:24:20,265 --> 00:24:23,745
And you can make all kinds of little
things like yesterday, things exist.
434
00:24:24,495 --> 00:24:27,765
They're always out there, little
films and sticks and it makes your
435
00:24:27,765 --> 00:24:29,235
painting a little more interesting.
436
00:24:32,415 --> 00:24:36,435
And if you're out here selling paintings,
if they look a little more interesting,
437
00:24:36,824 --> 00:24:41,645
then you're going to look a little more
interesting when you go to the bank there.
438
00:24:44,625 --> 00:24:50,415
She has a few little twigs and sticks
that these things just happen, then
439
00:24:50,415 --> 00:24:51,554
paint will stick to thick paint.
440
00:24:51,554 --> 00:24:54,794
So here I'm using a very thin
paint, almost like water.
441
00:24:55,155 --> 00:24:59,685
I've got a lot of paint thinner
and you can just make all kinds
442
00:24:59,685 --> 00:25:01,004
of beautiful little things happen.
443
00:25:02,655 --> 00:25:03,195
Ready?
444
00:25:03,824 --> 00:25:04,274
We're ready.
445
00:25:04,574 --> 00:25:07,425
It comes a time when a painting's finished
and you were to stop fiddling with it.
446
00:25:08,270 --> 00:25:09,830
And that's about where I'm at right now.
447
00:25:11,000 --> 00:25:13,430
So I think I'll clean
up a little liner brush.
448
00:25:14,660 --> 00:25:17,990
We use some tan oil and go
right into my permanent red.
449
00:25:20,240 --> 00:25:22,880
Turn it brush once again, bring
it to a nice sharp point and
450
00:25:22,880 --> 00:25:24,110
see how thin the paint is.
451
00:25:24,380 --> 00:25:27,920
It's almost like a liquid,
it's almost like a liquid.
452
00:25:29,030 --> 00:25:29,150
Okay.
453
00:25:29,150 --> 00:25:33,050
Let's go right up here and let's sign this
one right here and we'll call it finished.
454
00:25:35,565 --> 00:25:36,855
I really hope you've enjoyed this one.
455
00:25:36,855 --> 00:25:38,115
This is a beautiful painting.
456
00:25:39,915 --> 00:25:41,175
Do nice things to your heart.
457
00:25:41,415 --> 00:25:42,675
Bring some joy into your life.
458
00:25:43,755 --> 00:25:48,915
So from all of us here, I'd
like to wish you happy painting.
459
00:25:49,035 --> 00:25:49,635
God bless.
460
00:25:49,815 --> 00:25:50,865
We'll see you next week.
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