Wednesday, December 23, 2020

S04E10 - Quiet Woods

Bob Ross's

The Joy of Painting


S04E10 - Quiet Woods

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Hey, welcome back.


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I'm glad to see you today.


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I'm very glad you could join me today.


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I think we'll do a fantastic little

painting that I think will make you


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happy and do good things for you.


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I'm going to have them graphically run

all the colors across the screen and


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they'll come across your screen in the

same order that I have them on my palette,


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starting with a white and going around.


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And while they're doing that.


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Let's go up here.


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Let's do a fantastic painting together.


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Gonna start today with a little

bit of silo blue and just


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work it into the bristles.


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Here we go.


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Let's add, let's add to that a little bit

of Vandyke Brown just to dull it down.


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So we have the little blue and Vandyke

ground and go up to the canvas and would


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just drop off happy little sky in here.


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Just using a little Chris cross strokes.


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Just work it around, but it play have fun.


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now we've already covered

the canvas with magic white.


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So the colors mixing with the magic

white and automatically it gets lighter


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toward the horizon as we're painting.


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In that easy.


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We have a very basic, quick little sky.


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And while I have this dirty color on

the brush, Hey, we'll just take, I'll


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add a little more Brown, a little more

blue and let's go right down here.


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We'll just, just do that.


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There we go.


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Okay.


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Now I clean the brush and we clean our

brushes with odorless paint thinner.


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And there's a screen in

the bottom of my can.


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And I scrubbed the brush against that

screen and that removes the solid


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particles from the bus brush and keeps

your paint thinner, relatively clean.


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Now with a clean brush, we

can just blend this out.


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So let it go.


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Let it go.


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And let's put a happy little

cloud or two in the sky.


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What the heck?


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What the heck?


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And today, maybe we'll, we'll put a little

cloud in the sky using the one inch brush.


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And we'll just pull that burst through

the paint and load a lot of paint,


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not a pain, a little permanent read

into it and that'll brighten it up.


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It was a sunshine.


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Okay.


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Let's go up to the canvas here and

maybe there's a beautiful little


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cloud and he lives right there.


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Little tiny circles with a brush and

don't stay in one spot and keep working.


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Oh, we want to create the

big cotton balls in the sky.


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We want fluffy happy little clouds.


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Just let it work around

here and play have fun.


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Can maybe right up here this

end, now the little cloud comes


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right down wherever you want to


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come here.


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Maybe you don't want

this side to get lonely.


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So we just dropped one right here.


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That'll give you a little practice

making these little claps there.


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There are a lot of fun, a lot of fun.


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Now let's go back and take a large brush

and very lightly, very lightly here.


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I'm just going to blend the bottom out a

little at all these colors blend together.


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Don't overwork.


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These just blended a

little, get away from it.


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It shouldn't look finished at this point.


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There we go.


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Now we'll fluff it up.


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Just lift it off.


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Maybe we'll fluff this one this way.


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Whichever chair backed

it up, fluff it out.


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And then very lightly, very lightly

just caressed the canvas lightly


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seeking and that easy Pat, easy.


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You can make some very effective,

beautiful little clouds.


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Okay.


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Wash his pressure real quick.


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And let's, let's take a fan brush

today and we'll have some fun.


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Maybe we'll put a little thinner

on the fan brush and we'll go.


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I'm going to go right into a little bit

of thalo blue and the lizard and Crimson.


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It would just mix this on the brush, lewd

Crimson, little small amount of whiteness.


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We can see what color we got

and I'm looking for a lavender


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color more into the blue, you a

little bit more blue than Crimson.


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Okay, but the pain is quite thin here.


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Let's go up to the canvas and maybe

there's some distant little trees that


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live way back here and we'll just tap,

tap, tap, and just lay them little


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Rascals in there wherever you want them.


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Wherever.


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These are very far away, very soft.


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Don't want too much detail, just drop

them in like, so, so all there is to it.


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Just let it happen.


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Kane, I'm going to add a

little more of the Crimson.


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I'm going to go a little more into the,

to the Crimson side, just to break it up.


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So it's not all one, one flat color.


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Maybe right there, right here.


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She had us let these little things

happen, let them come right of brush.


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We're not looking for detail once again.


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We're really just looking for

some background shapes wherever


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you think they should be.


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That's where they ought to be.


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Now I want to create some.


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Some missed in here.


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So I'll take the large brush

and just tap the bottom of this.


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And this is quite firm I'm hitting

the canvas pretty hard right here


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to make a nice, soft Misty appearance

and let a little bit go up into the sky.


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So it looks like little, little

leaf trees that are far, far away.


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Far away.


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And we lift up just to soften

that mist and bring it together


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that easy, easy to get an, to the

background with the same dirty brush.


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Let's add to that color.


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Let's add some Vandyke Brown

and some bird number, not just


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mixing these on the brush.


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Lot of paint to paint.


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Okay, let's go up to the canvas here.


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And maybe, maybe, maybe,

maybe there it is right there.


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Maybe there's a tree here that you

can make out a little more detail.


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This paint's still quite then,


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then paint will stick

to a thick paint there.


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Add a little SAP green to that too there.


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Good.


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Good.


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Nice.


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Just let these little things happen there.


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Maybe right there.


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There he is.


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Mary, just let these come

right out of your brush.


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Maybe there's a bigger one here.


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This is your world.


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So wherever you want a tree, your Bush,

that's where it ought to be drop it in.


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Do you remember?


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We'll take that old big brush

again and just have the bottom.


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I want to soften this also.


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I want this to be a very

soft, quiet painting.


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it's unbelievable.


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The way you can create beautiful,

beautiful Misty effects can so simple.


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I used to work myself to death,

trying to make Misty effects and


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it's easy and people would never

believe you could do it with such a


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big brush so quick and so much fun.


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Okay.


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Alrighty.


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Alrighty.


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Maybe, maybe, maybe, maybe I got

into a little bit of a, take a


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little SAP green, a little Crimson,

just all these colors and just.


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Maybe it's a small amount of yellow

and let's begin making some little


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background things happening back here.


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Just let them go very soft.


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This is just under color


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there.


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Let me add a small, small amount

of paint, thinner to my brush.


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We've got bird number going

here, van Dyke, Brown, small


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amount of yellow into it.


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And we can just begin laying it all

kinds of beautiful little shapes


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and that things start getting

darker as they get closer to you.


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Just let all these beautiful

little things happen.


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Let the color sort of work back and forth.


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And wherever you want it to go at this

point, we really don't have to make any


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big decisions a little bit later on.


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We're going to have to make some decisions

about where all these landmasses go.


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But not yet.


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Not yet.


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Don't even, don't even

worry about it right now.


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Just dropping some background color.


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Okay.


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Now then I'm going to go with

the same old, dirty brush.


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I'm gonna go right into some

CAD yellow, Indian, yellow,


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little yellow ochre, SAP green.


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And I'm just mixing them

all right here on the brush.


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Just just touch, tap, tap.


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He has to go back up to the canvas here.


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Now I want to put a

little highlight on here.


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Just barely touching.


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Barely, barely touching.


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Yeah.


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Paint will not stick out a little

bit of paint, thinner, small, small


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amount, small amount, but don't do

that unless you paint will not stick.


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Okay.


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Maybe right in here and a little

more green and yellow to that.


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I want it to be a little softer

and stand out more there.


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There we go.


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Now go ahead.


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I had to start making some big

decisions what's happening in here.


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Well, let's mix up.


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Let's mix up a very dark color.


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So I'm going to use they low green.


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They look green and lizard

Crimson and about equal amounts.


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Are these two colors mixed together.


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We'll make black, very

dark and very transparent.


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Beautiful.


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Okay.


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That let's go back.


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Get the old fan brush here and I'm gonna

go right into that good dark color load.


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A lot of pain in the brush.


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A lot of paint, maybe,

maybe, maybe, maybe, maybe.


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There it is a little

tree lives right there.


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That'll tree.


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That'll treat sometimes it helps

to make the whole, the whole trunk.


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And that sort of gives you a guide and

you can go right in there and decide


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where all your little happy levels

are and trees aren't always perfect.


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You know, limbs don't grow

equally on both sides.


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They don't grow to the same length.


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Maybe it was a bad year.


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Maybe there wasn't much water.


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Maybe it's too much water trees.


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They grow, however, makes them happy.


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And maybe one was happy here in grew.


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There he is.


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Very, yes.


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See how easy they are to make all I'm

doing is tapping with a fan brush.


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There we go.


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Maybe, maybe, maybe,

maybe give him a friend.


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I don't want him to get lonely back here.


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Don't want him to be lonely.


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Let's put, let's put some little leaf

indications once again, once again, they,


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they grow, however, makes them happy.


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So they're not always perfect.


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They're not always exactly, even.


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Okay.


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This dark color helps, helps give

you painting a little more interest.


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Really, really will make it look good.


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Okay.


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Maybe wherever you want to treat.


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Maybe shoot too.


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There's one right there.


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There it is


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just as many dreams as you want.


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This is your world.


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So.


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Just drop them in, let them go.


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Let them happen.


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Have fun, have fun.


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sometime I get carried

away and start singing.


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Forget there's a microphone right now.


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Go back into some yellow, green, and

we can clean up the little foots here.


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And the more you tap this,

the softer it'll become.


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So maybe at home, when you have unlimited

time, you really want to take some


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time and tap, tap to make these just

a soft it almost look like, but say


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it a little permanent reenter color

might as well have some fun back here.


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There that's middle things happen.


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Maybe, maybe, maybe right there.


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There's some little bushes and stuff.


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It grew just touching wherever you

want them little Bush here and there.


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It's a pretty much better

permanent red in that.


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What makes him makes him sparkle?


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Maybe maybe, maybe right over here.


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Just put some little things in the

background, break it up a little.


241

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So it's not a straight line.


242

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Pick up a little bit dark it's.


243

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Cause there's a shadow under these trees.


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Just don't stand out here.


245

00:14:12,555 --> 00:14:13,484

There's a shadow there.


246

00:14:17,375 --> 00:14:23,084

I've got dark on one corner and highlight

on the other so I can put a shadow in and


247

00:14:23,084 --> 00:14:24,854

then blend it right into the painting.


248

00:14:26,370 --> 00:14:26,609

Okay.


249

00:14:26,609 --> 00:14:28,859

Let's take a, let's

take a clean fan brush.


250

00:14:29,790 --> 00:14:36,979

I'm to put a little bit of little bit

of white on it and right up in here.


251

00:14:37,939 --> 00:14:38,030

Okay.


252

00:14:38,510 --> 00:14:40,949

Maybe, maybe, maybe there's a

little path that goes right.


253

00:14:40,949 --> 00:14:41,870

Head on around the corner.


254

00:14:41,870 --> 00:14:42,680

We don't know where it goes.


255

00:14:44,000 --> 00:14:45,199

We don't know where it goes.


256

00:14:45,410 --> 00:14:46,339

Wherever it wants to go.


257

00:14:46,760 --> 00:14:49,550

I see you're picking up a

lot of this grass color and


258

00:14:49,550 --> 00:14:50,630

pulling it right into this.


259

00:14:52,080 --> 00:14:53,580

Let's see, and it all blends together.


260

00:14:53,880 --> 00:14:56,010

It makes beautiful, beautiful

little things happen.


261

00:14:56,040 --> 00:14:56,550

I don't go.


262

00:14:57,090 --> 00:14:59,340

Don't fight with it at the canvas work.


263

00:15:00,360 --> 00:15:01,620

This is where it happens.


264

00:15:03,300 --> 00:15:03,870

This is here.


265

00:15:04,050 --> 00:15:08,280

You're depending on it, picking up

this color, don't fight with it.


266

00:15:13,160 --> 00:15:13,940

Let it happen.


267

00:15:14,030 --> 00:15:14,840

Let it happen.


268

00:15:19,250 --> 00:15:20,300

See how easy that is.


269

00:15:21,405 --> 00:15:26,505

Now we can begin playing here a little

more with all these little grassy effects.


270

00:15:30,065 --> 00:15:33,035

If you want one to stand out,

make it a little bit brighter and


271

00:15:33,035 --> 00:15:34,115

then it'll pop right out there.


272

00:15:38,555 --> 00:15:40,685

All kinds of beautiful

little things happening.


273

00:15:45,210 --> 00:15:45,870

There we go.


274

00:15:54,180 --> 00:15:54,720

Okay.


275

00:15:58,680 --> 00:15:59,610

I told you it was easy.


276

00:16:03,200 --> 00:16:06,710

Now we get so many letters from people

that are there painting along with us.


277

00:16:07,760 --> 00:16:10,130

And I said, Bobby, you are,

you were telling us the truth.


278

00:16:10,829 --> 00:16:14,400

It does work and it'll work for you.


279

00:16:14,729 --> 00:16:16,680

If you haven't tried it, give it a try.


280

00:16:17,880 --> 00:16:19,319

You'll find that it's fantastic.


281

00:16:19,319 --> 00:16:22,829

And you can do paintings that you

never, never believed possible.


282

00:16:24,510 --> 00:16:25,589

And you can do them.


283

00:16:27,630 --> 00:16:28,110

There we go.


284

00:16:29,310 --> 00:16:30,599

That'll highlight right over here.


285

00:16:32,640 --> 00:16:34,050

Little bit, little bit.


286

00:16:35,580 --> 00:16:39,470

Maybe another little bump can divide

these up as many times as you want.


287

00:16:39,890 --> 00:16:40,699

And don't worry about this.


288

00:16:40,699 --> 00:16:43,850

Anything you don't want, you just

take your fan brush and blend it right


289

00:16:43,850 --> 00:16:45,560

into the, ran into the ground area.


290

00:16:48,890 --> 00:16:53,030

This is your world and you

can do anything in your world.


291

00:16:53,600 --> 00:16:54,199

Anything


292

00:16:57,490 --> 00:17:01,640

there, you can let a little

ladder play up in there.


293

00:17:02,340 --> 00:17:03,990

So it's not all just perfectly straight


294

00:17:10,560 --> 00:17:10,950

hair


295

00:17:18,079 --> 00:17:19,609

as many years as I've painted.


296

00:17:19,609 --> 00:17:22,400

I still get excited when

I see these things happen.


297

00:17:23,420 --> 00:17:24,380

So fantastic.


298

00:17:27,630 --> 00:17:32,150

Okay, tell you what, maybe,

maybe we'll just use a fan brush.


299

00:17:32,150 --> 00:17:34,910

Maybe there's a, a Bush

that lives right here.


300

00:17:34,910 --> 00:17:35,990

We need some dark underneath.


301

00:17:35,990 --> 00:17:37,790

I'm just using the black

it's on the fan brush.


302

00:17:37,790 --> 00:17:39,950

You could use it, Brown,

whatever color you want.


303

00:17:41,570 --> 00:17:42,920

All you need is a dark color though.


304

00:17:42,920 --> 00:17:46,340

So the light will show and we'll

put a happy little Bush right there.


305

00:17:47,450 --> 00:17:51,170

Then let's lay some highlights

on it and I'll just use the


306

00:17:51,170 --> 00:17:52,310

corner of the large brush.


307

00:17:53,030 --> 00:17:53,690

It works fine.


308

00:17:56,274 --> 00:17:57,014

It works fine.


309

00:17:58,754 --> 00:18:01,215

Covered up her little red Bush

back here that we liked so much.


310

00:18:04,935 --> 00:18:09,824

Let's go into a little yellow ochre,

change the color, a little, just play


311

00:18:09,844 --> 00:18:13,094

back and forth between the ochre and

the Cadieux and the Indian yellow,


312

00:18:13,784 --> 00:18:18,195

and just let all these little things

happen and you don't worry about it.


313

00:18:18,225 --> 00:18:19,034

Don't try to plant them.


314

00:18:19,679 --> 00:18:21,179

Donald try to plant them, let them go.


315

00:18:22,439 --> 00:18:22,889

Okay.


316

00:18:23,370 --> 00:18:23,970

Okay.


317

00:18:24,480 --> 00:18:25,350

Let's have some fun.


318

00:18:26,310 --> 00:18:29,250

Maybe, maybe there's a few

great big trees in here.


319

00:18:29,939 --> 00:18:34,110

Let's go right into some Vandyke Brown,

a beautiful, beautiful chocolate Brown.


320

00:18:35,340 --> 00:18:39,570

Maybe got to make some decisions there.


321

00:18:40,580 --> 00:18:41,189

There he is.


322

00:18:41,370 --> 00:18:42,300

We knew he was there.


323

00:18:42,990 --> 00:18:44,490

All I'm going to do is just tap.


324

00:18:45,990 --> 00:18:51,330

Just tap with a fan brush,

put in some dark right down.


325

00:18:51,330 --> 00:18:52,680

Like there we go.


326

00:18:54,330 --> 00:18:56,340

Now I have several fan brushes going.


327

00:18:56,850 --> 00:19:01,860

So I'm going to get another one here

and put some white on it and a little


328

00:19:01,860 --> 00:19:03,840

burn number, white bird number.


329

00:19:05,250 --> 00:19:05,760

There we go.


330

00:19:05,850 --> 00:19:07,470

Just load a lot of paint into the brush.


331

00:19:08,670 --> 00:19:13,410

Let's go up to the canvas and we

want to light side on his tree.


332

00:19:14,790 --> 00:19:20,490

So we'll just come right down this

side, see their pride on down,


333

00:19:24,060 --> 00:19:26,880

and you can make him as big or

as small as you want your tree.


334

00:19:28,260 --> 00:19:28,470

Okay.


335

00:19:28,470 --> 00:19:30,000

Just sort of let it play around in there.


336

00:19:31,520 --> 00:19:35,240

And then I'm going to go back into my

Brown and let the Brown play around.


337

00:19:35,240 --> 00:19:37,250

So they just sort of come together.


338

00:19:39,470 --> 00:19:40,010

There we go.


339

00:19:40,635 --> 00:19:45,135

Can't tell her one color starts

and the other one stops and it


340

00:19:45,135 --> 00:19:46,365

makes you treat, look around.


341

00:19:47,945 --> 00:19:49,985

Now we need some limbs

on it, big old tree.


342

00:19:51,905 --> 00:19:53,945

So let's go right into some Brown here.


343

00:19:53,945 --> 00:19:57,725

Maybe, maybe, maybe, maybe

Haven is a nice big lamb that


344

00:19:57,725 --> 00:19:58,625

comes right out through here.


345

00:19:58,625 --> 00:20:00,245

And then you could use your

liner brush and do this.


346

00:20:00,245 --> 00:20:04,565

If you wanted to, if you're using a liner

brush, you might need to put a little


347

00:20:04,565 --> 00:20:06,365

paint, thinner, a little thin oil with it.


348

00:20:07,410 --> 00:20:10,860

The paint to make it, to make it

slide off that brush easy there.


349

00:20:10,890 --> 00:20:11,670

Give him a little heart.


350

00:20:13,050 --> 00:20:13,710

There we go.


351

00:20:13,740 --> 00:20:15,480

Maybe there's another one right there.


352

00:20:16,170 --> 00:20:16,650

Whatever.


353

00:20:19,530 --> 00:20:23,970

Make a decision to drop him

in there's one there's one


354

00:20:27,360 --> 00:20:30,000

and maybe some little short wins

here and there wherever you want.


355

00:20:31,470 --> 00:20:32,850

And it helps add some character.


356

00:20:33,360 --> 00:20:35,520

We want this to be a strong almighty tree.


357

00:20:36,510 --> 00:20:38,040

Let's give them a little flips down here.


358

00:20:41,790 --> 00:20:44,690

We'll tap, pick up a little at dark.


359

00:20:45,020 --> 00:20:46,850

That'll help create the

illusion of a shadow.


360

00:20:47,660 --> 00:20:48,980

We need a shadow back here.


361

00:20:51,050 --> 00:20:51,590

Okay.


362

00:20:52,430 --> 00:20:53,000

Can I have us?


363

00:20:53,690 --> 00:20:54,590

That was so much fun.


364

00:20:54,800 --> 00:20:56,300

Let's go over to the other side.


365

00:20:56,780 --> 00:20:57,190

Let's go.


366

00:20:57,200 --> 00:20:59,630

The other side of the canvas,

maybe we'll just do another tree.


367

00:21:00,620 --> 00:21:01,910

Big, big, big tree.


368

00:21:02,965 --> 00:21:05,504

Maybe he only lives half

on the canvas and half off.


369

00:21:05,534 --> 00:21:06,645

And this is a huge tree.


370

00:21:08,175 --> 00:21:09,254

Big, big tree.


371

00:21:11,415 --> 00:21:12,044

Here we go.


372

00:21:12,375 --> 00:21:15,524

Just have, I want the edges to be fuzzy.


373

00:21:15,925 --> 00:21:17,774

I don't want them to be sharp.


374

00:21:18,764 --> 00:21:22,305

Cause on evergreen trees, you have all

these little, little things that hang


375

00:21:22,305 --> 00:21:25,875

off the side, or at least where I live.


376

00:21:27,555 --> 00:21:29,985

If you want them smooth, that's

probably easier than making them fuzzy.


377

00:21:29,985 --> 00:21:31,695

Just pull down, make a straight line.


378

00:21:32,685 --> 00:21:38,115

It's my homes, right outside of Fairbanks,

Alaska in a little town called North pole.


379

00:21:38,925 --> 00:21:40,155

That's where Santa Claus lives.


380

00:21:41,745 --> 00:21:42,375

There we go.


381

00:21:46,125 --> 00:21:50,475

And back to our Brown and white,

and we can begin working some


382

00:21:50,475 --> 00:21:53,865

of that in this to work again,


383

00:21:57,945 --> 00:22:00,765

even though we can't see it all,

there's still light hitting this side.


384

00:22:00,765 --> 00:22:01,935

So don't delete that off.


385

00:22:02,565 --> 00:22:03,525

Make a tree look flat.


386

00:22:03,525 --> 00:22:05,605

If you do that, we want it

to be around and strong.


387

00:22:06,255 --> 00:22:06,885

Very pretty.


388

00:22:08,939 --> 00:22:09,270

Okay.


389

00:22:09,659 --> 00:22:12,229

Now let's give him a nice arm.


390

00:22:12,260 --> 00:22:13,399

He needs some arms too.


391

00:22:14,090 --> 00:22:15,770

Maybe one comes right off here.


392

00:22:16,580 --> 00:22:18,729

I tell you what I'd like to make limbs.


393

00:22:19,399 --> 00:22:23,300

They come right back around here

and dropped right over the tree.


394

00:22:25,010 --> 00:22:26,270

So there's some in the front too.


395

00:22:26,360 --> 00:22:27,800

This is a big strong lip.


396

00:22:27,830 --> 00:22:30,050

Maybe there's all kinds of

things hanging off of it.


397

00:22:33,560 --> 00:22:36,320

These old trees sometime

and get all kinds of little.


398

00:22:36,870 --> 00:22:37,800

Little hangie downs.


399

00:22:38,010 --> 00:22:38,700

Good word for it.


400

00:22:39,390 --> 00:22:42,950

When you don't know you make

up a word, just make it up.


401

00:22:44,420 --> 00:22:44,900

Good word.


402

00:22:45,710 --> 00:22:47,960

I use it frequently when I'm

trying to explain evergreens.


403

00:22:47,960 --> 00:22:51,470

Cause they have all these little

things that hang off of hanging downs.


404

00:22:53,870 --> 00:22:54,170

Okay.


405

00:22:54,170 --> 00:22:55,160

Now we can take our brush.


406

00:22:55,160 --> 00:22:59,330

It has the light color on it

and let's, let's put a little


407

00:22:59,330 --> 00:23:00,440

highlight on this big limp.


408

00:23:00,470 --> 00:23:01,160

He needs something too.


409

00:23:02,270 --> 00:23:03,380

So he's an individual.


410

00:23:05,225 --> 00:23:07,335

Wanting just to be there by myself.


411

00:23:08,955 --> 00:23:09,524

There we go.


412

00:23:09,585 --> 00:23:14,495

A little highlight here and there and it

helps giving a little, little character.


413

00:23:14,524 --> 00:23:16,715

Let's go back to this first

tree, this big one right here.


414

00:23:17,195 --> 00:23:22,504

These limbs need a little help,

like to see, just touch, just touch,


415

00:23:22,715 --> 00:23:24,034

like we're lights going to strike.


416

00:23:25,625 --> 00:23:30,814

Just like, so maybe, maybe

over here, maybe it is up there


417

00:23:30,905 --> 00:23:32,195

just a little bit on that limb.


418

00:23:32,345 --> 00:23:33,485

There's a little right there.


419

00:23:34,680 --> 00:23:36,990

Middle there, right there.


420

00:23:37,560 --> 00:23:42,860

Just touch fan brushes will do fantastic,

fantastic things for give them a chance.


421

00:23:43,850 --> 00:23:45,320

Let me tell you what let's take.


422

00:23:45,590 --> 00:23:48,920

Let's take our script liner

brush and go right into some


423

00:23:48,920 --> 00:23:51,350

of this Brown turned brush.


424

00:23:51,590 --> 00:23:52,220

Turn it.


425

00:23:52,400 --> 00:23:55,400

It brings it to a nice sharp point there.


426

00:23:56,390 --> 00:23:59,840

Okay, let's go up here and maybe,

maybe, maybe, maybe, maybe.


427

00:24:00,340 --> 00:24:00,770

Yep.


428

00:24:01,875 --> 00:24:03,645

Maybe he has a little, little stick.


429

00:24:03,645 --> 00:24:10,935

It lives right out there, Janice,

like, so, and you just putting some


430

00:24:10,935 --> 00:24:15,165

little arms though, let the brush

bounce around and play and have fun.


431

00:24:16,875 --> 00:24:17,895

Just let it go.


432

00:24:18,585 --> 00:24:19,035

Let it go.


433

00:24:20,265 --> 00:24:23,745

And you can make all kinds of little

things like yesterday, things exist.


434

00:24:24,495 --> 00:24:27,765

They're always out there, little

films and sticks and it makes your


435

00:24:27,765 --> 00:24:29,235

painting a little more interesting.


436

00:24:32,415 --> 00:24:36,435

And if you're out here selling paintings,

if they look a little more interesting,


437

00:24:36,824 --> 00:24:41,645

then you're going to look a little more

interesting when you go to the bank there.


438

00:24:44,625 --> 00:24:50,415

She has a few little twigs and sticks

that these things just happen, then


439

00:24:50,415 --> 00:24:51,554

paint will stick to thick paint.


440

00:24:51,554 --> 00:24:54,794

So here I'm using a very thin

paint, almost like water.


441

00:24:55,155 --> 00:24:59,685

I've got a lot of paint thinner

and you can just make all kinds


442

00:24:59,685 --> 00:25:01,004

of beautiful little things happen.


443

00:25:02,655 --> 00:25:03,195

Ready?


444

00:25:03,824 --> 00:25:04,274

We're ready.


445

00:25:04,574 --> 00:25:07,425

It comes a time when a painting's finished

and you were to stop fiddling with it.


446

00:25:08,270 --> 00:25:09,830

And that's about where I'm at right now.


447

00:25:11,000 --> 00:25:13,430

So I think I'll clean

up a little liner brush.


448

00:25:14,660 --> 00:25:17,990

We use some tan oil and go

right into my permanent red.


449

00:25:20,240 --> 00:25:22,880

Turn it brush once again, bring

it to a nice sharp point and


450

00:25:22,880 --> 00:25:24,110

see how thin the paint is.


451

00:25:24,380 --> 00:25:27,920

It's almost like a liquid,

it's almost like a liquid.


452

00:25:29,030 --> 00:25:29,150

Okay.


453

00:25:29,150 --> 00:25:33,050

Let's go right up here and let's sign this

one right here and we'll call it finished.


454

00:25:35,565 --> 00:25:36,855

I really hope you've enjoyed this one.


455

00:25:36,855 --> 00:25:38,115

This is a beautiful painting.


456

00:25:39,915 --> 00:25:41,175

Do nice things to your heart.


457

00:25:41,415 --> 00:25:42,675

Bring some joy into your life.


458

00:25:43,755 --> 00:25:48,915

So from all of us here, I'd

like to wish you happy painting.


459

00:25:49,035 --> 00:25:49,635

God bless.


460

00:25:49,815 --> 00:25:50,865

We'll see you next week.


End .srt file.



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