Bob Ross's

The Joy of Painting

S04E12 - Autumn Days

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Hi.

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Hi, glad you could join me this week.

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And today I thought we'd do a

fantastic little painting that

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would make you happy in here.

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So let's start out and have them

graphically run all the colors across

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the screen and they'll come across

in the same order, but I have them

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on my palette or they're doing that.

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Let's go up here and talk a little.

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I started with a black canvas

today and it's covered with a flat

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black acrylic paint and allowed

to dry on two that I have added.

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Oh, I just sort of went all around

here and I put a little bit of a

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lizard and Crimson here and there a

little bit of halo, blue in spots,

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a little pressure and blue just sort

of mix them up and let them happen.

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What the heck?

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Now I'm gonna go right into some magic

white and we'll go right up here and just

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start making little crisscross strokes.

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And look at all the beautiful

colors that began happening.

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These guys are really not planned.

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We just started let them happen.

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All kinds of beautiful

little things will happen.

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And the more magic right.

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You add the lighter the sky will get.

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Of course.

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And you can make this guy,

Oh, I can, you can make it to

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where it looks like it's noon.

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If you want to, or you can make it dark.

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This is your world.

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So you have to make these decisions.

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Um, is it,

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that's a fantastic way

to make a very effective.

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Quick little sky and not much

of this, guy's going to show.

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So I'm not worried about

having a lot of sky today.

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This one's some pretty little

colors happening back here.

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Alrighty.

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Now then we'll wash the brush.

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I'm going to wash it in this

odorless paint thinner, and this

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is screened down the bottom mask.

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Grab the breast against.

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Shake off the excess and then

you cover the whole camera crew.

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Okay.

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Let's have some fun up here today.

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Okay.

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I'm going to go right into, we just

mix these colors on the brush and

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we'll take a little lizard, Crimson,

little SAP, green Vandyke Brown.

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Just mix them on the brush.

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I would go into a little burn.

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Number two.

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What the heck?

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All we're looking for is nice.

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Dark color.

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You can just go up to the canvas here.

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Maybe there's some little trees that

live back here and all I'm going

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to do is just touch the canvas.

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Just touch.

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I don't want to kill all

the background color.

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Well, some of that to show

through and we're just putting

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some, some happy, basic.

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Little tree shapes wherever you

think they ought to be a tree.

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That's where there would be a tree, just

wherever you want to drop them in, drop

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them wherever you want and let it go.

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Maybe, maybe tell you heart,

maybe there's, maybe there's

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one who lives over here.

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Trees live everywhere, wherever nature

deposits, the seed and the groves.

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That's, that's where he lives.

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Maybe, maybe there's one back up in

here and let some of them be very light.

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Just let it literally just disappear.

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Just, just absolutely disappear.

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Quiet little trees,

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man, big old trees lives here and this

using the corner of the brush and just

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gently, gently tapping, striking the

canvas and giving it a little pull.

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And I'm always pulling

to work toward the trunk.

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We know there's a trunk in the center of

this tree, so I pull Williams toward that

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trunk and it helps make them look right.

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Now, if you want one to some very

light, just an indication here,

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back in here, maybe wherever without

cleaning the brush, cleaning the brush

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on that a little more right here.

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First, I'm going to go right into a

little bit of the yellows and this is

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cadmium yellow, the yellow ochre, and

just pull it right through the paint,

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pull it right through the paint like yet.

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Okay, go up here.

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Now we can put some highlights on these

and all we're going to do is just touch.

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Now.

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If you have problems making the page

stick, add a little magic white or

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a little paint thinner either one

and it'll make it stick much easier.

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And I'm going to put a little paint

thinner, and then we can go back in

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here and see how easy it comes off.

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Then paint was ticked with thick paint.

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There we go.

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Okay.

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The yellow ochre.

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I'm gonna go right up here.

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Ooh, that's perfect.

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Yes.

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Thank for the light.

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But strike

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these little paintings

should make you happy.

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The painting teaches you.

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Nothing else.

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It'll teach you.

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It'll teach you to look at nature

and to see some of the most

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fantastic things imaginable.

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Sometimes we spend our whole life looking

at things, but we don't see anything.

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And painting teaches you to see,

really teaches you to see, I have

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people call and write all the time and

say, you know, Bobby, you were right.

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The first time I saw a tree and this

lived in my front yard for a hundred years

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and I never paid any attention to it.

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Add a little permanent

red to my color too.

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We might as well get crazy today.

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And you can make these, any

car you want in your world.

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Little SAP, green thrown in here

and there, and put a happy little

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Bush right about there let's go.

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The, the side of the canvas,

we'll drop some in over there.

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I don't want it to be left out.

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That's my cat.

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Barely barely touching.

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There's another one right here.

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I'm going to leave this one right here

without putting any highlight on it.

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So it'll look like it's really far

away and you can put several of those

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in your painting and really help once

again, create the illusion of distance.

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And distance is created by making

numerous planes and you're painting

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and planes are just different levels.

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Here's a plane, here's a plane.

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Each time you put another plane, it

creates more depth in your painting.

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It makes it much more interesting.

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And that's what brings

the happy buck home.

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And let's us have some nice, soft

little grassy areas back in here.

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And all I'm going to do is take

his large brush and we can tap it.

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There's color on the bottom of this

canvas, just like it was on the top

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and just pushing very easily.

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So it doesn't mix later on.

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Maybe we'll maybe we'll put a little

water down in the bottom of this,

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then we want it to mix right now.

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We're not even using the color

it's underneath, but we will

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again, making some little Hills.

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Tell you what?

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And we'll take the liner brush,

put some paint thinner on it

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and go right into my dark color.

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This is Brown and pleasant, Crimson,

SAP, green, all those colors I was using.

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And let's just put an

indication here and there.

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I happy little tree trunk

just here and there.

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I remember you're not going to see

all of the trunk because there's

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leaves on, on this side of the truck.

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So just here and there.

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And maybe there's one that was out here.

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Where do they live?

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These also help create different Plains

in your painting and give it more depth.

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Air Waco.

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Okay, let's go right over here.

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There's one, he's got a

friend that lives there.

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That's another thing.

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When you paint, painting

brings your new friends.

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I have met since I started painting.

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Alan's of people that are so dear

to me, and they're so special.

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And if I had never started painting,

I probably would have never had

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the opportunity to meet so many

fantastic people, just like you.

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And when you started painting, You'll find

it, it changes your whole outlook on life.

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It changes your attitude.

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You look at nature, different,

you look at life different.

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And sometimes I get fanatical and

I even have a little pond behind

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where I live and I feed the fish and

they come up and I'm little crazy.

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I sat there and talked to the fish

and we're on the verge of answering.

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That's what scares me.

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Yeah.

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I feed them bread every day and they, they

come up there and they weighed on him.

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It really, it does nice things when

you begin to understand nature and

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you fall in love with it and it makes

you appreciate the fact that you.

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You've been allowed to be

part of it and to explore,

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and hopefully, hopefully it'll

be there for your grandchildren

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and my grandchildren.

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And they too can see some

of the fantastic things.

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If we just take care of it.

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I you have to take care of it.

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I'm just going back and forth here between

the permit, red, yellow, ochre, Indian,

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yellow, OCAD, yellow, whatever happens

and throw it in a little SAP green area.

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Once in a while,

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here we are.

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That's pretty crazy.

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It's a lot of distance in the painting.

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There were, let's go

over to the side here.

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Let's make a happy little

Hill right over here.

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But when you're doing these black

canvas, don't always think they

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have to end up being very dark.

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You can make canvases that when

they're finished, you would

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think it was, it was noontime.

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Maybe they do not have to end

up being very dark paintings.

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They can be bright, shiny, bright.

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Experiment with them, have fun.

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Learn to mix color on the brush.

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Don't worry about mixing

it on the palette.

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Mix it on the brush.

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Now that I tell you what I'm

going to get in a little bit of

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paint, then I'm a liner brush.

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And back into some of this Brown

color and let's put a, let's put

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a little tree or two that lives.

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Well, I see one that's right there.

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There he is.

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Give him another alarm.

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Trees need arms too.

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There we go.

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And make his little

trunk a little stronger.

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He's got to stay here when

the wind is blowing hard.

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So he needs, he needs to be strong.

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We don't want any weak old

trees in our paintings.

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Maybe he's got a friend

that lives right over here.

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Uh, more paint there, here and there.

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There we are.

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Okay.

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And we're beginning to make some

thick deep woods here, maybe.

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Oh yeah, you're right there.

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It is there.

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And trees grow.

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However, however, makes them happy.

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And sometimes, you know, when

trees are little babies, maybe

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the big bear comes through here

to move, sir, to maybe a deer.

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And he steps on that

tree and, and hurts him.

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But the little tree doesn't give up,

but maybe he grows up and he's got

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all kinds of, Oh, Oh, all kinds of

little crooks and bands and hurts him.

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And that's what makes him interesting.

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Don't make all your trees just

perfectly straight up and down.

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Let them band and play have fun.

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Okay.

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I'm going to go right into it.

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Let's try a little cat yellow here.

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Okay.

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You need a color.

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It's bright enough.

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It stands out against your background.

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We'll just put some happy little

indications here and there and just

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let them drop right off your brush.

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You can use this brace sideways

or straight on just to make

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some little indications, not

looking for a lot of detail yet.

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It's too far back.

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Practice with these big brushes, you

would not believe what they will do.

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Damn.

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I had a little yellow ochre that

same color drop, some happy lemon

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leaves right on that little tree.

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Maybe it is a few little leaves, whatever.

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Right here on this tree.

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this is the same old, dirty brush.

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My gosh has got every

color in the world on it.

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I'm just adding yellow into the tips.

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And then it's all mixing together

right there on the brush.

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Let's add a little permanent red in there

and yellow ochre and see what we get.

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No, we don't make mistakes.

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We have, we have happy accidents and

some of these happy accidents turn

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out to be the most beautiful effects.

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If you were trying to make

them, you couldn't make them.

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So when you get one, don't

get, don't get upset.

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Look at it before you, or you wipe it off.

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Sometimes, sometimes these happy little

accidents are the nicest things that

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00:13:59,430 --> 00:14:00,870

could possibly happen in your painting.

252

00:14:02,625 --> 00:14:05,265

Okay, just come right down here.

253

00:14:05,625 --> 00:14:09,015

I'm going to take a small amount of

the magic quite again, just the tiniest

254

00:14:09,015 --> 00:14:11,954

little bit on my big brush and in my mind.

255

00:14:12,765 --> 00:14:12,974

Yep.

256

00:14:13,964 --> 00:14:15,735

There's going to be a little

bit of water down here.

257

00:14:15,824 --> 00:14:17,115

I like, I like water.

258

00:14:20,939 --> 00:14:23,130

I spend a lot of time

playing with the water.

259

00:14:24,839 --> 00:14:27,630

I say, I have all these

fish that I feed sometime.

260

00:14:27,839 --> 00:14:32,400

Sometime we buy up to a couple of

hundred loaves of bread at a time.

261

00:14:32,400 --> 00:14:34,910

And we, we have all these space training.

262

00:14:34,920 --> 00:14:36,770

They, you almost walk

right out of the water.

263

00:14:36,790 --> 00:14:38,579

They'd come up and eat bread.

264

00:14:39,420 --> 00:14:42,120

And a couple of hundred loads

might, might last a week.

265

00:14:44,699 --> 00:14:45,270

I understand.

266

00:14:45,270 --> 00:14:51,060

I have a lot of fish friends when they

come up and they sit around there and

267

00:14:51,060 --> 00:14:54,120

wait, and they'll almost climb up on

the shore and come knock on the door.

268

00:14:54,390 --> 00:14:55,380

I want to know who dinner is.

269

00:14:56,310 --> 00:14:58,680

I have a lot of friends that

come over and look at me.

270

00:14:58,739 --> 00:15:00,270

They can't believe all these fish.

271

00:15:00,630 --> 00:15:01,770

Anyway, not fish stock.

272

00:15:01,859 --> 00:15:02,699

Let's get busy here.

273

00:15:03,870 --> 00:15:09,479

And Doug Brown bird number, and let's

put, let's put some land in here.

274

00:15:09,630 --> 00:15:10,260

What the heck?

275

00:15:11,880 --> 00:15:13,440

Yeah, let it play.

276

00:15:13,440 --> 00:15:13,680

277

00:15:17,330 --> 00:15:19,800

play have fun wherever you want land.

278

00:15:20,750 --> 00:15:21,300

It don't matter.

279

00:15:21,300 --> 00:15:23,880

Anything you don't like you

cover up where this put grass

280

00:15:23,880 --> 00:15:25,080

right back over the top of it.

281

00:15:27,930 --> 00:15:28,980

Just wherever you want it.

282

00:15:30,450 --> 00:15:31,110

However you mind.

283

00:15:35,295 --> 00:15:35,415

Yeah.

284

00:15:37,355 --> 00:15:40,025

Maybe, maybe, maybe it comes

right down through there.

285

00:15:40,025 --> 00:15:40,204

Yeah.

286

00:15:43,775 --> 00:15:44,314

There we go.

287

00:15:44,615 --> 00:15:44,885

All right.

288

00:15:44,885 --> 00:15:48,635

Over, I get that and it's fantastic.

289

00:15:48,635 --> 00:15:50,495

And you can do that with

a great big old knife.

290

00:15:50,495 --> 00:15:51,935

It almost looks like a putty knife.

291

00:15:52,655 --> 00:15:52,745

Okay.

292

00:15:58,475 --> 00:15:58,564

Okay.

293

00:16:01,140 --> 00:16:02,189

Just put some highlight on there.

294

00:16:02,189 --> 00:16:08,010

I'm going to use yellow

ochre, yellow ochre, and put a

295

00:16:08,010 --> 00:16:09,209

little permanent road into it.

296

00:16:09,420 --> 00:16:13,470

Small amount of permit

red and some bird number.

297

00:16:13,949 --> 00:16:18,449

Now this bird number

is very, very reddish.

298

00:16:18,449 --> 00:16:19,530

It's almost like a bird scene.

299

00:16:19,530 --> 00:16:20,579

Now that's a little different than.

300

00:16:20,985 --> 00:16:22,605

Most boring numbers.

301

00:16:23,355 --> 00:16:26,835

So it's almost like a Sienna color

cut across and get that small roll of

302

00:16:26,835 --> 00:16:28,335

paint, right over edge of the knife.

303

00:16:29,355 --> 00:16:30,075

Things go up here.

304

00:16:30,885 --> 00:16:36,075

Another thing I wanted to mention, cause I

get, I get some letters sometime when you

305

00:16:36,075 --> 00:16:37,875

look at my knife, close-up on television.

306

00:16:37,875 --> 00:16:40,575

It may look a little different

than the knife you you have.

307

00:16:41,235 --> 00:16:45,315

And the reason is I put tape on

this knife so that it doesn't glare

308

00:16:45,315 --> 00:16:47,085

on TV, but it's the same knife.

309

00:16:47,850 --> 00:16:49,380

It's just that I put a

little tape on there.

310

00:16:56,840 --> 00:16:56,960

Yeah.

311

00:16:56,970 --> 00:16:59,210

Let's use the fan brush

and varsity, a lot of fun.

312

00:17:00,370 --> 00:17:01,430

Get a little paint that are on it.

313

00:17:02,270 --> 00:17:09,109

Go right into some CAD yellow sat,

green, green, yellow ochre, and just

314

00:17:09,109 --> 00:17:10,670

mix all these colors on the brush.

315

00:17:10,730 --> 00:17:11,150

Look it there.

316

00:17:11,845 --> 00:17:13,974

Look at all the colors

happening in that brush.

317

00:17:14,845 --> 00:17:16,044

And that's what we're looking for.

318

00:17:16,855 --> 00:17:18,895

We don't want one flat,

dead, old color in there.

319

00:17:18,925 --> 00:17:19,885

Let's go up to the canvas.

320

00:17:20,994 --> 00:17:23,004

Now, then we can begin

bringing all this together.

321

00:17:23,905 --> 00:17:26,095

And all we're doing is

touching, pushing vented enough.

322

00:17:27,714 --> 00:17:28,165

Look at that.

323

00:17:28,345 --> 00:17:31,554

Just bring it right down into these

land areas that you built in here.

324

00:17:33,615 --> 00:17:34,064

Okay.

325

00:17:37,830 --> 00:17:39,540

Go anywhere.

326

00:17:39,540 --> 00:17:42,260

You want the grass to me, you

just come right over the land.

327

00:17:43,220 --> 00:17:44,510

No big deal.

328

00:17:44,510 --> 00:17:45,320

This is your world.

329

00:17:46,760 --> 00:17:52,940

And do anything can't really do

anything, but you have to believe,

330

00:17:53,420 --> 00:17:54,950

always believe in yourself.

331

00:17:57,110 --> 00:18:01,610

Maybe let's go over the other

side here, believing in yourself.

332

00:18:01,639 --> 00:18:04,970

Maybe, maybe the most

important thing in life.

333

00:18:06,315 --> 00:18:08,745

Cause if you don't believe in

yourself, nobody else is going to

334

00:18:08,745 --> 00:18:11,445

believe, and you can do anything.

335

00:18:13,754 --> 00:18:15,014

You can do anything.

336

00:18:16,665 --> 00:18:19,965

And if anybody challenges that you

tell them bobs that you could do

337

00:18:19,965 --> 00:18:24,254

anything, you can a little magic.

338

00:18:24,254 --> 00:18:24,465

Right.

339

00:18:24,535 --> 00:18:27,675

I put a little bit of blue in it and then

a little Brown in it just to dull it down.

340

00:18:28,754 --> 00:18:31,065

I'm just going to pull

it out kind of crass.

341

00:18:31,065 --> 00:18:31,695

Let's go up here.

342

00:18:32,145 --> 00:18:32,295

Okay.

343

00:18:32,669 --> 00:18:34,860

And we'll put a little bit of water line.

344

00:18:34,860 --> 00:18:40,110

I didn't hear this play there.

345

00:18:42,840 --> 00:18:44,669

Make a little more than

magic, quite on my pallet.

346

00:18:44,689 --> 00:18:45,659

Not to run out here.

347

00:18:45,750 --> 00:18:46,860

Didn't mix didn't mix.

348

00:18:46,860 --> 00:18:47,520

Quiet enough.

349

00:18:50,820 --> 00:18:51,659

There we go.

350

00:18:52,409 --> 00:18:56,580

I tend to run right on around,

like, let's go right there.

351

00:19:00,600 --> 00:19:00,780

Hmm.

352

00:19:04,550 --> 00:19:04,990

Okay.

353

00:19:07,020 --> 00:19:12,300

Let's have some fun and we'll take a big

brush, go run and tell him my dark colors

354

00:19:12,300 --> 00:19:14,850

of Brown, the same green, all of them.

355

00:19:15,840 --> 00:19:19,650

And then there it goes, it

comes right down that gap.

356

00:19:21,090 --> 00:19:24,240

And we'll just cut that little pond

right off, right where we want it.

357

00:19:26,520 --> 00:19:27,480

Take our large brush.

358

00:19:28,900 --> 00:19:31,230

We'll just have some little

highlights right on there and

359

00:19:31,230 --> 00:19:32,580

you can do this with a fan brush.

360

00:19:33,600 --> 00:19:39,090

Can you suggest a little bit faster

to get darker, darker, darker, darker

361

00:19:39,090 --> 00:19:40,500

as it goes towards the corner here?

362

00:19:40,650 --> 00:19:41,940

Dark, dark, dark.

363

00:19:42,480 --> 00:19:42,900

Look there.

364

00:19:43,800 --> 00:19:44,070

Go ahead.

365

00:19:44,370 --> 00:19:44,940

That's all you need.

366

00:19:45,990 --> 00:19:46,260

Okay.

367

00:19:47,355 --> 00:19:52,515

Let's build some big trees, grab a fan

brush, and I want to make a, I want to

368

00:19:52,515 --> 00:19:56,955

make black, let's clean off a spot here.

369

00:19:57,555 --> 00:20:03,315

I want to take a little green lizard,

Crimson, little green lizard and

370

00:20:03,315 --> 00:20:05,505

Crimson, and about equal parts.

371

00:20:07,395 --> 00:20:09,315

And I want to mix this very good.

372

00:20:09,315 --> 00:20:10,905

Pick it totally up off the pallet.

373

00:20:11,115 --> 00:20:13,755

Turn it over, pick it up.

374

00:20:13,815 --> 00:20:14,475

Turn it over.

375

00:20:18,640 --> 00:20:20,160

Okay, let me clean the knife here.

376

00:20:24,840 --> 00:20:28,830

Now that we need some,

we need some big trees.

377

00:20:31,050 --> 00:20:31,980

Got to make a decision.

378

00:20:31,980 --> 00:20:33,240

I'll just use a fan brush today.

379

00:20:33,240 --> 00:20:36,090

The knife works fine with

fan brushes in my hands.

380

00:20:36,090 --> 00:20:36,750

I will try it.

381

00:20:37,410 --> 00:20:39,510

And there is a big tree who lives.

382

00:20:40,710 --> 00:20:41,910

There's where he lives.

383

00:20:42,990 --> 00:20:44,910

Make a decision and throw him in.

384

00:20:46,635 --> 00:20:47,805

Just drop it.

385

00:20:47,805 --> 00:20:48,015

Yeah.

386

00:20:50,355 --> 00:20:53,805

Cause on your canvas, you

can do in anything you want.

387

00:20:54,585 --> 00:20:56,325

Give them a big old

foot sticking out here.

388

00:20:56,415 --> 00:21:00,765

Don't want him to fall over in the

little, in the little mud puddle

389

00:21:00,765 --> 00:21:01,935

there and make a big splash.

390

00:21:04,445 --> 00:21:05,045

There we go.

391

00:21:06,754 --> 00:21:07,925

And let's give him an arm.

392

00:21:08,315 --> 00:21:09,425

Three needs an arm too.

393

00:21:11,135 --> 00:21:11,675

There we go.

394

00:21:16,740 --> 00:21:18,570

Yep right here.

395

00:21:20,550 --> 00:21:22,020

We'll just put us in another tree.

396

00:21:23,160 --> 00:21:25,410

We can have as many trees

as we want in our world.

397

00:21:27,150 --> 00:21:28,290

No, the big old tree

398

00:21:32,040 --> 00:21:33,210

and this one's closer to you.

399

00:21:33,240 --> 00:21:34,590

So he's, he's bigger.

400

00:21:34,590 --> 00:21:35,550

He's stronger.

401

00:21:36,360 --> 00:21:37,920

Give him a big old, strong room here.

402

00:21:37,950 --> 00:21:39,090

Always floating in the water.

403

00:21:41,034 --> 00:21:42,495

He's floating right there in the water.

404

00:21:43,155 --> 00:21:44,475

Maybe he's got a little friend.

405

00:21:45,764 --> 00:21:47,205

He lives here for protection.

406

00:21:47,415 --> 00:21:48,435

He knows his big tree.

407

00:21:48,435 --> 00:21:49,365

Won't let anybody hurt him

408

00:21:52,365 --> 00:21:52,695

there.

409

00:21:54,945 --> 00:21:57,915

Just while we got this good dark cover on

here, we'll just drop some in the bottom.

410

00:21:57,915 --> 00:22:01,965

We got to give it some bland

frame to frame, to live on there.

411

00:22:04,004 --> 00:22:06,875

See there that easy, easy.

412

00:22:10,635 --> 00:22:13,485

I'm going to take another fan rush today.

413

00:22:13,485 --> 00:22:16,125

I think I'll just take a

little yellow ochre and little

414

00:22:16,425 --> 00:22:19,325

white, yellow ochre, and white.

415

00:22:19,995 --> 00:22:21,075

And let's just go right in here.

416

00:22:21,615 --> 00:22:23,504

And just all I'm doing

is touching the canvas.

417

00:22:23,504 --> 00:22:31,685

Just touch, touch, let a little bit

of highlight, play on these trees.

418

00:22:36,215 --> 00:22:37,235

So it stands out.

419

00:22:42,405 --> 00:22:43,965

Let's do this other big tree over here.

420

00:22:44,415 --> 00:22:45,075

Same thing.

421

00:22:45,105 --> 00:22:46,395

I'm just going to use the same color.

422

00:22:46,935 --> 00:22:50,385

You can vary these colors

a little bit, add a little

423

00:22:50,385 --> 00:22:51,705

permit, read right in there to

424

00:22:54,765 --> 00:23:00,525

sorta tap makes it look

like bark, rough and strong

425

00:23:03,975 --> 00:23:07,335

airway are, yeah, a little

bit on this one over here.

426

00:23:07,725 --> 00:23:08,835

And he's skinny little tree.

427

00:23:09,465 --> 00:23:09,555

Okay.

428

00:23:10,035 --> 00:23:11,175

So he didn't need too much.

429

00:23:17,145 --> 00:23:17,505

Okay.

430

00:23:17,505 --> 00:23:21,795

Maybe tell you what, let's give

him a little arm right there.

431

00:23:21,885 --> 00:23:29,295

Three needs another arm and maybe

shoot to go arm on this tree.

432

00:23:29,325 --> 00:23:30,795

He's a big, healthy, strong tree.

433

00:23:30,795 --> 00:23:31,785

We'll give him a big art.

434

00:23:33,075 --> 00:23:36,205

And you could do these arms on

these trees with, with a knife.

435

00:23:36,225 --> 00:23:37,335

It worked just as well.

436

00:23:38,865 --> 00:23:44,985

Um, just in a fan brush moved

today and maybe we'll put, I

437

00:23:44,985 --> 00:23:48,195

would put a few little indication

appear of some leaves and stuff.

438

00:23:48,195 --> 00:23:50,175

So let's go run into a year ago.

439

00:23:52,355 --> 00:23:58,075

Little yellow, yellow, and I'm still

still using that same old, dirty brush.

440

00:23:59,095 --> 00:23:59,245

Okay.

441

00:23:59,245 --> 00:24:03,325

Let's go up to this tree and I'm going to

take, and all they're going to do here.

442

00:24:04,375 --> 00:24:06,655

Just touch and just sorta let some.

443

00:24:07,510 --> 00:24:11,020

I had some happy little leaf indication,

just, just float around up here.

444

00:24:12,850 --> 00:24:20,440

They're really not here, not connected

or anything just float around.

445

00:24:20,470 --> 00:24:23,170

And it's pretty fantastic.

446

00:24:23,170 --> 00:24:28,360

What you can do with a little imagination

and an almighty brush and a dozen colors.

447

00:24:32,555 --> 00:24:34,955

and once again, use the

colors that make you happy.

448

00:24:35,165 --> 00:24:36,995

I use colors a lot of times.

449

00:24:36,995 --> 00:24:38,615

They're a little brighter

than I normally would.

450

00:24:39,125 --> 00:24:41,315

Just so you can see it better on your set.

451

00:24:42,365 --> 00:24:43,895

And if I can teach you how to do it.

452

00:24:44,250 --> 00:24:49,350

Then, what you do is that's up to

you because each one of us sees

453

00:24:49,350 --> 00:24:50,580

nature through different eyes.

454

00:24:52,470 --> 00:24:55,410

And what you see is, is

what you should paint.

455

00:25:04,610 --> 00:25:05,920

A bit of a brighter color.

456

00:25:05,930 --> 00:25:06,830

So it stands out,

457

00:25:10,820 --> 00:25:12,730

gives you an idea of how that's done.

458

00:25:13,510 --> 00:25:16,629

I take the old fan brush and I go

run into some yellow and some green.

459

00:25:19,430 --> 00:25:22,270

I might just drop some happy

little grassy areas that are living

460

00:25:22,270 --> 00:25:28,830

right down here at this big trees,

but sort of do these in layers.

461

00:25:28,840 --> 00:25:32,830

So I'd create that a little bit.

462

00:25:32,830 --> 00:25:33,430

Dark color.

463

00:25:36,225 --> 00:25:36,945

I think so.

464

00:25:38,175 --> 00:25:39,254

Take little yellow ochre.

465

00:25:40,514 --> 00:25:41,295

That'll highlight.

466

00:25:42,855 --> 00:25:44,925

I think we just about having

finished painting here.

467

00:25:45,295 --> 00:25:46,335

A little water line here.

468

00:25:49,335 --> 00:25:52,905

We're going to call that one

finished and from all of us here,

469

00:25:53,055 --> 00:25:54,885

I'd like to wish you happy painting.

470

00:25:55,355 --> 00:25:55,875

God bless.

471

00:25:55,875 --> 00:25:56,895

And I hope to see you again.

472

00:25:57,045 --> 00:25:57,405

Thank you.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 23, 2020

S04E12 - Autumn Days

Bob Ross's

The Joy of Painting

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