Thursday, December 17, 2020

S02E04 - Shades Of Grey

Bob Ross's

The Joy of Painting


S02E04 - Shades Of Grey

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All right here.


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We are ready to go again.


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You know, just recently I was doing

a demonstration in a mall and I had a


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man come to me and he said, Bob, I can

never paint because I'm color blind.


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All I can see is gray tones.


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So I thought today we'd do a

picture in gray just to show


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you that anyone can paint.


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So I'd have done here.


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I've mixed up a great big

batch of blue and Brown.


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Probably about one third blue to two

thirds Brown, to give you a rough


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idea of what the mixture is here.


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And all we'll use is this

gray color and white.


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I have the other colors on my palette

only because I was too lazy to clean


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my palette before we started this.


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So I've already applied some

magic white to the canvas.


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To help speed things up a little bit.


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So let's take the almighty brush here

and we'll take a little bit of this gray


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color out, beat it into the bristles.


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Really work it into the bristles and

let's start with an almighty sky here.


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Just let it work around and play

and great big things happening here.


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Just let them fall

right out of your brush.


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Keep head brush, moving

circular patterns, jazz.


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Let it play.


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Maybe we'll put a little bit more paint.


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Maybe we'll come right over in here.


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There we go.


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Just let that work.


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We'll have a light source right in here.


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I'll have some light coming through there.


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Maybe we'll do some

almighty mountains today.


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We haven't done mountains in

the past couple of weeks ago.


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I think it's time now.


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I will clean the brush.


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Here we are to shake off

the excess paint thinner.


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Okay.


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Now gentle swirling motions here.


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We're going to begin

blending the sky together.


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Very gentle.


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Just let it work.


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Let it play.


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Let these little things just all around.


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Fly around.


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Have fun.


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Yeah.


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and just begin pulling them like

this, just to give an indication


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of light slipping through there.


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There we go.


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Now we'll work on this one a little,


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just let that brush

continually go in circles.


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That's probably the biggest.


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Suggestion.


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I can give you that will help you

let it continually go in circles.


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Otherwise it'll look like it's raining up.


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We don't want that to happen.


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Okay.


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Now we're just generally

blending it together a little.


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now take the fan brush and I'm

gonna take a little bit of this


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gray color on the fan brush.


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Very, very little color,

very little color.


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And let's put a few little

happy clouds in here.


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They're a little bit more distinct

and that'll push everything else


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back once again, circular pattern.


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Always try to do this in little circles.


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There we go.


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And just let these little

clouds float around this guy.


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Now we'll take the big brush and

very gently land out the back of it.


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We'll go with fluff it up a little

bit and then blend it together.


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Maybe a little more gray and we'll put

another little cloud just right in here.


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Just let him float around.


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Blended man.


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Okay.


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And that gives us a

pretty nice little sky.


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They would do some fantastic mountains.


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Everybody enjoys mountains.


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So let's start here and

we'll just use this same gray


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mixture, this blue and Brown.


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And let's go right over here and

drop in a fantastic big old mountain.


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Oh, there he goes.


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Just let him wander there.


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Very little paint.


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We take off all the excess paint.


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Scraped that canvas hard.


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All you want to remain on there is the

value what's been pushed into the canvas.


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Now with the large brush,

we'll pull that down.


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There we go.


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Alrighty.


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We'll begin to have a basic mountain shape


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there.


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Ready?


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Now we'll highlight that mountain here.


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I'll take some white titanium, just

have her light coming from the right.


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So we'll put a little highlight.


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Oh, maybe right there.


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There we go, maybe a little touch right

up in here somewhere, and then light's


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going to strike right along this edge


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there now for the shadow color,

since we have nothing else, we'll


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just take a little gray and white,

make it a little bit darker.


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Then what we have up there for

the highlight, a little lighter


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than the darkest color on there.


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So somewhere in between now, very

gently, we'll begin pulling shadows in


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here, all the contour of the mountain.


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Sure.


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Third camp, just let that all

paint break as it pulls down there.


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Okay.


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A little bit over here.


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I think we've mentioned this

before, but you'd need to have a


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very, very firm paint to do this.


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If you have a thin Ole paint, you're

really going to get into some problem


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areas because you have become a mud

mixer, need a paint, a strong from dry.


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Okay.


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We'll give this one, a

little shadow right there.


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So he stands out as an individual.


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just bring us on down.


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Let your imagination just wander around

when you're doing these things now


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with a clean, dry brush, we'll just

lay some myths down here by tapping,


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just tap the bottom of it over here.


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Follow these angles and tap then lift up.


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We're always falling.


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The angles that you built

into your mountains.


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Albums are so simple.


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They're hard.


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Hey, it gives us a mask.


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Quick little basic mountain.


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Let's put one on the other side.


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Might as well have some

good practice here.


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Let's come right up here.


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Oh, well all mighty mountain


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here he comes.


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Just let him wander right

on down here in front.


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This one, I want to be a little darker

in value than the one I have in behind.


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So it looks closer, some

applying, a little more color


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than I did on the first one


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gain.


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We'll blend this one down, but

I'm not blaming it as much.


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Once again.


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There we go


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right.


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Clean the paint off the brush here.


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I probably just bought a studio.


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Okay.


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Now we'll put some snow on this mountain.


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Touch all of the contour of the mountain.


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There we go.


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She used to really give me a fit when I

was traditional painter, uh, I spent a


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week sometime working with a little brush,

trying to make all these things happen.


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They're


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fantastic.


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She can make whole mountains

in minutes and you can do it.


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There is no big secret to it.


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All you need is a dream in your heart


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and an almighty knife.


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Yeah.


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Make a little more of the shadow

color and we'll throw some shadows


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in here and move right along.


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It'll be a touch darker.


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There we go.


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That's what we're looking for.


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We'll put a little shadow right in there.


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A little shadow here.


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There's one various


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there,


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there we go.


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See how easy it is to give

dimension to these mountains.


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It's all a game of angles just to gain

the angles mountains or geometric shapes.


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Play with the angles.


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Maybe we'll bring this down.


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Just a touch further here.


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okay.


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Now we'll gently tap on these

a little, just to diffuse them.


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Don't want to destroy it.


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Just a fuse.


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I'm going to get this breast dirty.


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I think we'll put some water in here.


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Maybe we'll have water in this one.


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There we go.


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Just pull it from the outside and

try to keep these lines level.


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So your water didn't look like

it's running off the canvas.


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You have to tie a bucket

on one end to catch it.


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Okay.


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No, since I own the studio, I can do that.


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Now I'm going to use the one inch brush

and I'm just going to gently lift up.


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This is just a clean brush.


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Just lift up, make it

look like little things.


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We back in the distance

back here far, far away.


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There we go.


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Just lifting upward little short strokes.


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Don't let the strokes get too large.


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All right.


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Yeah.


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Asked here and there.


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And maybe, maybe, maybe, maybe there's

some little evergreens back here.


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We'll make some of the fan brushing.


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And maybe we'll make some

of the pallet Mac today.


194

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That's a little bit different.


195

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All right.


196

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Let's just drop a little

evergreen right here.


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And I'm using a color that's very,

very close to the background mountains.


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So they're looking far, far away.


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Give him a friend.


200

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We forget to trees.


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Get lonely too.


202

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How's you make trees.


203

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That in your mind are a little bit closer

to you allow him to get a little darker,


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a little bit darker and maybe there's

one area right there and he's closer.


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So we want him darker.


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There we go.


207

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We'll lay some color right there.


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Okay.


209

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Yeah, we'll just gently lift up just to

make all kinds of little things happen.


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Since this is a wet on wet

technique, you can move the paint.


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It'll slide, the magic white

underneath makes it wet and slick,


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and it'll just slide and move.


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And all you have to do

is learn to control it.


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Okay.


215

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Now let's take a little bit

of reflection into the water.


216

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I've taken a little bit of the

tree color and I'm just going to


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gently pull down straight down most

important that it comes straight down.


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Maybe we'll make an uneven one here.


219

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So all kinds of little things can

happen after you've pulled it down.


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Very gently go across just

enough to give it a watery feel.


221

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It's easy to destroy it.


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Look at that already.


223

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Let's take a little bit of a magic coin

mixed with a little bit of from, right.


224

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I want to paint this a little bit thinner.


225

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There we go.


226

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Yeah.


227

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Cut through it.


228

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Let's put some happy little

water lines back here.


229

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Now watch right in here and we'll

create a little Cove just that easy,


230

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but all these lines need to be

basically straight or once again, your


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water run right out of the painting.


232

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Okay.


233

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We'll just let him run right

on around the corner here.


234

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Just like so, Hmm.


235

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Okay.


236

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That's makes them happy.


237

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Little evergreen trees and promised

to be, would make them a little bit


238

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different than we have in the past.


239

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We don't make them with the

almighty palette knife here.


240

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Okay.


241

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Decide basically where you

want to treat right there.


242

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Now we're going to take the load,

just a tiny bit of paint, right on


243

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the point of the knife and touch.


244

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And we just begin touching.


245

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We're not trying to draw with this knife.


246

00:14:54,915 --> 00:14:56,834

All we're doing is

laying paint on a canvas.


247

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We touch the canvas.


248

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The canvas takes what it wants,

gives you back what it's left.


249

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Okay.


250

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Let's just let this tree work

right out of your knife here.


251

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And we're still using nothing, but.


252

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The blue and the van

Dyke Brown pression moon.


253

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Bandag Brown.


254

00:15:18,814 --> 00:15:23,194

And there's a little tree maybe,

maybe right there is another one.


255

00:15:25,625 --> 00:15:27,814

I just want to do enough of

these to show you how to do them.


256

00:15:28,655 --> 00:15:29,944

And then you do the painting in home.


257

00:15:30,214 --> 00:15:32,495

You determine how many

trees live in your forest?


258

00:15:36,365 --> 00:15:36,905

Here we go.


259

00:15:43,334 --> 00:15:43,604

Hey there.


260

00:15:44,854 --> 00:15:48,395

Paintsville and what's really

nice when this painting dries,


261

00:15:48,425 --> 00:15:49,564

these trees are very thick.


262

00:15:49,865 --> 00:15:51,334

You can feel the texture.


263

00:15:54,155 --> 00:15:54,724

All right.


264

00:15:57,545 --> 00:16:02,555

Maybe over here, maybe a great big

tree, maybe one that maybe he's tired.


265

00:16:03,155 --> 00:16:05,314

He like that.


266

00:16:06,795 --> 00:16:07,545

I want you to do that.


267

00:16:07,545 --> 00:16:08,145

You're committed.


268

00:16:08,145 --> 00:16:09,525

You got to put a tree there now.


269

00:16:11,835 --> 00:16:12,825

So there we go.


270

00:16:16,425 --> 00:16:17,085

A lot of paint.


271

00:16:21,885 --> 00:16:22,665

Okay.


272

00:16:23,895 --> 00:16:25,365

And how long is your paint?


273

00:16:25,965 --> 00:16:27,735

Just let it flow off in life.


274

00:16:29,415 --> 00:16:30,435

All that kind of good stuff.


275

00:16:36,870 --> 00:16:42,060

A lot of paint, a lot of paint, thick

trees, strong, all mighty trees.


276

00:16:46,189 --> 00:16:48,260

she would give him a little

trunk indication just by


277

00:16:48,260 --> 00:16:50,689

cutting through right over here.


278

00:16:52,520 --> 00:16:57,589

Appear just a little indication, maybe

some little stems here and there.


279

00:16:57,890 --> 00:16:58,400

Okay.


280

00:16:59,715 --> 00:17:02,895

Now, if we want to highlight these trees,

maybe lay a little bit of snow on them.


281

00:17:03,255 --> 00:17:05,325

We need a shadow side

and a highlight side.


282

00:17:05,325 --> 00:17:09,345

So I'll just use the same basic

shadow colors I used on the mountain.


283

00:17:09,555 --> 00:17:10,845

Maybe a little touch darker.


284

00:17:10,964 --> 00:17:11,535

There we go.


285

00:17:15,795 --> 00:17:16,275

All right.


286

00:17:16,275 --> 00:17:18,555

Now, very gently, very gently.


287

00:17:18,974 --> 00:17:19,514

Just touch.


288

00:17:19,514 --> 00:17:25,125

So the paint grabs on those high points

just barely touch like so, but the


289

00:17:25,125 --> 00:17:27,135

shadowing first, let's go over here.


290

00:17:28,274 --> 00:17:30,465

Eric comes, barely touch


291

00:17:39,185 --> 00:17:39,395

Okay.


292

00:17:39,395 --> 00:17:42,395

Now for the other side, maybe there's

some snow laying on these trees.


293

00:17:43,145 --> 00:17:48,725

We take a little bit of a white

titanium, white and very gently


294

00:17:48,784 --> 00:17:53,524

once again, just a little, but it

touch, catch the higher points.


295

00:17:53,554 --> 00:17:55,294

Don't want to kill all

that beautiful dark color.


296

00:17:57,045 --> 00:17:58,425

Okay, let's do it over here.


297

00:17:59,985 --> 00:18:00,855

A little tiny bit.


298

00:18:08,385 --> 00:18:10,875

There we go, Mike.


299

00:18:10,875 --> 00:18:11,145

So.


300

00:18:13,185 --> 00:18:15,465

Yeah, while we got to start paying

it going here, let's just lay


301

00:18:15,465 --> 00:18:16,455

a little bit right into here.


302

00:18:16,925 --> 00:18:17,554

Okay.


303

00:18:23,824 --> 00:18:24,245

There.


304

00:18:25,355 --> 00:18:31,294

Yeah, we'll take a one inch brush

back to one of our golden rules.


305

00:18:31,294 --> 00:18:32,945

It takes dark in order to show light.


306

00:18:34,475 --> 00:18:38,345

So we'll take a dark color

on the one inch brush here.


307

00:18:39,195 --> 00:18:40,635

We'll throw in some little bushes.


308

00:18:40,725 --> 00:18:42,465

These are just the shadows for the bushes.


309

00:18:45,514 --> 00:18:46,055

And like, so,


310

00:18:51,215 --> 00:18:54,365

and over here, maybe some bigger trees,


311

00:18:57,965 --> 00:19:01,534

always try to remember to do the thing

as fathers away first, like in my


312

00:19:01,534 --> 00:19:03,995

mind, this trees behind these bushes.


313

00:19:03,995 --> 00:19:05,435

So you need to do him first.


314

00:19:06,420 --> 00:19:07,320

And then come forward.


315

00:19:11,070 --> 00:19:11,250

Okay.


316

00:19:11,250 --> 00:19:15,510

Now that we have dark, we can

begin worrying about the light.


317

00:19:15,720 --> 00:19:18,300

Let's pull this down right here

and turn it into a happy little


318

00:19:18,300 --> 00:19:21,330

reflection, zip that easy.


319

00:19:23,070 --> 00:19:23,610

Okay.


320

00:19:24,300 --> 00:19:27,810

Now we use a one inch brush

with a little magic white and a


321

00:19:27,810 --> 00:19:30,420

little from white mixed together.


322

00:19:30,420 --> 00:19:34,590

We're looking for a pink this slightly

thinner than what's on the canvas already.


323

00:19:34,590 --> 00:19:35,310

So it'll stick.


324

00:19:36,555 --> 00:19:39,435

Maybe a touch, more

magic out of here we are.


325

00:19:40,635 --> 00:19:41,145

Okay.


326

00:19:41,475 --> 00:19:44,475

Now push off all of these

beautiful little leaves.


327

00:19:46,125 --> 00:19:49,665

Just let them hit sparkle in the sun.


328

00:19:50,205 --> 00:19:52,665

And at the same time, you can

reflect them right into the water.


329

00:19:54,285 --> 00:19:58,565

That easy air comes one right here.


330

00:20:05,420 --> 00:20:05,930

There they are.


331

00:20:05,960 --> 00:20:10,670

Look at him little Rascals in hand on

real that you can do that in such a quick,


332

00:20:11,330 --> 00:20:15,290

quick, now, very gently whisper light.


333

00:20:18,320 --> 00:20:23,030

Troy just want to diffuse a little and

that's how we make mirror reflections.


334

00:20:26,300 --> 00:20:31,070

Now let's take a little bit of the light

and put some snow down here on the ground.


335

00:20:33,419 --> 00:20:35,100

Ooh, there we are.


336

00:20:40,580 --> 00:20:44,030

I love that Dan white and we'll make

a little waterline underneath it.


337

00:20:51,229 --> 00:20:51,590

Okay.


338

00:20:51,610 --> 00:20:52,550

There we go.


339

00:20:54,050 --> 00:20:54,679

All right.


340

00:20:57,169 --> 00:20:57,459

Okay.


341

00:20:57,510 --> 00:21:00,080

Now we can take him, just cut a

few little sticks here and there.


342

00:21:02,780 --> 00:21:04,980

So there we are.


343

00:21:07,380 --> 00:21:09,240

Okay, man, we got to worry

about the other side.


344

00:21:09,300 --> 00:21:13,290

I had ones, I had ones looking

good, a little more of the thin


345

00:21:13,290 --> 00:21:14,550

white mixed with a thicker white.


346

00:21:14,550 --> 00:21:15,330

So it'll stick.


347

00:21:17,670 --> 00:21:19,740

We'll put some happy little

bushes right along here.


348

00:21:23,910 --> 00:21:25,800

Look at them a little

rascal sparkling in the sun.


349

00:21:28,410 --> 00:21:29,640

This is a coal painting.


350

00:21:29,640 --> 00:21:31,440

The blue in it makes it so cold.


351

00:21:35,960 --> 00:21:36,200

Okay.


352

00:21:36,200 --> 00:21:37,940

We'll put a few little stems in these,


353

00:21:41,870 --> 00:21:43,820

you know, this reminds

me of my home in Alaska.


354

00:21:43,940 --> 00:21:48,590

We see a lot of scenes like this, and

I've always wanted to live in a, in


355

00:21:48,590 --> 00:21:50,270

a beautiful mountain range like this.


356

00:21:51,020 --> 00:21:52,040

It's let's build a house.


357

00:21:52,730 --> 00:21:53,720

You got to have a house.


358

00:21:55,620 --> 00:22:03,830

We'll make the back of the house

first, just like, so, and we'll


359

00:22:03,830 --> 00:22:05,300

make the other side of the house.


360

00:22:07,610 --> 00:22:11,510

We just wait, let it run

right down the canvas


361

00:22:15,230 --> 00:22:18,409

there use like, so.


362

00:22:21,090 --> 00:22:24,300

And a little more of the dark

color to fill him in, in the front.


363

00:22:30,470 --> 00:22:32,150

let a little bit of that

white get on your knife.


364

00:22:32,150 --> 00:22:35,540

Just to give it a little, little

tonal values here and there.


365

00:22:39,410 --> 00:22:40,790

That side should be good and dark.


366

00:22:43,640 --> 00:22:44,540

Let's give him a door.


367

00:22:44,570 --> 00:22:45,320

He needs a door.


368

00:22:46,380 --> 00:22:50,490

There we go little touch of

the magic quite to outline it.


369

00:22:52,470 --> 00:22:55,710

Maybe this is an old slab cabin,

so we can put some boards in here.


370

00:23:00,020 --> 00:23:02,510

and we need some snow on

the other side of the room


371

00:23:05,700 --> 00:23:07,940

can have just one side with snow on it.


372

00:23:07,940 --> 00:23:09,200

We need snow on both sides.


373

00:23:11,090 --> 00:23:11,450

There.


374

00:23:15,240 --> 00:23:15,840

Okay.


375

00:23:16,470 --> 00:23:17,730

I'll use some snow on the ground.


376

00:23:20,520 --> 00:23:21,330

We just touch.


377

00:23:22,770 --> 00:23:25,470

And snow is a game of angles.


378

00:23:25,470 --> 00:23:30,000

Like mountains are most important that

you follow the lay of the land when


379

00:23:30,000 --> 00:23:34,920

you're laying a snow in, just let it

go in the direction the land flows.


380

00:23:42,390 --> 00:23:43,020

There we are.


381

00:23:45,680 --> 00:23:48,200

That must push this little house back

up into the bushes a little more.


382

00:23:48,200 --> 00:23:51,530

I'll take a little, the dark color and

we'll put a happy little Bush right


383

00:23:51,530 --> 00:23:58,790

here and then some of the light color

and just throw some highlights on that.


384

00:23:58,790 --> 00:24:05,000

Bush exa maybe a little

Bush lives right there.


385

00:24:06,860 --> 00:24:07,340

There we go.


386

00:24:08,990 --> 00:24:09,500

Super.


387

00:24:11,070 --> 00:24:11,490

All right.


388

00:24:13,590 --> 00:24:17,840

Maybe just to play a little here, let's

throw a little tree right up through here.


389

00:24:21,560 --> 00:24:21,919

There,


390

00:24:32,970 --> 00:24:34,370

we'll put a little highlight on him.


391

00:24:39,150 --> 00:24:44,090

I'm going to use the liner brush and

some thin oil, and I'll send some of


392

00:24:44,090 --> 00:24:47,660

this down and we'll throw some happy

little Liam's out here on this tree.


393

00:24:48,860 --> 00:24:53,240

She has let him run along wherever

you think they ought to be.


394

00:24:58,790 --> 00:25:01,100

and you can use paint then

or defend, just paint down.


395

00:25:02,085 --> 00:25:05,115

I prefer to oil because it's

slicker, it moves easier.


396

00:25:07,575 --> 00:25:08,175

There we go.


397

00:25:08,235 --> 00:25:10,035

Maybe one more right there.


398

00:25:11,505 --> 00:25:12,495

And we just let him go.


399

00:25:14,785 --> 00:25:16,425

Few, little stakes down

here at the bottom.


400

00:25:17,205 --> 00:25:21,825

I think we just about have a finished

picture, a little bit of oil here,


401

00:25:22,365 --> 00:25:23,475

and we're going to sign him in red.


402

00:25:23,475 --> 00:25:24,165

We're going to cheat.


403

00:25:25,830 --> 00:25:27,420

And we'll throw a little

signature on there.


404

00:25:27,750 --> 00:25:31,230

This is a fantastic painting

because it uses only gray and white.


405

00:25:31,710 --> 00:25:38,250

I'd like to show you a variation of this,

and it uses only burnt umber and white.


406

00:25:39,000 --> 00:25:41,040

So maybe we can get the

camera to swing over to that.


407

00:25:41,040 --> 00:25:44,490

And we'll take a look at it and show

you what you can do with other colors.


408

00:25:45,630 --> 00:25:50,220

And there's really no limit to

what color any color will work.


409

00:25:50,760 --> 00:25:53,340

As long as you use the basic method.


410

00:25:53,850 --> 00:25:56,969

So on behalf of all of us

here, you have a super day.


End .srt file.



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