Bob Ross's
The Joy of Painting
S02E11 - Black Waterfall
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Welcome back thought today
would do a black canvas.
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It has maybe a happy little
waterfall in a bubbling little
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stream running down through it.
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Now I went ahead and prepared the
canvas to save a little bit of time.
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If you're doing this at home, this
is a black canvas is painted with a
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flat black acrylic and allowed to dry.
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And then I've taken and made a
circle here of a lizard and Crimson.
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The top is Prussian blue and the
bottom half of the canvas I've covered.
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With a layer of blue and Vandyke
Brown, Prussian blue and Vandyke Brown,
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and then just wiped it all together.
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So let's make some happy
little clouds in the sky.
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I'm going to start with a
fan brush and a little bit of
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titanium white, very small amount.
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And we'll begin building some
happy little clouds here.
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Very little paint, because it's
going to pick up the colors
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underneath and just make all kinds
of happy, little things happen.
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There we go.
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Just let it bounce
through this guy in play.
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So he has picking up the blue there.
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Okay.
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Now maybe there's another
little cloud right here.
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Just let these clouds just float around
wherever you think there should be.
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Okay.
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There we go.
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And just let them feather back now with
the large brush, I'm going to very gently
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blend the bottom of these clouds out.
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Okay.
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Yeah.
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What did this one?
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Just the bottom of the cloud.
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We don't want to touch the top yet.
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And then we'll fluff it up a little
bit and then just gently blend it.
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Super nice.
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Little way to make clouds.
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Okay.
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We'll put a few more
little clouds in here.
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Maybe, maybe there's one right here.
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Just floating around.
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These black canvases are so much fun.
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We've done quite a few of them
on this series because we've
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had so many requests for them.
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There we go.
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Just let him float around this guy.
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Blended out, not touching
the top of the cloud.
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Just little circles, little tiny circles.
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Fluff it up a little bit and blend it out.
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And you do these clouds in the layers.
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Do the one that's fathers to wait
first and work towards yourself.
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Hang a little bit more of the titanium
white and maybe there's a nice one here.
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Keep your brush moving.
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Keep it moving at all times.
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You don't want to end up with a
great big cotton balls up in the sky.
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There
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we go.
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And with a large brush, we'll just blend
that out, not touching the top of it,
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and here's the beginning
to touch the Crimson.
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So we're getting the
difference in values now.
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Difference in colors.
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Okay.
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Maybe one more little cloud,
little fluffy one right here.
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Okay.
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There we are.
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That gives us a nice little cloud, a
little blend, the bottom of it out.
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Okay.
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Super simple, nice little
way to make clouds.
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And the black canvas works.
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Fantastic.
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Yeah.
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Clean the brushes.
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There we go.
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Now let's make some little evergreens
back in the distance here and for that.
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I'll take some Vandyke Brown
lizard Crimson, and a little
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touch of Prussian blue.
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We're looking for color
that looks black here.
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Very, very dark load, a lot of pain into
the fan brush, just loaded for there.
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And we'll just make little indications
of trees way back here in the distance.
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Touch the canvas and go downward.
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Just so we have silhouettes.
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There we go.
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This is a nice way to make a lot of
little tree indications, very rapidly.
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Save you a lot of time
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and we can put a little detail
here and there on some of them.
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Maybe they're a little larger.
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Okay, but mostly just
looking for indications,
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this come rag down the
Hill here, just like, so,
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okay.
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Now maybe, maybe over
here, there's a nice one.
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Bigger one, some little ones beside him.
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This is your world so that
your imagination go crazy.
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Whatever makes you happy
you put in your world,
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you just have to get a nice
indication of a tree line back here.
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Now, there we go.
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Maybe, maybe here and there.
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You want to put a little more detail in
a few of these trees and that'll indicate
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they're a little bit closer to you.
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Okay.
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Here, I'm just putting a little color on,
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okay.
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Now.
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Yeah, let's start and make a little tiny
waterfall this far off in the distance.
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I've added a very, very slight
amount of magic white to the paint,
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just to thin it a little bit.
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And maybe my waterfall would be
here and we'll have a babbling
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little Brook coming down.
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So let's start right about here.
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Go cross and let it fall
just to cross and down.
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Try to do that in one stroke.
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So the lines come all the way down.
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And then we'll begin putting some little
foamy things where it's hitting here.
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Let it begin working forward.
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There we go.
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Just all these happy little
things happening in here.
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Okay.
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And once again, I have a S very
small, small amount of magic white
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mixed with my titanium white, just
to make it a tiny bit thinner.
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There we go.
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You know, when you have a babbling
little Brook running down through here,
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a lot of times you have have little
tiny stones under the water where the
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water will hit the bounce and play.
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There we go.
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You might not see that
stone, but he's there.
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Just create some interesting
little things in here.
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And the water hits some
plays and bounces around.
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Maybe there's another
little stone right here.
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Okay.
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That sounded good.
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Hey, isn't that fun?
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I sincerely hope you're painting along
with us today because this is a fun
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picture and it teaches you so many things.
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Oh, maybe there's another one right there.
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Just let your imagination take
you wherever you want to go.
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I'm going to go back into my dark color
here and put a few trees that are a little
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bit closer setting down here on the Hill.
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Okay.
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Okay.
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Yeah, let's take a little bit of CAD
yellow and SAP green mixed together.
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Maybe we'll put a tiny,
tiny bit of ochre in it too.
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Just to dull it down a little bit.
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There we go.
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And let's have some grassy little
areas coming down through here.
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Just.
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Touch push, make the
fan brush bend upward.
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I want to create the illusion
of a Hill coming down.
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There we go.
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Don't let it get too bright on you.
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Kind of little grassy things happening.
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Maybe back here, maybe
I'll tell you what let's.
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Let's put a nice cliff back here in
front of this, a little waterfall and
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a push everything back quite a bit
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like, so there we are.
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And I'm gonna take just the
tiniest amount of burn number.
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Just put a little highlight
up here just a tiny bit.
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Yeah.
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And angles are very important
when you're doing rocks.
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Watch the angles
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there and that sort of pushes the
waterfall back a little bit further,
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creates a little more distance, a
little more depth than the painting.
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And then we can put some happy little
things going right up the side here.
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Just let them fade right out to nothing.
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There we go.
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Maybe with a little bit of Vandyke Brown,
we'll put a few little stones and some
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banks and stuff right along in here.
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She has to wherever you want.
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And I'm going to highlight those
with burn number just a little bit.
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okay.
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Now go back to her little grassy
color here and bring it all together.
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Okay.
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Now let's come over on this side of the
canvas and I'll use a one inch brush.
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I'll be a little bit faster.
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And we'll take some Vandyke Brown,
little Crimson, tiny bit of blue,
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and we'll put some happy little
things happening over here and begin
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closing this little waterfall in
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there.
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Okay.
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Bend that brush.
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Really push it.
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Now use a little tiny bit of magic white
on the one inch brush, then we'll go into
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some CAD yellow and back to the SAP green,
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a little bit of ochre added
to it, just to dull it down.
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Don't want it to get too bright on us.
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I bet.
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You never imagined you could
paint a waterfall like this.
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And if you're painting along with us, you
have a pretty good picture going already.
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Here we go.
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Yeah.
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That's drop in another
little Bush right here
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and I'll go back to the
fan brush now and begin.
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Laying in some little grassy areas,
just going right up the Hill here,
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make that brush bend upward
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there.
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Now with a little bit of
the Vandyke Brown, we'll put
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some little banks in here.
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There we go.
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Just let them protrude
right out into the water.
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All right.
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We're beginning to have a waterfall here.
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Bubbling little stream.
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Aren't these black canvas is fun though.
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We have an absolute ball
teaching you how to do these.
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Okay.
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A little tiny bit of the burn
number, just to highlight a little.
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Okay.
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Now back to my fan brush and
we'll bring all this together.
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did he get very dark back in here?
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There now bring this together and we'll be
ready to play some more here in the water.
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Okay.
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Alrighty.
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Let's get the old fan brush here.
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In this you have to stream, and then
we can, we can play a little bit.
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I think we have a few minutes here and
we can just, we can just have some fun, a
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little touch of the magic white from white
mixed together, and we can begin splashing
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water all up against the rocks and the
stones and the banks here at a splash.
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Maybe once in a while it runs
up on there a little bit.
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Here we go.
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There's another one of those
little stones was under the water.
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You knew it was there.
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Didn't you just wanted to see
if I'd remembered, put it in
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there.
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Look at all the actions
happening in that water.
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That's what makes us so much fun.
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There.
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He went again right up the side.
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Oh, the little actions in the
water moving motor is something we
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avoid so often it's so much fun,
but it's like everything else.
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It takes a little bit of practice
and turn your fan brush on one side
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of the head that you'll find it.
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One side bins better
than the other one does.
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And you'll have to experiment.
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Every single fan brush in the world
has its own personality and you have
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to make friends, but a little rascal.
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Let me tell you what, let's put a happy
little stone right out here in the water
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least one.
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If we have time, maybe we'll put a
couple more in that was Bandag Brown.
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And now go back to the umber.
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Put some little highlights on him.
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and we'll wrap some water right
around that stone splash a
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little bit up here and there.
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And then,
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and that something.
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As I say, after all these years
of painting, it still fascinates
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me that this works like kissing.
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It works for people who've never painted.
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We see it every day in the classroom.
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Okay.
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Let's take the knife now and
just make a few little twigs
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and sticks here and there.
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All I'm doing is using a clean knife
and scraping right through the paint.
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It makes it look like
little twigs and sticks.
249
00:17:40,605 --> 00:17:40,965
Okay.
250
00:17:41,745 --> 00:17:43,725
Well, you're feeling brave today.
251
00:17:43,845 --> 00:17:44,775
Let's do some crazies.
252
00:17:44,775 --> 00:17:45,915
I think we have time here.
253
00:17:45,975 --> 00:17:47,955
I'm going to take some
Vandyke Brown on the knife.
254
00:17:49,095 --> 00:17:52,815
Get a lot of Vandyke breath and maybe.
255
00:17:53,715 --> 00:17:57,435
Maybe there's a great big
tree lives right here.
256
00:17:59,685 --> 00:18:04,035
Maybe this old tree, maybe
he's tired and maybe he's dead.
257
00:18:05,505 --> 00:18:06,495
Let's do a dead tree.
258
00:18:07,845 --> 00:18:10,725
He's fixing to fall over and make a
natural bridge right across this little
259
00:18:10,725 --> 00:18:17,655
stream and the water, or play around
him and have fun and have a good time.
260
00:18:19,365 --> 00:18:23,235
No, probably to me, one of the nicest
sounds in the world is listening to a
261
00:18:23,235 --> 00:18:31,695
little stream as it bubbles along plays
and hits the rocks and stones in Alaska.
262
00:18:31,695 --> 00:18:37,004
I have a, I have a great deal of fun
going out in the woods and just sitting
263
00:18:37,004 --> 00:18:38,504
next to a stream and listen to it.
264
00:18:40,514 --> 00:18:41,024
Okay.
265
00:18:41,895 --> 00:18:42,915
And let's take.
266
00:18:43,425 --> 00:18:48,615
Let's take a tiny bit of permanent red
and some burn number mixed together.
267
00:18:53,285 --> 00:18:56,465
And we will lay a little bit
of highlight on this tree just
268
00:18:56,465 --> 00:18:57,875
enough to get it to stand out.
269
00:19:02,915 --> 00:19:03,665
There we go
270
00:19:10,055 --> 00:19:10,325
in there.
271
00:19:11,130 --> 00:19:12,990
Just where you think light will strike us.
272
00:19:20,180 --> 00:19:27,500
now the other side, I'll use a little
bit of pressure to blue, just to
273
00:19:27,500 --> 00:19:29,300
indicate a little reflected light.
274
00:19:35,480 --> 00:19:36,350
Yeah, just a little bit.
275
00:19:36,770 --> 00:19:39,139
And all we're doing here is
touching the canvas and allowing
276
00:19:39,139 --> 00:19:41,389
it to pull the paint off the knife.
277
00:19:45,080 --> 00:19:49,730
It's like taking the bus and leaving
the driving desks at the knife.
278
00:19:49,730 --> 00:19:50,360
Do the work.
279
00:19:56,355 --> 00:19:57,885
And this is just a little Vandag brand.
280
00:19:57,885 --> 00:20:03,585
I'm just sort of bringing it all together
down to give it a nice bark appearance.
281
00:20:05,265 --> 00:20:07,635
All I'm doing is touching and
pulling the knife straight out
282
00:20:12,125 --> 00:20:15,635
and let's let's, let's take the fan brush
283
00:20:21,845 --> 00:20:23,765
and let's take a little
bit to the Vandyke Brown.
284
00:20:26,419 --> 00:20:27,780
Little bit of Amber mixed with it.
285
00:20:27,899 --> 00:20:28,980
Just mix it on the brush.
286
00:20:29,610 --> 00:20:33,510
And let's put a few, if this is a
dead tree, let's put a few Liam's
287
00:20:33,510 --> 00:20:34,649
hanging here and there on it.
288
00:20:34,649 --> 00:20:38,129
Just, just touch and let the fan brush go.
289
00:20:38,909 --> 00:20:39,840
Just touch straight on.
290
00:20:41,820 --> 00:20:43,290
Maybe there's a big old Liam hangs.
291
00:20:43,290 --> 00:20:51,470
We can make even a little bit
wider, got to make him strong.
292
00:20:53,879 --> 00:20:54,450
There we go.
293
00:21:00,510 --> 00:21:01,830
Oh, here's one right here.
294
00:21:01,889 --> 00:21:02,360
I see.
295
00:21:04,139 --> 00:21:05,820
Maybe he sorta curls around
296
00:21:10,590 --> 00:21:11,070
my cat.
297
00:21:17,540 --> 00:21:20,000
I think when I was a little boy,
that's a sad as my mother used to
298
00:21:20,000 --> 00:21:21,500
get to punish me when I was bad.
299
00:21:24,140 --> 00:21:28,940
Actually I was raised in Florida and
my mother used to use Pat medals.
300
00:21:30,080 --> 00:21:36,620
And if she sees this, she's going to kill
me for telling you, but she knows that
301
00:21:36,620 --> 00:21:38,750
she's my favorite lady in the whole world.
302
00:21:39,420 --> 00:21:40,770
So I think she'll forgive me
303
00:21:44,970 --> 00:21:45,450
there.
304
00:21:47,659 --> 00:21:48,950
Just a few little dams here.
305
00:21:49,070 --> 00:21:49,670
Maybe there's one.
306
00:21:49,670 --> 00:21:51,590
We can't see its own up here on the tree.
307
00:21:53,330 --> 00:21:55,940
Can't see where it starts, but
it just sorta hangs down here.
308
00:21:58,340 --> 00:22:02,570
Give him a little arm
now, clean the brush.
309
00:22:07,125 --> 00:22:09,345
And I'll take a little bit
of the permanent rate and
310
00:22:09,345 --> 00:22:10,544
burn number mixed together.
311
00:22:13,895 --> 00:22:14,735
There we go.
312
00:22:15,365 --> 00:22:20,225
I think we'll highlight the
limbs a little, just touch and
313
00:22:20,225 --> 00:22:21,455
follow your lamb right on down.
314
00:22:22,895 --> 00:22:23,495
Like, so
315
00:22:27,115 --> 00:22:28,655
burn number is a beautiful color.
316
00:22:41,550 --> 00:22:43,340
can you just highlight it a little bit?
317
00:22:44,000 --> 00:22:45,680
Just so it stands out a little.
318
00:22:46,970 --> 00:22:48,320
It doesn't have to be real bright.
319
00:22:56,360 --> 00:22:57,410
middle touch over here.
320
00:22:59,895 --> 00:23:00,435
All right
321
00:23:05,024 --> 00:23:10,004
now, just take a little tiny bit of
the yellow and green and put some
322
00:23:10,004 --> 00:23:11,625
little grassy things around this trees.
323
00:23:11,625 --> 00:23:15,554
Foot's just to bring him into
the painting a little better.
324
00:23:17,385 --> 00:23:18,195
Let him set up here.
325
00:23:19,095 --> 00:23:22,665
And maybe, maybe we want to put a
little tree on the other side, too.
326
00:23:24,660 --> 00:23:26,910
Maybe, maybe there's
just a tiny little tree.
327
00:23:26,910 --> 00:23:28,110
We back here in the distance.
328
00:23:31,580 --> 00:23:32,360
There we go.
329
00:23:37,100 --> 00:23:37,730
Let's get ready.
330
00:23:37,760 --> 00:23:38,750
Maybe there's two trees
331
00:23:43,070 --> 00:23:47,150
and we'll take a little bit of white
and mix it with a little bit of umber.
332
00:23:51,040 --> 00:23:53,310
Just touch just to give
some little indications.
333
00:23:53,310 --> 00:23:54,320
Don't want to get too bright.
334
00:23:57,020 --> 00:23:57,649
There we go.
335
00:24:00,590 --> 00:24:03,710
And with the liner brush,
that's open oil here.
336
00:24:04,790 --> 00:24:08,870
Take a little bit of the
thin oil Vandyke Brown
337
00:24:11,930 --> 00:24:12,830
little umber.
338
00:24:14,000 --> 00:24:15,129
Just makes it a little bit thin.
339
00:24:15,149 --> 00:24:18,020
We'll just put some little
indications of Liam's on here.
340
00:24:19,290 --> 00:24:20,220
Just here and there.
341
00:24:25,169 --> 00:24:29,370
Like, so just here and there.
342
00:24:33,050 --> 00:24:33,290
Yeah.
343
00:24:33,290 --> 00:24:38,389
I'm going to take a little, the
magic white, a little yellow, little
344
00:24:38,389 --> 00:24:39,860
tiny bit of ochre mixed with it.
345
00:24:40,340 --> 00:24:44,300
Load a lot of pain into the bristles
and we'll just drop a few, little,
346
00:24:44,840 --> 00:24:46,580
few, little leaf indications on there.
347
00:24:49,320 --> 00:24:50,129
Just here and there.
348
00:24:57,209 --> 00:24:57,840
Here we go.
349
00:25:01,350 --> 00:25:02,429
I think we got him there.
350
00:25:03,540 --> 00:25:04,290
Okay.
351
00:25:04,709 --> 00:25:08,399
Let me be a sticker too, right
here in front of the tree.
352
00:25:12,929 --> 00:25:14,969
I think we've about got
this rascal finished.
353
00:25:16,335 --> 00:25:21,645
So, let me take a little bit of
oil, a little permanent red, and
354
00:25:21,645 --> 00:25:23,085
we'll sign this almighty painting.
355
00:25:23,115 --> 00:25:26,505
Call him done, picks your pain.
356
00:25:26,505 --> 00:25:27,825
Tell us almost in his water.
357
00:25:28,065 --> 00:25:29,325
Then you can just write with it.
358
00:25:32,085 --> 00:25:32,355
Shoot.
359
00:25:32,655 --> 00:25:33,345
There we are.
360
00:25:35,765 --> 00:25:36,545
Just let it go.
361
00:25:38,405 --> 00:25:38,555
Yeah.
362
00:25:39,095 --> 00:25:43,205
Next week, if you're painting along
with us, we'll be doing a white canvas.
363
00:25:45,000 --> 00:25:46,710
So have you canvas ready?
364
00:25:46,800 --> 00:25:51,510
You're all mighty easel set up and
there'll be waiting for you here
365
00:25:51,870 --> 00:25:53,640
until then from all of us here.
366
00:25:54,060 --> 00:25:54,720
Happy painting.
367
00:26:00,980 --> 00:26:01,640
Uh,
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