Thursday, December 17, 2020

S02E11 - Black Waterfall

Bob Ross's

The Joy of Painting


S02E11 - Black Waterfall 

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Welcome back thought today

would do a black canvas.


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It has maybe a happy little

waterfall in a bubbling little


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stream running down through it.


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Now I went ahead and prepared the

canvas to save a little bit of time.


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If you're doing this at home, this

is a black canvas is painted with a


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flat black acrylic and allowed to dry.


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And then I've taken and made a

circle here of a lizard and Crimson.


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The top is Prussian blue and the

bottom half of the canvas I've covered.


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With a layer of blue and Vandyke

Brown, Prussian blue and Vandyke Brown,


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and then just wiped it all together.


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So let's make some happy

little clouds in the sky.


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I'm going to start with a

fan brush and a little bit of


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titanium white, very small amount.


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And we'll begin building some

happy little clouds here.


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Very little paint, because it's

going to pick up the colors


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underneath and just make all kinds

of happy, little things happen.


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There we go.


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Just let it bounce

through this guy in play.


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So he has picking up the blue there.


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Okay.


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Now maybe there's another

little cloud right here.


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Just let these clouds just float around

wherever you think there should be.


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Okay.


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There we go.


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And just let them feather back now with

the large brush, I'm going to very gently


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blend the bottom of these clouds out.


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Okay.


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Yeah.


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What did this one?


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Just the bottom of the cloud.


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We don't want to touch the top yet.


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And then we'll fluff it up a little

bit and then just gently blend it.


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Super nice.


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Little way to make clouds.


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Okay.


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We'll put a few more

little clouds in here.


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Maybe, maybe there's one right here.


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Just floating around.


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These black canvases are so much fun.


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We've done quite a few of them

on this series because we've


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had so many requests for them.


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There we go.


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Just let him float around this guy.


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Blended out, not touching

the top of the cloud.


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Just little circles, little tiny circles.


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Fluff it up a little bit and blend it out.


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And you do these clouds in the layers.


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Do the one that's fathers to wait

first and work towards yourself.


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Hang a little bit more of the titanium

white and maybe there's a nice one here.


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Keep your brush moving.


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Keep it moving at all times.


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You don't want to end up with a

great big cotton balls up in the sky.


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There


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we go.


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And with a large brush, we'll just blend

that out, not touching the top of it,


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and here's the beginning

to touch the Crimson.


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So we're getting the

difference in values now.


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Difference in colors.


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Okay.


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Maybe one more little cloud,

little fluffy one right here.


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Okay.


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There we are.


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That gives us a nice little cloud, a

little blend, the bottom of it out.


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Okay.


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Super simple, nice little

way to make clouds.


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And the black canvas works.


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Fantastic.


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Yeah.


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Clean the brushes.


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There we go.


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Now let's make some little evergreens

back in the distance here and for that.


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I'll take some Vandyke Brown

lizard Crimson, and a little


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touch of Prussian blue.


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We're looking for color

that looks black here.


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Very, very dark load, a lot of pain into

the fan brush, just loaded for there.


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And we'll just make little indications

of trees way back here in the distance.


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Touch the canvas and go downward.


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Just so we have silhouettes.


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There we go.


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This is a nice way to make a lot of

little tree indications, very rapidly.


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Save you a lot of time


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and we can put a little detail

here and there on some of them.


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Maybe they're a little larger.


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Okay, but mostly just

looking for indications,


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this come rag down the

Hill here, just like, so,


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okay.


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Now maybe, maybe over

here, there's a nice one.


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Bigger one, some little ones beside him.


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This is your world so that

your imagination go crazy.


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Whatever makes you happy

you put in your world,


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you just have to get a nice

indication of a tree line back here.


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Now, there we go.


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Maybe, maybe here and there.


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You want to put a little more detail in

a few of these trees and that'll indicate


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they're a little bit closer to you.


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Okay.


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Here, I'm just putting a little color on,


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okay.


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Now.


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Yeah, let's start and make a little tiny

waterfall this far off in the distance.


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I've added a very, very slight

amount of magic white to the paint,


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just to thin it a little bit.


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And maybe my waterfall would be

here and we'll have a babbling


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little Brook coming down.


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So let's start right about here.


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Go cross and let it fall

just to cross and down.


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Try to do that in one stroke.


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So the lines come all the way down.


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And then we'll begin putting some little

foamy things where it's hitting here.


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Let it begin working forward.


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There we go.


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Just all these happy little

things happening in here.


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Okay.


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And once again, I have a S very

small, small amount of magic white


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mixed with my titanium white, just

to make it a tiny bit thinner.


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There we go.


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You know, when you have a babbling

little Brook running down through here,


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a lot of times you have have little

tiny stones under the water where the


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water will hit the bounce and play.


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There we go.


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You might not see that

stone, but he's there.


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Just create some interesting

little things in here.


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And the water hits some

plays and bounces around.


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Maybe there's another

little stone right here.


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Okay.


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That sounded good.


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Hey, isn't that fun?


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I sincerely hope you're painting along

with us today because this is a fun


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picture and it teaches you so many things.


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Oh, maybe there's another one right there.


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Just let your imagination take

you wherever you want to go.


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I'm going to go back into my dark color

here and put a few trees that are a little


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bit closer setting down here on the Hill.


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Okay.


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Okay.


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Yeah, let's take a little bit of CAD

yellow and SAP green mixed together.


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Maybe we'll put a tiny,

tiny bit of ochre in it too.


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Just to dull it down a little bit.


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There we go.


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And let's have some grassy little

areas coming down through here.


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Just.


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Touch push, make the

fan brush bend upward.


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I want to create the illusion

of a Hill coming down.


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There we go.


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Don't let it get too bright on you.


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Kind of little grassy things happening.


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Maybe back here, maybe

I'll tell you what let's.


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Let's put a nice cliff back here in

front of this, a little waterfall and


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a push everything back quite a bit


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like, so there we are.


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And I'm gonna take just the

tiniest amount of burn number.


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Just put a little highlight

up here just a tiny bit.


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Yeah.


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And angles are very important

when you're doing rocks.


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Watch the angles


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there and that sort of pushes the

waterfall back a little bit further,


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creates a little more distance, a

little more depth than the painting.


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And then we can put some happy little

things going right up the side here.


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Just let them fade right out to nothing.


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There we go.


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Maybe with a little bit of Vandyke Brown,

we'll put a few little stones and some


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banks and stuff right along in here.


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She has to wherever you want.


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And I'm going to highlight those

with burn number just a little bit.


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okay.


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Now go back to her little grassy

color here and bring it all together.


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Okay.


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Now let's come over on this side of the

canvas and I'll use a one inch brush.


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I'll be a little bit faster.


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And we'll take some Vandyke Brown,

little Crimson, tiny bit of blue,


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and we'll put some happy little

things happening over here and begin


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closing this little waterfall in


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there.


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Okay.


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Bend that brush.


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Really push it.


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Now use a little tiny bit of magic white

on the one inch brush, then we'll go into


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some CAD yellow and back to the SAP green,


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a little bit of ochre added

to it, just to dull it down.


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Don't want it to get too bright on us.


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I bet.


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You never imagined you could

paint a waterfall like this.


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And if you're painting along with us, you

have a pretty good picture going already.


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Here we go.


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Yeah.


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That's drop in another

little Bush right here


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and I'll go back to the

fan brush now and begin.


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Laying in some little grassy areas,

just going right up the Hill here,


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make that brush bend upward


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there.


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Now with a little bit of

the Vandyke Brown, we'll put


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some little banks in here.


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There we go.


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Just let them protrude

right out into the water.


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All right.


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We're beginning to have a waterfall here.


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Bubbling little stream.


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Aren't these black canvas is fun though.


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We have an absolute ball

teaching you how to do these.


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Okay.


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A little tiny bit of the burn

number, just to highlight a little.


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Okay.


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Now back to my fan brush and

we'll bring all this together.


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did he get very dark back in here?


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There now bring this together and we'll be

ready to play some more here in the water.


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Okay.


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Alrighty.


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Let's get the old fan brush here.


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In this you have to stream, and then

we can, we can play a little bit.


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I think we have a few minutes here and

we can just, we can just have some fun, a


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little touch of the magic white from white

mixed together, and we can begin splashing


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water all up against the rocks and the

stones and the banks here at a splash.


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Maybe once in a while it runs

up on there a little bit.


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Here we go.


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There's another one of those

little stones was under the water.


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You knew it was there.


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Didn't you just wanted to see

if I'd remembered, put it in


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there.


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Look at all the actions

happening in that water.


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That's what makes us so much fun.


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There.


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He went again right up the side.


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Oh, the little actions in the

water moving motor is something we


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avoid so often it's so much fun,

but it's like everything else.


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It takes a little bit of practice

and turn your fan brush on one side


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of the head that you'll find it.


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One side bins better

than the other one does.


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And you'll have to experiment.


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Every single fan brush in the world

has its own personality and you have


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to make friends, but a little rascal.


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Let me tell you what, let's put a happy

little stone right out here in the water


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least one.


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If we have time, maybe we'll put a

couple more in that was Bandag Brown.


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And now go back to the umber.


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Put some little highlights on him.


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and we'll wrap some water right

around that stone splash a


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little bit up here and there.


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And then,


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and that something.


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As I say, after all these years

of painting, it still fascinates


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me that this works like kissing.


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It works for people who've never painted.


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We see it every day in the classroom.


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Okay.


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Let's take the knife now and

just make a few little twigs


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and sticks here and there.


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All I'm doing is using a clean knife

and scraping right through the paint.


248

00:17:32,925 --> 00:17:34,905

It makes it look like

little twigs and sticks.


249

00:17:40,605 --> 00:17:40,965

Okay.


250

00:17:41,745 --> 00:17:43,725

Well, you're feeling brave today.


251

00:17:43,845 --> 00:17:44,775

Let's do some crazies.


252

00:17:44,775 --> 00:17:45,915

I think we have time here.


253

00:17:45,975 --> 00:17:47,955

I'm going to take some

Vandyke Brown on the knife.


254

00:17:49,095 --> 00:17:52,815

Get a lot of Vandyke breath and maybe.


255

00:17:53,715 --> 00:17:57,435

Maybe there's a great big

tree lives right here.


256

00:17:59,685 --> 00:18:04,035

Maybe this old tree, maybe

he's tired and maybe he's dead.


257

00:18:05,505 --> 00:18:06,495

Let's do a dead tree.


258

00:18:07,845 --> 00:18:10,725

He's fixing to fall over and make a

natural bridge right across this little


259

00:18:10,725 --> 00:18:17,655

stream and the water, or play around

him and have fun and have a good time.


260

00:18:19,365 --> 00:18:23,235

No, probably to me, one of the nicest

sounds in the world is listening to a


261

00:18:23,235 --> 00:18:31,695

little stream as it bubbles along plays

and hits the rocks and stones in Alaska.


262

00:18:31,695 --> 00:18:37,004

I have a, I have a great deal of fun

going out in the woods and just sitting


263

00:18:37,004 --> 00:18:38,504

next to a stream and listen to it.


264

00:18:40,514 --> 00:18:41,024

Okay.


265

00:18:41,895 --> 00:18:42,915

And let's take.


266

00:18:43,425 --> 00:18:48,615

Let's take a tiny bit of permanent red

and some burn number mixed together.


267

00:18:53,285 --> 00:18:56,465

And we will lay a little bit

of highlight on this tree just


268

00:18:56,465 --> 00:18:57,875

enough to get it to stand out.


269

00:19:02,915 --> 00:19:03,665

There we go


270

00:19:10,055 --> 00:19:10,325

in there.


271

00:19:11,130 --> 00:19:12,990

Just where you think light will strike us.


272

00:19:20,180 --> 00:19:27,500

now the other side, I'll use a little

bit of pressure to blue, just to


273

00:19:27,500 --> 00:19:29,300

indicate a little reflected light.


274

00:19:35,480 --> 00:19:36,350

Yeah, just a little bit.


275

00:19:36,770 --> 00:19:39,139

And all we're doing here is

touching the canvas and allowing


276

00:19:39,139 --> 00:19:41,389

it to pull the paint off the knife.


277

00:19:45,080 --> 00:19:49,730

It's like taking the bus and leaving

the driving desks at the knife.


278

00:19:49,730 --> 00:19:50,360

Do the work.


279

00:19:56,355 --> 00:19:57,885

And this is just a little Vandag brand.


280

00:19:57,885 --> 00:20:03,585

I'm just sort of bringing it all together

down to give it a nice bark appearance.


281

00:20:05,265 --> 00:20:07,635

All I'm doing is touching and

pulling the knife straight out


282

00:20:12,125 --> 00:20:15,635

and let's let's, let's take the fan brush


283

00:20:21,845 --> 00:20:23,765

and let's take a little

bit to the Vandyke Brown.


284

00:20:26,419 --> 00:20:27,780

Little bit of Amber mixed with it.


285

00:20:27,899 --> 00:20:28,980

Just mix it on the brush.


286

00:20:29,610 --> 00:20:33,510

And let's put a few, if this is a

dead tree, let's put a few Liam's


287

00:20:33,510 --> 00:20:34,649

hanging here and there on it.


288

00:20:34,649 --> 00:20:38,129

Just, just touch and let the fan brush go.


289

00:20:38,909 --> 00:20:39,840

Just touch straight on.


290

00:20:41,820 --> 00:20:43,290

Maybe there's a big old Liam hangs.


291

00:20:43,290 --> 00:20:51,470

We can make even a little bit

wider, got to make him strong.


292

00:20:53,879 --> 00:20:54,450

There we go.


293

00:21:00,510 --> 00:21:01,830

Oh, here's one right here.


294

00:21:01,889 --> 00:21:02,360

I see.


295

00:21:04,139 --> 00:21:05,820

Maybe he sorta curls around


296

00:21:10,590 --> 00:21:11,070

my cat.


297

00:21:17,540 --> 00:21:20,000

I think when I was a little boy,

that's a sad as my mother used to


298

00:21:20,000 --> 00:21:21,500

get to punish me when I was bad.


299

00:21:24,140 --> 00:21:28,940

Actually I was raised in Florida and

my mother used to use Pat medals.


300

00:21:30,080 --> 00:21:36,620

And if she sees this, she's going to kill

me for telling you, but she knows that


301

00:21:36,620 --> 00:21:38,750

she's my favorite lady in the whole world.


302

00:21:39,420 --> 00:21:40,770

So I think she'll forgive me


303

00:21:44,970 --> 00:21:45,450

there.


304

00:21:47,659 --> 00:21:48,950

Just a few little dams here.


305

00:21:49,070 --> 00:21:49,670

Maybe there's one.


306

00:21:49,670 --> 00:21:51,590

We can't see its own up here on the tree.


307

00:21:53,330 --> 00:21:55,940

Can't see where it starts, but

it just sorta hangs down here.


308

00:21:58,340 --> 00:22:02,570

Give him a little arm

now, clean the brush.


309

00:22:07,125 --> 00:22:09,345

And I'll take a little bit

of the permanent rate and


310

00:22:09,345 --> 00:22:10,544

burn number mixed together.


311

00:22:13,895 --> 00:22:14,735

There we go.


312

00:22:15,365 --> 00:22:20,225

I think we'll highlight the

limbs a little, just touch and


313

00:22:20,225 --> 00:22:21,455

follow your lamb right on down.


314

00:22:22,895 --> 00:22:23,495

Like, so


315

00:22:27,115 --> 00:22:28,655

burn number is a beautiful color.


316

00:22:41,550 --> 00:22:43,340

can you just highlight it a little bit?


317

00:22:44,000 --> 00:22:45,680

Just so it stands out a little.


318

00:22:46,970 --> 00:22:48,320

It doesn't have to be real bright.


319

00:22:56,360 --> 00:22:57,410

middle touch over here.


320

00:22:59,895 --> 00:23:00,435

All right


321

00:23:05,024 --> 00:23:10,004

now, just take a little tiny bit of

the yellow and green and put some


322

00:23:10,004 --> 00:23:11,625

little grassy things around this trees.


323

00:23:11,625 --> 00:23:15,554

Foot's just to bring him into

the painting a little better.


324

00:23:17,385 --> 00:23:18,195

Let him set up here.


325

00:23:19,095 --> 00:23:22,665

And maybe, maybe we want to put a

little tree on the other side, too.


326

00:23:24,660 --> 00:23:26,910

Maybe, maybe there's

just a tiny little tree.


327

00:23:26,910 --> 00:23:28,110

We back here in the distance.


328

00:23:31,580 --> 00:23:32,360

There we go.


329

00:23:37,100 --> 00:23:37,730

Let's get ready.


330

00:23:37,760 --> 00:23:38,750

Maybe there's two trees


331

00:23:43,070 --> 00:23:47,150

and we'll take a little bit of white

and mix it with a little bit of umber.


332

00:23:51,040 --> 00:23:53,310

Just touch just to give

some little indications.


333

00:23:53,310 --> 00:23:54,320

Don't want to get too bright.


334

00:23:57,020 --> 00:23:57,649

There we go.


335

00:24:00,590 --> 00:24:03,710

And with the liner brush,

that's open oil here.


336

00:24:04,790 --> 00:24:08,870

Take a little bit of the

thin oil Vandyke Brown


337

00:24:11,930 --> 00:24:12,830

little umber.


338

00:24:14,000 --> 00:24:15,129

Just makes it a little bit thin.


339

00:24:15,149 --> 00:24:18,020

We'll just put some little

indications of Liam's on here.


340

00:24:19,290 --> 00:24:20,220

Just here and there.


341

00:24:25,169 --> 00:24:29,370

Like, so just here and there.


342

00:24:33,050 --> 00:24:33,290

Yeah.


343

00:24:33,290 --> 00:24:38,389

I'm going to take a little, the

magic white, a little yellow, little


344

00:24:38,389 --> 00:24:39,860

tiny bit of ochre mixed with it.


345

00:24:40,340 --> 00:24:44,300

Load a lot of pain into the bristles

and we'll just drop a few, little,


346

00:24:44,840 --> 00:24:46,580

few, little leaf indications on there.


347

00:24:49,320 --> 00:24:50,129

Just here and there.


348

00:24:57,209 --> 00:24:57,840

Here we go.


349

00:25:01,350 --> 00:25:02,429

I think we got him there.


350

00:25:03,540 --> 00:25:04,290

Okay.


351

00:25:04,709 --> 00:25:08,399

Let me be a sticker too, right

here in front of the tree.


352

00:25:12,929 --> 00:25:14,969

I think we've about got

this rascal finished.


353

00:25:16,335 --> 00:25:21,645

So, let me take a little bit of

oil, a little permanent red, and


354

00:25:21,645 --> 00:25:23,085

we'll sign this almighty painting.


355

00:25:23,115 --> 00:25:26,505

Call him done, picks your pain.


356

00:25:26,505 --> 00:25:27,825

Tell us almost in his water.


357

00:25:28,065 --> 00:25:29,325

Then you can just write with it.


358

00:25:32,085 --> 00:25:32,355

Shoot.


359

00:25:32,655 --> 00:25:33,345

There we are.


360

00:25:35,765 --> 00:25:36,545

Just let it go.


361

00:25:38,405 --> 00:25:38,555

Yeah.


362

00:25:39,095 --> 00:25:43,205

Next week, if you're painting along

with us, we'll be doing a white canvas.


363

00:25:45,000 --> 00:25:46,710

So have you canvas ready?


364

00:25:46,800 --> 00:25:51,510

You're all mighty easel set up and

there'll be waiting for you here


365

00:25:51,870 --> 00:25:53,640

until then from all of us here.


366

00:25:54,060 --> 00:25:54,720

Happy painting.


367

00:26:00,980 --> 00:26:01,640

Uh,


End .srt file.



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