Bob Ross's

The Joy of Painting

S02E03 - Ebony Sea

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Hi, welcome back today.

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I thought we'd do a little seascape it's

right off of the California Oregon coast.

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And I've taken the Liberty because

we do have time restraints here of

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going ahead and covering a black

canvas with transparent color.

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Now what I've done in the center here,

I've put alizarin Crimson right in the

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center and going out in both directions

and around that they load blue.

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And on the bottom same thing.

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So we have a circle here of Crimson

protruding in both directions

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and blue around the edges.

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Okay.

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Now let's take the one inch brush and

a little bit of titanium white paint.

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And let's figure out here

what we want the sun to be.

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And we're going to start to say right

about here and we make a little tiny Xs

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or crisscross strokes just begin working

about never going back toward the center,

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always working outward because you're

going to soon be picking up the blue

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color and let that run right on out.

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Like, so here we go.

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See now has picking up the blue.

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Okay, let me clean the brush and we can

brighten it up just a little bit more.

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Okay.

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A little more titanium, white.

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Be sure your brush is clean

and dry right into the center.

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Working Albert.

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There we go.

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Look at that son of a gun shine.

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Now work it all the way out

to the outside edges here.

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Okay.

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Now with a large brush, we're

going to go in and blend this.

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Still making the crisscross strokes.

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There we go.

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Gentle, go back and forth just

to blame the colors together.

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They're very carefully taken.

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Brush marks out.

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Kim let's wash it.

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So big brush out.

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There we go.

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Now, if you want it to make it a

little bit brighter, we can add just a

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slightest amount of CAD yellow and white.

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I have to be very careful with

this because if the yellow touches

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the blue, we've got a green sky.

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So all we want to do

is ride around in here.

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Put a little bit of yellow.

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Just a tiny bit, there that's

enough because we're getting

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very close to the blue.

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Now, once again, with a large

brush, we'll blend this out.

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Okay.

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Take out the brush strokes here.

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We've got the beginnings of a

beautiful little sunset here.

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Let's use the fan brush and

we'll take some Vandyke Brown.

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And added to a little bit of a

lizard, Crimson Brown and alizarin

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Crimson, and what makes them happy?

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Little clouds floating

round appear in the sky.

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So let's go right along here and

we'll start with little cloud

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coming right across the sun.

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Maybe there we go.

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Push this pain into the canvas.

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Really work it.

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Maybe there's a big old cloud up here.

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There.

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Um, clouds are very free to just

let them float and have fun.

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There we go.

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What are the freest things in nature?

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Maybe there's a little

one here once again.

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Just sort of let your imagination go crazy

and gonna have you see a little cloud.

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Just drop it in.

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This is your world.

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Your sunset, maybe there's

another one right in here.

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Okay.

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And maybe up in here, there we go.

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I have a big old dark when

it's just hiding up here.

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okay.

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It gives us some basic cloud shapes

to work with now to highlight

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these happy little clouds and

let some sunlight play on them.

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So let's take a little bit of yellow.

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This is CAD yellow.

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And the smallest amount

of permanent red Judas.

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Mix them together here.

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There we go.

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We'll make you some bright sparkly, little

clouds, a lot of pain on the fan brush.

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Now, just right above the

dark, touch the canvas,

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maybe a tiny bit more of

the permanent re-enter.

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We would break them up a little Janice,

touch the canvas and lay a little bit

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of this color red on top of the dark.

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Right here.

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Just push it off the fan brush.

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There we go.

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That's some little things

happen in some of these clouds.

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Yeah.

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They spend will be highlighted on the

bottom since the light sources below it.

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Don't let the little rascal food you,

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Hey, we'll put some light down here.

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Maybe there's just a little trickle

hitting up on top of this cloud somewhere.

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Just hearing their, a little tiny bits.

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And then we have this big dark one

it's had and we appear is it we'll

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put some little highlights on him too.

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Don't want this one is bright, so he's

farther away from the light source.

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There we go.

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No, let's see.

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You can, with a big brush.

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All we're going to do is just gently

wipe across this and watch what happens.

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Just bring all this together.

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There we go look at them and sign

up against something and you can

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fluff them up, move them around,

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but you must have a paint.

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It's very firm it's underneath.

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If you're using a damn allele

paint, you become a mud mixer.

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Okey-dokey

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and nice, simple, very

effective middle sky.

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So let's move right along here.

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We'll take a little bit of

titanium, white with a least, least

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little touch of CAD yellow in it.

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Very, very small amount and figuring out

where your water lines going to be here.

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And maybe right about here.

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We'll just begin by touching the canvas.

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Just touch, allow the painter to

be pulled off onto the canvas.

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And started under the

sign of our cat ward.

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So automatically it gets

darker as it goes out there.

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And this line needs to be pretty straight.

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If it's got cooks and bumps in it,

it'll, it'll sort of bother you.

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It was maybe a little color right here.

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A little bit of a lights, just

reflecting through the water.

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There we go,

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Janice, let it play and have fun.

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No, we need the big brush and very gently.

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We're just going to

blend right across this.

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Bring it together.

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There we go.

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Okay.

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Clean up a blush here.

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That is fun.

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That's that's better than

arguing with your spouse.

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Okay.

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Take the almighty fan brush.

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I'm gonna put a little tiny bit of

magic quite with it tiniest little bit.

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Okay.

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Now we're going to begin making

some little wooden factions in

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here, so just touch and every once

in a while, give it a little push

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builds, upward, tiny little push.

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You want it to bend upward though?

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And see how it picks up the

Crimson this underneath.

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It makes horrible.

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It's pretty little things

happen automatically.

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You don't have to worry about it.

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just let it get darker and darker

towards the edges over here.

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And we're beginning to see

some of those things happen.

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So in put a little more

detail in some of these waves.

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Okay.

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And you can see now it's beginning to

pick up the blue that's underneath there

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in a super way to make a little waves.

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We'll make a California, Oregon type.

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Seascape here.

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Let's start putting some

little rocks in the water.

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Maybe way back here.

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There's a little stone out here in the

water, or it's really a big stone as far

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away, but it looks small perspective.

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There you must have like this

with some number in the loose

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little touch of yellow in it.

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I think there's a small

amount of yellow in it.

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There we go.

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Just barely touch it.

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Just let the paint break.

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And now then we can splash

some water on that rock.

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We'll take the fan brush again,

a little bit of the magic, right.

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With it to thin it.

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And we'll just begin bringing

some water right up here.

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And let it hit and splash and have fun.

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And so to give it a little pull upward.

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Okay.

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Let's have another little rock in there.

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Maybe he comes right along here.

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I can't.

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Here we go.

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This is just Vandyke Brown with a

little bit of burn number in it.

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Okay.

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And relay some highlights on that

one same color or your number

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with a little bit of yellow.

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She asked here and there,

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and maybe this one's a little bigger.

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Maybe it'll knit.

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Maybe there's a little

glass, two girls out there.

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You need to have some

vegetation on these rocks.

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They were quite large.

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Some would make a little

SAP, green, yellow, and.

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A little bit of a little tiny

bit of permanent red in it.

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Just to dial it down a little

and then just pop some little

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grassy things out here on this.

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don't want them too bright.

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Don't want them to break.

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Be careful.

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They don't get so bright.

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You can't stand them.

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I want to keep it quite dark.

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Get behind him on brush cleaner, man, I'll

take a little Vandyke Brown and the burn

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number just mixed on the fan brush here.

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And let's put, let's put a few

little trees back here on this one.

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All we're going to do is just touch.

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We all were looking for a silhouettes, so

just touch here and there, there we go.

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Just a few little happy things

and I'll use a liner brush with

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a little bit of thinner oil in

it and just turn that brush.

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It gets real sharp.

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There we go.

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And we'll put a few little

trunks on those trees.

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These may be quite hard for

you to see, but they are here.

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And when you do a painting at home,

you'll want to have all this little

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detail in here really makes a painting.

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Stand out.

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Okay.

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Now let's highlight those

little trees, just a tiny bit.

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We'll use a little bit of ochre

with permanent red, yellow ochre,

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with a little touchy permit, red

in it, and just highlight them just

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a little, just so they stand out

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and these trees have

quite flat tops on there.

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That's good.

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A little bit more of the wave action here.

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It just touch it and

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push it up that mountain.

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And I just spin up here

right up the rocks.

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maybe there's another way right here.

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Make little stories up when

you're doing this little sounds.

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Thank you.

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At the ocean.

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Okay.

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Sounds how the wave feels.

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The wind blowing in your face.

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All these things help put you in

the mood to do paintings like EAs.

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There we go.

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So that these little waves happen.

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Don't let them get too

bright on you again.

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Okay.

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Make a bigger stone, same color.

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Bandag Brown burn number.

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And maybe this one

comes way up, like, yes.

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Okay.

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Maybe we're up above looking

down off one of the big cliffs.

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There we go.

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That's really good.

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Crazy.

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Let's put one out here, like, so

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just let him wander on down there.

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I'm just filling out a scene with Vandyke

Brown, a little bit of burn number.

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Okay.

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This painting was a little different

than things we've done in the

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past, but it gives you a whole

new bunch of ideas to go with.

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Always look for new ways to do this.

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I want to do here is give you the basic

technique and turn you loose on the world.

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Always believe in yourself.

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Believe in your ability

and what you can do.

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Here we go.

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Oh, that's covered now.

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And just Brown.

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Let's put a few minute highlights in here.

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This was Bernie number with yellow and

a little touch of permanent red in it.

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And let's turn this into some

almighty big stones here.

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Just let that paint run

down there and break.

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So that's what I mean by

breaking is when the paint has

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all the holes and stuff in it.

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She had this lady come down here and play,

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look at all those things happening.

259

00:16:08,885 --> 00:16:09,275

Okay.

260

00:16:09,395 --> 00:16:09,995

Right here.

261

00:16:09,995 --> 00:16:14,195

Maybe a little light striking

and it's playing through here.

262

00:16:19,689 --> 00:16:21,540

Makes us just a touch, more color here.

263

00:16:23,910 --> 00:16:25,470

Little bit of permanent red in it.

264

00:16:29,040 --> 00:16:31,230

A little bit of light

on this stone over here.

265

00:16:34,920 --> 00:16:35,730

There we go.

266

00:16:36,170 --> 00:16:37,439

Let these things happen.

267

00:16:43,005 --> 00:16:46,574

Maybe maybe, maybe, maybe there's

a little light right there.

268

00:16:46,585 --> 00:16:47,985

Maybe there's a little air.

269

00:16:48,135 --> 00:16:48,705

Look at that.

270

00:16:50,125 --> 00:16:50,755

Look at that.

271

00:16:52,515 --> 00:16:53,324

You can do it.

272

00:16:58,485 --> 00:16:59,115

All right.

273

00:17:00,105 --> 00:17:06,405

Now let's take, I'm going to Crimson

and a little bit of Vandyke Brown.

274

00:17:08,464 --> 00:17:10,814

Let's put some pretty little

bushes and stuff up here.

275

00:17:10,814 --> 00:17:14,114

Maybe there's a little

plant that lives right here.

276

00:17:14,534 --> 00:17:16,784

And the trees that live

here really catch the devil.

277

00:17:17,024 --> 00:17:19,544

Oh, the wind beats on him all the time.

278

00:17:20,234 --> 00:17:22,454

So they're just groaning, little trees.

279

00:17:22,665 --> 00:17:23,564

All they've been hurt.

280

00:17:24,284 --> 00:17:29,584

Look at they're flattened

the tops out there.

281

00:17:29,985 --> 00:17:35,445

Maybe there's one back in here, the

girl was on the ground to there.

282

00:17:39,254 --> 00:17:45,465

And maybe up here, I have a

big tar one up here in the sky.

283

00:17:49,304 --> 00:17:50,024

Okay.

284

00:17:51,524 --> 00:17:52,095

Let's see.

285

00:17:52,095 --> 00:17:56,955

We'll take a little bit of yellow,

a little bit of magic, right?

286

00:17:58,679 --> 00:17:59,639

Permanent red.

287

00:18:00,300 --> 00:18:04,110

And then we move right into the

right into the burn number to

288

00:18:04,110 --> 00:18:06,689

make a jar reddish Brown color.

289

00:18:08,429 --> 00:18:10,800

And with that, I'm going to

start highlighting some of these

290

00:18:11,490 --> 00:18:15,149

gently touch the canvas there.

291

00:18:16,620 --> 00:18:19,199

Ooh, look at all those pretty

colors that happen automatically.

292

00:18:26,435 --> 00:18:29,105

Okay, maybe this one up here

293

00:18:32,805 --> 00:18:33,815

don't need to get too bright

294

00:18:40,095 --> 00:18:41,195

all the way to the top.

295

00:18:43,895 --> 00:18:45,485

Remember where your light's coming from?

296

00:18:47,655 --> 00:18:49,305

You want those sides to be brighter?

297

00:18:54,525 --> 00:18:55,315

There we go.

298

00:18:55,445 --> 00:18:55,475

299

00:19:00,855 --> 00:19:02,235

little bit right here.

300

00:19:05,145 --> 00:19:05,805

There we are.

301

00:19:09,405 --> 00:19:10,185

There we go.

302

00:19:10,245 --> 00:19:10,935

Now.

303

00:19:12,865 --> 00:19:20,445

Let's tape wash out a fan brush here,

and we'll begin putting some trunks

304

00:19:20,445 --> 00:19:27,225

on these trees and I'm gonna use the

Vandyke Brown bird number, very dark.

305

00:19:28,575 --> 00:19:34,245

And with the fan brush using the sideways,

all we do here is touch and gently

306

00:19:34,245 --> 00:19:35,985

begin pulling in our general shapes.

307

00:19:44,565 --> 00:19:44,625

Yeah.

308

00:19:44,855 --> 00:19:45,365

Okay.

309

00:19:45,425 --> 00:19:51,905

But, so I put a little down

here, maybe comes down poor old

310

00:19:51,905 --> 00:19:54,785

tree, poor old tree, rough life.

311

00:19:55,475 --> 00:19:56,465

They're all been up.

312

00:19:58,115 --> 00:20:00,545

Maybe if we can see a little

bit of a STEM back in here.

313

00:20:03,405 --> 00:20:04,695

No, I'll take a lighter color.

314

00:20:04,695 --> 00:20:07,064

This is some of the

unborn yellow I had left

315

00:20:11,435 --> 00:20:12,875

and highlight one side

316

00:20:17,645 --> 00:20:20,135

down, like, so just follow the curvature.

317

00:20:22,145 --> 00:20:24,064

Gina's follow the curvature of the tree.

318

00:20:30,155 --> 00:20:30,635

okay.

319

00:20:30,875 --> 00:20:34,895

Now, very gently take the brush

and begin working that over.

320

00:20:35,525 --> 00:20:37,504

So it gives a round

appearance to the tree.

321

00:20:42,215 --> 00:20:43,595

Just barely touch it and pull it.

322

00:20:44,975 --> 00:20:45,665

There we go.

323

00:20:46,925 --> 00:20:47,435

Okay.

324

00:20:52,560 --> 00:20:54,240

It was coming right down here.

325

00:20:55,800 --> 00:21:00,770

When you use some SAP green, a little

bit of yellow in permanent red, and

326

00:21:00,770 --> 00:21:03,770

we'll just make some little grassy

areas all around in here, just using

327

00:21:03,770 --> 00:21:06,500

the fan brush, let it bounce and play.

328

00:21:06,560 --> 00:21:09,740

You're going to pick up the dark color

this underneath and automatically.

329

00:21:09,740 --> 00:21:11,660

This is going to get

darker in value for you.

330

00:21:12,830 --> 00:21:13,520

Let it happen.

331

00:21:13,820 --> 00:21:14,480

Don't fight it.

332

00:21:16,550 --> 00:21:17,840

All these little things happen.

333

00:21:19,065 --> 00:21:19,845

Learn to use them,

334

00:21:26,015 --> 00:21:28,895

maybe there's grass and stuff

that comes right down here.

335

00:21:30,365 --> 00:21:31,655

Remember, this is your world.

336

00:21:33,575 --> 00:21:34,955

You make all the decisions.

337

00:21:39,635 --> 00:21:39,995

They're

338

00:21:44,455 --> 00:21:44,735

there.

339

00:21:49,365 --> 00:21:50,175

Let's see here,

340

00:21:54,855 --> 00:21:57,195

let's clean this up a little bit.

341

00:22:02,825 --> 00:22:04,895

We'll put a happy little Bush

in the front of the tree.

342

00:22:05,975 --> 00:22:07,205

So it sits down in there.

343

00:22:08,375 --> 00:22:08,945

Can we go

344

00:22:12,545 --> 00:22:12,695

now?

345

00:22:12,695 --> 00:22:14,735

We'll highlight those

little brushes and all use.

346

00:22:15,165 --> 00:22:21,165

Some permanent red, little touch

of yellow and some magic, right?

347

00:22:24,515 --> 00:22:29,375

put a little permit red in there and

still don't want it to get bright.

348

00:22:30,455 --> 00:22:32,765

So I only had just to touch

it, this umber color to it, to

349

00:22:32,765 --> 00:22:35,255

dull it down and just touch.

350

00:22:37,505 --> 00:22:38,675

Don't let it smear, touch.

351

00:22:38,735 --> 00:22:38,945

Bam.

352

00:22:38,955 --> 00:22:39,455

The bristles.

353

00:22:39,525 --> 00:22:40,295

Get away from it.

354

00:22:42,690 --> 00:22:44,610

Maybe there's a happy little

Bush lives right here.

355

00:22:52,040 --> 00:22:52,670

There we go.

356

00:22:54,840 --> 00:22:58,040

Now we can take the knife, cutting

a few little sticks here and there.

357

00:22:59,720 --> 00:23:01,790

Let's make that stone come

down a little sharper.

358

00:23:05,120 --> 00:23:05,750

Here we go.

359

00:23:06,929 --> 00:23:08,850

Just a few little touches at home.

360

00:23:08,850 --> 00:23:15,679

You have unlimited time you can play

with is put in tremendous detail here.

361

00:23:15,679 --> 00:23:16,530

We're sort of limited.

362

00:23:16,530 --> 00:23:21,030

So we have to just try to give you an

idea and let you take it from there.

363

00:23:22,169 --> 00:23:23,460

But you dream on canvas.

364

00:23:25,290 --> 00:23:28,800

Take a little more of the grass color

here and brighten up this little corner.

365

00:23:31,365 --> 00:23:32,805

But it's absolutely unreal.

366

00:23:32,835 --> 00:23:36,225

What can be done on these black

canvases are the colors that we put

367

00:23:36,225 --> 00:23:38,175

underneath here were transparent colors.

368

00:23:38,565 --> 00:23:41,445

So it still looks black until

you begin applying color to it.

369

00:23:41,985 --> 00:23:45,675

Once you begin applying color, then

that base colors that you put on the

370

00:23:45,675 --> 00:23:50,175

transparent colors, again, picking up

and showing all the beautiful detail.

371

00:23:51,345 --> 00:23:52,095

Okay.

372

00:23:54,005 --> 00:23:55,895

We could put a few more

little details here and there.

373

00:23:55,895 --> 00:23:57,545

If you wanted to very quickly.

374

00:23:58,469 --> 00:24:02,250

No, maybe, maybe there's a

little tree right over here.

375

00:24:02,250 --> 00:24:05,490

And the dark side things like, yes,

this is the kind of things you can

376

00:24:05,490 --> 00:24:10,409

do at home when you have all this

do your time and you can just play.

377

00:24:10,500 --> 00:24:14,969

Oh, that is nice, but okay.

378

00:24:16,439 --> 00:24:21,949

And we can highlight him a

little bit, just a little.

379

00:24:25,740 --> 00:24:26,159

Wow.

380

00:24:26,300 --> 00:24:33,439

Okay, man, I think I'm starting to piddle,

you know, one of the hardest things in

381

00:24:33,439 --> 00:24:34,939

the world is to figure out when to stop.

382

00:24:35,780 --> 00:24:37,250

So I think I'm about ready to stop.

383

00:24:39,290 --> 00:24:39,689

Okay.

384

00:24:39,689 --> 00:24:45,379

We'll take the liner brush, put a

small amount of, but then oil on it.

385

00:24:46,850 --> 00:24:48,260

Bring it to a nice sharp point.

386

00:24:51,480 --> 00:24:55,320

And turn that brush when you're doing

that, turn it, people seem to have

387

00:24:55,320 --> 00:25:00,780

such difficulty signing the painting,

turn it and we'll sign this one.

388

00:25:13,669 --> 00:25:14,449

there we go.

389

00:25:18,635 --> 00:25:19,025

it's again.

390

00:25:19,025 --> 00:25:21,005

It's, it's nice to have a very short name.

391

00:25:21,005 --> 00:25:25,355

I can sign these paintings on the air

for you so you can see them being signed.

392

00:25:26,795 --> 00:25:28,895

But I think this painting is

finished and I'm going to start

393

00:25:28,895 --> 00:25:30,035

piddling with it right now.

394

00:25:30,545 --> 00:25:34,325

Next week, have a white canvas

ready and we'll do a fantastic

395

00:25:34,325 --> 00:25:35,885

scene using a white canvas.

396

00:25:36,725 --> 00:25:39,725

I sincerely hope you've enjoyed this

once again, it is something a little bit

397

00:25:39,725 --> 00:25:42,575

different, but it does dirty imagination.

398

00:25:43,535 --> 00:25:43,865

So.

399

00:25:44,280 --> 00:25:46,860

With that we're bringing

this show to a close.

400

00:25:47,490 --> 00:25:49,560

We wish each and every one

that'd be happy painting.

401

00:25:49,980 --> 00:25:50,520

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 17, 2020

S02E03 - Ebony Sea

Bob Ross's

The Joy of Painting

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