Bob Ross's

The Joy of Painting

S02E05 - Autumn Splendor

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Well, hello, here we are.

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Again, ready to do a

fantastic painting together.

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I thought today would do something

that's very soft and deep in the

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woods and a very warm little painting.

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So very quickly here, I'm going to have

them flash the colors across the screen.

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So in case you didn't get them on

the first show, you'll know all

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the colors that we're using here.

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And this is a fantastic little painting.

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It's very soft, very quiet and.

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It's like you're walking into

the woods, so let's do it.

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I'm going to start out with

a little bit of fallow blue.

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Just a tiny bit.

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Yeah.

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And put a little bit of Bandag

Brown with it, just to dull it a

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little and let's start right up here

and we'll start with our little X

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patterns, little crisscross strokes.

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We'll put a happy little sky in here.

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There.

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Just let this pick up the magic

white and use your work down.

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It gets lighter and lighter in value.

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Okay.

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And we'll just blend it

right out, like so mad.

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Fantastic.

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She can make a sky that quick.

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All right.

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Now then without washing the brush and

we'll go right into some Vandyke Brown.

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Some bird number and a

little bit of SAP green.

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Just mix them on the brush

and let them mix on the brush.

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And let's figure out where we'd

like to have some beautiful

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little trees and stuff here.

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Just push in the bristles.

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And all we're looking for here

is the, basically what we're

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doing is the back of the tree.

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And then we'll put the trunks and limbs

in and that'll be the middle of the tree.

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Then we'll do the front of the tree.

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Okay.

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And maybe there's one

that lives right here.

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Just let your imagination sorta

go crazy here and think about

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where you would want a tree.

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This is your creation.

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Maybe over in here, we'll have some

big things happening, big trees.

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You're really pushing

this pain into the canvas

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and leave some of these

little areas, spots open.

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Don't cover the whole canvas.

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When the picture is finished, you can

see a little bit of sky through there.

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Okay now right up in here,

I want it to be quite dark.

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I'm going to add just a tiny

amount of Prussian blue.

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Just in darkness.

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There we go.

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I create some deep shadows in there.

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Maybe a little touch over here.

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All right.

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Okay.

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Now let's take, let's take the fan

brush here and make some trunks.

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I'm going to use a little

bit of Bandag Brown.

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And one side of the fan brush.

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I'm just going to touch it to

a little tiny bit of white.

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So it's only on one side.

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Now, just pull this down and we'll

make some little trunks back here.

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Vandyke Brown, a little touch of white

here, and you probably have to reload

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your fan brush after each stroke.

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We just want this to look like

little tree trunks that are

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weed back in the day distance.

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Maybe there's another

one lives right there.

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But by adding that little touch of white

on there, you can put a little highlight

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on there at the same time you're putting

your trunks and it all happens automatic.

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Okay.

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We've got a lot of little

limbs to do in this painting.

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So I think I'll cheat just a little

bit here and we will take and just

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make a lot of little limbs here.

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Maybe there's some up

here in this little tree.

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There we go.

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And maybe there's some over

here and these just hearing it

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okay.

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Now with a large brush and I'm still

using the same dirty brush, I'm going

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to go right into a little bit of the

magic white to make a little thinner

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paint and writings of some yellow.

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And load a lot of pain into the bristles.

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Yeah.

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We'll take a little bit of the SAP green

load, a lot of paint into the bristles.

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Really fill them up and we'll begin

applying some happy little leaves out here

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and we're just going to touch, just let

these little leaves jump off the brush.

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There we go.

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Look at there.

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All those little son of a guns.

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Now, if you have trouble getting

the paint to stick, add a

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little more of the magic white.

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Remember a thin paint will

stick to a thick paint.

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there we are.

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I'm gonna just put little

leaves everywhere out here.

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And the dark just becomes the shadow.

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maybe right in here a few and here's

another happy little Bush list.

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Try a little bit of

yellow ochre on this one.

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Here we are.

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And I'm just going back and forth

here between ochre and the yellow.

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We just put some happy little

things all up through here.

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There.

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All kinds of little leaves just happening

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and I'll add a little more SAP green.

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Now, what needs to be a little

darker and I'm fixing to do.

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Now, there would go right back here in the

background, Janice, lay a few of these on

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what needs to be nice and loose and airy.

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isn't that fantastic that you can

put all these leaves and all these

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little things happening in the

trees and just a matter of minutes.

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And if you're painting along with us

at home by now, you should begin being

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quite happy about what's happening here.

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Okay.

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Now let's take a little more of the

van Dyke Brown and begin figuring

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out what we're going to build here.

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Let's sort of let this happen.

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This is just straight van Dyke Brown.

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Maybe we will have some land back in here.

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And maybe there's some

over here somewhere.

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This is your world.

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So Creek land or bushes or trees

or whatever, wherever you want.

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And we'll take a clean brush and

grab the bottom here and pull

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straight down, just pull it down.

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But it's important that

it comes straight down.

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You don't want to do

this at an angle there.

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And if you don't get quite enough

color, you can add a little bit to

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your brush there and just pull it down

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very gently, go across just

to give it a watery feel.

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It's very easy to destroy all these

last of little lions that you haven't.

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Yeah, I think we'll take a one inch brush,

put a little bit of magic white on it.

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And I'll go into some CAD yellow

and yellow ochre, just sort of

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mix them together on the brush.

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And we'll slip back in here and

put some happens, the little

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bushes growing right in here.

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There's

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all kinds of little leaves

and things happening.

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Here we go.

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I thought today we'd use a fan brush.

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Some fan brush can be your best friend

and we'll still use the same colors and

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we'll begin working down the Hill here.

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Automatically your brush is picking

up this dark color this underneath,

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and you want this back here to be very

subdued, very quiet, soft in the shadows.

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Can we take a little bit of

the white mixed with a little

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tiny bit of burn number?

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Let's put a few little highlights here.

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Maybe there's a little sunlight

hitting right along in here.

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There we go.

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We'll give him just a little touch

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and then we'll take our fan brush

and begin building all these

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little soft grassy areas back here.

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Very soft.

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Alrighty.

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We're beginning to create a very quiet

little puddle, somewhere out in the woods.

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Now, a little bit of magic, quiet, and

we'll mix up at least little touch of van

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Dyke Brown with it, just to dull it down.

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Some don't want it to be too bright.

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And we'll begin putting

some little water lines.

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maybe we'll bring this a

little bit more forward.

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Let me be right.

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Like, yeah,

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we can have a little projection out there.

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okay.

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But each time you had one of these little

projections, give him some reflections.

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I just pulling a little

bit of the color down.

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Okay.

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And we'll put a tiny bit

of highlight on there.

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User almighty fan brush.

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And I'm going to add a touch of

magic white, just to thin it a

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little bit, little more SAP green.

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I want it to start getting a little darker

as it's getting closer to us here, there,

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and let this go with the lay of the land.

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Always follow the lay of the land.

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Maybe a little green

over in this side too.

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And we can bring out another little

projection here if we wanted to.

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Okay.

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Once again, though, after you bring

your little projection out, he needs

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his own personal little reflection.

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Yeah, we can lay just a tiny bit of

highlight on there just to make it look

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like dirt and stones and all the little

things that happened in the woods.

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And let's take just a tiny

bit here of yellow ochre.

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And I put a little bit of

alizarin Crimson with it

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here.

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Look at that.

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Just let this sort of disappear

back here just to give an indication

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there's something there, but

it's really very quiet subdued.

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Okay.

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I think it's time.

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We built all mighty tree.

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I'm going to mix Bern number and

Vandyke Brown together, and let's

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put a couple of beautiful, big

Birch trees right up through here.

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There they go.

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We put the dark own first,

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just street, Vandyke

Brown and burn number.

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Just let it cover it off your knife.

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And just to keep you from getting lonely

here, we'll give him another friend.

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and just mix these two Browns together,

but don't, overmix them just put

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them together and leave them alone.

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So when, when you put the highlight

on here, it'll pick up both colors.

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okay.

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Now let's take a little bit of.

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Titanium white.

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Maybe we'll make these trees

really stand out, touch, pull

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it around, around, around.

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Just give it a little pop, like, so,

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Oh, look at that.

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Look at all that bark.

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Okay.

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And these trees need a

few little limits on them.

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Two bigger ones here.

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We'll just do with a knife.

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Okay.

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I gotta wait.

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Yellow.

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Yeah, we'll put one over here.

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Maybe there's one here and we'll

take a little more of the white.

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And put a little highlight on the lens

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there.

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Now then let's add a few little

delicate Liam's out here.

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That's terrible.

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Just to give all these nice little leaves,

something to hang on and be there's

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when it comes right down through here.

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Okay.

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Still using the same dirty

brush that I've used all the way

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through here without washing.

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I'm going to add a little

more magic white, because we

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want this paint to be thinner.

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Take a little bit of Crimson.

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Oh, look it there.

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We to make sort of a

bright little color here.

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And now we'll just lay

some leaves out here.

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Just let them float around.

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Very quiet, soft, and don't kill all

your background with them even, and airy.

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Look at that.

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Just let them play and have fun,

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but sell up in here.

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Let your imagination be your guide now

just to wherever you think they should be.

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I think sometimes we work

too hard at painting.

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Painting should always be fun.

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Should make you happy.

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That's when you're truly an artist

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for so many years, painting, painting

had got to where it wasn't funny anymore.

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It became work until I.

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Had the opportunity to study with bills

and learn this fantastic technique.

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And he made it fun again for me,

a little water line into here.

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This is just the magic white with a

tiny bit of Vandyke Brown and the Dalit

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let's let these little things just happen.

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You know, when we do these paintings,

we have a general idea of what we're

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going to do, but other than that, they're

really, they're really not planned.

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We learned to work with what happens and

when you're at home, don't worry about

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following exactly what we have here.

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Let things happen in use what happens

in create your own masterpieces.

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Don't just try to copy what we're

doing and you can do it all.

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Let's get brave.

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How's that?

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We'll just put some Brown in here.

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This is Vandyke Brown with

a little bit of Amber in it.

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Let me push this into the canvas.

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All we're looking for here

is a nice Darden value.

253

00:17:48,690 --> 00:17:50,490

Just really push it into the material.

254

00:17:53,030 --> 00:17:53,720

There we go.

255

00:17:56,090 --> 00:17:59,600

No, the colors that we have here,

if you're using a different brand

256

00:17:59,600 --> 00:18:02,990

of paint, you will find slight

variations, but it's all right.

257

00:18:03,890 --> 00:18:05,480

Once again, this is your world.

258

00:18:05,480 --> 00:18:09,080

So whatever color you want, we're really

just trying to show you the technique.

259

00:18:10,935 --> 00:18:12,045

The big thing you're looking for.

260

00:18:12,045 --> 00:18:13,575

There was a paint is very firm.

261

00:18:15,765 --> 00:18:19,425

We get so many cards and letters from

people who have run into problems.

262

00:18:19,425 --> 00:18:20,625

And normally that's what it is.

263

00:18:20,655 --> 00:18:25,155

The pain is too thin and some techniques

you need a very thin paint in this.

264

00:18:25,155 --> 00:18:27,305

You need something very strong.

265

00:18:28,565 --> 00:18:28,835

Okay.

266

00:18:28,955 --> 00:18:29,645

Let's go back to them.

267

00:18:29,705 --> 00:18:34,355

No fan brush here and we'll take some

yellow and I'm just beginning to have,

268

00:18:34,355 --> 00:18:36,125

uh, a mixture of color down here.

269

00:18:36,125 --> 00:18:38,165

It's really hard to tell

you exactly what it is.

270

00:18:38,165 --> 00:18:38,675

It's yellow.

271

00:18:39,450 --> 00:18:43,590

Yellow ochre, a little bit of Crimson

in it, and it's whatever comes together.

272

00:18:45,330 --> 00:18:48,420

Let's begin laying some little

grassy areas on top of this.

273

00:18:50,100 --> 00:18:53,250

Now your fan brush is beginning to

pick up all the dark Browns here.

274

00:18:54,930 --> 00:18:56,670

Don't want to kill all the dark Browns.

275

00:18:57,750 --> 00:19:00,090

You'll lose this beautiful darkness

in the front of the painting.

276

00:19:01,620 --> 00:19:05,130

Let's do a little, take a little

tiny bit of Prussian blue.

277

00:19:06,660 --> 00:19:10,950

White and a little Brown hair.

278

00:19:12,320 --> 00:19:13,340

Just give the indication.

279

00:19:13,340 --> 00:19:16,010

There's some little

stones or something here.

280

00:19:16,010 --> 00:19:18,770

Just sort of lay them in at random and

they will cover up whatever we don't want.

281

00:19:21,560 --> 00:19:22,190

There we go

282

00:19:27,290 --> 00:19:30,860

again, bringing your grass areas

right on down here, leaving some

283

00:19:30,860 --> 00:19:33,800

of these little things you just

made show I'll cover them all up.

284

00:19:41,780 --> 00:19:42,439

all right.

285

00:19:42,740 --> 00:19:44,389

Now we're beginning to have something here

286

00:19:47,959 --> 00:19:50,270

and if you practice this little

painting, it's something you

287

00:19:50,270 --> 00:19:51,560

can do very, very quickly.

288

00:19:51,560 --> 00:19:54,709

It's very effective, very nice and warm.

289

00:19:56,060 --> 00:19:59,179

It's a super little painting to give

to a relative or a friend as a gift.

290

00:20:00,540 --> 00:20:02,520

Cause everybody likes

these type of paintings.

291

00:20:05,300 --> 00:20:06,050

There we go.

292

00:20:10,640 --> 00:20:13,430

Also interesting.

293

00:20:13,910 --> 00:20:15,440

It'll put a happy bucket in your pocket.

294

00:20:15,440 --> 00:20:16,460

If you want to sell a painting.

295

00:20:16,460 --> 00:20:20,570

Once in a while, of course, we're not

interested in those monetary gains.

296

00:20:20,570 --> 00:20:20,900

I know,

297

00:20:25,890 --> 00:20:27,980

I think we just began

filling all this in here.

298

00:20:32,945 --> 00:20:35,045

and right down through here.

299

00:20:39,635 --> 00:20:43,715

isn't that something I like these

little paintings, a little dark

300

00:20:43,715 --> 00:20:47,615

up in here just to increase the

amount of dark right back here.

301

00:20:47,615 --> 00:20:48,845

So the shadows are deeper

302

00:20:52,685 --> 00:20:54,995

now with the knife, just to clean.

303

00:20:55,365 --> 00:20:57,645

Nah, I'm gonna scrape a few

little trunks here and there.

304

00:20:57,645 --> 00:21:00,375

Little stadiums here and there.

305

00:21:05,775 --> 00:21:06,615

Not too many.

306

00:21:14,145 --> 00:21:14,385

Okay.

307

00:21:14,385 --> 00:21:14,625

Here.

308

00:21:14,625 --> 00:21:18,285

I want a little, a little color,

so, but a little Brown on the knife.

309

00:21:21,375 --> 00:21:21,945

Here we go.

310

00:21:26,490 --> 00:21:27,030

Okay.

311

00:21:27,090 --> 00:21:32,340

Nearly need to these little Birch trees

here need something on their foots,

312

00:21:32,910 --> 00:21:34,410

this sort of ragged hanging out here.

313

00:21:34,410 --> 00:21:37,440

So let's just put some

color run underneath it.

314

00:21:37,440 --> 00:21:42,990

So it just ends the tree and

then a little shadow behind it.

315

00:21:43,590 --> 00:21:44,730

Got to have a little shadow here.

316

00:21:52,230 --> 00:21:54,360

All these little things

happening back in the woods.

317

00:21:59,540 --> 00:22:02,750

Now we can put a few little

stems here and there.

318

00:22:02,960 --> 00:22:06,889

I'm using just a minor brush

with a little bit of the van Dyke

319

00:22:06,889 --> 00:22:09,470

Brown and a thin oil on the brush.

320

00:22:11,120 --> 00:22:11,480

Okay.

321

00:22:12,050 --> 00:22:15,649

Justin asked the NOL and bring

that brush to her very sharp point.

322

00:22:17,210 --> 00:22:18,110

And we can add in.

323

00:22:18,524 --> 00:22:21,045

A few more little things here

and there just to create a

324

00:22:21,045 --> 00:22:22,215

little more distance in here.

325

00:22:25,715 --> 00:22:26,254

Like, so,

326

00:22:31,325 --> 00:22:34,504

um, maybe there's an old

Liam it's hanging here.

327

00:22:34,925 --> 00:22:35,524

There he is.

328

00:22:42,545 --> 00:22:44,075

Put him some little arms out here.

329

00:22:49,530 --> 00:22:50,280

Here we go.

330

00:22:51,780 --> 00:22:53,820

He sort of fell over he little tired.

331

00:23:00,129 --> 00:23:01,399

just hearing there were these.

332

00:23:02,149 --> 00:23:04,760

You always have all these little

sticks and stuff out here in the woods.

333

00:23:12,020 --> 00:23:12,320

Yeah.

334

00:23:13,560 --> 00:23:20,100

Maybe maybe want to get a little

bit crazy and we'd take the almighty

335

00:23:20,520 --> 00:23:22,860

palette knife here and let's do this

336

00:23:30,180 --> 00:23:32,820

and just lay in a little tree

right here in the foreground.

337

00:23:35,760 --> 00:23:36,360

There he is.

338

00:23:43,140 --> 00:23:44,070

Okay.

339

00:23:46,020 --> 00:23:46,860

All mighty tree.

340

00:23:48,230 --> 00:23:50,540

And I'll take just a tiny

bit of the Crimson here.

341

00:23:51,510 --> 00:23:52,760

Just highlight this side.

342

00:23:57,320 --> 00:24:01,040

She asked a little bit yesterday,

sparkly a little, and maybe there's

343

00:24:01,040 --> 00:24:02,360

a little reflected light over here.

344

00:24:02,360 --> 00:24:03,890

I use just a tiny bit of blue.

345

00:24:05,190 --> 00:24:10,890

Just to show indication of reflected

light, then back to the Brown and

346

00:24:10,890 --> 00:24:12,480

we'll build him up, make it thick.

347

00:24:13,140 --> 00:24:15,730

And when this thing dries, you

can feel the bark on this tree.

348

00:24:15,730 --> 00:24:19,320

And all I'm doing is touching and

pulling, touching, and pulling.

349

00:24:22,760 --> 00:24:25,790

And let's give him a, let's

give him a little arm here.

350

00:24:29,180 --> 00:24:29,720

There we go.

351

00:24:33,770 --> 00:24:35,690

what's the little branches

going every which way

352

00:24:40,129 --> 00:24:45,440

there, and a little more of

the Crimson underneath here,

353

00:24:46,040 --> 00:24:47,480

she has to show a little light

354

00:24:54,710 --> 00:24:57,110

and we're sort of filling in

the top of this composition.

355

00:24:57,139 --> 00:24:57,470

Just.

356

00:24:58,020 --> 00:24:59,850

Filling it in leaving

the bottom part open.

357

00:25:00,690 --> 00:25:00,900

Okay.

358

00:25:00,900 --> 00:25:03,210

Let's put some happy little

leaves on here real quick.

359

00:25:05,200 --> 00:25:08,460

I'll use some more of the magic

white and a little bit of yellow,

360

00:25:09,450 --> 00:25:10,830

and we'll just put some indications.

361

00:25:10,830 --> 00:25:12,600

Most of these leaves are off the canvas.

362

00:25:13,200 --> 00:25:14,430

Let just a few here and there.

363

00:25:16,680 --> 00:25:17,220

Like, so

364

00:25:20,910 --> 00:25:23,490

just to give the impression that

this leaves going all the way over.

365

00:25:25,245 --> 00:25:27,825

And I think that pretty well

gives us, uh, a little painting

366

00:25:28,245 --> 00:25:30,015

that we can be very happy with.

367

00:25:31,605 --> 00:25:33,195

Put a little grass right down in here.

368

00:25:34,485 --> 00:25:36,645

And I think we're ready to

sign this almighty painting.

369

00:25:37,515 --> 00:25:43,015

So I use a little bit of the

red and little thin wall and

370

00:25:43,015 --> 00:25:44,145

let's drop a little signature.

371

00:25:46,445 --> 00:25:46,955

Okay.

372

00:25:48,125 --> 00:25:50,555

Now this week we'll be

doing a black canvas.

373

00:25:51,545 --> 00:25:51,935

So.

374

00:25:52,830 --> 00:25:53,820

Have you canvas ready?

375

00:25:53,820 --> 00:25:57,450

You can purchase one at your local art

store or paint your own with a flat back

376

00:25:57,450 --> 00:26:00,090

acrylic until then from all of us here.

377

00:26:00,389 --> 00:26:01,080

Happy painting.

378

00:26:07,430 --> 00:26:08,060

Uh,

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 17, 2020

S02E05 - Autumn Splendor

Bob Ross's

The Joy of Painting

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