Bob Ross's

The Joy of Painting

S02E06 - Black River

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Welcome back.

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You know, we've had so many

cards and letters requesting more

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of these black canvases today.

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I thought I'd do something a little crazy.

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I'm one of those funny little moods.

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So I've taken the Liberty of going

ahead and covering the canvas

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with different colors and let's

go over the colors that we used.

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I taken here and alizarin

Crimson and about a half circle.

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And the whole bottom of the

canvas is covered with Crimson.

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The top is Prussian blue, and then

we blended all of this together.

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Now when you're preparing these black

canvases at home, be sure it's a flat

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black that you use and allow it to

dry completely before you start this.

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So let's go, we'll take a fan brush here

and I'm going to start with a little

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bit of titanium white and let's just

play a little, let's just have a little

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fun and we'll start right up in here.

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And we're just going to begin

touching this canvas and, and

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letting this just play around.

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You can see how it's picking

up the Crimson underneath.

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Just let it go.

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Just move the brush.

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Just little indications all over the place

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and we'll make some happy

little things in the sky here,

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there.

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Just let it play.

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But now you can see how it's

picking up the blue color up here.

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and we'll put a little bit

over in this direction.

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There we go.

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Don't get it too bright.

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Okay.

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Now we'll take the large brush

and we'll begin blending all this

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together and just very gently

just begin bringing it together.

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And this should create beautiful little

clouds, little sunset type thing.

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Just turn the brush, keep it

moving circles, always in circles.

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There we go.

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All right.

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And then we'll just blend it all together

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and then unreal what

these black canvases do.

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And that quickly we've made a

beautiful little sunset sky.

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And when you're at home, let your

imagination go crazy and use these black

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canvases to do a multitude of things.

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The only prerequisite.

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Is it your color that you apply here?

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Be a transparent color so that

when you put the lighter color

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on it picks up and just outcomes.

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All right.

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I thought maybe today we do,

let's do a lazy little river.

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Okay.

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Clean deal brush here.

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Hmm, that is fun.

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All right, let's take a one inch

brush and we'll use some alizarin,

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Crimson and Vandyke Brown.

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Just mix them on the brush load.

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A lot of pain into your bristles.

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Lot of paint, and we begin applying

some pain here and make general little

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tree shapes and stuff, and we don't

want to cover up all this beautiful

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little sky that we've put in here.

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Leave it loose and airy there.

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And maybe there's a happy

little tree lives right here.

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I know at home you may be having a

hard time seeing what I'm doing here.

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All we're doing is putting on

some base color, the Brown and

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the Crimson mixed together.

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Um, maybe we'll have some big

trees over here in the corner.

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There we go.

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All right, let me use an almighty brushes.

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It only takes a few

minutes to cover canvas.

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Okay.

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It gives us something to start with.

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Now we'll take, let's build some

happy little reflections in here.

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I'm going to take just a little tiny

bit of caddy yellow on the large brush.

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Just a small, small amount.

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It's easy to add more color, but

it's a sign of a gun to take it away.

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Touch pull straight down,

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touch, pull down.

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I see a yellow is mixing with a

Crimson is underneath and make

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some beautiful little colors.

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Look at that.

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Just pull it straight down.

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And this is our light source.

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So right under that, we want

it to be a little bit brighter.

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Here we go.

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Now, very gently go across just

to have to give it a water effect.

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And since this is wet on which you can

move things, you can push that paint

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to make these reflections band.

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Okay.

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Now let's begin

highlighting some of these.

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Now, in reality, if you had a sky

like this, you would have nothing but

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silhouettes, but when you buy your

first tube of paint, you're issued an

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artist license and an artist license

says you can do anything you want to do.

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So that's what we're going to do.

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I'm going to take a fan brush with

a little bit of Vandyke Brown.

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And burn number just

mixed on the fan brush.

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And we'll put a few little trunks

here and there and all we're

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going to do is touch and pull.

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If you wanted to highlight those all in

one stroke, add a little bit of yellow on

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one side of the brush, just a tiny bit.

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And when you push you

automatically get the highlights.

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Let's go back and highlight

this one a little there.

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There maybe, maybe there's

a trunk right over here.

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Okay.

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Let's have some big trunks

up through these trees.

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Let's tear in there.

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There we go.

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Okay.

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Now I'm going to take a tiny

little bit of magic quite just

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to thin the pain, a small amount.

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And I'm gonna go into a little

bit of the CAD yellow, maybe a

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little more magic white there.

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Then pink was stick to a thick paint

and we'll go into some permanent

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red and back to the yellow.

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We'll make some bright little colors here.

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So they really stand out on your site

at home and let's go up here and push in

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some, just thousands of little leaves.

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There

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now the colors we've used

underneath the lizard, it mixes

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with a yellow and doesn't destroy.

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You don't have to wash

your brush quite some.

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Yeah.

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Gotcha.

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Let's go into a little

bit of the umber color.

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They're a little bit of an

umber mixed with yellow.

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Just to dull it down a slight

bit and we'll come back in here.

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There, it began putting little indications

of little things all over the place.

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Maybe there's a little bit right there.

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There we go.

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Now maybe I'm just going back

and forth between yellow and red.

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Okay.

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A little bit of number nine then.

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Okay.

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Now maybe there's one that

hides right down in here.

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You beginning to see the river yet.

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so you got to get in the mood

and sang a little and have fun.

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It's a good thing.

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I took a painting rather than singing.

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Okay.

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Now let's put a little

bit of dirt along here.

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A little bit of banks, river banks.

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This is the burn number with

a little Vandyke Brown in it.

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And I'm going to use a little bit

of yellow and burn number mixed

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together to highlight this yellow

and burn number don't want to get

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too bright, just so it stands out.

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Just touch barely, barely touching.

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Just enough to allow the

paint to pull off your knife.

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There we go.

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Yeah, we'll take a little

bit of, this is yellow.

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It's got a little umber in it and we'll

just make a little water line into here.

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Just enough to separate

the reflection in the land.

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Just let that play around.

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There we go.

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Okay.

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Now with a fan brush, I'm just going

to bring all this together here.

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Let's add a little touch of green to that.

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Just a tiny bit.

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And we'll just put a little bit

of green working its way down

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through here just to bring the

land and the trees altogether here.

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Okay, now

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let's take, and we'll put a big

bank coming right down through here.

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Just like, so once again, this may

be very hard for you to see when you

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said at home, but I'm just putting a

little Vandyke Brown and Humber, right.

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I'm here just to give us

a nice base to work with

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a little bit of a waterline

underneath this one,

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then.

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Let's take the large brush and

pull it through some color.

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There we go.

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I want to add a tiny, tiny,

little bit of magic quite to that.

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Just to thin it a little bit there.

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Little more permanent red load, a

lot of pain into the bristles here,

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and let's put some nice, airy,

loose little leaves just up in here.

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Just very quiet little things.

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Don't want to get them to too many,

just a few just where the lights running

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through here and playing and having fun.

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Look at that.

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There we go.

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And it's important that you leave

a lot of dark in these paintings.

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Tremendous amount of dark should be left.

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Now add a little SAP green to my

yellow and red to make a dark color.

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I want to put a little bit of highlight

back in here just at the bottom of

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these trees, but I don't want it to

be real bright, just enough to give

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the indication that there's a lot

of little things happened back here.

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There we go,

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Mike.

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So now.

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Let's go back with some Crimson and

Vandyke Brown mixed on the brush gift.

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Just mix them together on the brush.

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And let's put something over on this side.

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Maybe, maybe, maybe, maybe there's a

nice tree right here in your world.

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You can put trees wherever you want them.

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Ooh, I'd love to have my

canoe to come down this river.

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When I'm at home in Alaska, we

have a little canoe that we run

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through all the little rivers

and stuff and take the camera and

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take pictures of all the animals.

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And it's not unusual still

in Alaska to come around.

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Abandoned a beautiful little river

and see a little moose standing here.

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Little moose there, big moose.

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Especially when you're in a

canoe when they're not there.

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Let me just throw a few little

trunk indications here and there.

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Okay.

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Now I'll go back into some yellow,

a little bit of permanent red

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and we'll put a few little

highlights on this tree, just where

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you think a light would strike.

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Okay, anytime you want to dull it

put a little bit of green with a

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little bit of SAP green with it.

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That'll Dell it right down.

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Cause red and green mixed together.

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Make Brown, maybe a couple little

bushes up in here and then we need

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some land for that to stand on.

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So I use a little bit of the, the van

Dyke Brown, a little umber in it, a

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little burn number, and we'll just

lay some happy little ground in here.

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There we go.

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We can highlight that with an

unburdened yellow just enough.

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So it stands out a little.

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There we are.

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This one over here.

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I'm going to strengthen just a

little, it's a little bit weak.

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So I'm going to strengthen it there

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a little bit of highlight on it.

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okay.

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Now let's take the same basic

colors and it's just pop a few

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little reflections down here in

the water, just here and there.

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and maybe right out here on the end.

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Oh, there's a fireball.

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That's bright when the light striking.

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Yeah.

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And we'll pop just a little bit

of that down into the water.

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Now with a clean, dry brush, I'm going

to very gently pull downward, just

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like, so, and then come across just

enough to give it a nice water effect,

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create a little reflection in the water.

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Okay.

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Going, let's take the fan brush a

little more of the SAP green there.

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And we'll bring all this together with

some nice little grassy areas here.

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Just touch like the fan brush, bend up.

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Here we go.

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And maybe a little bit into the

reflection that say I've done thousands

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of these black canvases and they.

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They never stopped to amaze me

some of the beautiful effects

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that you can achieve with them.

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Love, turn that into part of

their reflections come across

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right now.

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We'll take the knife here and let's

put a little waterline underneath

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this one here, just like so.

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That's something.

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Okay.

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Yeah.

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With a clean knife.

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I'm just going to scratch a few

little sticks here and there.

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Just a little indications.

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Okay.

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Let's put a few little

sticks all over the place.

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These little sticks, help create

depth because each group of them show

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different planes in the painting.

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Yeah.

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That's spring this land area right here

together, just using the fan brush.

253

00:17:16,160 --> 00:17:16,310

Sure.

254

00:17:20,000 --> 00:17:23,180

You can also do this with your one inch

brush or the two and a half inch brush.

255

00:17:26,534 --> 00:17:27,104

There we go.

256

00:17:29,294 --> 00:17:29,865

Okay.

257

00:17:30,344 --> 00:17:33,844

Now maybe Mike, we need to

little path in this picture.

258

00:17:34,385 --> 00:17:35,584

Let's put a happy little path.

259

00:17:36,754 --> 00:17:39,185

You can walk around here

and find that big trail.

260

00:17:39,344 --> 00:17:40,415

It lives out here in the river.

261

00:17:41,314 --> 00:17:45,034

So I use Vandyke Brown and figure

out where you want your path to go.

262

00:17:45,875 --> 00:17:49,534

And I'm just going to do him like, yes,

just back and forth, back and forth

263

00:17:50,074 --> 00:17:51,574

and just let him start working forward.

264

00:17:52,590 --> 00:17:54,810

Just so we have a general idea

of where we're going here.

265

00:17:57,620 --> 00:17:58,310

There we go.

266

00:18:01,129 --> 00:18:04,340

Maybe this is a little Hill,

a little bank right here.

267

00:18:04,879 --> 00:18:09,410

So we'll take the fan brush a little bit

of green, yellow, red, all mixed together.

268

00:18:09,410 --> 00:18:11,300

Just mix the colors on your brush.

269

00:18:11,300 --> 00:18:14,540

So you've got an absolute,

I don't know what it is.

270

00:18:14,540 --> 00:18:15,800

It's just every color.

271

00:18:16,910 --> 00:18:19,250

And let's begin putting some

little grassy areas in here.

272

00:18:21,780 --> 00:18:22,560

Oh, look at that.

273

00:18:23,690 --> 00:18:26,000

Um, climb right up the Hill,

follow the lay of the land.

274

00:18:26,210 --> 00:18:30,170

I know you're tired of hearing me say that

right now, but it's most, most important.

275

00:18:33,620 --> 00:18:34,220

There we go.

276

00:18:36,620 --> 00:18:37,790

And keep it quite dark.

277

00:18:37,790 --> 00:18:42,170

I don't want to get too bright on you now.

278

00:18:42,200 --> 00:18:46,070

Maybe there's a, maybe there's a couple

of happy little bushes and trees that

279

00:18:46,070 --> 00:18:47,420

live right along in here somewhere.

280

00:18:47,810 --> 00:18:48,440

There he is.

281

00:18:50,415 --> 00:18:50,655

Right.

282

00:18:50,655 --> 00:18:52,935

They're just a happy little Bush

283

00:18:57,185 --> 00:18:59,495

and maybe it is maybe there's

another one right here.

284

00:19:01,655 --> 00:19:03,065

And these protrude up a little higher.

285

00:19:03,065 --> 00:19:04,535

So they'll catch a little more light.

286

00:19:05,615 --> 00:19:06,815

They'll be a little bit brighter

287

00:19:11,525 --> 00:19:11,825

there.

288

00:19:15,660 --> 00:19:16,950

Jane with a fan brush.

289

00:19:17,190 --> 00:19:18,960

We can bring us all back together again.

290

00:19:22,050 --> 00:19:22,350

Okay.

291

00:19:22,350 --> 00:19:23,880

Let's use a little bit of the umber.

292

00:19:24,510 --> 00:19:28,710

This is burn number and just put a

little bit of highlight on our path.

293

00:19:29,020 --> 00:19:31,800

Just let it play and

have fun back and forth.

294

00:19:31,830 --> 00:19:37,200

Barely, barely, barely touching

the canvas just to create the

295

00:19:37,200 --> 00:19:38,790

illusion of a nice little path.

296

00:19:39,689 --> 00:19:40,919

And don't worry about these edges.

297

00:19:40,919 --> 00:19:42,360

We will straighten those up in a second.

298

00:19:42,360 --> 00:19:42,590

Let me

299

00:19:47,659 --> 00:19:50,810

now back to the fan, brushing

us, bring all this together,

300

00:19:53,729 --> 00:19:55,040

start bringing it together.

301

00:19:58,699 --> 00:20:01,010

You know, if you've just been

exposed to this for the first time

302

00:20:01,010 --> 00:20:04,100

and you've tried it at home, I bet

you'd never believed you could do

303

00:20:04,100 --> 00:20:05,870

such fantastic paintings yourself.

304

00:20:07,129 --> 00:20:07,610

Every day.

305

00:20:07,610 --> 00:20:08,750

We hear from people that.

306

00:20:09,570 --> 00:20:11,280

Say my God, I've never paid it in my life.

307

00:20:11,280 --> 00:20:12,720

And I tried this and it works.

308

00:20:13,980 --> 00:20:15,090

It really works.

309

00:20:19,850 --> 00:20:20,419

There we go.

310

00:20:20,510 --> 00:20:21,770

Just bringing that together.

311

00:20:25,879 --> 00:20:26,080

Okay.

312

00:20:26,080 --> 00:20:28,850

And maybe, maybe over in here,

we'll bring us right on down.

313

00:20:29,210 --> 00:20:30,409

Just like a nice little Hill

314

00:20:36,169 --> 00:20:38,389

and we've got an old path

going back through there.

315

00:20:42,390 --> 00:20:43,740

They're just let it disappear.

316

00:20:52,380 --> 00:20:53,160

There it goes.

317

00:20:59,040 --> 00:21:00,660

And we begin to create our path.

318

00:21:05,895 --> 00:21:10,305

Let's take a little bit of the

magic, quaint, little bit of

319

00:21:10,305 --> 00:21:13,395

yellow, yellow ochre mixed in here.

320

00:21:15,045 --> 00:21:17,445

Let's put a happy little

Bush that lives right here.

321

00:21:17,895 --> 00:21:19,035

This does several things.

322

00:21:19,035 --> 00:21:20,745

It creates more depth, but more important.

323

00:21:20,745 --> 00:21:22,155

It closes the end of the path.

324

00:21:22,155 --> 00:21:23,625

So we really don't know where it goes.

325

00:21:23,625 --> 00:21:25,725

It just goes, I don't know if

into the woods or somewhere

326

00:21:26,835 --> 00:21:28,065

just sorta closes it up.

327

00:21:31,265 --> 00:21:32,465

There's a nice little Bush.

328

00:21:33,629 --> 00:21:36,180

You know, one thing I would like to

mention while we have just a couple of

329

00:21:36,180 --> 00:21:41,580

minutes here, the only way we know what

to paint is if you let us know, so drop

330

00:21:41,580 --> 00:21:43,560

me a line here and you can address it.

331

00:21:43,560 --> 00:21:48,600

And care of me here at P B

Muncie, Indiana, and they do

332

00:21:48,600 --> 00:21:49,740

forward all the mail to me.

333

00:21:50,010 --> 00:21:51,960

And I'd like to know what

you want on the next show.

334

00:21:51,990 --> 00:21:56,370

That way we can start producing paintings

and I have to practice a little bit.

335

00:21:56,820 --> 00:21:57,870

It will get them ready for you.

336

00:21:57,870 --> 00:22:01,590

So the next time we have a series here, we

can do the type of paintings that you want

337

00:22:01,590 --> 00:22:07,920

to see and want to learn how to do, but we

need for you to let us know cam we'll put

338

00:22:07,920 --> 00:22:09,450

a few more little sticks here and there,

339

00:22:17,390 --> 00:22:17,990

there we go.

340

00:22:18,080 --> 00:22:19,190

Just drop them in.

341

00:22:19,820 --> 00:22:21,950

And all you're doing is scratching

through the paint and allowing

342

00:22:21,950 --> 00:22:23,390

the black canvas to show through.

343

00:22:26,310 --> 00:22:27,750

Just ever so often here,

344

00:22:31,169 --> 00:22:35,689

maybe it is a happy little

stone that's right here.

345

00:22:35,689 --> 00:22:42,830

So we just take some vans like Brown and

just lay in a basic little stone shape and

346

00:22:42,830 --> 00:22:48,590

we can take some umber, burnt number and a

little bit of the yellow makes a very nice

347

00:22:48,590 --> 00:22:50,209

highlight color on these dark paintings.

348

00:22:53,179 --> 00:22:53,600

There.

349

00:22:54,780 --> 00:22:55,890

And don't mix it dead.

350

00:22:55,920 --> 00:22:56,550

Just mix it.

351

00:22:56,550 --> 00:22:59,730

So it's marbled as bill

calls it just marbly.

352

00:23:00,660 --> 00:23:00,750

Okay.

353

00:23:03,350 --> 00:23:03,590

Yeah.

354

00:23:04,160 --> 00:23:09,080

Tach, just let the knife wander down

down the side of your little stone here.

355

00:23:10,250 --> 00:23:16,040

Create some little highlights, just

like doing small mountains and with

356

00:23:16,070 --> 00:23:19,160

tender, loving care, they'll grow

up and be all mighty mountains.

357

00:23:23,385 --> 00:23:27,824

There we are a little bit of

highlight right up here on the top.

358

00:23:27,855 --> 00:23:29,054

Just sort of bring that together.

359

00:23:30,635 --> 00:23:34,715

Now we need to take the rock

into the painting right now.

360

00:23:34,715 --> 00:23:36,245

It sort of floats above everything.

361

00:23:36,245 --> 00:23:39,844

So with a fan brush here, I'm just

going to add a little color underneath

362

00:23:41,044 --> 00:23:42,514

just so we sort of bring it together.

363

00:23:43,115 --> 00:23:45,395

Let's just let it flow right together.

364

00:23:45,395 --> 00:23:45,875

Like him.

365

00:23:51,600 --> 00:23:56,960

There we go a few little sticks and

twigs and stuff like that in here.

366

00:23:57,440 --> 00:23:59,720

And when you're doing this at

home, you have unlimited time.

367

00:23:59,750 --> 00:24:04,100

You could put all kinds of little details

in here and just do fantastic things.

368

00:24:05,750 --> 00:24:06,590

Let's see here.

369

00:24:09,230 --> 00:24:11,090

Want to brighten that

waterline right there.

370

00:24:11,090 --> 00:24:13,430

So it stands out just a tiny, tiny bit.

371

00:24:16,940 --> 00:24:19,880

There you can also wait

till these paintings dry.

372

00:24:20,264 --> 00:24:23,835

And go back and add very

nice little details into it.

373

00:24:23,935 --> 00:24:25,544

You don't have to do

everything while it's wet.

374

00:24:25,845 --> 00:24:29,415

You can allow it to dry and go back

a lot of times and still laughs and

375

00:24:29,415 --> 00:24:32,655

stuff you want to put like little dude

drops on the leaves and et cetera.

376

00:24:33,044 --> 00:24:35,024

It's really better to

allow the painting to dry.

377

00:24:35,475 --> 00:24:37,215

And then you go back

and put your do drops.

378

00:24:37,875 --> 00:24:41,235

Uh, if you wanted to put a nasty little

deer or something in here, what I

379

00:24:41,235 --> 00:24:44,895

recommend is you scrape out the basic

shape, remove this wet, loose paint.

380

00:24:45,390 --> 00:24:49,170

Allow the painting to get just about

dry and then go back and paint your

381

00:24:49,170 --> 00:24:51,720

little deer, and then you don't

pick up all the underneath color

382

00:24:51,930 --> 00:24:53,310

and it really works better that way.

383

00:24:53,730 --> 00:24:55,680

And this would be a super

painting to put a little deer.

384

00:24:55,680 --> 00:24:55,770

Yeah.

385

00:24:56,960 --> 00:24:57,380

Okay.

386

00:24:59,150 --> 00:25:01,730

I think this pain is getting close

enough to the end here that we can

387

00:25:02,300 --> 00:25:06,260

start worrying about a signature

and I'll dip into some thin oil here

388

00:25:09,260 --> 00:25:11,960

and just work your paint

till it gets like water.

389

00:25:12,380 --> 00:25:13,190

Just like water.

390

00:25:13,635 --> 00:25:17,685

And turn that brush really turn it.

391

00:25:20,975 --> 00:25:21,064

Okay.

392

00:25:21,155 --> 00:25:24,965

And it bring it to a very,

very nice sharp, sharp point.

393

00:25:25,834 --> 00:25:30,754

Turn it, bring it to a point and then

decide where you want your signature.

394

00:25:31,925 --> 00:25:36,334

You know, so often we get questions,

like how do I sign my painting?

395

00:25:37,235 --> 00:25:40,655

That's as varied as

they are as artists art.

396

00:25:41,550 --> 00:25:46,590

You signed it in a way that unique to

you that becomes part of your trademark.

397

00:25:49,550 --> 00:25:49,850

Okay.

398

00:25:50,420 --> 00:25:51,830

So that one's signed.

399

00:25:51,830 --> 00:25:55,670

I think we'll call it finished on

behalf of all of us here at the station.

400

00:25:56,180 --> 00:25:58,070

Happy painting and have a super day.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 17, 2020

S02E06 - Black River

Bob Ross's

The Joy of Painting

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