Bob Ross's

The Joy of Painting

S02E07 - Brown Mountain

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:00,930 --> 00:00:01,290

Hello?

00:00:01,620 --> 00:00:02,640

Well, here we go again.

00:00:03,270 --> 00:00:05,130

You're ready to paint a

fantastic picture with me.

00:00:05,820 --> 00:00:08,460

I thought today would do something

out of the Rocky mountain areas.

00:00:08,460 --> 00:00:11,910

We've had a lot of requests for some

mountains that look more like the Rocky

00:00:11,910 --> 00:00:14,550

mountains, rather than the Alaskan

mountains that I do all the time.

00:00:15,360 --> 00:00:16,740

So that's what we'll do today.

00:00:17,190 --> 00:00:20,700

I've also asked him to graphically

run the colors that we use by.

00:00:21,090 --> 00:00:24,540

So in case you missed them on the

first or second show, this way, you'll

00:00:24,540 --> 00:00:27,180

have a chance to pick up all the

colors that we have on the pallet.

00:00:27,870 --> 00:00:28,200

So.

00:00:28,740 --> 00:00:29,250

Let's do it.

00:00:29,250 --> 00:00:32,730

Then I'm going to start off here today

with a little bit of pressure and glue,

00:00:33,720 --> 00:00:35,580

just a tiny bit of pressure and blue.

00:00:37,470 --> 00:00:37,860

Okay.

00:00:38,280 --> 00:00:43,290

And right at the very top, we're

going to start by making exes just

00:00:43,290 --> 00:00:46,230

all the way across the canvas there.

00:00:48,510 --> 00:00:50,880

Now here, you're allowing

the magic white to mix.

00:00:51,225 --> 00:00:53,835

Well, the color is on your brush

and automatically as you work

00:00:53,864 --> 00:00:56,055

downward, this guy gets lighter.

00:00:56,235 --> 00:01:02,805

As you clear the horizon, let you

paint work like the brush work right.

00:01:04,245 --> 00:01:04,815

There we go.

00:01:07,005 --> 00:01:09,164

Now I've got blue on the brush here.

00:01:09,465 --> 00:01:13,215

Come on out a tiny bit more

blue and a little bit of Taylor

00:01:13,245 --> 00:01:14,835

green, just a little bit.

00:01:15,225 --> 00:01:16,305

It's very, very strong.

00:01:17,025 --> 00:01:18,255

And we'll put some water in here.

00:01:18,495 --> 00:01:19,245

Pull your water.

00:01:20,070 --> 00:01:23,880

From the outside, toward the

center, it worked from bottom to

00:01:23,880 --> 00:01:29,070

top and leave a little area open in

the center right there, and it'll

00:01:29,070 --> 00:01:32,880

create a happy little sheen of

light that plays across the water.

00:01:34,990 --> 00:01:35,660

Okay.

00:01:39,390 --> 00:01:42,870

Now let me wash the brush and

we've watched these brushes

00:01:42,870 --> 00:01:46,710

with the odorless paint thinner

and pretty sure it's odorless.

00:01:52,725 --> 00:01:53,054

Okay.

00:01:53,235 --> 00:01:55,875

Now with a clean brush, we're going

to start right in the light area.

00:01:56,054 --> 00:01:59,054

And we're cupboard just

to blend this guy up.

00:02:01,395 --> 00:02:03,225

Now, you don't want to take

all of the little actions out.

00:02:03,225 --> 00:02:04,095

That's the reason we make it.

00:02:04,485 --> 00:02:05,955

These little crisscross strokes.

00:02:06,555 --> 00:02:08,005

Don't want to take them all at your sky.

00:02:08,005 --> 00:02:09,884

I'll be very, very dull.

00:02:10,095 --> 00:02:11,915

It looked like he pulled

the curtain down good night

00:02:15,515 --> 00:02:16,085

and the water.

00:02:16,115 --> 00:02:17,285

We just go all the way across.

00:02:17,285 --> 00:02:23,855

Very gently, just enough to

bring it together that makes

00:02:23,855 --> 00:02:25,025

them all mighty clouds day.

00:02:25,355 --> 00:02:26,735

And won't take depression blue.

00:02:28,500 --> 00:02:29,970

And Vandyke Brown.

00:02:30,840 --> 00:02:32,420

Yeah, you don't touch a blizzard Crimson.

00:02:33,100 --> 00:02:34,250

It looks he's on the brush.

00:02:34,280 --> 00:02:36,170

Just, just mix them on the brush.

00:02:37,640 --> 00:02:38,329

All right.

00:02:38,600 --> 00:02:43,040

Now, figuring out where you want your

own money clouds to be, and just begin

00:02:43,040 --> 00:02:44,720

working in little circular patterns.

00:02:45,350 --> 00:02:46,700

And we would first touch a canvas.

00:02:46,700 --> 00:02:49,760

If it's not the color you want,

stop and change the color.

00:02:49,850 --> 00:02:50,780

Don't keep painting.

00:02:52,940 --> 00:02:56,030

Cause this is your world and you can

create anything that you want in it.

00:02:57,269 --> 00:03:01,109

Little Brown, little

touchy Crimson, barely go.

00:03:01,680 --> 00:03:04,650

Just let these big old clouds just

float around this guy and have fun.

00:03:06,299 --> 00:03:08,340

Clouds are about the

freest thing in nature.

00:03:10,310 --> 00:03:10,609

There,

00:03:13,700 --> 00:03:14,480

touch a Crimson.

00:03:15,620 --> 00:03:17,420

Maybe there's another

one right over in here.

00:03:20,650 --> 00:03:21,490

We'll put a couple of hours.

00:03:21,490 --> 00:03:23,150

So you have practice

doing a couple of them.

00:03:25,545 --> 00:03:27,615

Okay now clean the brush again.

00:03:35,015 --> 00:03:35,315

Okay.

00:03:35,315 --> 00:03:39,605

Let's take a pan brush now

and we'll take titanium white.

00:03:41,285 --> 00:03:43,985

And to that, I'm going to add

just the smallest, smallest,

00:03:43,985 --> 00:03:48,005

little bit of permanent red at

this rate is very, very strong.

00:03:49,055 --> 00:03:51,575

Just want to put a little

sunlight on top of these clouds.

00:03:53,775 --> 00:03:57,645

And go right above the dark, making little

tiny circles with a corner of the brush

00:03:57,795 --> 00:03:59,805

and began building these almighty clouds.

00:04:01,575 --> 00:04:05,265

Let them just flow right off your

fan brush, but don't stand in

00:04:05,265 --> 00:04:06,375

one Harrogate and keep working.

00:04:06,405 --> 00:04:08,715

All you'll do is put a big

cotton ball up in the sky.

00:04:11,795 --> 00:04:19,865

There, leave some darks in

these clouds there I wake up.

00:04:22,740 --> 00:04:22,980

Mandy.

00:04:22,980 --> 00:04:26,730

You've probably noticed by now we don't

use any patterns or any guidelines.

00:04:26,730 --> 00:04:29,250

We just let it flow right

out of us onto the canvas.

00:04:35,180 --> 00:04:35,270

Okay.

00:04:35,600 --> 00:04:38,000

This is such a free,

free style of painting.

00:04:39,800 --> 00:04:40,160

All right.

00:04:40,160 --> 00:04:40,640

Over here.

00:04:40,850 --> 00:04:41,900

But some of the highlights,

00:04:46,100 --> 00:04:48,170

the only guidelines we use

in this style of painting.

00:04:48,625 --> 00:04:49,665

Is our imagination.

00:04:51,885 --> 00:04:52,275

Okay.

00:04:52,745 --> 00:04:55,865

Now once again, with a large

brush, we want to blend just the

00:04:55,865 --> 00:04:59,825

bottom out, not touch the top

yet we will later, but not yet.

00:05:05,105 --> 00:05:07,355

If you ask the bottom, just

blend together a little bit.

00:05:07,565 --> 00:05:12,785

Don't overwork it very, very

easy to overwork this just

00:05:12,785 --> 00:05:14,225

enough to bring it together.

00:05:14,225 --> 00:05:14,465

A little.

00:05:18,225 --> 00:05:19,515

Okay, now I'm going to fluff it up.

00:05:21,135 --> 00:05:21,855

Just fluff it.

00:05:29,195 --> 00:05:32,015

Now, when you fluff this thing up, if

you get these little strings up in the

100

00:05:32,015 --> 00:05:35,825

sky, don't worry about them because when

you blend it together, they go away.

101

00:05:40,655 --> 00:05:41,405

Don't overwork.

102

00:05:41,405 --> 00:05:43,385

Your cloud's easy to destroy.

103

00:05:45,960 --> 00:05:46,070

No.

104

00:05:46,070 --> 00:05:52,099

And as a traditional painter cloud was one

of the things that really gave me a okay.

105

00:05:53,840 --> 00:05:58,340

Now, today we said, was going to do some,

some big Brown, Rocky type mountains.

106

00:05:59,030 --> 00:06:04,159

So let's start with straight van Dyke

Brown, a lot of pain on the knife.

107

00:06:04,280 --> 00:06:07,640

It will come right up in here

and make an all muddy peak.

108

00:06:08,989 --> 00:06:09,830

Oh, there we go.

109

00:06:11,989 --> 00:06:12,799

A lot of paint.

110

00:06:13,770 --> 00:06:15,780

We're just pushing this

paint onto the canvas.

111

00:06:17,049 --> 00:06:18,570

You can decide where you want peaks.

112

00:06:20,039 --> 00:06:22,409

Since you're creating these

mountains, you can put peaks and

113

00:06:22,409 --> 00:06:23,549

valleys wherever you want them.

114

00:06:26,700 --> 00:06:28,590

Maybe there's another one right in here.

115

00:06:30,539 --> 00:06:31,140

Okay.

116

00:06:32,039 --> 00:06:33,810

Just get a basic shape of the mountain.

117

00:06:42,075 --> 00:06:45,195

And I'm going to use a large

brush and just blamed this up.

118

00:06:45,245 --> 00:06:45,845

When the bottom

119

00:06:49,475 --> 00:06:50,285

blended on the bottom.

120

00:06:54,515 --> 00:06:56,105

Very gently lift upward.

121

00:07:00,185 --> 00:07:00,695

Here we go.

122

00:07:07,175 --> 00:07:10,115

Good that we're cleaning the brush again.

123

00:07:16,055 --> 00:07:22,235

Yeah, let's take, let's take Bernie

number and CAD yellow and mix it together.

124

00:07:25,805 --> 00:07:26,705

Mix it together.

125

00:07:27,275 --> 00:07:28,835

Let's throw a little

yellow cur in there too.

126

00:07:29,610 --> 00:07:31,890

Oh, that's nice mix it.

127

00:07:31,890 --> 00:07:32,700

So it's marbly.

128

00:07:32,730 --> 00:07:36,270

Don't mix it till it's dead at all.

129

00:07:36,270 --> 00:07:37,740

The little things happen in the paint.

130

00:07:38,850 --> 00:07:39,030

Okay.

131

00:07:39,030 --> 00:07:42,900

Now let's put some highlights in this

mountain and all we're going to do

132

00:07:43,350 --> 00:07:45,750

is touch the canvas and let it flow.

133

00:07:47,250 --> 00:07:47,940

She has led it.

134

00:07:48,050 --> 00:07:52,010

Well, let's go right up here.

135

00:07:56,355 --> 00:07:59,505

There let's brighten this one

a little bit a hole there.

136

00:07:59,625 --> 00:08:00,765

That's what we're looking for.

137

00:08:04,625 --> 00:08:07,085

You need to highlight over

here on this happy little Hill,

138

00:08:10,655 --> 00:08:11,765

something right there.

139

00:08:15,425 --> 00:08:17,525

I see a little light striking

that little thing right there.

140

00:08:21,125 --> 00:08:21,935

And here we go.

141

00:08:21,965 --> 00:08:22,685

Here's another one.

142

00:08:28,460 --> 00:08:29,570

fair and then fine.

143

00:08:30,470 --> 00:08:33,680

Just let all these things happen, but

you can see what's happening in here

144

00:08:33,680 --> 00:08:35,450

because you didn't over mix the paint.

145

00:08:36,500 --> 00:08:38,900

If you had over mixed that you

would have had one solid color,

146

00:08:40,730 --> 00:08:42,799

you wouldn't have all these pretty

little things that are happening.

147

00:08:46,739 --> 00:08:48,959

Okay, now let's make some shadow color.

148

00:08:49,469 --> 00:08:52,530

Can we take a little bit of

white, some impression blue

149

00:08:55,859 --> 00:08:56,849

Vandyke Brown

150

00:09:00,989 --> 00:09:02,130

mix, all that together.

151

00:09:05,810 --> 00:09:06,750

Touch more white

152

00:09:09,959 --> 00:09:10,380

hair.

153

00:09:10,380 --> 00:09:11,400

That's what I'm looking for.

154

00:09:12,495 --> 00:09:17,235

And that's Prussian blue,

Vandyke Brown and white cane.

155

00:09:17,235 --> 00:09:22,725

Now let's put some happy little shadows

in here, maybe right along my kiss there.

156

00:09:23,415 --> 00:09:27,495

Once again, don't over mix your paint,

allow all these little things just

157

00:09:27,495 --> 00:09:33,545

to happen at the paint break and

by break, we mean all these little

158

00:09:33,545 --> 00:09:36,685

open spots, just let it happen.

159

00:09:41,175 --> 00:09:42,135

Look at that son of a gun

160

00:09:45,435 --> 00:09:46,995

and we need a little shadow in here.

161

00:09:48,585 --> 00:09:49,545

Don't want to forget him.

162

00:09:52,125 --> 00:09:57,225

Every highlight needs its

own private shadow there, and

163

00:09:57,225 --> 00:09:58,485

a couple in here and there.

164

00:10:07,805 --> 00:10:11,555

Yeah, we can go back with a little more

of the highlight color and begin building

165

00:10:11,555 --> 00:10:13,265

all kinds of little happy things in here.

166

00:10:21,905 --> 00:10:23,704

remember every highlight needs a shadow.

167

00:10:24,485 --> 00:10:25,204

There's a highlight.

168

00:10:25,935 --> 00:10:29,835

Watch what happens when we throw a little

shadow behind him, he becomes a separate

169

00:10:29,835 --> 00:10:37,265

entity, maybe lazy, maybe, maybe there's

a little bit of no, still laying in

170

00:10:37,265 --> 00:10:39,395

some of the little shadowy areas here.

171

00:10:39,455 --> 00:10:44,165

So we take a little bit of titanium

white and very gently following

172

00:10:44,165 --> 00:10:45,245

the contour of the mountain.

173

00:10:46,085 --> 00:10:47,495

Laying in a little bit of snow here.

174

00:10:49,745 --> 00:10:51,995

Maybe there's a little over

in this little place too.

175

00:10:52,265 --> 00:10:53,405

Just a tiny little bit.

176

00:10:55,395 --> 00:10:59,324

Okay, I'm going to take a

little bit of the blue and white

177

00:11:02,324 --> 00:11:03,944

and put a little shadow right on here.

178

00:11:05,355 --> 00:11:06,645

Just lay it right on the side.

179

00:11:09,255 --> 00:11:12,165

Now with a clean knife, we

just bring all this together.

180

00:11:13,545 --> 00:11:14,714

Just bring it together.

181

00:11:15,704 --> 00:11:16,245

There we go.

182

00:11:17,745 --> 00:11:19,125

Bring us one right on back then.

183

00:11:24,120 --> 00:11:29,780

Something like, so yeah, I'm going to add

a little tiny bit of sound green and just

184

00:11:29,780 --> 00:11:31,580

drop it right into the bottom area here.

185

00:11:32,450 --> 00:11:39,380

Just like, so a little bit of Seth green

and you'll see why here just a second.

186

00:11:44,130 --> 00:11:44,790

Okay.

187

00:11:50,990 --> 00:11:52,970

All right now with a clean.

188

00:11:53,324 --> 00:11:54,614

Dry one inch brush.

189

00:11:54,645 --> 00:11:59,535

I'm just going to begin to gently

lifting up, just lift it up and

190

00:11:59,535 --> 00:12:03,125

do this in layers and work it

right up the side of the mountain.

191

00:12:05,464 --> 00:12:06,005

There we go.

192

00:12:08,435 --> 00:12:11,405

A little bit of candy, yellow to my brush

so I can brighten a few little spots.

193

00:12:17,795 --> 00:12:21,185

They're a little more yellow.

194

00:12:21,885 --> 00:12:25,485

Just pop it in and you bend

the bristles and pop it.

195

00:12:41,225 --> 00:12:41,555

okay.

196

00:12:41,555 --> 00:12:46,175

Maybe, maybe there's another

happy little rock right out here.

197

00:12:48,035 --> 00:12:48,515

Excellent.

198

00:12:52,050 --> 00:12:54,660

Just let these little things happen

wherever you think they should be.

199

00:12:55,890 --> 00:12:59,550

Remember, this is your

world and you control it.

200

00:13:01,480 --> 00:13:02,580

Little highlight, color,

201

00:13:09,870 --> 00:13:11,780

a little tiny bit of shadow hair in there.

202

00:13:15,860 --> 00:13:19,520

And then once again, with a one

inch brush, we begin lifting.

203

00:13:20,880 --> 00:13:22,140

Just to bring all this together.

204

00:13:25,200 --> 00:13:25,800

There we go.

205

00:13:31,130 --> 00:13:36,710

Now maybe from this little projection,

let's mix up some SAP, green pressuring,

206

00:13:36,710 --> 00:13:40,670

blue and Brown at about equal parts,

207

00:13:44,990 --> 00:13:48,590

green, Brown, and blue,

and about equal parts.

208

00:13:53,755 --> 00:13:54,525

Okay.

209

00:13:57,035 --> 00:13:57,205

Yeah.

210

00:13:57,225 --> 00:14:01,685

Then with a fan brush, let's put some

little indications, some little evergreens

211

00:14:01,725 --> 00:14:05,015

back here, right about now here.

212

00:14:05,375 --> 00:14:06,455

We just want indications.

213

00:14:06,455 --> 00:14:07,895

I'm not looking for detail yet.

214

00:14:09,515 --> 00:14:09,645

No.

215

00:14:09,645 --> 00:14:12,575

When you're showing distance

in a painting, the lack of

216

00:14:12,575 --> 00:14:14,005

detail is as important as.

217

00:14:14,700 --> 00:14:17,580

When you're showing something that's

very close to you in the foreground,

218

00:14:17,580 --> 00:14:21,120

you want a lot of detailed, lack

of detail can be very valuable too.

219

00:14:23,660 --> 00:14:28,670

Just a little something like, so, and

then back to her little one inch brush,

220

00:14:29,700 --> 00:14:34,220

we sort of bring all that together there.

221

00:14:37,670 --> 00:14:38,960

No, no.

222

00:14:39,300 --> 00:14:40,140

That was so much fun.

223

00:14:40,140 --> 00:14:40,800

Let's do some work.

224

00:14:41,189 --> 00:14:44,310

Maybe there's a little Foothill

that runs right down through here.

225

00:14:45,510 --> 00:14:48,600

So let's just start making these

little indications with a fan brush.

226

00:14:51,000 --> 00:14:52,860

It's a good way to make a

lot of trees real quick.

227

00:14:54,660 --> 00:14:58,530

And when you see trees, we often the

distance, you don't see a lot of detail.

228

00:15:00,480 --> 00:15:03,449

You make out basic colors and

basic shapes, but that's all.

229

00:15:06,480 --> 00:15:07,199

You knew that though.

230

00:15:07,199 --> 00:15:07,560

I know.

231

00:15:14,390 --> 00:15:14,930

Okay.

232

00:15:14,930 --> 00:15:17,030

Maybe this climbs rad on a pair.

233

00:15:17,069 --> 00:15:18,470

Maybe there's a nice little Hill here.

234

00:15:25,520 --> 00:15:25,750

Yeah.

235

00:15:25,770 --> 00:15:29,329

While we got this color on the band

brush, we'll just throw in some

236

00:15:30,020 --> 00:15:31,520

little grassy areas underneath it.

237

00:15:35,295 --> 00:15:36,105

Just like, so

238

00:15:41,805 --> 00:15:43,335

maybe there's a few evergreens here.

239

00:15:43,335 --> 00:15:44,355

They're a little bit closer.

240

00:15:44,955 --> 00:15:46,845

So they're going to be a

little bit more distinct.

241

00:15:48,525 --> 00:15:50,445

So maybe there's one right here.

242

00:15:52,695 --> 00:15:57,195

Can we touch, touch, touch, touch,

and just begin building a little tree.

243

00:16:00,930 --> 00:16:03,120

Eric comes and he's a little closer.

244

00:16:03,120 --> 00:16:04,680

So there's a little more detail in him

245

00:16:07,980 --> 00:16:08,280

there.

246

00:16:09,810 --> 00:16:11,220

Just a couple of those here and there.

247

00:16:13,040 --> 00:16:13,190

Yeah.

248

00:16:13,190 --> 00:16:18,260

I'm going to take a little bit of SAP

green, a little touch of yellow, the

249

00:16:18,260 --> 00:16:22,010

tiniest tiniest little bit of magic

quite, just to thin it a tiny, tiny bit.

250

00:16:23,270 --> 00:16:25,610

And we'll begin putting

some details in here.

251

00:16:27,045 --> 00:16:28,845

Just a little grassy areas back in here.

252

00:16:31,275 --> 00:16:34,215

Just run out on up the Hill,

follow the lay of the land.

253

00:16:38,825 --> 00:16:39,035

yeah.

254

00:16:39,185 --> 00:16:42,425

With a large brush cramping, the

bottom of this and pulled down,

255

00:16:42,905 --> 00:16:44,675

just pull it down straight down.

256

00:16:50,735 --> 00:16:51,515

There we go.

257

00:16:55,980 --> 00:17:04,020

And then gently go across just to give

it a reflection of like, so, okay.

258

00:17:04,230 --> 00:17:06,810

Now we'll take a little

bit of magic quite.

259

00:17:07,830 --> 00:17:10,710

We'll put a very small amount

of Bandag Brown and it's just a

260

00:17:10,710 --> 00:17:14,190

dial it down and we'll make some

happy little waterlines back here.

261

00:17:23,004 --> 00:17:25,335

Just let this waterline travel

wherever you want it to go.

262

00:17:25,905 --> 00:17:27,974

The lines need to remain

basically straight.

263

00:17:28,185 --> 00:17:29,385

Keep your water in the painting.

264

00:17:33,435 --> 00:17:36,555

I tell you what today let's use the

big brush and play a little bit.

265

00:17:37,065 --> 00:17:40,455

I'm going right back into this color

that I used to make the evergreens.

266

00:17:41,625 --> 00:17:44,475

And this was equal parts of

blue, Brown and SAP green.

267

00:17:45,899 --> 00:17:48,899

And a little just brush full

of paint, lots of paint on it.

268

00:17:50,510 --> 00:17:54,899

So often we avoid this big brush

and it will do fantastic things.

269

00:17:55,710 --> 00:18:00,360

See there now let's make that

into a nice little evergreen tree.

270

00:18:01,980 --> 00:18:03,510

Just use this old big brush.

271

00:18:08,610 --> 00:18:10,080

As I teach us across the country.

272

00:18:10,080 --> 00:18:11,010

One thing I've noticed.

273

00:18:11,595 --> 00:18:16,935

Children are so fantastic to work with

because they don't know what you do.

274

00:18:17,025 --> 00:18:19,215

You paint an evergreen with

a two and a half inch brush.

275

00:18:19,245 --> 00:18:20,685

You tell them to do it and they do it.

276

00:18:23,945 --> 00:18:26,195

This is such a fantastic

style for children.

277

00:18:28,235 --> 00:18:33,995

My son, Steve is 17 years old now, and

he's been painting since he was 12, that

278

00:18:33,995 --> 00:18:35,585

son of a guns at all mighty painter.

279

00:18:36,785 --> 00:18:38,105

And he makes a happy buck or two.

280

00:18:39,900 --> 00:18:40,110

Okay.

281

00:18:40,110 --> 00:18:42,240

Maybe we add another

little tree right there.

282

00:18:45,510 --> 00:18:47,460

Just let these work right

out of your big brush.

283

00:18:53,220 --> 00:18:53,370

Okay.

284

00:18:53,380 --> 00:18:55,710

We'll put some little grass

areas right out through here.

285

00:18:59,280 --> 00:18:59,700

Okay.

286

00:18:59,730 --> 00:19:03,720

Now let's go to the other side of

the canvas and really make a big

287

00:19:03,750 --> 00:19:05,550

tree, a lot of pain in the bristles.

288

00:19:05,970 --> 00:19:07,110

Let's get up here in the clouds.

289

00:19:08,550 --> 00:19:09,000

There

290

00:19:13,110 --> 00:19:13,620

look at that.

291

00:19:14,630 --> 00:19:16,610

Do you ever think you could make

it a little bitty, treated with a

292

00:19:16,610 --> 00:19:21,320

brush that big pick it up and tried?

293

00:19:21,620 --> 00:19:22,580

That's really all you have to do.

294

00:19:22,640 --> 00:19:22,820

Yeah.

295

00:19:26,480 --> 00:19:27,140

Okay.

296

00:19:27,350 --> 00:19:29,900

Now maybe I don't want him to get lonely.

297

00:19:29,900 --> 00:19:30,980

I give him a little friend there.

298

00:19:33,470 --> 00:19:34,580

He can't be here right there.

299

00:19:34,610 --> 00:19:34,940

Yeah.

300

00:19:39,935 --> 00:19:40,235

okay.

301

00:19:40,295 --> 00:19:41,945

Well, I've got this

dark paint on the brush.

302

00:19:41,945 --> 00:19:44,375

We'll just bring a landmass

right down through here.

303

00:19:50,555 --> 00:19:51,095

okay.

304

00:19:51,995 --> 00:19:56,465

Now with a clean dry brush, I'm just going

to grab this and pull it straight down.

305

00:19:56,555 --> 00:19:59,345

Create some reflections, come across.

306

00:19:59,705 --> 00:20:00,305

Very gently.

307

00:20:02,760 --> 00:20:04,530

Let's put some little tree trunks in here.

308

00:20:05,430 --> 00:20:09,570

You burn number a little

tiny bit of white in it.

309

00:20:10,770 --> 00:20:14,010

It will come right along here on

these trees and just here and there

310

00:20:14,010 --> 00:20:17,450

laying the trunk indication there.

311

00:20:22,700 --> 00:20:26,330

No, in case you missed the last

show, I'd like to re mention again,

312

00:20:26,990 --> 00:20:29,840

if there's something you want to

see, drop us a line, let us know.

313

00:20:31,065 --> 00:20:34,635

We would really like to paint

the type of scenes and the

314

00:20:34,635 --> 00:20:35,925

places that you want to see.

315

00:20:39,004 --> 00:20:40,185

You can drop us a line.

316

00:20:40,575 --> 00:20:42,975

That'd be I P B Muncie, Indiana.

317

00:20:45,615 --> 00:20:47,175

And we'll certainly be

glad to hear from you.

318

00:20:48,795 --> 00:20:49,215

Okay.

319

00:20:50,055 --> 00:20:55,695

Now let's take a tiny bit of

magic, quite little yellow SAP,

320

00:20:55,695 --> 00:20:58,305

green, yellow in SAP green.

321

00:21:00,764 --> 00:21:05,625

And let's put, let's put a few little

trees here and there, there we go.

322

00:21:06,315 --> 00:21:07,335

Just let them fall in.

323

00:21:09,045 --> 00:21:14,715

Maybe there's one lives right

out here, like, so there's one

324

00:21:19,065 --> 00:21:20,205

just happy little things.

325

00:21:21,555 --> 00:21:25,605

Let's take the large

brush, a little magic.

326

00:21:25,605 --> 00:21:26,085

Quiet on it.

327

00:21:26,115 --> 00:21:27,525

I'm going to go right into this yellow.

328

00:21:28,770 --> 00:21:32,610

Right into the yellow load, a

lot of pain into the bristles

329

00:21:33,149 --> 00:21:36,810

and SAP green, but the yellow one

first and then the green on top.

330

00:21:38,610 --> 00:21:41,639

And let's, let's put some

highlights on these big trees here,

331

00:21:45,270 --> 00:21:45,689

there.

332

00:21:48,300 --> 00:21:51,000

Just let that brush bounce and play

where you think light's going to

333

00:21:51,000 --> 00:21:55,200

strike these trees in your world.

334

00:21:55,200 --> 00:21:56,490

You even control the light.

335

00:22:00,689 --> 00:22:02,070

Oh, look at them side of a guys.

336

00:22:05,310 --> 00:22:05,879

Here we go.

337

00:22:13,379 --> 00:22:13,710

Okay.

338

00:22:16,679 --> 00:22:22,159

Yeah, let's take a little more of

the green and yellow and poppies

339

00:22:22,159 --> 00:22:23,570

reflections right in Denver water.

340

00:22:27,465 --> 00:22:32,715

So I'm going back to my fan brush

with yellow and green on it and sort

341

00:22:32,715 --> 00:22:36,945

of begin bringing all this together,

just touch in the brush upward,

342

00:22:39,935 --> 00:22:43,995

like, so we'll take a little bit

of Vandyke Brown and burn number

343

00:22:43,995 --> 00:22:47,205

mixed and create a little bank here.

344

00:22:50,475 --> 00:22:51,075

There we go.

345

00:22:57,515 --> 00:23:00,335

It's a little bit of highlight at

a Brown and white with a sleazy

346

00:23:00,365 --> 00:23:01,445

Lee's little touch of blue.

347

00:23:03,545 --> 00:23:08,885

Just to give it a little flavor, a

little magic quake, and we'll throw

348

00:23:08,885 --> 00:23:10,235

a happy little water line into here.

349

00:23:10,265 --> 00:23:10,445

Yeah.

350

00:23:15,425 --> 00:23:19,115

And with a nice clean, dry

brush, pull this down a little.

351

00:23:21,060 --> 00:23:22,980

Just to create some

nice little reflections

352

00:23:27,350 --> 00:23:30,560

back to my fan brush, a little

magic white on to thin the paint.

353

00:23:32,600 --> 00:23:35,150

And we'll bring a little, few

little things right down my cabin

354

00:23:38,330 --> 00:23:38,990

and that's something.

355

00:23:40,310 --> 00:23:41,600

Yeah, let's go right over here.

356

00:23:42,260 --> 00:23:48,320

Create some little grassy things

up here in the sunshine there.

357

00:23:54,485 --> 00:23:58,955

Ooh, look at all those little

things and they happen so quickly.

358

00:24:06,145 --> 00:24:06,895

Okay.

359

00:24:10,805 --> 00:24:11,885

Maybe, maybe.

360

00:24:14,264 --> 00:24:16,875

Maybe we can put a happy little

stone right out here on this.

361

00:24:17,115 --> 00:24:19,785

Just looks to me like a good

place for it for a stone.

362

00:24:21,525 --> 00:24:24,585

We'll take a little bit of the

mountain, highlight color, just put

363

00:24:24,585 --> 00:24:25,905

a little highlight on that stone

364

00:24:29,235 --> 00:24:30,735

and that a little bit of it come down

365

00:24:34,625 --> 00:24:35,885

a little bit of grass underneath it.

366

00:24:35,885 --> 00:24:36,815

So it comes together.

367

00:24:40,380 --> 00:24:43,620

Then we'll take the point of the knife,

but a few little sticks here and there.

368

00:24:45,330 --> 00:24:45,990

Just a few,

369

00:24:55,410 --> 00:24:59,490

maybe, maybe I'll add one

more little Bush here.

370

00:24:59,580 --> 00:25:01,080

It looks to me like he needs another one

371

00:25:04,980 --> 00:25:06,870

right in here just to separate these two.

372

00:25:10,334 --> 00:25:10,905

There we go.

373

00:25:14,985 --> 00:25:18,425

And we can put what you do

this a little dirt in here.

374

00:25:19,895 --> 00:25:20,754

Little Rocky things.

375

00:25:20,754 --> 00:25:27,905

She went through here, but a little

bit of highlight on there and with

376

00:25:27,905 --> 00:25:31,054

our green and yellow, just gently

pop a few little things in there,

377

00:25:34,655 --> 00:25:35,044

like, so.

378

00:25:36,524 --> 00:25:38,625

And I think we've just

about got that one finished.

379

00:25:39,104 --> 00:25:41,774

The old clock on the wall is

telling me I got to get out of here.

380

00:25:41,774 --> 00:25:42,824

So I'll sign this one.

381

00:25:44,235 --> 00:25:45,675

I'd like to wish you happy painting.

382

00:25:46,995 --> 00:25:47,504

Next week.

383

00:25:47,504 --> 00:25:49,185

We'll do a white canvas.

384

00:25:49,425 --> 00:25:53,205

So a heavy canvas on your easel

and be ready to go with us.

385

00:25:53,685 --> 00:25:54,375

Happy painting.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 17, 2020

S02E07 - Brown Mountain

Bob Ross's

The Joy of Painting

No comments:

Post a Comment

FREE DOWNLOAD Bob Ross' The Joy of Painting Subtitles .srt Files FREE DOWNLOAD!

Report Abuse