Bob Ross's

The Joy of Painting

S02E10 - Lazy River

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Welcome back.

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Glad to see you again, thought today

would do it just a happy little

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picture, this deep in the woods.

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And for those of you who are joining us

for the first time, I'm going to ask them

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to graphically, run the colors through

so you can see all the colors that we

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use and that I have on my pallet today.

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And while they're doing that,

I think we'll get started.

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How about take off here today with a

little bit of the theolo blue using

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the large brush and really work his

color into the bristles kiss, beat

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it into the bristles and let's just

make a happy little sky real quick.

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Most of this guy, I think

will probably disappear.

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So we just put a very simple,

basic little Skype here, go

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from there and see what happens.

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Work this paint back and forth,

making little crisscross patterns.

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There we go.

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Just a nice, quick gentle little Skye

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now without cleaning the brush.

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I think I'll just go run

into some Vandyke Brown.

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A little bit of burn number, just mix

it on the brush and some SAP green,

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maybe a tiny little bit of pressure

and blue, just very dark, nice colors.

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And let's just go right in here and begin

dropping in some happy little trees and

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bushes, and let's just see what happens.

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Just let them just let

them flow off your brush.

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Look at they're already all ready.

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We've got all of those

good things happening.

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Maybe there's a big one over here.

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Just drop them in

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a little Brown SAP, green touch of blue.

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Maybe, maybe there's a

large one over here too.

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We'll just sort of close

this one in, push it.

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You need to bend these bristles.

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There we go.

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This is one reason you need

a very, very strong easel.

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And if you've noticed these easel

that I'm using here, it's made from

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a platform letter that you can pick

up at most, any hardware store,

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or you can use any type of ladder.

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It makes it very, very

strong, dependable easel.

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Okay.

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I'm going to take a little bit of

the band Dyke Brown and just lay a

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little right in here and pop up just

to put some dark color back in there.

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All we're doing is touching pop-up.

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Just like so fast here and there.

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And now I'm going to take the fan

brush a little load, some Brown

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and some umber mixed together.

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Here.

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There we are.

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Okay.

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Yeah, we'll just put a few little

indications of some trunks back in here.

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Just a little background trees.

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Maybe some little

indications here and there,

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there, oops.

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There's one.

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That's nice and crooked.

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Hate for them all to be straight.

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Maybe a fishermen kicked that one

when he was just a little baby.

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And he's got a little, here we go.

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Just here and there drop in

a few of these little trunks.

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All right.

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Yeah, we can take the one inch brush,

add a little bit of magic quite to it,

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and let's begin highlighting these.

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Now use a little bit of CAD yellow,

touch more of the magic, white

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head yellow and some SAP green,

yellow, and green mixed together.

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Mix it on the brush.

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So you have a multitude of

colors happening in the brush.

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Okay.

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Now we can begin highlighting

some of these just touch.

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But all those little leaves

just come right off your brush.

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Hey, maybe a little bit

on this little tree.

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Hmm.

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Now I'm beginning to add just a

tiny, tiny bit of ochre to it.

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Yellow ochre.

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Just to change the color a little bit.

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And at home, you can do these

in any color that you like.

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Andy color.

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It's really the technique that

we're trying to teach here.

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These colors stand out

very well on television.

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So we use colors that are quite bright,

but you can use very subdued, quiet

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colors at home, whatever makes you

happy, because this is your world.

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I had a little touch of

permanent red to it now.

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So just to change the flavor, there we go.

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Okay.

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Let's get a clean brush, a little bit

more of the yellow and the SAP green.

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Once again, mix it on the brush.

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It will go right in here.

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Oh, look at there.

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Nice little Bush happening right there.

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All kinds of little things

going on in the background.

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There we go.

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Now I want to take.

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This Brown that I put on here, I

want to take the large brush, grab

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a hold of it and begin pulling down.

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Start to let these little

paintings just happen.

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And you noticed another thing here.

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We've put no color into the water.

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All we're going to use for color in

the water is what we pulled down.

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You don't have to go to a lot of

trouble and put color in here.

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All you do is pull it down,

just wipe across to give it a.

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Nice water is sheen and it looks

like water without doing a thing.

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Okay.

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Let's take a little touch more of the

Vandyke Brown, and this is mixed with

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a little bit of the ochre and begin

forming some little banks back in here.

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They're going to let

these little banks happen.

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Now I'll take a little Brown and white

and the least little touch of blue in it.

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There we go.

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Touch it more.

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The umber.

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Oh yeah.

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Yeah.

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A little highlight on here.

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Just a little, just a

little, little break,

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little touch over in here.

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There.

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Now let's use a fan

brush a little bit today.

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I'll use a little bit of the

yellow and green is laying down

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here and we'll begin popping in

hall, kind of little grass areas.

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Just let him run right on back

hidden to the deep woods here.

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Very soft, very quiet.

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There we go.

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Okay.

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Depth in there already.

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And we really haven't done anything.

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We didn't play in any water.

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It just happened.

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Really.

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Haven't done a great deal

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there.

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Hey, now I'm going to grab the bottom

of, they used to clean them up and also

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to create reflections, just pull across.

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And when you pull this across, try to

keep these lines as straight as possible.

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This way, then once your water

to run out of the picture, now,

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a little bit of magic, quite a

little touch of Brown into it,

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and we can begin heading some

water lines in here, all kind

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of little things happening.

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We just sort of let this little body

of water wander around the distance.

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We don't know where it's going back here.

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We really don't care.

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Just letting it have fun.

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There.

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Okay.

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Let's take a little more of the

white magic, white, little yellow

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ochre, maybe a little touch

of the permanent read into it.

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And let's put some highlights

on this little tree.

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Ooh, that was pretty.

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There we go.

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Just let them run right out of your brush.

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They hide in there.

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Sometimes you have to just push

them out, but they're in there now.

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Let's take a little more of the Brown and

ochre mixed together, Vandyke Brown and

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burned for a number and began making some

more landmasses right out through here.

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Hey, man, maybe there's

another one over here.

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I know, I know.

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I know.

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Just had an idea here.

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We don't do that.

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Like, we'll make a nice little.

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Bank right here.

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I need a little place, so I

can go out here and set in

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fishing, catch a big old bass.

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It lives out here.

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Now we can add a little bit of highlight

to that just right along the top here.

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I want to make this look high.

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Then strokes are very important.

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Angle of the strokes here.

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There we go.

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No, you can do it.

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Yeah.

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A little bit of highlight

on this, over in here, Mike.

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So think about the large brush.

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Once again, we'll grab this

and pull down straight down and

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then just gently come across.

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Same thing over here.

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Just pull down.

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Okay.

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Now I'm affirmed.

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This went up a little bit.

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He got a little weak on the end, so we'll

just for me a little touch, a highlight

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on him, had a little light play through

there and strike him little waterline.

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Okay, here we go.

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Now you can, you can right there.

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Just bring it right on down

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there.

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A little bit of highlight.

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large brush pulled down just to create the

illusion of water, new painting, painting

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you work with a great deal of money there.

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A little bit of the magic

white, make us a waterline.

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Here we go.

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Now we'll take the fan brush

a little bit of yellow ochre.

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It looks like there's a

little permanent red in there.

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Just whatever happens to

be later on your palette.

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There we go.

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These pictures are

designed as guides for you.

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With the ideas that we give you here, we

hope that you'll just go absolutely wild

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with this and paint your own masterpieces.

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Put your own dreams on canvas,

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ghost painting should make you happy.

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Okay.

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Let's take a little touch of the magic.

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Quite a little bit of yellow.

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Let's put a happy little Bush.

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It lives right here.

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maybe just sort of bring

us together back here.

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Want a little darker paint in there.

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So it looks like it's

going back into the woods.

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okay.

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Now let's see what we're

going to do over here.

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On this other side.

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Maybe there's another little.

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Projection.

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It comes right out here, like, yes.

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Who knows your world, you

create your own visions here

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and we need something for it to sit on.

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There we are.

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What I did there was just picked

up a little bit of the magic quite

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so I can put just a very small,

small amount of highlight into that.

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Don't want a lot, just a tiny, tiny bit.

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Okay.

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Now we'll take the large brush, grab the

bottom of it again and pulled down, always

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made these reflections and come across

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and let's put some little

water lines underneath these.

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There we go.

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Now, maybe out here on this little.

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Peninsula that we've built.

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Maybe there's an old tree lives out here.

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If you're going out here to fish, you

need a nice tree to sit underneath,

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keep the sun off your head.

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So when just to run an old

tree right through here,

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let's give him few other side

here, there pretty easily.

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Two sides.

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There we go.

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It would take just a tiny bit of a

permanent red mixed with some umber

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and let's put some highlight on here.

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Just touch, just touch

and pull the knife up.

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There we go.

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Little bit up in here,

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like, so

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let's put a happy little bit on that here.

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That lamb goes out my cabin there

and drops back into the painting who

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knows, just drops her head back in.

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Yeah.

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A little bit of highlight on the moon.

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yeah, a little bit of reflected light.

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On the other side, I'm just going

to use a little pressure and blue,

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just, just to create the illusion

of a little reflected light.

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Like, so

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there, yeah, when that wouldn't drive,

you'll be able to feel the bark on him.

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Okay.

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Yeah.

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I need a lot of little limbs and

we don't have much time, so they

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had me just shoot some in here.

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There we go.

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Just drop on me.

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just put them in.

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Maybe there's a little, when

it comes right out here, it

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leads right out through there.

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And when you're doing this at home,

he was a liner brush with a little

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bit of thin oil and let's try

something a little different today.

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Maybe we'll put highlights or leaves

on here just using the palette knife.

259

00:16:29,955 --> 00:16:33,395

And then we'll take a little bit

of SAP green, explicit ochre.

260

00:16:35,474 --> 00:16:39,135

Just mix it till it's marbly there.

261

00:16:41,795 --> 00:16:45,364

A little bit of paint on the knife

and we're just barely, barely,

262

00:16:45,364 --> 00:16:47,165

barely gonna let it touch the canvas.

263

00:16:48,574 --> 00:16:54,995

Just barely touch and we can drop some

little brighter highlights on there.

264

00:16:55,145 --> 00:16:59,795

So they stand out a little

barely, barely, barely that touch.

265

00:17:03,670 --> 00:17:05,700

You asked about touching

the canvas with it?

266

00:17:07,319 --> 00:17:08,069

Maybe this summer.

267

00:17:08,069 --> 00:17:08,879

I right up in here.

268

00:17:14,389 --> 00:17:18,379

No, let's bring some more stuff

for right down through here

269

00:17:22,399 --> 00:17:27,020

that Vandyke Brown again, a

little bit of burn number in it.

270

00:17:30,810 --> 00:17:31,920

And with a large brush.

271

00:17:31,950 --> 00:17:37,879

Once again, we'll create a little

reflection there, come straight across.

272

00:17:41,240 --> 00:17:47,150

Now let's take our fan brush with a little

bit of this SAP, green, yellow, little

273

00:17:47,150 --> 00:17:48,740

touch of permanent red here and there.

274

00:17:49,340 --> 00:17:50,420

Mix them all up together.

275

00:17:52,280 --> 00:17:54,710

Let's put some little grassy

areas coming down through here.

276

00:17:57,040 --> 00:18:00,510

Your color is going to begin picking

up the ground Brown underneath.

277

00:18:00,990 --> 00:18:03,149

It makes all kinds of

pretty those things happen.

278

00:18:06,770 --> 00:18:07,670

Just let it happen.

279

00:18:07,670 --> 00:18:08,270

Don't fight it.

280

00:18:15,230 --> 00:18:21,500

Maybe take a little touch,

a little touch of highlight.

281

00:18:21,530 --> 00:18:22,370

Just lay in here.

282

00:18:24,825 --> 00:18:26,745

And then we're running

grass around that highlight.

283

00:18:31,445 --> 00:18:33,145

I want to keep this part quite dark.

284

00:18:34,385 --> 00:18:35,735

Don't want it to get too bright on us.

285

00:18:44,254 --> 00:18:45,365

So something like, so,

286

00:18:48,845 --> 00:18:49,294

okay.

287

00:18:50,639 --> 00:18:53,730

We'll take the knife, make us happy.

288

00:18:53,730 --> 00:18:55,710

Little waterline just flows along here.

289

00:18:56,310 --> 00:18:58,440

And all we're really looking

for here is a light area to

290

00:18:58,440 --> 00:19:01,230

separate the water from the land.

291

00:19:01,770 --> 00:19:03,870

Just, just to create a separation in here.

292

00:19:04,950 --> 00:19:06,149

A few little sticks here and there.

293

00:19:10,179 --> 00:19:11,280

That tree was so much fun.

294

00:19:11,280 --> 00:19:14,580

I want to do another one maybe right here.

295

00:19:14,639 --> 00:19:17,340

Maybe there's a big tree.

296

00:19:18,690 --> 00:19:20,580

Just let him fall right off your knife.

297

00:19:24,990 --> 00:19:25,410

Great.

298

00:19:25,410 --> 00:19:26,010

Big tree.

299

00:19:31,590 --> 00:19:32,310

There we go.

300

00:19:35,580 --> 00:19:42,350

A little bit of the permanent rib mixed

with a little burn number and we can drop

301

00:19:42,350 --> 00:19:44,180

some happy little highlights on this tree.

302

00:19:57,604 --> 00:20:00,334

and we need some, I

need some Liam's on him.

303

00:20:00,395 --> 00:20:03,905

So we'll stick one

right about here at him.

304

00:20:03,905 --> 00:20:05,495

Go right on off the canvas somewhere.

305

00:20:08,794 --> 00:20:10,865

Yeah, maybe there's another one over here.

306

00:20:11,645 --> 00:20:12,425

Just like that.

307

00:20:15,764 --> 00:20:17,145

A little bit of highlight on him.

308

00:20:18,705 --> 00:20:19,875

There we go.

309

00:20:21,615 --> 00:20:22,304

There we go.

310

00:20:24,375 --> 00:20:28,095

That's a bit of blue

for the refracted light.

311

00:20:30,764 --> 00:20:31,125

There.

312

00:20:36,405 --> 00:20:38,145

Just a little, just a little.

313

00:20:41,774 --> 00:20:47,945

Yeah, back into the Brown and just

begin telling it, working it together.

314

00:20:50,165 --> 00:20:50,705

Okay.

315

00:20:51,965 --> 00:20:52,175

Yeah.

316

00:20:52,235 --> 00:20:57,665

Maybe, maybe here we'll make some

brighter colored leaves on this one.

317

00:20:59,465 --> 00:21:00,844

Use some permanent red

318

00:21:04,985 --> 00:21:05,284

and.

319

00:21:05,925 --> 00:21:08,445

Just indication that there's

some leaves up in here.

320

00:21:10,595 --> 00:21:12,665

There how's that

321

00:21:16,895 --> 00:21:19,585

maybe, maybe, maybe, maybe

there's a little later on.

322

00:21:19,595 --> 00:21:21,065

It comes right down through here.

323

00:21:22,365 --> 00:21:24,125

Just let these little

loans wonder everywhere.

324

00:21:24,125 --> 00:21:25,025

They're really pretty.

325

00:21:27,575 --> 00:21:28,685

Maybe over in here.

326

00:21:36,375 --> 00:21:37,595

A little bit more of our color.

327

00:21:38,765 --> 00:21:40,355

Barely touched your canvas.

328

00:21:41,825 --> 00:21:43,655

Barely, barely touched the canvas.

329

00:21:47,135 --> 00:21:47,195

Yeah.

330

00:21:47,225 --> 00:21:51,365

You get a little bit of bright yellow

here just to highlight, just to touch.

331

00:21:56,255 --> 00:21:56,825

There we go.

332

00:22:01,110 --> 00:22:06,360

Okay, let's go right over right over here.

333

00:22:08,940 --> 00:22:12,500

Maybe, maybe we'll put just a small

little one right here in the foreground.

334

00:22:13,430 --> 00:22:16,940

It's just sort of wandering

around, having a good time.

335

00:22:18,740 --> 00:22:19,760

Just a little tiny one.

336

00:22:25,425 --> 00:22:30,004

A little bit of highlight on him there.

337

00:22:33,815 --> 00:22:34,085

Yeah.

338

00:22:35,165 --> 00:22:39,485

Put a couple of Liam's on

him, just here and there.

339

00:22:39,754 --> 00:22:40,625

If you have more shell

340

00:22:52,514 --> 00:22:56,925

Gives us some instant lambs

this time I'll use the brush.

341

00:22:57,815 --> 00:23:00,555

Take a little bit of

the greenish color here.

342

00:23:02,055 --> 00:23:07,175

I see yellow with a little

bit of SAP green in it, a

343

00:23:07,175 --> 00:23:08,325

lot of paint on the pressure.

344

00:23:09,195 --> 00:23:13,185

And then all I'm going to do is just

touch just to make some very loose

345

00:23:13,185 --> 00:23:14,865

little leaves hanging around here.

346

00:23:16,125 --> 00:23:17,085

Tiny little leaves.

347

00:23:26,885 --> 00:23:29,465

like, so maybe something growing

right down at the bottom.

348

00:23:33,485 --> 00:23:33,935

okay.

349

00:23:33,965 --> 00:23:35,375

A few little sticks here and there.

350

00:23:36,034 --> 00:23:40,955

His pain is getting close to being

done and I think it was a lot of fun.

351

00:23:41,495 --> 00:23:43,175

If you were painting

along with us at home.

352

00:23:44,175 --> 00:23:47,324

I hope you have a happy heart by

now, and you really begin to stand

353

00:23:47,324 --> 00:23:52,155

back and admire what you've done

and, Oh, it's just fantastic.

354

00:23:52,185 --> 00:23:52,875

What can be done?

355

00:23:53,834 --> 00:23:58,395

All you need to do is practice a little

bit, take the back seat technique

356

00:23:58,395 --> 00:23:59,685

that we give you here and use it.

357

00:24:03,344 --> 00:24:03,915

Okay.

358

00:24:08,580 --> 00:24:10,230

One little thing is sometimes it's fun.

359

00:24:11,700 --> 00:24:14,669

Maybe we'll put some little, little

things out here in the water.

360

00:24:14,820 --> 00:24:19,200

I'll start with using a little

bit of yellow and a little bit

361

00:24:19,200 --> 00:24:22,500

of ochre right underneath it.

362

00:24:23,970 --> 00:24:30,120

Just like so, and some Vandyke Brown

all the way under the bottom of it.

363

00:24:34,340 --> 00:24:35,990

Then with the nice clean fan brush.

364

00:24:36,465 --> 00:24:37,125

Very gently.

365

00:24:37,905 --> 00:24:41,565

Just kind of lift up, just lift up.

366

00:24:48,035 --> 00:24:48,845

there we go.

367

00:24:48,845 --> 00:24:51,995

Just lifted up that all

these little things happen.

368

00:24:58,265 --> 00:25:00,155

just little things floating

around in the water

369

00:25:03,335 --> 00:25:04,835

and let's take a little more of the magic.

370

00:25:04,835 --> 00:25:05,165

Quiet.

371

00:25:09,845 --> 00:25:11,385

Put a little water line underneath here.

372

00:25:14,025 --> 00:25:14,385

373

00:25:18,035 --> 00:25:20,495

just gives it a little something in

the water to break it up a little

374

00:25:23,915 --> 00:25:24,305

there.

375

00:25:29,075 --> 00:25:32,945

I think we're just about ready

to call this one to finish.

376

00:25:32,955 --> 00:25:33,125

So.

377

00:25:35,205 --> 00:25:40,004

I make it a little bit of thin

oil here and we'll sign this one

378

00:25:43,745 --> 00:25:46,504

and next week we're going

to be doing a black canvas.

379

00:25:47,254 --> 00:25:50,794

So you can pick up one

at your local art store.

380

00:25:50,794 --> 00:25:54,034

If you're preparing it yourself,

painted with a flat black acrylic

381

00:25:54,695 --> 00:25:59,855

and allow it to dry next week,

we'll do a fantastic picture.

382

00:26:00,905 --> 00:26:01,205

So.

383

00:26:01,725 --> 00:26:05,475

Until then from all of us here,

God bless and happy painting.

384

00:26:20,585 --> 00:26:20,675

Okay.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 17, 2020

S02E10 - Lazy River

Bob Ross's

The Joy of Painting

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