Bob Ross's

The Joy of Painting

S02E08 - Reflections

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Hello again, you ready to paint another

fantastic picture, but let's do it.

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I'm going to have them run all

the colors across the screen.

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So in case you've missed them in

any of these shows, you can pick

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up all the colors that we're using.

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And while they're doing

that, let's get started.

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I'm going to start today with a

little bit of a lizard Crimson.

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Dan, we'll just put a little bit

on the large brush maybe day.

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We'll just have some fun.

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Let's just go right into the center

of the canvas here where the Crimson.

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Yes, making the little crisscross

strokes and let it blend upward.

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There we go.

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And down here, we'll just

go back and forth like that.

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Okay.

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Yeah.

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We'll take him dip into

a little bit of blue.

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And go right to the very top

all the way across the canvas.

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Just let this work right down to the pink.

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Okay.

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Now I'm going to go back into the low blue

and then just a tiny bit of the low green.

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Just let them mix together on the brush.

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And we'll come from the outside in and

don't kill all your pink area in here.

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Like, so there we go.

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Yeah.

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Let's clean the brush and

bring all this together.

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Right.

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But the nice clean brush here, I just want

to bring the pink and the blue together.

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Okay, so you can't tell her one stops and

the other one starts handling and we'll

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just blend that all the breaststrokes.

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All right.

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Now then let's take a pallet knife.

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We'll take a little bit of

Crimson, a little bit of the blue.

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I'll take Crimson and a

little bit of halo blue.

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Just mix them together here, more Crimson

than blue, and we'll mix one of a purplish

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color lavender, and let's make some, let's

make some little streaky clouds in here.

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We're pushing very hard into the canvas.

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There

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just really pushed this

paint right into the fabric.

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Okay.

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And we're looking just for basic

general little shapes here.

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Maybe a couple of little

wins over in here.

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Don't want this side to get jealous

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something like, so, okay.

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Yeah.

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With a clean, dry brush.

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Very lightly.

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Just brush it off cross.

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Very lightly.

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There we go.

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Super way to make little clouds.

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Yeah, maybe we want to highlight

these clouds a little bit.

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Okay.

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So let's take a little bit

of yellow and a touch of the

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permanent red and mix it together.

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Who makes sort of a.

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Oh, an orange.

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You look in color here just to highlight

with and a very small amount of paint and

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we go right above the dark and just lay a

little bit on there, just here and there.

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Don't cover up all your dark,

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just a little hair there.

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It bounced around in play.

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And just, you think lightly, he hit there.

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Okay.

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And maybe a little ride here and there.

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And when you're at home, you

can really take your time

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and do a lot of detail here.

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And with a dry brush, just very gently.

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Blend this out.

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There we go.

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Very, very little pressure on the brush.

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Almost let our hair touch the canvas.

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Now let's take a little more Crimson

and let's use some Prussian blue.

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It's a little stronger

Crimson and Prussian blue.

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And that's good right up in here

and make a happy little mountain,

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just a simple little mountain.

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There we are just to get

your base shape on there.

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General outline of the mountain.

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Take off all the excess,

paint them with a large brush.

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I'm just going to pull it down.

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So it just blends rag down it.

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Okay.

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Now, while I have that color palette,

I'm going to go ahead and reflect

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this mountain into the water.

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We were getting a lot of requests wanting

to reflect mountains into the water.

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So just work on your basic

shape and painting backwards.

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The basic shape,

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like, so,

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and with a large brush, we'll pull

this in the opposite direction

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already.

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We have a basic reflection into the water.

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Yeah, we'll take a little bit of

weight and put the smallest, smallest

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amount of permanent red into it.

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Just enough to give it

a little pinkish glow.

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We don't want to set this mountain

on fire, just a nice pinkish glow,

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and we'll highlight this.

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Just follow the contour of the mountain,

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maybe a little touch over in here

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now for the shadow.

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I'll use a little bit of

the fellow blue and white.

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Maybe I'll put just a little tiny

bit of that purple in there too.

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Just to calm that blue down a little bit.

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It's very bright.

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They're beautiful.

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Now let's put some happy

little shadows in here

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at the paint Bray follow

right along your mouth.

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We'll have a little shadow in there.

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Divide those two up a little,

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little bit in here.

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A little touch.

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Yeah.

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We'll take a clean, dry brush

and very gently tap the bottom

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just to create some mist,

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just like so.

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A little bit over in this direction.

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I'm not sharpen this one up a little bit.

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Bothers me right here.

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I want him to be a little more distinct.

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There we go.

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That's better.

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Give him a little more character

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down here on the bottom.

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We'll just lay some indications

of highlights here and there.

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You some indications at this pain,

I'm pushing very hard into the canvas

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because I don't want it to move.

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Okay.

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Now tap that a little bit.

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Just to take off excess paint.

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Now, when you're doing reflections

like this, normally we pull

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straight down to create a reflection

this time I'm going to go up.

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Watch what happens?

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Pull it up.

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I mean, your brush just

wipe off the excess paint.

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Cause you don't want to

destroy these nice edges

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in between each stroke.

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I'm wiping the excess paint off the brush.

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Okay.

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Now from here, we can pull down.

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That's no problem.

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And in gently we go across, we

don't want to lose this image.

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Okay.

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And that quick, we have a

reflection of a mountains.

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Okay.

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Let's put some happy little trees and

stuff back in here, and I'm going to

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use some Vandyke Brown alizarin, Crimson

mixed together, Brown and Crimson.

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And we'll go right along in here.

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And just wherever you think

there might be a little tree or

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a little Bush just drop him in.

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This is your world that had happened

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there.

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Yeah.

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With a large brush going to grab just the

bottom, pull a little bit of that down.

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So it also creates a reflection.

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Yeah.

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Here we go.

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Now, let me use a one

inch brush with that.

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A little bit of magic quieter,

just to thin the paint and

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we'll go into some CAD yellow.

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I need a little bit of permanent red here.

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Make a nice bright color, and then

we can begin highlighting these.

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Look at that sign of again.

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After all these years,

it still fascinates me.

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And we can drop a little bit

of that color down in here just

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to create some reflections.

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There we go.

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Add a tiny, tiny touch of SAP green to

it, just to dull it down a little bit.

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Apparently that is nice

and it works so well.

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Okay.

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Now with a clean dry brush, just barely

touch, just barely touch whisper light.

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You almost touched the canvas with

a hair and then go gently across.

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okay.

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And let's take, let's take some Brown SAP

green, a little bit of blue, Brown, SAP,

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green, and blue, and about equal parts.

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And let's put some little

evergreens back in the background,

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always like little evergreens.

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They're pretty.

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They reminded me of home in Alaska.

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There were just little ones.

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We'd give him a little friend here.

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Maybe there's one, a

little bigger right here.

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And these are your trees, so they can

be as big or as small as you want.

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Okay, that gives us a few little trees.

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Okay.

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Now with a pallet knife and a little

bit of the magic Quaid, and I'm gonna

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put a touch of Brown into it, just

to dull it down a little, we'll put

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a happy little waterline back here.

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They're just like, you're trying to

cut a hole right through the canvas.

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Maybe it is a little ripple

or two on the way water,

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just here and there.

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Now let's do something a little bit

different than we've done in the past.

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I'm going to put a little bit of paint

that are into the brush, and I'm going

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to pull it first through van Dyke Brown

as a tiny bit of thinner on the brush.

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Just enough to then the

paint, a tiny, tiny bit.

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We'll go through Brown on one side, then

I'm going to turn the brush over and

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over here, I'm gonna go through white.

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So I've got Brown on one side of the

brush, quiet on the other Brown and white.

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All right.

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Let's put some little, let's

put some little trees right

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here, touch the canvas and pull.

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And we get both sides of the tree at once.

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Brown with white.

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Maybe he's got a other

tree that lives right here.

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Okay.

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Brown and white.

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Put a third one right in here and we'll

let this one just sorta lean over.

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He's tired.

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Old tree.

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Okay.

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That was so much fun.

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Let's double load.

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Another brush here.

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A little bit of the paint

thinner just to thin it.

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And I'll go into SAP green, just

load the bristles full of SAP green.

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And on the other side,

we'll go through yellow.

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So we have SAP green on one

side yellow on the other.

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Yeah, all we're going to do now

is just begin tapping the canvas

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and we get highlight and

shadow all in one stroke.

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Okay.

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SAP green.

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And then back through the yellow,

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there we go.

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You almost messed up and put the

dark on top and you'd caught me

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green.

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And yellow.

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We'll put some of the leaves on this one.

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Can I ask just a super simple

little way to make trees is very,

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very effective and very nice.

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Now let's go back to the Crimson

and the Brown mixed together.

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And we'll put some little

bushes down here on their foot.

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So here we go.

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Okay.

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And let's just reflect

that right into the water

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with a large brush.

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Now we can take and pull these

reflections down, straight down.

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Okay.

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Now maybe, maybe you want to reflect

some of these trees into the water,

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some load, the brushes, same weight

Brown on one side, white on the other,

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and then just do your basic shape.

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Is here just like so Brown, right?

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Just enough to give some indications,

then I'll go back to the brush.

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It has the SAP green and the yellow on it.

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And just taking tap in a

few, little things here.

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Just want to give some indications

down here in the water,

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like, so we'll just use the other

corner and do this very rapidly, just

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so you have an idea and very gently,

very gently, just enough to whisper it.

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Maybe we'll move some of these trunks.

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So it really looks like water.

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Okay.

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Now I'm going to add a little tiny bit

more magic quite and go back into the

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yellow, little bit of the permit rib.

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And let's highlight these

little bushes right here

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and reflect those colors

right into the water.

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Okay.

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Yeah.

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And to some ochre, once again,

a little more than magic white

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and two, a little bit of ochre,

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then we'll reflect that

right into the water

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with our clean, dry brush, then we touch.

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And just gently pull down and go across.

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Okay.

259

00:17:48,960 --> 00:17:52,200

Now let's take a little bit of Brown

260

00:17:55,260 --> 00:17:56,970

and put us a shoreline in there.

261

00:17:59,010 --> 00:17:59,670

There we go.

262

00:17:59,760 --> 00:18:05,180

Just straight Vandyke Brown to start

with a happy little bank in there.

263

00:18:05,190 --> 00:18:07,140

Need some ground for all

these things to set up.

264

00:18:09,885 --> 00:18:14,774

And we'll use some white and Brown

little touch of blue in it to make some

265

00:18:14,774 --> 00:18:18,615

highlights, barely touch early touch

266

00:18:23,405 --> 00:18:27,815

like so a little magic white

Mike is a waterline underneath.

267

00:18:32,855 --> 00:18:33,425

There we go.

268

00:18:37,409 --> 00:18:40,800

That you never thought you could

paint pictures like this and you can,

269

00:18:44,270 --> 00:18:46,040

he little things that

run down here onto the,

270

00:18:49,520 --> 00:18:49,909

okay.

271

00:18:50,510 --> 00:18:51,980

We can come over to the other side.

272

00:18:52,340 --> 00:18:56,240

Let's choose one of these almighty

brushes here and we'll take a little

273

00:18:56,240 --> 00:19:01,129

bit of the van Dyke Brown, a little

bird number, just mix it on the brush.

274

00:19:02,160 --> 00:19:04,830

And let's just very, in some

pretty things right in here.

275

00:19:08,250 --> 00:19:10,920

Great big bushes and stuff

that live right along here.

276

00:19:16,290 --> 00:19:17,190

Just let them go.

277

00:19:20,390 --> 00:19:24,710

And you know, those trees that we made by

double loading the brush was so much fun.

278

00:19:25,910 --> 00:19:28,190

Let's do another one go into the Brown.

279

00:19:32,435 --> 00:19:34,685

On one side of the brush,

white on the other.

280

00:19:36,364 --> 00:19:36,935

Okay.

281

00:19:37,175 --> 00:19:40,864

How about, how about if

we have one right there?

282

00:19:42,004 --> 00:19:45,784

Very trumps Brown.

283

00:19:47,885 --> 00:19:50,465

I was only going to do one

button that got carried away.

284

00:19:50,495 --> 00:19:51,604

Let's put another one right here.

285

00:19:53,295 --> 00:19:55,685

Like, so I let him be

behind those bushes back.

286

00:19:55,695 --> 00:19:55,754

Yeah.

287

00:19:55,775 --> 00:19:55,925

Yeah.

288

00:19:59,795 --> 00:20:02,285

Now let's put a little bit

of highlight on these bushes.

289

00:20:03,365 --> 00:20:04,235

She has to touch

290

00:20:08,195 --> 00:20:11,135

apparently did it get darker and

darker and darker as it comes forward?

291

00:20:12,335 --> 00:20:13,385

Clean this brush up

292

00:20:18,245 --> 00:20:19,385

a little more magic quake.

293

00:20:21,254 --> 00:20:23,504

Hey, we'll take a little

yellow, a little permanent red

294

00:20:26,705 --> 00:20:28,655

and let's put a little

sparkler right out here.

295

00:20:32,675 --> 00:20:33,514

Oh, there.

296

00:20:37,475 --> 00:20:38,135

Okay.

297

00:20:40,544 --> 00:20:44,435

Let's take a little bit of

the Brown and begin building

298

00:20:44,435 --> 00:20:45,754

us a little bank out in here.

299

00:20:50,535 --> 00:20:56,345

Something like, so, and with a

large brush, I want to grab a little

300

00:20:56,345 --> 00:21:01,145

bit of this and pulled downward

just to make us more reflections.

301

00:21:03,815 --> 00:21:04,295

I like that.

302

00:21:08,945 --> 00:21:09,485

Okay.

303

00:21:09,695 --> 00:21:12,245

Now let's take.

304

00:21:13,245 --> 00:21:16,574

The brush we had loaded with SAP green

on one side and yellow on the other.

305

00:21:17,685 --> 00:21:18,584

And do that again.

306

00:21:19,485 --> 00:21:24,605

And we'll put a few little highlights

on these trees and just touch it.

307

00:21:27,605 --> 00:21:28,445

Just touch.

308

00:21:33,845 --> 00:21:34,054

Yeah.

309

00:21:34,294 --> 00:21:36,395

I didn't have a fantastic

way to make a lot of leaves.

310

00:21:38,915 --> 00:21:41,254

Just half green and yellow.

311

00:21:42,450 --> 00:21:43,320

So, what were you using?

312

00:21:49,210 --> 00:21:49,879

There we go.

313

00:21:50,629 --> 00:21:54,230

Now, if we wanted to put a little

more detail in here, we can take off

314

00:21:54,230 --> 00:21:55,850

the NOL and mix it with some Brown.

315

00:21:56,620 --> 00:21:58,760

Maybe just show a few

little lambs here and there.

316

00:21:59,030 --> 00:22:00,230

She has some indications.

317

00:22:01,129 --> 00:22:03,290

Maybe there's an old dead when

it hangs out through here.

318

00:22:10,490 --> 00:22:10,850

Okay.

319

00:22:12,465 --> 00:22:13,544

Maybe here and there.

320

00:22:13,784 --> 00:22:14,804

Just indications.

321

00:22:20,915 --> 00:22:21,004

Okay.

322

00:22:21,185 --> 00:22:21,575

Okay.

323

00:22:21,575 --> 00:22:25,415

Now let's take a little bit of

highlight on these stones here.

324

00:22:27,875 --> 00:22:28,804

Just a tiny bit,

325

00:22:32,465 --> 00:22:36,304

and we'll use the fan brush with a little

bit of green and yellow and all the

326

00:22:36,304 --> 00:22:39,875

colors that we're using here mixed up

and just sort of bring all this together.

327

00:22:47,225 --> 00:22:49,415

crease that right there,

there soften that.

328

00:22:49,534 --> 00:22:50,675

Fake it real soft.

329

00:22:53,555 --> 00:22:57,754

Now I'm going to take just a tiny bit

of magic white and mix it with from

330

00:22:57,754 --> 00:23:03,034

white, just then the, from white down

a little bit, and let's come right

331

00:23:03,034 --> 00:23:06,815

along in here and swirl that around.

332

00:23:10,080 --> 00:23:10,980

Like, so,

333

00:23:15,830 --> 00:23:18,710

and with some more

Brown, oops, gotta here.

334

00:23:18,710 --> 00:23:19,190

Hang in there.

335

00:23:20,300 --> 00:23:21,980

Can pull that right on down like this

336

00:23:26,899 --> 00:23:29,240

and lay a little bit of highlight on it.

337

00:23:34,945 --> 00:23:39,215

Back to our fan brush with a little yellow

and green, the red it's all mixed together

338

00:23:39,215 --> 00:23:42,335

on it and just bring it all together.

339

00:23:47,345 --> 00:23:50,555

We can take just a clean knife and lay

a few little sticks here and there.

340

00:23:51,305 --> 00:23:53,495

You need these little sticks to

show distance in the painting.

341

00:24:02,235 --> 00:24:02,415

Okay.

342

00:24:02,495 --> 00:24:02,735

Okay.

343

00:24:03,125 --> 00:24:05,315

Let's go back over here and

let me put a few sticks in it.

344

00:24:07,685 --> 00:24:09,155

Want to show distance here too?

345

00:24:11,515 --> 00:24:12,845

This is a fun little painting.

346

00:24:12,845 --> 00:24:14,915

It's a little bit different than a

lot of the things that we've done in

347

00:24:14,915 --> 00:24:18,065

the past, but experiment, practice.

348

00:24:18,815 --> 00:24:22,055

It's unbelievable what you can do

if you'll just take the time to

349

00:24:22,055 --> 00:24:23,825

practice a little bit, enjoy it.

350

00:24:24,905 --> 00:24:26,435

Just have a super good time.

351

00:24:29,870 --> 00:24:32,330

I want to push his tree just

a tiny bit further back.

352

00:24:32,330 --> 00:24:35,630

So I'm going to put a Bush

right here in the front, push

353

00:24:35,630 --> 00:24:36,600

him on the back a little bit.

354

00:24:39,080 --> 00:24:39,290

Hmm.

355

00:24:40,640 --> 00:24:43,250

Well, we just got all kinds of nice

little things happening in here.

356

00:24:47,630 --> 00:24:48,710

Few little sticks.

357

00:24:52,880 --> 00:24:53,450

All right.

358

00:24:55,395 --> 00:24:59,445

I want to sign this one and then

talk just a few minutes about the

359

00:24:59,445 --> 00:25:00,915

painting we're going to do next week.

360

00:25:01,035 --> 00:25:06,015

So let me get a little oil here,

little bit of the permanent red,

361

00:25:09,555 --> 00:25:11,385

and we'll put a signature

right on this one.

362

00:25:14,115 --> 00:25:15,015

Just like, so.

363

00:25:24,780 --> 00:25:31,310

Now next week, next week, we're

going to do a fantastic painting.

364

00:25:31,310 --> 00:25:32,570

Like you've never seen before.

365

00:25:32,570 --> 00:25:37,460

I think what I want you to do, if you're

going to paint along with us is take a

366

00:25:37,460 --> 00:25:44,300

canvas and we're going to paint vertical

that's up and down and go about 11 inches

367

00:25:44,300 --> 00:25:49,940

up and paint the whole bottom of it,

black and leave the white, the top white.

368

00:25:50,670 --> 00:25:53,190

And you won't believe what

we'll do until next week.

369

00:25:53,640 --> 00:25:54,360

Happy painting.

370

00:26:14,939 --> 00:26:15,060

Yeah.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 17, 2020

S02E08 - Reflections

Bob Ross's

The Joy of Painting

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