Bob Ross's

The Joy of Painting

S02E09 - Black And White Seascape

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Well, here we are again.

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And if you were with us last

week, I promised you a crazy one

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and today you're going to get it.

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I think you'll enjoy this.

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Let's look at the canvas

for just a second.

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I have a canvas here that's

painted half white and half black.

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The bottom half about 11 inches

up is painted with a flat black

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acrylic and allow it to dry.

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The top is just plain on the bottom.

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I've taken and made one circle.

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If they look green in the center, cover

the rest of it with a little blue.

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The top is covered with

magic white as usual.

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So let's do a fantastic painting here.

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I'm going to start out with a little

bit of, this is a little bit of white

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Brown, the touch of yellow in it, and

we're going to make a seascape today.

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We're going to make a violent seascape.

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We'll just make a little

circle right up in here.

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Like, so.

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There we go now to that, I'm going

to add just a touch of Brown and a

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little bit of blue, and we'll make

another little circle right around it.

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We'll just let that

work all the way around.

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And right down in here, I'm going to

pick up a little bit of the blue and

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work that right in just a little bit of a

failed blue, just bleeding off the black.

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There we go.

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Bring us right up to the first circle

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and then the very back.

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This is just Brown and blue, just

dark and a nice dark color back here.

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Maybe, maybe this painting the

sun, sort of sneaking through the

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clouds and the big storms coming.

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Can you wash my brush?

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We'll blend.

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All this together

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looks mean and dark already.

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Just blend this guy together.

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Here we go.

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Right in the center.

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I'm going to take a little bit of the

titanium white on the one inch brush.

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Go straight into the canvas and

build a happy little sun back

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here to there we are with a knife.

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We take off the excess paint.

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And we blend that together.

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Just so we have the indication of a son.

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Yeah.

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We can start the thought.

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Let me get the brush clean and off.

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We'll go.

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How long he was Brown and blue,

more Brown than blue, because

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it is much, much stronger.

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Blue is much stronger than the Brown.

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I think we'll put just a

tiny bit of Crimson in it.

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Okay.

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Yeah.

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A little bit of paint and we're

really going to push us into

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the canvas, get strong with it.

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Really, really push it into the material.

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Bend the knife, push it in.

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There was really not a great

deal of paint on the canvas.

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It may look like it, but there's

really very little paint and it's

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pushed very firmly into the fabric.

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Okay.

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Now with the clean dry

brush, it'd be sure it's dry.

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We're going to start pulling that paint.

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There we go,

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Janice pulling very gently.

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Now that wins a national school a little

bit further, still using Brown and

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Prussian blue, more Brown than blue.

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We'll make some.

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Yeah, it makes them all mighty storm

clouds in here who was big storms coming.

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There we go.

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All right.

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Now maybe it was a little

happy cloud right down in here.

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Just grind this paint

right into the canvas.

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Push it big cloud over here.

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There it comes really push it.

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Paint.

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Remember that you're the

creator and this is your seat.

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You can do anything that

you want to do here.

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And we decided we want to

build an almighty storm today.

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They're really work at payments.

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Maybe, maybe, maybe far

back in the distance.

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It's beginning to rain a little bit.

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Just pull that down.

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You, it looked like it was a little rain.

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We often distance now with a large

brush, I'm going to blend this a little,

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just to pick up the excess paint.

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The more of this excess you

can pick up the easier it is.

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Don't want it to smear

all over the canvas.

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Yeah.

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If you're doing this at home with us,

be sure your paint is very, very firm.

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If you're using a thin Orly paint, I

can almost guarantee you this one works.

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Okay.

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It's put a little bit of

highlight on these clouds.

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He was just a little bit of titanium

white, and I'm just going to sprinkle

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some highlights here and there.

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Since this is our light source,

we can always keep that in mind.

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Just a little bit.

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and a little bit over in here.

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There we go.

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Okay.

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okay.

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A little bit up in here.

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Now.

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We want to get rid of excess paint

because it'll smear so very gently.

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We'd take the knife and

lift that right off.

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The value remains in the canvas

just lifted off and I suggest you

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wiped the knife between each stroke.

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Otherwise you'll put a big dark

line there when you go back.

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Okay.

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Now that we've got the excess paint off.

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We can take the large brush

and very gently, very gently

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just blend this together.

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And it still gives impression of

highlights without having the, the

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real bright colors, because we want

to retain the darkness in this one.

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We're going to have an almighty

storm come in and we got to keep

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it dark cloudy, mean looking.

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Almost letting the brush

touch the canvas right here,

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lift it, fluff it, blend it out

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a little more white and right here,

maybe, maybe there's some little clouds

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that just sort of float around here.

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There they are.

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Just let them fall in with

a large brush, very gently.

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I'll blend those.

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And maybe you want to push

them even farther back.

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If you do put some more little

clouds right here in the front.

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Okay.

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You can just push those farther

and farther back creates a lot

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of distance in your painting.

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So many techniques are very flat

and this, this has tremendous,

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tremendous depth in it.

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Uh, reign we back in there we go.

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A little bit of that flu,

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maybe, maybe another happy little cloud.

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Just keep building depth in it.

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All right now, let's start making some

water here and I'm going to start with

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a pallet knife and use a little bit of

the titanium white, very, very little.

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And where the black and the white

meat on this canvas automatically.

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That'll give you a waterline.

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You don't really have to worry

about it, but just touch.

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Started in the center and work outward.

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So it gets darker, darker,

darker as it works out.

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And here, all we're doing is laying

just a little paint on the canvas.

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There we go.

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Just hearing there.

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We're not too concerned about it yet.

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Just let it, let it fall.

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Wherever it pleases.

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Okay.

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With a large brush cleaning,

dry, just go across.

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We just went into all that together.

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Now I'm going to take a little bit of

the CAD yellow, very, very small amount

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that a little bit of white mixed together

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and right underneath here, but

just a little touch of yellow.

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She has to make some pretty

little reflections there.

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Now there's blue underneath.

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So this yellow should turn basically

green when we blended just to give some

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nice yellowish greenish highlights here

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with our large brush.

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We'll blend this again,

quite happens loose.

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Okay, now we're ready to take it.

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Our fan brush.

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And I'm going to add a tiny

little bit of magic white to it.

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You need the magic white to thin it just

a little tiny bit, very small amounts.

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So it's a little bit thinner

than what's up there.

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And then we can start applying little

waves and stuff and test your fan brush.

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You'll find it and Benz

better one direction.

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And it does the other, keep the brush

moving, keep it playing that these

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little waves just fall right out of it.

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There, there we go.

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if you put one in you, don't like just

wipe back and forth, it'll go away or you

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can put a little shadows and highlights

and stuff underneath it by doing it

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And as we started getting closer,

we begin putting just, just a

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little more detail here and there.

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Bad.

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See the storm is coming.

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If you live close to the coast, it's

a good time to be finding a new house.

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Just let's have fan brush

work and play in there.

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Choppy little waves.

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Yeah.

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All these little things just

happening, maybe some little

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we back in a distance there.

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Yeah.

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I'm going to take a little

bit of a lesbian Crimson and

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Vandyke Brown mixed together.

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And maybe we'll make, maybe there's

a little coastline back here.

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Maybe there's a little Hill that

runs right down into the water.

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There we go.

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Just a basic shape.

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We need to take a little bit more

of the white and we're going to

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splash some waves up on this.

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Barely touch.

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Give it a little upward pull.

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Like it makes it look like headwaters

hitting and splashing up the edges.

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Okay.

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Okay.

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A little bit more of

the Brown and Crimson.

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Maybe we'll have another one right here.

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What the heck?

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We'll put this one in the front end.

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Maybe he's a big almighty cliff

that comes right down to the water.

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Just have your brush strokes go in the

direction you want the land to flow?

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No, once again, a little bit more of

the white splash, some up in here.

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Let it hit him

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at that water slide up into the rocks.

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There we go

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over in here.

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We need some happy little

things that are happening.

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And if you wanted to, you could take.

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And maybe put the silhouette of a

few little trees back here on this.

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Just think a little fan

brush and put them up.

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They going to be in trouble soon.

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And if there's a storm coming in the

liner brush with a little bit of oil

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and just put some little trunks, all

we want is silhouettes way back here

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has tiering there just to give

an indication there's something.

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We went back into distance.

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and trees are really going to

catch a devil in a few days.

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Okay.

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And we'd take a little bit of when you

use a tiny bit of ochre color here and

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just very lightly, a little highlight

here and there very, very lightly.

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Just enough to, to break it up a little,

to make it look like little trees.

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I told you this one was crazy.

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Are you enjoying it so far?

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Okay.

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Okay.

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A little bit more of the white paint.

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That's having all muddy wave in here, that

son of a gun while it just, it hits and

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splashes like, so let it go, let it go.

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And maybe it's really splash in here

and we have foam every which way.

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Without a phone and how we

can begin working on this

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shape of this big wave here.

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It's really a big wave.

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It's just piling up, getting

ready to crash on some rocks.

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Maybe.

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Maybe it's beginning

to curl in some places.

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So let's just draw a little curl and

then we grabbed this white and pull it

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over, pull it over, pull it over, pull

it over, just like so grab and pull.

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And that creates that.

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And if you want it to play a little bit,

maybe, maybe, maybe, maybe, maybe there's

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a little light shedding through there.

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And creating a nice little nice

little bright glow in there.

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We'll just put some yellow red on

top of that and let it turn green,

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little bit of white just to let

the light shine through there,

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back to my white.

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There we go.

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Yeah.

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These strokes are most, most important.

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Grab another thing brush here,

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a little bit of the straight blue and

I'm going to dark and right behind

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this, just to touch tiny little bit.

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Just darken it up a little.

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There we go.

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Yeah, we can come down here

and begin playing a little bit.

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Let this water splash up

in through here, put it on.

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And then we can take the big

brush and dull it down a little.

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It must make a happy little

stolen out here in the water.

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00:17:42,975 --> 00:17:46,545

Like right here, water's

crashing up against him.

256

00:17:47,625 --> 00:17:52,695

This is straight Vandyke Brown,

just a big old stone out here.

257

00:17:54,135 --> 00:17:55,365

So you thought I'd made a mistake?

258

00:17:55,365 --> 00:18:00,675

When I put that there, I knew it

was going to be there and I'll

259

00:18:00,685 --> 00:18:05,385

take just a little bit of umber,

just straight umber and we'll put

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00:18:05,385 --> 00:18:06,795

a little highlight on that stone.

261

00:18:07,335 --> 00:18:08,835

It's quite dark, so we don't want it.

262

00:18:09,510 --> 00:18:15,180

Don't want to use bright

highlight, just straight number.

263

00:18:30,470 --> 00:18:31,520

nice rugged stone.

264

00:18:33,080 --> 00:18:33,920

And we need some water.

265

00:18:33,920 --> 00:18:35,710

The splashing up on the stone here.

266

00:18:40,165 --> 00:18:43,455

Water run down it and

follow right up the wave.

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00:18:49,805 --> 00:18:53,915

But all these little foamy things

happen at home where you have

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00:18:53,915 --> 00:18:57,215

unlimited time, you can have water

dripping all over the sides here.

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00:18:57,754 --> 00:19:00,155

Oh, that's just a multitude of

things that you can do with this.

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00:19:00,995 --> 00:19:02,764

It's really the idea

we're trying to give you.

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00:19:03,915 --> 00:19:06,945

And with that idea, then you're

limited only by your imagination.

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00:19:09,315 --> 00:19:10,515

Let's go right into here.

273

00:19:11,565 --> 00:19:15,825

Maybe, maybe there's another little stone

here and these stones just such fun.

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00:19:15,825 --> 00:19:18,735

Let's just do several

of them for a number.

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00:19:21,345 --> 00:19:23,715

And we'll just lay a little

highlight on top of this one.

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00:19:25,185 --> 00:19:25,725

There we go.

277

00:19:31,475 --> 00:19:32,315

Oh, mighty stone.

278

00:19:36,725 --> 00:19:39,425

okay, man, we need a little bit of

water splashing around this one.

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00:19:41,525 --> 00:19:42,995

Maybe there's even a little over here.

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00:19:45,295 --> 00:19:47,735

Wants to get, make it look

like it's running right up.

281

00:19:47,735 --> 00:19:47,945

That

282

00:19:57,695 --> 00:19:59,375

just some little things

happening down here.

283

00:19:59,375 --> 00:20:01,355

All kinds of little actions

are going on in here.

284

00:20:04,745 --> 00:20:07,235

But all these little waves,

splash and play and have fun.

285

00:20:16,715 --> 00:20:18,245

have your painting along with us at home.

286

00:20:18,245 --> 00:20:20,525

I bet you didn't never believed

you could perform this.

287

00:20:21,725 --> 00:20:25,835

You could do a seascape like this,

and just a matter of minutes, I think

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00:20:25,835 --> 00:20:30,125

what you could do if you took your

time, there's really no end to it.

289

00:20:32,310 --> 00:20:32,550

Okay.

290

00:20:32,550 --> 00:20:33,990

Now we'll just lift up a little bit.

291

00:20:34,590 --> 00:20:37,320

She has to quiet that down to touch

292

00:20:42,830 --> 00:20:43,100

Yeah.

293

00:20:45,470 --> 00:20:47,660

Are we having so much fun

with the Tobin's here?

294

00:20:48,379 --> 00:20:51,560

Maybe, maybe there's another one over

in here, somewhere that the waves just

295

00:20:51,560 --> 00:20:56,870

fixing to sneak up and getting, you can

put as many of these in as you want.

296

00:20:56,900 --> 00:20:57,830

Just let them happen.

297

00:21:01,605 --> 00:21:03,165

And little more of the burn number.

298

00:21:07,895 --> 00:21:12,245

there's absolutely no pressure on

the knife when you're doing this.

299

00:21:12,755 --> 00:21:15,275

When you make these little

rocks, no pressure at all.

300

00:21:15,875 --> 00:21:20,645

It's literally, it's just the paint,

touching the canvas in your mind.

301

00:21:20,645 --> 00:21:22,595

Remember the blade's

not touching the canvas.

302

00:21:22,625 --> 00:21:26,615

It's only the paint and there's

no pressure, no pressure.

303

00:21:26,615 --> 00:21:27,035

It's just.

304

00:21:27,795 --> 00:21:29,085

Barely barely touching.

305

00:21:29,655 --> 00:21:33,015

If you push hard, you're going

to just mush it in there and it

306

00:21:33,015 --> 00:21:34,335

looked like you decorated a cake.

307

00:21:36,545 --> 00:21:36,935

Okay.

308

00:21:37,055 --> 00:21:39,365

Now, but a little bit of

foam right around here.

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00:21:39,935 --> 00:21:42,125

Just let it splash right up the box.

310

00:21:43,715 --> 00:21:44,855

Make it action fast.

311

00:21:44,855 --> 00:21:49,475

When you do it just real quick,

it makes it happen so much better.

312

00:21:52,145 --> 00:21:54,815

And if you want it to show a little

bit of water, maybe dribbling

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00:21:54,815 --> 00:21:56,045

over the rocks and places.

314

00:21:57,630 --> 00:22:04,620

Use a very, very thin paint, then it with

magic white, make it very, very thin and

315

00:22:04,740 --> 00:22:08,520

touch and just barely, barely touch it.

316

00:22:10,230 --> 00:22:11,430

Barely, barely touch it.

317

00:22:11,730 --> 00:22:12,210

Let it play.

318

00:22:15,470 --> 00:22:17,870

See how you can make that water

just dribble right over the rock.

319

00:22:21,320 --> 00:22:21,680

Okay.

320

00:22:29,885 --> 00:22:33,455

maybe it is maybe there's a little

water coming right across the top here.

321

00:22:34,445 --> 00:22:35,915

And just running down this rock

322

00:22:39,305 --> 00:22:41,735

with all this splashing

foam carried on here.

323

00:22:42,085 --> 00:22:44,705

There's got to be little puddles

all up on the top, up in here.

324

00:22:45,815 --> 00:22:48,965

So just let this water dribble dribble.

325

00:22:49,085 --> 00:22:50,285

That's the word I learned in the South.

326

00:22:51,105 --> 00:22:51,585

I like it.

327

00:22:57,725 --> 00:23:00,125

We've been doing a lot of classes

for our friends in Florida

328

00:23:00,995 --> 00:23:02,585

and they're fantastic people.

329

00:23:02,585 --> 00:23:04,025

We really enjoyed paying there.

330

00:23:05,525 --> 00:23:06,275

Okay.

331

00:23:08,975 --> 00:23:10,325

This is a little bright red in here.

332

00:23:10,325 --> 00:23:13,265

So I'm going to take the

large brush, just very gently.

333

00:23:14,705 --> 00:23:17,555

Touch it a little bit and that'll

take some of the brightness away.

334

00:23:18,555 --> 00:23:23,055

Just blends it into the colors

underneath now, in case you joined

335

00:23:23,055 --> 00:23:25,965

a little bit late, let me quickly go

over what we've done here, because

336

00:23:25,965 --> 00:23:28,785

this is so radically different than

anything we've done in the past.

337

00:23:29,445 --> 00:23:31,545

I started with a canvas at the bottom.

338

00:23:31,545 --> 00:23:36,615

Part of it is painted black with a

flat black acrylic and allowed to dry.

339

00:23:36,975 --> 00:23:38,295

The top remains white.

340

00:23:38,745 --> 00:23:43,365

We cover the top with a thin layer

of magic white on the bottom here.

341

00:23:43,785 --> 00:23:46,185

I made a big circle of fellow green.

342

00:23:46,905 --> 00:23:52,185

And around that circle, I put

mostly blue, blue, and then right

343

00:23:52,185 --> 00:23:57,045

around in here and blue, or you

can do it all impression blue.

344

00:23:57,075 --> 00:23:57,915

You really don't need that.

345

00:23:57,915 --> 00:24:01,545

They look blue, but if you have it,

it's, it's a very warm, sparkly blue

346

00:24:02,025 --> 00:24:03,465

that you might enjoy playing with.

347

00:24:04,695 --> 00:24:07,455

Then blend it all together

with long, horizontal and

348

00:24:07,455 --> 00:24:10,875

vertical strokes right in here.

349

00:24:11,815 --> 00:24:15,435

Then we begin the colors

that we use are transparent.

350

00:24:16,080 --> 00:24:19,080

Be sure these colors under the

black canvas are transparent.

351

00:24:19,680 --> 00:24:22,650

If there's any doubt in your mind, put a

little bit on some black and look at it.

352

00:24:22,950 --> 00:24:26,910

If it doesn't look black steel, then

they're not transparent, but they little

353

00:24:26,910 --> 00:24:32,010

blue, yellow, green SAP, green, Prussian,

blue alizarin, Crimson, all of these

354

00:24:32,010 --> 00:24:35,940

are very, very transparent colors and

you can do fantastic things with them

355

00:24:36,600 --> 00:24:38,700

and practice using them in combinations.

356

00:24:39,330 --> 00:24:43,050

Some of the pictures we do, we use

stripes of different transparent color.

357

00:24:43,785 --> 00:24:45,135

So play with it at home.

358

00:24:45,375 --> 00:24:46,665

You won't believe what you can do.

359

00:24:47,825 --> 00:24:51,485

Sometimes I talk too much, so I

think we'll sign this painting

360

00:24:52,625 --> 00:24:53,735

and I hope you've enjoyed it.

361

00:24:53,735 --> 00:24:59,075

I hope it's given you a lot of fantastic

ideas and we'll start your mind

362

00:24:59,075 --> 00:25:00,965

working your imagination, going crazy.

363

00:25:03,005 --> 00:25:05,435

And you two will come up with

some unbelievable paintings.

364

00:25:06,005 --> 00:25:09,095

So let's sign this one, then the

paint with a little bit of oil.

365

00:25:13,415 --> 00:25:16,625

And turn it to bring it

to a nurse sharp point.

366

00:25:17,764 --> 00:25:18,245

Turn it.

367

00:25:25,534 --> 00:25:28,115

why signature in red really

stands out against is blue

368

00:25:33,365 --> 00:25:35,495

So now once again, we've

mentioned on other shows, let

369

00:25:35,495 --> 00:25:36,575

us know what you want to see.

370

00:25:37,725 --> 00:25:40,815

And in the future, we will try to

produce paintings that you wanted

371

00:25:40,815 --> 00:25:42,764

home or that you need some help with.

372

00:25:43,725 --> 00:25:45,285

So I think we're going

to call this painting.

373

00:25:45,285 --> 00:25:48,855

Finish the old clock on the wall, tells me

it's time to go and leave you for today.

374

00:25:49,545 --> 00:25:54,014

So on behalf of everybody here at

WIPP, we'd like to wish each and

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00:25:54,014 --> 00:25:58,065

every one of you happy painting,

and God bless have a good day.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 17, 2020

S02E09 - Black And White Seascape

Bob Ross's

The Joy of Painting

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