Bob Ross's
The Joy of Painting
S01E10 - Mountain Lake
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Hello.
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Hope you have your canvas
set up and ready to go.
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I think we'll do another almighty picture.
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And today I want to do a Ridge of
mountains rather than the jagged
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sharp mountains that we've been doing.
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I want to do a nice, smooth little
Ridge of mountains coming down
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into a beautiful little Lake.
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So we'll start off here with a little
bit of Prussian blue and the big brush.
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Here we go.
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Just work it into the bristles and we'll
start right at the top of the canvas.
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And we'll put us a
quick little sky in here
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and we'll just move this paint around.
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If I didn't work, play
don't want a dead sky.
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I've already had the magic white
on the canvas before I started.
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So we have that.
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Ready.
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Here we go.
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Nice little sky with some life
in it and I'll put just a touch
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of fatal green with my color.
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Hey, we'll put it in some water.
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Start to bring all that together.
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Well, we've left a little area open right
here in the center, so that it'll look
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like a sheen of light coming across.
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Okay.
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Okay.
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Just redecorated your living room.
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Now let's take a little bit of the
titanium, white, just a little touch
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of permanent red, and it always liked
to put a little bit of pink into
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my clouds, just so it looks like a
little sunshine and we'll do some
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almighty, mighty big clouds here.
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Jess, let them work off at brush.
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Keep the brush moving.
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Keep it moving.
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You don't want to sit and grind.
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One spot to death.
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All you'll do is end up with
huge cotton balls in the sky.
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We want a nice fluffy clouds leave
some of these areas, dark that'll end
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up being the shadows in your cloud.
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Okay.
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Maybe we'll just have a little clouds
floating around, up in the sky, up here,
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maybe another national cloud, but
just a little touch, more pink.
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Where that one there.
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Now he stands out.
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We just want these to
be soft little clouds.
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Yeah, we'll take the big brush
and very gently hypnotized.
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Yes.
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Just work it a little bit.
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Leave it alone.
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If you overwork it, you've
killed your cloud and you
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become a cloud and we're killer.
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Ooh, nothing worse than
a cloud killer there.
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Fluff it up a little.
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And don't worry if you pull a
little streaks of paint out when
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you do that, because when you
hypnotize it, it'll go away.
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There is to hypnotize the whole thing now.
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Okay.
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Let's clean the brush.
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There we go.
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Let's put one more little cloud in there.
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We'll just have him right
here and just let him work.
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Yeah.
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If you're going to separate these two
clouds, you need the dark area in between.
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So don't kill all your dark areas.
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Yeah.
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Lindy man, a little bit
fluffy then hypnotizing.
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Okay.
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Now let's start working on this
Ridge of mountains here, and we're
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going to take a little blue and Brown
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and want to make sort
of a gray color here.
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Blue, Brown, and white.
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That your blue is a hundred
times stronger than the Brown.
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So you use it sparingly.
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There we go.
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Now let's just take and lay us in
a nice little Ridge here, and we're
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really pushing this into the canvas
work at heart, working hard push.
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You're not going to hurt that canvas.
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Just a few little bumps
here and there on top.
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Really pushed that color
into the canvas there.
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Now we'll take the big brush
and we'll pull this downward.
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There we go.
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Get rid of all that excess paint and
it's blending with a magic quite as
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you pull it down and automatically it
gets lighter in value toward the bottom
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clean deal rush.
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Here we are.
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Yeah, let's take a little bit of white
and I'm going to gray it a little bit
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just to make it a little bit dollar
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And over here, I'm going to make up a
little shadow color and it's Brown, white,
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little bit of blue, so we can work back
and forth between highlights and shadows.
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Let the video.
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Lift a little bitty roll
of paint on your knife.
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Almost no paint has to be very subdued.
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There we go.
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Come on down.
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This shit look almost like cliffs.
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She asked where the light's
striking her in there.
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the shadow color played here and there
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Thank you.
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I find that doing these kinds of
mountains are a little more difficult
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than the other ones we were doing.
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We used more paint.
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These are almost non-existent
when it comes to paint.
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Okay.
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And we'll take the big brush
and diffuse this, make it even
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softer, push it even further.
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So.
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Pushing back.
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Maybe we'll put a little reach
coming right around here, sorta.
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I spend all day just playing
with mountains and it's a
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super, super way to learn.
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So if you have an old canvas around
ticket and just do nothing but mountains
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on it, the whole thing, it really.
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Really we'll make a friend of that
night by the time you finished and
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it'll help you to understand mountains.
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Everybody's not as forced and desired
can live in Alaska where you can look
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at your winded view mountains that
most people only see in pictures.
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Right.
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Let's bring this down.
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Maybe we'll just have it
come up right in here.
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There we go.
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okay.
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And if you don't have mountains outside
of your window, you can buy a lot of
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books that have pictures and examples.
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And after a very short period
of time, you'll begin making
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these up in your own mind.
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You no longer have to worry about
copying with copying as a way to start.
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And here, we're trying to give
you something just sort of as a
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guideline to go by and to make your
own vision and to put it on canvas.
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So don't worry about trying to
copy exactly what I'm doing here.
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Do what you want to do.
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Put your feelings into it, your heart.
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It's your world.
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maybe a few little things here and there.
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Shadows.
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Maybe we'll just change
some of these angles here.
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There we go.
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I like it better.
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It's your mountain.
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You can change it.
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You can change it any way.
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You want him to be gonna put some
little shadows here and there just
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to make some little projections
coming up wherever you want.
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Now that's diffuse this
lame in the midst here.
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Very soft.
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Now let's take a little
magic, quite little magic.
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Quite.
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We need a thinner paint for going to make
some happy little clouds that just sort
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of float down over the mountain here.
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And maybe it will just take us one
right here and just let it float
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ride on down over the mountain.
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Now it's essential.
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That you have a thick paint on first,
it is essential, absolutely necessary.
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Or all you do is make mud here.
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Okay.
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Maybe there's a little cloud just
floating right down through there.
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We need to just lay these
clouds where we went.
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Think maybe this one
comes down over here too.
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Very thin paint can stress that enough
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now.
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Very, very chippy, a hair just
about touches, not quite just about
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hypnotized.
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Ever so lightly,
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super, super likely there.
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See how easy it is to put clouds,
just dripping right over the mountain.
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Uh, then let's take, let's take a little
SAP green, a little Brown mixed together.
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Tennessee here.
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Let's take, Oh, I've got a big old
hair laying right there on the brush.
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If you get a hair on the canvas,
just take the corner of your
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brush and lifted right off.
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No big deal.
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If you take your finger and start picking,
you'll destroy your whole picture.
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Trying to get that one little
son of a gun off there.
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Okay.
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Now let's just lay in some color here.
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Maybe I'll add just a little
touch of blue to that.
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Yeah, I liked it better.
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now, then we can take and grab
a hold of a little bit of that.
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Pull it down.
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Instant reflections, instant reflections.
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Pull that across.
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Okay.
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Now we can highlight a little bit
and we'll take a little bit of
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the magic, quiet, little yellow,
and a touch of Taylor green.
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Nice, bright little green here
and lay in some nice little things
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happening all over the place.
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can you just reflect a little bit of that
color right down into the water here.
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now let's mix up some blue Brown, some
Seth green, and you want this very dark.
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It looks black.
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And we'll use the almighty
fan brush today, make some
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little trees in the background.
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We've used just about every brush here.
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So just show you how you could make
some beautiful little trees with this,
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and you just sort of let them fall
off to brush back and forth, shape
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your tree and lay them in there.
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Maybe we'll put one a little higher
that way we'll put the cloud.
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That little cloud is floating
in front of the mountain.
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We'll put him behind the tree.
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There we go.
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These are fun, little trees to make.
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Just let them happen.
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One over here.
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Hopkinton bend a little bit.
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Maybe airplane with two
close-up clipped him in Alaska.
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That's not unusual.
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It has some crazy old Bush policy
up there that run over everything.
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Friend of mine brought back a 12 foot
tree hanging on his back of his airplane.
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Maybe a little baby.
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But over here.
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Okay.
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Then we'll just pull that
down into the reflections.
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Very gently.
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So,
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all right, now we'll take some magic,
quiet, and a little bit of Vandyke
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Brown, a little touch of yellow.
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Just to make sort of a dirt color, sand
color lay in some little waterlines back
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here, and maybe we'll have a little beach
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just run around the corner.
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We'll take a dry brush and
we'll lift this just a touch.
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This is a thinner paint.
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So it'll move on top of the
other without destroying
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on just straight magic white.
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And we'll sparkle this up a little bit.
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I'll put a few little sticks
and stamps here and there.
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Okay.
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Time to move forward in this
picture, I don't mix us up
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a little more in dark color.
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Okay.
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That's put some paint on the one inch
brush and build us another tree here.
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Maybe we got a nice evergreen is
growing right up through here.
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There you go.
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Let him drift out of the brush.
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We'll give him a little friend
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right
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now.
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Let's just put some.
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Little bushy trees right in here,
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reflections underneath,
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pull those down
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and we'll put some little trunk
indicators to nest here and there.
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Oh, ready.
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Now we can highlight that.
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I'm gonna throw a nice
little green Bush right here.
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a nice little tree.
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and we'll reflect those
right down into the water
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and give him a little pull.
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Can you little Bandag
Brown and we'll put some.
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Soil in here.
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Let, just sort of let this come around.
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And a little Brown and white highlighting
came, look like stones and stuff.
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Few little bushes that traveled down.
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There we go.
251
00:20:39,810 --> 00:20:41,730
Hey, we'll put a little
water line into here
252
00:20:45,350 --> 00:20:46,399
and this is still water.
253
00:20:46,399 --> 00:20:47,510
So it has to be flat.
254
00:20:47,570 --> 00:20:50,929
All these lines have to
be straight, go anywhere.
255
00:20:50,929 --> 00:20:53,300
You want to go with them, but they
have to basically be straight.
256
00:20:53,600 --> 00:20:55,189
Or your water's going to
run out of your pitcher.
257
00:20:55,850 --> 00:20:57,800
You're going to have to get a
bucket and put under one in.
258
00:20:58,440 --> 00:21:00,090
Let's put a few minutes here and there.
259
00:21:04,440 --> 00:21:05,040
All right.
260
00:21:06,110 --> 00:21:09,860
Now let's take some Brown and do this.
261
00:21:11,900 --> 00:21:12,920
Just let this go.
262
00:21:24,920 --> 00:21:26,570
Really pushing that into the canvas.
263
00:21:29,970 --> 00:21:30,480
Pushing it.
264
00:21:32,520 --> 00:21:33,090
Okay.
265
00:21:34,680 --> 00:21:41,220
And we'll take a little white and little
Brown, little touch of blue into it here.
266
00:21:43,860 --> 00:21:50,010
And we'll just do this turn
into some nice dirt area.
267
00:21:54,210 --> 00:21:54,570
Okay.
268
00:21:58,860 --> 00:22:07,020
Nah, then that S build a
tree right here as tree.
269
00:22:07,410 --> 00:22:07,950
Here we go.
270
00:22:11,970 --> 00:22:17,430
This is a star dark color who we've used
before blue and Brown, little SAP green.
271
00:22:19,260 --> 00:22:21,270
Maybe we need a little Bush
right in here somewhere.
272
00:22:21,690 --> 00:22:25,290
Just to break it up a
little Bush out here.
273
00:22:28,155 --> 00:22:29,685
Maybe we'll put a little
blush right there.
274
00:22:35,705 --> 00:22:36,995
Put in some little trunks,
275
00:22:40,295 --> 00:22:40,895
like, so
276
00:22:48,525 --> 00:22:49,925
put some little highlights on there.
277
00:23:23,350 --> 00:23:25,280
some little things happening on this Bush.
278
00:23:32,600 --> 00:23:34,580
maybe we'll have some
little bushes over here.
279
00:23:54,514 --> 00:23:57,514
maybe we have a little path
that sort of just comes through
280
00:23:57,514 --> 00:24:02,254
here just a little dark area,
281
00:24:10,055 --> 00:24:11,165
bring it down to it.
282
00:24:17,660 --> 00:24:18,320
okay.
283
00:24:18,860 --> 00:24:20,690
Let's see what we can do here.
284
00:24:22,100 --> 00:24:23,630
Let's have a nice tree right here.
285
00:24:32,720 --> 00:24:33,590
but his other side.
286
00:24:33,590 --> 00:24:35,480
Oh, I don't want a one sided tree.
287
00:24:41,040 --> 00:24:43,320
Okay, go down through here.
288
00:24:44,790 --> 00:24:46,770
She had a steady fall in wherever.
289
00:24:56,120 --> 00:24:57,260
give him a little highlight.
290
00:25:06,600 --> 00:25:07,880
would take her dark color.
291
00:25:10,274 --> 00:25:11,324
We'll put some leaves on it.
292
00:25:31,985 --> 00:25:35,885
which has taken a little more color.
293
00:25:38,100 --> 00:25:39,300
The highlight these
294
00:26:05,189 --> 00:26:07,649
Maybe we'll put a nice,
bright little tree right here.
295
00:26:14,850 --> 00:26:16,350
A few little things down here.
296
00:26:18,470 --> 00:26:21,379
This sort of gives it the indication
that the land works down that way.
297
00:26:24,139 --> 00:26:28,790
Okay, man, I want to
put a few little sticks.
298
00:26:29,179 --> 00:26:30,439
All three out here.
299
00:26:36,660 --> 00:26:38,100
We're just cutting through the paint here.
300
00:26:44,930 --> 00:26:45,290
Yeah.
301
00:26:45,300 --> 00:26:48,020
We'll take a dark color and
I've used a thin oil here.
302
00:26:48,650 --> 00:26:50,780
Maybe we'll put a few little
things that are just sort of
303
00:26:51,350 --> 00:26:52,640
laying around out, like, so
304
00:26:56,870 --> 00:27:02,090
just hearing there wherever you'd
like them, this is your creation.
305
00:27:11,825 --> 00:27:14,555
maybe we need to have a whole
dead limb here in there.
306
00:27:15,155 --> 00:27:15,245
Okay.
307
00:27:20,585 --> 00:27:23,764
maybe I'm just mixed up,
uh, a dark, dark green here.
308
00:27:24,125 --> 00:27:27,065
Let me just put a few little
highlights on these trees to indicate
309
00:27:27,065 --> 00:27:28,475
little lights playing on those.
310
00:27:30,245 --> 00:27:31,115
There we go.
311
00:27:43,645 --> 00:27:45,125
Yeah, I think we'll sign that one.
312
00:27:45,544 --> 00:27:47,615
And that one should be
just about finished.
313
00:27:50,735 --> 00:27:51,544
There we are.
314
00:27:52,465 --> 00:27:54,304
I really hope you have
enjoyed this painting.
315
00:27:55,475 --> 00:28:00,395
I hope yours is complete also, if
not, he'll be with us next time.
316
00:28:01,560 --> 00:28:03,990
And until we meet again, happy painting.
317
00:28:04,050 --> 00:28:04,800
Thank you very much.
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