Bob Ross's

The Joy of Painting

S01E05 - Quiet Stream

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Well, welcome back.

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Glad to see you again today, I thought

today would do something a little

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different and I've taken the Liberty of

going ahead and covering the canvas with

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a complete layer of SAP green and two

that I'm going to add a little pressure

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and blue right on the bottom here.

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And we just start at the bottom

and work up so that he gets.

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Lighter and lighter as we go up.

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Here we go.

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They would make a happy little stream.

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It's just sort of running

through the woods here.

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Okay.

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We just worked this blue back and forth.

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So it graduates in value as it goes up.

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No.

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Let's take, let's use this brush and we'll

take a little bit of CAD yellow and let's

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make a light source in here and we'll just

do this by making a little X patterns.

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There we go.

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Just work it around, around, around.

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So it gets darker and darker

as it goes out from the center.

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Maybe a touch, more, always starting

in the light area and working outward.

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Here we go

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just back and forth little axis.

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Okay.

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Now we'll take the big brush and

very gently will hypnotize this.

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They're just mad it blend out.

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So that we start to have a light source.

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That's all we're looking for here.

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Now, still using the big brush.

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We'll go right back into the SAP green

and we'll do some basic tree shapes here

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and we push the paint into the canvas.

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Just really pushing.

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There we go.

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You need an almighty easel

when you're doing this.

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Cause you're really.

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Really pressing the paint into the canvas.

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Okay.

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Maybe we'll have another

big tree right in here.

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Okay.

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Isn't that?

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Fantastic.

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You can just push a tree

right out of your breasts.

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Like it.

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we'll have another tree here.

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No, you stop it.

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We're having so much fun

here with these trees.

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and already we have a

basic shape to work with.

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We really don't plan these paintings.

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We let them happen.

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We just sort of decide where we want

basic shapes and work from there.

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Okay.

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Let's take the almighty knife.

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Little Vandyke Brown and

white mixed together.

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And we'll put some trunks and these all

mighty trees and all we're going to do

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is touch and sort of pull a little bit,

let them get wider as they go down.

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We are

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maybe we'll have another truck

heading back in here somewhere.

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Just make all kinds of little tree thing.

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This is sort of different than the

paintings we've done previously because

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this painting has no magic white on it.

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All we do is start with the SAP green,

completely covered the canvas work,

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depression blue from the bottom upward

to make it darker in the foreground.

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These are the kinds of things that

we continually look for, new ideas,

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new ways of using this fantastic

technique and these ideas we put

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out continually to all the people

that enjoy this type of painting.

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We have a little quarterly newsletter that

we use to put these ideas out to people.

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So they are current and what's happening.

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Okay.

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Let's just have another almighty

trunk right down through here.

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Maybe we'll highlight these just a little

bit with a little plain white chest.

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Thanks for the light would strike

and run through here and have fun.

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There we go.

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Over on this side.

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Now the lights going to come

from that posing direction.

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Opposite direction.

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Just a little hair in there.

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Okay.

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Now we'll take a one inch brush and

a little bit of magic white and we'll

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start with some yellow and a touch.

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If they look green,

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remember.

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That thin paint was

stick to a thick paint.

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So we thinned it just a little

bit with a little magic white.

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I think we just push out all these

thousands of little leaves or they come

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in it.

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Fantastic.

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If you're painting along with us

by now, you should begin to have

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little leaves all over these trees.

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Just beautiful little leaves.

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Leave a lot of the dark areas in here.

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We don't want to kill all the dark areas.

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They need the dark in

order to show the light.

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okay.

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Maybe we'll come right

down here and drop it.

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Another happy little place

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And over in here, we want this to be

the brightest area of the painting

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back here, where the light sources,

and as we work forward, we're going

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to let it get darker and darker.

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A little light coming

through right in here.

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You put your trunk in,

before you put the leaves.

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I would say you have leaves

in front of the trunk.

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You don't want the trunk sitting

on the outside of the tree

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or is it nice little Bush areas.

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and maybe over here and just

happy little thing growing.

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Nature is so fantastic.

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Enjoy it.

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Let it, let it make you happy.

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There is another one.

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Okay.

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Now I'm going to go into a little

SAP green begin using a little

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SAP green with this yellow.

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So it begins to get a little bit darker

as we work back here and we'll put

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some highlights on this little tree.

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by now.

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You should begin having the feeling

that you're walking through.

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The deep woods, all the

beautiful tree shapes are there.

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The little squirrels are hiding in the

trees and bunny rabbits are behind.

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There we go.

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Once again, don't kill all this

dark area you needed to do.

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To produce distance in the painting.

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Okay.

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That should give us enough

to get started with now.

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We'll take the almighty fan brush and

we'll take a little bit of magic white

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and a little bit of from white and

we'll make a, let's have a, a little

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waterfall it's happening back here.

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Maybe a bubbling little stream.

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It's just working its way through.

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And so often we avoid running water

and running water is a lot of fun.

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So here we go, pull it

over and let it drop.

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If you wanna make a little waterfall and

we take the fan brush and push to make

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some little foamy things happen, then

we begin building our running water and

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we're pushing the fan brush so that it

builds upward in the foams on the top.

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Instead of on the bottom, there we are

that all these little things just happen.

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there we go.

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Maybe under the water here, there's

a little stones causing the water

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to sort of just bubble over.

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We might not see this

stone, but it's under there

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as it comes towards you let it get wider,

bigger, stronger, or these little things.

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These elections that are happening here.

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all kinds of little churning

motions and avoid having your

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waterfall here and the stream coming

straight through your painting.

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Let it sort of wander around

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these little water actions and they

all hide hearing your fan brush.

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All you have to do is

sort of push them out.

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all.

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Alrighty.

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Maybe, maybe back here in the distance.

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There's a, we have a

little stone back here.

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We just used some Vandyke.

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Brown will build us a little stone.

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Maybe there's a little

stolen out here too.

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This is your world.

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So you've flicked stones,

wherever you want them.

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this painting comes

right out of your heart.

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So just let it sort of

flow that it happened.

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Maybe we'll take a little bit of Brown

and white and a little touch of blue

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just to make sort of a gray color here.

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And we can highlight these

little stones to this.

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Like that, maybe there's a little

rage coming down through here.

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little sunlight playing across the stones

and a little dark edge underneath here.

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So it has some distance between

the water and the stone.

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we take the little fan brush and we'll

splash some water up on the stones here.

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There.

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okay.

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Maybe we'll let this just drift

right on down through here,

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maybe right along here.

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There's another happy little

waterfall that's happening right here.

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So you take your fan brush, go

straight and let it just fall over.

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Just like so, and that's something that

you can make a waterfall that quick.

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Just a small and we don't want

to have a Bolland waterfall here,

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just a little bitty waterfall.

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And we push to make our little

foamy areas where the waterfalls

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going to hit the cracks.

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Okay.

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Now let's take.

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The big brush again, and we used

some SAP, green impression, blue.

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It's getting darker as it comes downward.

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And we'll throw in some more

happy little bushes back here.

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You need the dark in

order to show the light.

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Maybe over here.

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There's a nice Bush too.

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That's in these bushes,

protrude out over the water.

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Okay know, we can take a little

more of the highlight color,

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some CAD yellow and a little bit.

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Are they low and SAP green mixed together.

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I'm going to start back here and

push this rock back into the paint.

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We just put a little Bush in front of it

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and maybe right here, there's

some nice little things that

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just sort of hang over the water.

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Okay.

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Let's do this nice one right here.

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You can do it.

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You can do it.

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Just push that waterfall

right back into the painting.

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Okay.

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Let's, let's take a little more Brown

here and let's put a little stone,

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little gravel out here for all these

nice bushes and stuff to set up.

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little highlight on the stones.

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Okay.

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Hey, and a few little grassy things that

grew right on down in the bank here.

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maybe we'll even get daring and put

a little stone out here in the water.

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They're just lay it in with Vandyke Brown.

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And then we highlight it with

sort of the gray color there.

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Just let this break played.

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Just run right across this little stone.

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Okay.

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A little more of the magic,

quite little from hype.

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Now we're going to start playing

the water around this stone.

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Maybe it just comes around like

so, and sorta falls over splashes

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a little here around the side, down

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all kinds of little

actions happening in this.

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there's a bit of water splashing

up against the rocks here.

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yeah, we're getting a

nice little stream here.

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You can see how it's beginning to

pick up the blue that's underneath

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here and make this water darker

as it comes closer to you.

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okay.

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Let's go back to the old big brush here,

a little more blue in SAP green and what

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projects and bushes right up through

here now need a lot of pain in the brush.

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More green than blue.

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Hey, let's just let

these run right on down.

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Like, so

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there we go.

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Can highlight these with

little yellow SAP green.

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We're getting much darker in color now.

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and just sort of vary your color

tones back and forth a little.

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So they stand out, leave the dark areas.

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That's the only thing you have to

separate all these beautiful bushes.

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There is a nice way.

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had a little Bush right in here.

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it looks like some of the beautiful

streams that we have in Alaska walked

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through the woods and you're listened to,

and you look at, and they make you happy.

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They have a beautiful sound to them.

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You can almost hear the bubbling

and carrying on as it travels

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down the Creek bad hair.

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yes, with the van Dyke Brown

here, we're just adding a few

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little sticks here and there.

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And you always have in the room.

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now we can take a clean knife and

just scraped through the dark areas.

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So let the canvas show through to

give the indication of all candor,

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little sticks and twigs that are

growing through here or there.

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Just using the point of the knife

here and these little sticks, Crete,

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tremendous distance in a painting.

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So many of the fast painting techniques

that I have seen around the countries

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that teach this almighty method are very

flat, have very little depth to them.

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okay.

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Maybe now we might as

well have some fun here.

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Let's take some Vandyke Brown

and let's put an almighty dead

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tree right in through here.

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You always have dead trees in the

woods when you're walking in, be brave,

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go right across the waterfall here.

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And we'll just.

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Lay this in with a knife and

we're using very thick paint here,

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right across the top.

253

00:18:35,929 --> 00:18:38,780

Let's give him a little, little

friend right beside him here.

254

00:18:39,709 --> 00:18:42,709

This old trees, just

about, just about headed.

255

00:18:42,709 --> 00:18:44,840

He's going to sort of

fall over in the stream.

256

00:18:44,840 --> 00:18:46,250

Be washed away here pretty soon.

257

00:18:47,750 --> 00:18:53,000

But until then, he's still a part of the

beauty that's ever evident in nature.

258

00:18:59,015 --> 00:19:02,015

maybe we just make him a

little taller that way.

259

00:19:02,015 --> 00:19:03,065

He'll make a bigger splash.

260

00:19:03,065 --> 00:19:03,875

When he hits the water.

261

00:19:11,195 --> 00:19:14,615

Now I'm going to use the liner

brush with a little bit of thin oil

262

00:19:14,615 --> 00:19:18,575

on it, little yellow and a little

permanent red mixed together.

263

00:19:18,575 --> 00:19:20,285

We'll brighten this one up a little touch.

264

00:19:22,649 --> 00:19:25,050

And I'm going to just go

down the side of it here.

265

00:19:26,220 --> 00:19:27,449

She asked, highlight him a little,

266

00:19:32,060 --> 00:19:33,649

need something bright here.

267

00:19:34,220 --> 00:19:35,629

So let's just use this tree

268

00:19:39,379 --> 00:19:40,429

and let this sort of streak.

269

00:19:40,429 --> 00:19:41,540

So it looks like bark.

270

00:19:52,565 --> 00:19:52,985

okay.

271

00:19:53,045 --> 00:19:54,035

We'll wash him off.

272

00:19:56,375 --> 00:20:00,005

Yeah, we'll use some more of the

fan oil and a little Bandag Brown

273

00:20:00,005 --> 00:20:03,155

and we'll put a few fuel branches

that are hanging on this tree.

274

00:20:07,775 --> 00:20:08,225

Okay.

275

00:20:08,285 --> 00:20:10,355

And with the thin oil, it

makes the paint thinner.

276

00:20:10,355 --> 00:20:13,815

So once again, You're working with

thin and thick paints that then paint

277

00:20:13,815 --> 00:20:15,135

will stick to the thicker paint.

278

00:20:16,544 --> 00:20:18,044

And I recommend you use an oil.

279

00:20:19,155 --> 00:20:22,335

If you use paint thinner, it

has a tendency to, to bleed.

280

00:20:22,335 --> 00:20:26,475

If you're not very careful and

the oil makes it much slicker.

281

00:20:27,665 --> 00:20:28,205

There we go.

282

00:20:34,985 --> 00:20:35,555

there we are.

283

00:20:38,925 --> 00:20:40,125

Fuel limbs here and there.

284

00:20:40,245 --> 00:20:41,145

Let me get a little more.

285

00:20:41,565 --> 00:20:41,685

Yeah.

286

00:20:45,155 --> 00:20:48,395

And when you're working this pain,

the oil turn, turn the brush.

287

00:20:49,475 --> 00:20:52,595

That brings it to a nice point

and you can make all these

288

00:20:52,595 --> 00:20:53,945

delicate little limbs and stuff.

289

00:20:55,165 --> 00:20:56,340

Put some over here on this one.

290

00:21:06,830 --> 00:21:07,220

at home.

291

00:21:07,220 --> 00:21:08,750

You have unlimited time here.

292

00:21:08,750 --> 00:21:13,220

We're limited by our time factor, but you

can put tremendous detail in these pants.

293

00:21:17,179 --> 00:21:18,980

so we're just trying to

give you an idea here.

294

00:21:18,980 --> 00:21:21,830

We're just trying to give you a

guide to follow, to teach you how

295

00:21:21,830 --> 00:21:23,480

to use this fantastic technique.

296

00:21:24,195 --> 00:21:29,355

And at home, let your imagination

be your guide to your heart.

297

00:21:29,355 --> 00:21:30,555

Take you wherever you want to be.

298

00:21:38,795 --> 00:21:41,795

I look at all those little

limbs just in a minute minutes.

299

00:21:47,075 --> 00:21:47,495

Okay.

300

00:21:47,495 --> 00:21:49,655

Maybe we'll have one

coming right through here.

301

00:21:54,455 --> 00:21:55,774

Just let them flow off your brush.

302

00:21:57,274 --> 00:22:00,064

And this tree tends to push

everything back in the painting.

303

00:22:01,054 --> 00:22:02,105

Give it more distance.

304

00:22:04,804 --> 00:22:07,054

Maybe there's just an old

one hanging sorta here.

305

00:22:12,274 --> 00:22:12,544

Okay.

306

00:22:17,040 --> 00:22:18,360

Okay, take a little touch.

307

00:22:18,360 --> 00:22:19,620

More of the highlight color.

308

00:22:19,860 --> 00:22:23,280

It's yellow with a touch of

permanent red and a little oil in it.

309

00:22:24,990 --> 00:22:27,000

We'll just highlight some

of these major limbs here.

310

00:22:29,750 --> 00:22:31,490

Just let the breath flow

right down the line.

311

00:22:34,670 --> 00:22:38,120

If you have problem with maybe

your hands not steady enough to do

312

00:22:38,120 --> 00:22:41,630

this, use your palate or something

to sort of balance your hand.

313

00:22:43,800 --> 00:22:44,670

I was very fortunate.

314

00:22:44,670 --> 00:22:46,260

I was blessed with a very steady hand.

315

00:22:50,600 --> 00:22:53,240

It comes in very handy when you're

doing these little delicate things.

316

00:23:00,230 --> 00:23:01,460

a little highlights over here.

317

00:23:09,440 --> 00:23:09,980

there we go.

318

00:23:14,120 --> 00:23:15,620

She asked her to work all this together.

319

00:23:22,620 --> 00:23:23,720

Little bit right up here.

320

00:23:27,320 --> 00:23:28,910

Can we clean out the brush here

321

00:23:32,390 --> 00:23:36,320

and let's see, do we need here?

322

00:23:36,470 --> 00:23:39,110

I want to pull this down just a

little bit to make it look a little.

323

00:23:39,810 --> 00:23:40,350

There we go.

324

00:23:41,070 --> 00:23:43,189

And a little more of a Clift right here.

325

00:23:43,909 --> 00:23:45,709

Stone, very dark,

326

00:23:54,290 --> 00:23:55,370

maybe right over in here.

327

00:23:55,370 --> 00:23:58,250

We'll build, uh, a nice

little stone right here too.

328

00:23:59,060 --> 00:23:59,959

We have one of the water.

329

00:23:59,959 --> 00:24:01,159

Maybe we need one over here.

330

00:24:06,290 --> 00:24:07,909

This is straight Vandyke Brown again.

331

00:24:11,390 --> 00:24:14,510

And we'll take a little touch of the

blue and the Brown and white, right.

332

00:24:24,950 --> 00:24:25,280

Okay.

333

00:24:25,790 --> 00:24:29,600

Just lay this on and very

gently, just let the paint break.

334

00:24:31,280 --> 00:24:32,930

It's a very, very gentle touch.

335

00:24:34,460 --> 00:24:35,720

Super gentle touch.

336

00:24:37,350 --> 00:24:38,880

You almost let the knife touch.

337

00:24:43,530 --> 00:24:48,440

Now we'll take a little more of the

magic, quite little green and yellow.

338

00:24:48,950 --> 00:24:49,640

Mix it together.

339

00:24:49,640 --> 00:24:53,090

We'll make some little bushes here to

come up and protrude over the stone.

340

00:24:53,090 --> 00:24:55,580

You need a thin paint to go

over the top of this very thick

341

00:24:55,580 --> 00:24:59,540

paint that you, there we go.

342

00:25:04,675 --> 00:25:06,845

put some little grassy

areas around the trees.

343

00:25:06,845 --> 00:25:07,265

Foots

344

00:25:27,195 --> 00:25:29,775

And we want to splash that

back up on the stone here.

345

00:25:31,215 --> 00:25:31,785

Like, so

346

00:25:36,545 --> 00:25:36,785

thanks.

347

00:25:36,795 --> 00:25:38,945

We just about have our

little stream finished today.

348

00:25:40,085 --> 00:25:44,015

And if you're painting along

with us, you should have just

349

00:25:44,015 --> 00:25:45,395

about completed this painting.

350

00:25:45,875 --> 00:25:47,585

And I put a few little

touches here and there.

351

00:25:48,095 --> 00:25:51,715

As I say at home, you have time to put

in tremendous detail, you can work.

352

00:25:52,320 --> 00:25:55,200

And carry on and build all kinds

of happy little things in here.

353

00:25:55,920 --> 00:25:56,160

Here.

354

00:25:56,160 --> 00:25:58,380

We're limited by the

amount of time we have.

355

00:25:59,010 --> 00:26:04,820

So we're just trying to show you the

basic technique, the basic idea, and a

356

00:26:04,820 --> 00:26:06,120

little highlight on this little dead.

357

00:26:06,120 --> 00:26:07,080

When this lane right out through,

358

00:26:14,300 --> 00:26:19,160

we'll do some little sticks here

and there a little brighter color.

359

00:26:19,170 --> 00:26:19,850

So they show up.

360

00:26:22,350 --> 00:26:23,760

There's one right in front of the stone.

361

00:26:35,330 --> 00:26:35,610

okay.

362

00:26:35,650 --> 00:26:39,080

I think we'll just take a little

thin oil permit read here and we'll

363

00:26:39,080 --> 00:26:42,050

sign this painting, little more oil,

364

00:26:45,830 --> 00:26:47,120

and I hope you've enjoyed this.

365

00:26:48,350 --> 00:26:49,580

This is sort of a new idea.

366

00:26:50,055 --> 00:26:53,265

As I say, we've used no magic quite

on this canvas, just pure SAP green.

367

00:26:54,285 --> 00:26:55,905

This will work in a multitude of colors.

368

00:26:55,905 --> 00:27:00,555

You can paint the canvas with blue,

with combinations of colors and

369

00:27:00,555 --> 00:27:02,955

make some of the most fantastic

little paintings you've ever seen.

370

00:27:02,985 --> 00:27:06,135

One of the prettiest ones is to

painted with Vandyke Brown and like

371

00:27:06,165 --> 00:27:07,785

beautiful bottom scenes out of it.

372

00:27:08,325 --> 00:27:10,935

And the Brown is picked up by

the yellows and oranges and reds

373

00:27:10,935 --> 00:27:12,555

and just, it just stands out.

374

00:27:12,795 --> 00:27:13,965

Fantastic paint.

375

00:27:15,695 --> 00:27:16,355

Okay.

376

00:27:17,345 --> 00:27:18,455

We'll just sign this one.

377

00:27:38,840 --> 00:27:42,650

and we'll call that painting

finished once again.

378

00:27:42,650 --> 00:27:45,530

I hope you've painted along with

us and you've enjoyed this picture.

379

00:27:46,160 --> 00:27:47,030

It is a lot of fun.

380

00:27:47,669 --> 00:27:49,230

And we hope to see you again.

381

00:27:49,230 --> 00:27:49,770

Next time.

382

00:27:49,770 --> 00:27:53,730

It we'll do another happy little

painting until then from all of us here.

383

00:27:54,000 --> 00:27:54,720

Happy painting.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 15, 2020

S01E05 - Quiet Stream

Bob Ross's

The Joy of Painting

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