Bob Ross's
The Joy of Painting
S01E06 - Winter Moon
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Welcome back today.
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I thought we'd do a painting this
right out of the heart of Alaska.
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We're going to start with a black canvas,
which I've already covered with a coat
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of Vandyke Brown and Prussian blue.
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And these colors are transparent.
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So it'll still look
black in this painting.
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We want to show the moon in the sky with
some happy little clouds floating around.
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Uh, we'll put some almighty mountain,
some beautiful frost colored bushes, and,
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and we'll see what happens from there.
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I'm going to start with
a little titanium white.
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And we'll start right up here where we
want the moon to be and just make little
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exes and just start working around.
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Do you want to start from
the center and work outward?
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Somebody's light gets progressively
darker as it moves away from the
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moon and we'll go this direction
so that it hits the curvature of
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the earth and bounces back up.
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Okay.
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There we go.
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Alrighty, you should be able to
see how the white pain is beginning
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to pick up the color underneath.
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And we'll just blend this together.
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Here we go.
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We'll let this get too bright.
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We still want it to look like
night when we're finished.
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So just work it around and around
and all the way out to the edges.
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Yeah.
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Then we'll take the large brush.
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And very gently, we'll bring this
together just by making little X patterns.
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There we go.
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Makes it all the little
actions in the sky.
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Come across.
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Now let's put the moon in and we'll
do that, but take a clean brush.
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And we don't load it full of white
paint and we go right straight into the
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canvas where we want the moon to be.
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We push quite hard and push the
paint right into the canvas.
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Just turn it there.
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G them for the knife very carefully.
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We'll take off just the exit paint.
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Let me clean this old big brush out here.
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Yup.
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Yeah, very gently.
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We'll bring this together.
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Just work it back and forth and create the
illusion of a moon setting up in the sky.
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now, then let's put some happy
little clouds in here and we'll use
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the almighty fan brush and we'll
just use this blue and Brown color.
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And loaded full of paint.
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And we'll take just using the corner.
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We'll put it in some happy little clouds.
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Just let one float right
across the moon here.
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A lot of paint on the brush.
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Okay,
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here we go.
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Maybe, maybe, maybe you
can see right up here.
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We'll put another happy little clap.
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Sneaky cloud run around here at night
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and you're pushing this
pain into the canvas.
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Really, really work it into the canvas.
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Maybe down here, we've got some little
delicate clouds that are just floating
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around this small little clouds,
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slay a man.
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Okay.
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Now, let us clean the fan brush
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and wiping dry, and we'll take a
little bit of titanium white mixed with
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just a little bit of the same color.
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And what pushed him highlights in here
and just take the fan brush and just work
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the corners, just the corner of the brush,
but just pushing paint right in here,
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like playing across the top
of this cloud, maybe right
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along here, this is your world.
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So wherever you want light to
strike his cloud, let it happen.
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Okay.
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Let's put some highlights right
along these things right here.
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We're pushing quite hard with this.
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We want to, once again, we
want to push the color right
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into the material if possible.
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now in this cloud up here, since
it's above the moon, the lights
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going to strike the bottom of it.
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So we'll put the highlights
on the bottom rather than
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maybe a little light striking round
up in here just to do something.
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Play him.
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Okay.
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Now I would take the big brush, be
sure it's dried and clean, and we're
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just going to gently have my ties
there just to bring it together.
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Isn't that fantastic.
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Look at that.
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Look at all the little
things that happened in ms.
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Cloud.
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This is unplanned really
just half of this year.
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I really can't control.
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What's going to happen here.
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Don't try to don't fight it.
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Use what happens.
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Okay.
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Let's make a happy little mountain.
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Now we'll take some blue and some Brown
still using the same color and we'll
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draw in our basic mountain shape here.
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Here we go.
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Really push really forcing
that pain into the material.
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it would make us to come up a little
higher so we can see clouds behind it.
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we use a large brush and pull it
paved down this removes any excess
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that we have left on the canvas.
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As we try to get all the paint off
the canvas that we possibly can.
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let's just clean the brush.
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Once again, we cleaned the brush
with odorless paint thinner.
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Now let's put some snow on the mountain
and we'll take some titanium white
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and just a little touch of blue.
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Just a little blue
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and let's let some snow just
run right down this mountain.
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Just let it break and play.
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This is a very delicate touch.
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Very light touch.
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You're almost touching
the canvas with a knife.
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Oh, here's a nice little reach.
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Just let this little Ridge
just play around like that.
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There we go.
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We'll put a little bit of light
right on this little peak.
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Just break in play.
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Now we're going to use blue and white
mixed to a darker value for the year.
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We'll start right here.
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Let this just let it go.
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The shadow behind this,
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maybe all the way over here.
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Each highlight needs
its own private shadow
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can bring this down a little further.
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As you work on these mountains,
you begin seeing all kinds
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of little things happening.
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Use what you see planet.
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Maybe we'll put a little Ridge right here.
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There's another one to
see him right there.
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There he is.
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Okay.
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Now let's, let's lay the bottom of these
mountains until a little bit of mist.
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Clean dry brush.
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And all we're going to do is tap,
always following the angles that
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we've created in the mountain down.
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Like, so just tap.
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Okay.
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Over here.
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We'll follow these angles, mr.
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Here, we're going to lift up or just
enough to take out the little tap marks.
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There we go.
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Now we're getting a nice
little Misty effect over here.
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We just work it right now.
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I'm ready to come forward.
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We've created some, all mighty
mountains and just a few minutes here.
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Okay.
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Now we'll take a little more
of the blue and Brown and back
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to one of our golden rules, you
need dark in order to show light.
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So we're going to start by putting
some dark on here and we load a
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lot of pain into the brush and we
just push the little bushes right
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out of the bread, out of the brush.
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Here he comes there.
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He is
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just putting some dark out.
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So we'll have some lights showing.
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Okay.
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Now we can take a brush.
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We use it a little bit of magic, quite
a little bit of plain white and paint.
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We'll stick to a thick paint.
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So we're thinning the paint just a
little bit and we're going to push
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them beautiful in the snow covered
trees, way back in the distance.
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Look at those son of a guns or they are
just hundreds of little trees, little
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bushes, all these things happening.
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We back here
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now we'll take the big brush
and clean it up a little bit.
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We have all these nice bushes here.
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We need some reflections.
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So we take a clean brush, just
a little bit of white paint on
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it, and we'll pull that down.
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Just grab a whole pole,
make these nice streaks.
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This is mixing with the color that we
have underneath the blue and the Brown.
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These lines need to be straight down.
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Reflections now a fantastic
way to make reflections.
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Yeah, we'll go across just enough
to give it a watery effect.
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We don't want to destroy all those lines.
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We just want to make it
look like it's in the water.
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Okay.
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Let's take late a little
touch of snow along there.
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Well, just take the knife
with a little paint.
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It's going to snow.
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You better get your coat out.
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This is going to be a cold painting.
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I may have to go find mold
mukluks and put them on
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Alaska.
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We have a word for people who have
came to the, the great country
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and have only been there a short
period of time in this call G Choco.
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And if you've been in Alaska
less than a year, you're a Chaco.
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So if you learn a new word today and
where I live, it's not unusual for
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it to get 60, 70 degrees below zero.
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We have a thing in nature that
happens is called ice fog.
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Normally has to be about
30 below or colder.
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And this ice fog, coats, everything, every
little branch, the little crystals of
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ice, that way, almost nothing, but they
create unbelievable beauty, light plays
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through these little crystals and acts
as little prisms and breaks up the light.
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And you see all the fantastic
color shining and shimmering.
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It is really something okay here.
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I'm just scratching
right through the paint.
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Make it look like little trunks.
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Alrighty, let's take
the almighty fan brush.
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No, during this series, we have made
trees with a two and a half inch brush
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with a one inch brush and a fan brush.
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So all of these brushes you can use
to create all mighty trees today.
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We're going to try the fan brush load a
lot of pain into the brush, figure out
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where you'd like to have a beautiful
little tree, just touch, and then
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just using the corner of the brush.
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Let's begin building some
little limbs on here.
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There we go.
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And we're still using the blue and
the Brown come right down there.
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That looks like a good place for truth
pushing paint right into the canvas.
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Can you maybe, maybe
we need one over here.
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This sorta tired sort of leaning
over a little bit in nature.
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Trees grew in every direction.
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We'll put another one right here.
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Trees are so much fun.
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I get started on a and I have a hard time.
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As we work forward, we want these
trees to begin getting much larger
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to show distance in this painting
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And so many of the techniques where people
paint very rapidly, the paintings are very
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flat, very overworked, washed out, looking
in this technique, you can create depth.
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That is unbelievable.
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Distance in paintings.
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and this is how we do it.
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We use size, we use color all of these
things combined together to create the
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illusion of distance in a painting.
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Alrighty.
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Well, let's do some more trees.
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We'll put some on the
other side over here.
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Oh, mighty tree up here.
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Very dark.
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Let that tree just come
right out of your fan.
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Brush trees live in your fan respite.
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You have to scare them that
it takes a little practice.
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The first time it's going to be a little
touchy the next time it gets easier.
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Each time you do it, you learn from it.
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You progress.
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I painted for 20 years and
I'm still learning every day.
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I learn.
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Time, studying nature.
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If you wish to paint nature,
you must understand nature.
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Talk to trees, look into
birds, whatever it takes.
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Okay.
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Now then let's, let's do
an almighty tree victory.
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We'll come right over in here.
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Okay.
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Here it comes.
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Big old tree.
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You got your coat out yet.
247
00:16:43,365 --> 00:16:44,115
You may need it here.
248
00:16:44,115 --> 00:16:44,715
Any second.
249
00:16:50,065 --> 00:16:53,345
The paintings like this on the
black canvas, you can do a multitude
250
00:16:53,345 --> 00:16:54,965
of things with this Institute.
251
00:16:55,445 --> 00:16:57,035
You can use all different colors.
252
00:16:57,815 --> 00:16:59,885
All you're looking for is
a color that's transparent.
253
00:16:59,885 --> 00:17:03,365
So the black shows through use
this black to your advantage.
254
00:17:05,714 --> 00:17:06,974
I'll have another tree right there.
255
00:17:09,974 --> 00:17:10,484
Here we go.
256
00:17:15,815 --> 00:17:18,395
There are a lot of people we have
taught to do these black canvas that are
257
00:17:19,175 --> 00:17:20,974
absolutely making a living out of it now.
258
00:17:25,024 --> 00:17:27,454
And we have literally taught
thousands and thousands of
259
00:17:27,454 --> 00:17:30,754
people to be all mighty painters.
260
00:17:32,610 --> 00:17:33,810
To create things of beauty.
261
00:17:33,810 --> 00:17:34,980
They never dreamed possible.
262
00:17:35,070 --> 00:17:35,610
And you can do it.
263
00:17:41,720 --> 00:17:43,340
just jump right in here
and paint along with us.
264
00:17:43,340 --> 00:17:44,419
We'll teach you how to do it.
265
00:17:45,020 --> 00:17:46,700
You make a happy painter out of the USA.
266
00:17:49,220 --> 00:17:49,460
Okay.
267
00:17:49,490 --> 00:17:51,020
I think that's enough trees for right now.
268
00:17:51,020 --> 00:17:56,810
Let's take a little bit of
white and blue mixed together,
269
00:17:57,290 --> 00:17:58,639
looking for a dark blue here.
270
00:17:59,640 --> 00:18:03,630
And let's go right in to this area here
and let's put some, let's put some happy
271
00:18:03,630 --> 00:18:05,310
little bushes and trees back in here.
272
00:18:06,780 --> 00:18:08,340
All this is is the shadow color.
273
00:18:11,870 --> 00:18:17,180
We put the shadow on first and
then we'll highlight it while
274
00:18:17,180 --> 00:18:18,050
we get the shadow in here.
275
00:18:18,050 --> 00:18:19,460
Let's put some right into the water.
276
00:18:20,630 --> 00:18:22,100
Let me just reflect some of this, right?
277
00:18:26,990 --> 00:18:27,170
Okay.
278
00:18:27,170 --> 00:18:27,470
Now.
279
00:18:28,410 --> 00:18:30,240
Oh, let's have some
bushes over in this side.
280
00:18:30,240 --> 00:18:35,070
Also just started bringing
this painting together at home
281
00:18:35,120 --> 00:18:36,590
and you have unlimited time.
282
00:18:37,070 --> 00:18:40,940
You can set and come up with all kinds
of fantastic things to do in this.
283
00:18:41,420 --> 00:18:43,100
You can put tremendous detail here.
284
00:18:43,100 --> 00:18:44,510
We are limited on time.
285
00:18:44,510 --> 00:18:46,850
So we're trying to give you ideas.
286
00:18:46,850 --> 00:18:49,010
We're not trying to just
give you something to copy.
287
00:18:49,010 --> 00:18:54,350
We're trying to give you an idea to
teach you a technique so that you can
288
00:18:54,350 --> 00:18:56,480
use this and make unbelievable things.
289
00:18:57,495 --> 00:19:01,695
Back into the magic white and
the titanium white, and we'll
290
00:19:01,695 --> 00:19:03,555
make some happy loop bushes here.
291
00:19:05,505 --> 00:19:07,395
Look how that color stands
out against the black.
292
00:19:07,445 --> 00:19:07,595
Okay,
293
00:19:12,945 --> 00:19:13,505
here we go.
294
00:19:14,525 --> 00:19:17,495
And as you worked more and more with
this, you know, just by pulling the
295
00:19:17,495 --> 00:19:20,915
brush through the correct consistency of
the pain, if it's too thin, if it's too
296
00:19:20,915 --> 00:19:25,815
thick, So only a matter of time where
you can pull the brush through that
297
00:19:25,815 --> 00:19:27,555
paint and almost tell what brand it is.
298
00:19:29,055 --> 00:19:32,205
Now we'll just come across with and turn
this into a beautiful little reflection
299
00:19:34,665 --> 00:19:36,155
while we get the brush loaded here.
300
00:19:37,375 --> 00:19:39,455
It'll just, let's do this one right here.
301
00:19:40,265 --> 00:19:40,775
Big tree.
302
00:19:40,775 --> 00:19:40,985
Here
303
00:19:44,165 --> 00:19:44,525
we go.
304
00:19:45,935 --> 00:19:46,315
Little more.
305
00:19:46,355 --> 00:19:47,105
The magic quite.
306
00:19:49,080 --> 00:19:51,120
We'll come right down here
and put a happy little push.
307
00:19:53,100 --> 00:19:54,210
Now let's refresh please.
308
00:19:54,210 --> 00:19:55,260
Right into the water.
309
00:19:55,260 --> 00:19:55,830
Just let them run.
310
00:20:00,560 --> 00:20:02,480
Can we clean off the brush?
311
00:20:09,169 --> 00:20:11,149
That's the most fun to
painting is beating your brush.
312
00:20:12,950 --> 00:20:15,470
It's a good way to get rid of all
your anxieties and hostilities.
313
00:20:17,790 --> 00:20:20,760
Look at those reflections,
but it's a very gentle touch.
314
00:20:23,399 --> 00:20:25,050
I would take a little
bit of white paint live.
315
00:20:25,350 --> 00:20:27,840
Just put some snow in here for
all these things to set on it.
316
00:20:38,000 --> 00:20:39,020
a little bit of dark paint.
317
00:20:39,050 --> 00:20:41,060
We'll put some trunks then some stems.
318
00:20:43,710 --> 00:20:44,040
Okay,
319
00:20:49,820 --> 00:20:52,940
this sort of gives the tree
body, gives it shape, and it also
320
00:20:52,940 --> 00:20:54,320
shows the distance in a painting.
321
00:20:54,510 --> 00:20:55,730
You use these to your advantage.
322
00:20:58,610 --> 00:21:02,870
Can you take a little magic, white
and make us a water line into here?
323
00:21:04,910 --> 00:21:07,730
Use a thin paint to make your water
line it'll flow off the knife.
324
00:21:29,480 --> 00:21:30,010
okay.
325
00:21:30,060 --> 00:21:32,690
Let's put some happy little bushes
over here on the other side now.
326
00:21:33,710 --> 00:21:34,910
And we'll start right here.
327
00:21:36,845 --> 00:21:42,665
Nice one, there leave a lot of
these dark areas showing be careful
328
00:21:42,665 --> 00:21:43,834
that you don't cover them all up.
329
00:21:43,834 --> 00:21:45,544
Your painting will get very, very flat,
330
00:21:50,405 --> 00:21:51,395
all the snow on those.
331
00:21:55,715 --> 00:21:56,314
Okay.
332
00:21:58,324 --> 00:21:59,824
And work in the layers.
333
00:21:59,975 --> 00:22:02,855
So you have distance in
here, do one Bush at a time.
334
00:22:04,860 --> 00:22:06,570
Can you put a few little sticks in here?
335
00:22:14,670 --> 00:22:15,420
Can you change
336
00:22:19,040 --> 00:22:19,250
then?
337
00:22:19,250 --> 00:22:23,230
Let's Leslie, a little snow
onto this side, just using
338
00:22:23,240 --> 00:22:24,440
a straight titanium white.
339
00:22:24,440 --> 00:22:26,810
This is very firm and let it break.
340
00:22:26,810 --> 00:22:28,370
So you have shadows showing that's true.
341
00:22:29,870 --> 00:22:31,880
It's just like when we do
the mountains, but it break.
342
00:22:37,730 --> 00:22:38,330
There we go.
343
00:22:39,920 --> 00:22:41,450
They lay the snow in like seven
344
00:22:52,970 --> 00:22:55,210
Maybe there was an old
trapper that lived out here.
345
00:22:56,180 --> 00:22:56,510
One day.
346
00:22:56,510 --> 00:22:58,230
He went to check his Beaver traps.
347
00:22:58,680 --> 00:23:02,070
Maybe he fell into the river here in
drown, but his old cabin still here.
348
00:23:02,550 --> 00:23:06,390
So let's, let's draw an old cabin and
I suggest you scrape it with a knife.
349
00:23:06,420 --> 00:23:08,070
First scrape out the basic shape.
350
00:23:08,640 --> 00:23:10,680
It gets rid of the thin
loose paint underneath.
351
00:23:11,130 --> 00:23:14,610
It's also a good way to lay out
your general shape of your cabin.
352
00:23:14,640 --> 00:23:17,540
Get your perspective right here we go.
353
00:23:19,310 --> 00:23:20,270
Very basic shape.
354
00:23:20,300 --> 00:23:21,290
That's all we're looking for.
355
00:23:23,300 --> 00:23:25,220
Big thing is to get rid
of all that loose paint.
356
00:23:26,420 --> 00:23:27,830
Now we'll take some Vandyke Brown.
357
00:23:29,145 --> 00:23:31,455
And we'll do the far Yves out here first.
358
00:23:39,015 --> 00:23:39,725
there we go.
359
00:23:41,555 --> 00:23:47,675
Now we'll take some titanium white
and let's lay some snow in the roof.
360
00:23:53,585 --> 00:23:54,605
just bring us all together.
361
00:23:57,045 --> 00:24:01,205
There we go and we need to have a little
snow on the other side of the roof.
362
00:24:01,205 --> 00:24:04,355
So we just take a little white on
the knife and lay it in like so
363
00:24:07,905 --> 00:24:10,504
little more Brown people begin
putting all this together.
364
00:24:16,655 --> 00:24:17,254
Here we go.
365
00:24:19,055 --> 00:24:20,764
Fantastic way to make a little cabin.
366
00:24:28,564 --> 00:24:32,014
And if you want to make it look even
older, you can take just a little bit
367
00:24:32,014 --> 00:24:36,574
of the white paint and then it just
sort of bounce along very gently.
368
00:24:38,554 --> 00:24:43,504
Janice, let it touch and bounce a little
more dark to create the shadows on top.
369
00:24:43,594 --> 00:24:44,405
Ooh, look at that.
370
00:24:44,764 --> 00:24:45,875
Look how old it would be.
371
00:24:47,405 --> 00:24:49,864
It's a super way to make
old buildings and stuff.
372
00:24:49,895 --> 00:24:50,784
If you ever want to try.
373
00:24:53,000 --> 00:24:56,540
I think we need a door in here
now he might come along and
374
00:24:56,540 --> 00:24:58,040
need to stay in this old cabin.
375
00:24:58,040 --> 00:24:59,330
So he's got to have a way to get in.
376
00:24:59,820 --> 00:25:00,320
Here we go.
377
00:25:03,020 --> 00:25:03,770
And we'll take him.
378
00:25:04,909 --> 00:25:08,000
There's some highlights around
the door just by using the knife.
379
00:25:09,860 --> 00:25:14,270
And probably when the sole trapper lived
here, he's just like all the rest of us.
380
00:25:14,270 --> 00:25:15,110
He ran out of room.
381
00:25:16,470 --> 00:25:18,420
So he probably built him
a little shit out here.
382
00:25:18,420 --> 00:25:21,690
So we'll just build us a
little shit and just bring a
383
00:25:21,690 --> 00:25:23,130
little snow for the roof first.
384
00:25:23,550 --> 00:25:23,760
Anyway.
385
00:25:23,870 --> 00:25:24,080
Yeah.
386
00:25:27,080 --> 00:25:33,890
So take a little bit of dark pink, Brown.
387
00:25:36,110 --> 00:25:38,300
We need a wall over here,
so we'll just drop it in.
388
00:25:47,595 --> 00:25:47,835
Okay.
389
00:25:47,915 --> 00:25:49,955
And let's make this an old slab cabin.
390
00:25:49,955 --> 00:25:52,385
So we just cut in some slabs
here with a point of view.
391
00:25:52,445 --> 00:25:52,775
Nice.
392
00:25:56,225 --> 00:25:56,825
There we go.
393
00:25:57,815 --> 00:25:59,885
And we can take a little
point, clean this all up.
394
00:26:02,165 --> 00:26:04,115
I, you should begin having a painting.
395
00:26:04,115 --> 00:26:06,575
That's beginning to take
shape, getting to look well.
396
00:26:08,945 --> 00:26:10,145
She'd be very happy with it.
397
00:26:14,105 --> 00:26:17,945
And I think we've said it before, but
painting should do one thing for you is,
398
00:26:17,945 --> 00:26:19,655
should create happiness in your heart.
399
00:26:19,695 --> 00:26:20,405
Should make you happy.
400
00:26:22,655 --> 00:26:24,635
Let's take a little blush right here.
401
00:26:26,195 --> 00:26:27,695
Just let a few of these run down.
402
00:26:29,405 --> 00:26:33,875
Maybe, maybe another little Bush
right here to sorta push his cabin
403
00:26:33,935 --> 00:26:36,485
back into the painting right along.
404
00:26:39,585 --> 00:26:41,355
We need some highlights
on this little Bush.
405
00:26:41,625 --> 00:26:42,195
There we go.
406
00:26:45,555 --> 00:26:47,295
We'll cut a few little
sticks here and there.
407
00:26:48,045 --> 00:26:52,335
We're just cutting right through the light
paint, letting the dark show through.
408
00:26:58,515 --> 00:26:59,175
All right.
409
00:27:04,020 --> 00:27:06,990
Yes, paintings beginning
to get close to being done.
410
00:27:11,210 --> 00:27:12,560
Let's take the fan brush here.
411
00:27:13,970 --> 00:27:15,860
And normally I would leave
these trees very dark.
412
00:27:16,100 --> 00:27:21,020
I want to take a little bit of blue
and just tap a little so you can
413
00:27:21,020 --> 00:27:22,220
see them a little better at home.
414
00:27:23,570 --> 00:27:24,680
Just to give you an idea.
415
00:27:24,950 --> 00:27:28,370
Normally I leave them very, very
dark, so they really give the
416
00:27:28,370 --> 00:27:31,880
impression of nighttime, like, so.
417
00:27:34,905 --> 00:27:35,715
Just hearing there.
418
00:27:35,745 --> 00:27:37,035
Just a few little highlights
419
00:27:40,665 --> 00:27:41,955
and just a few over here.
420
00:27:54,274 --> 00:27:54,875
Alrighty.
421
00:27:54,995 --> 00:27:58,235
I think we're going to sign this
painting and call it finished.
422
00:27:58,805 --> 00:27:59,945
Take a little bit thin oil.
423
00:28:02,400 --> 00:28:03,750
And let's sign him right here.
424
00:28:05,070 --> 00:28:06,450
I hope you've enjoyed this painting.
425
00:28:06,570 --> 00:28:07,860
It is a great deal of fun.
426
00:28:08,070 --> 00:28:11,460
We have certainly enjoyed being
with you today, and I hope
427
00:28:11,460 --> 00:28:12,540
you've painted along with us.
428
00:28:12,540 --> 00:28:14,730
And you also have an almighty painting.
429
00:28:15,360 --> 00:28:16,800
All you need is the dream in your heart.
430
00:28:16,850 --> 00:28:21,180
The desire to put it on canvas until
next time we wish you happy painting.
431
00:28:21,510 --> 00:28:22,350
Thank you very much.
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