Bob Ross's

The Joy of Painting

S01E07 - Autumn Mountain

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Hello, welcome back.

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I thought today would do it

all mighty picture that had

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some huge mountains in it.

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And maybe today we'll also work a

little bit on putting some clouds

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floating in front of the mountains.

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This is always something

that's very difficult to do.

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So I'll try to show you how to do that.

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And I hope you have a canvas

set up on your almighty

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easel and cool drink at hand.

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And, and let's, let's go here.

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I'm going to start with a

little bit of a lizard Crimson

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and a touch of Prussian blue.

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And maybe we'll just make a sky.

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That's sort of a, a lavender

type and sorta tasted tested.

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There we go.

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I already have magic white on the

canvas, so we're just literally

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mixing paint right here on the canvas.

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Okay.

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And we'll just bring this

down to about like soft

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now go into just a

little pressure and blue.

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Latest right in like

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And while we have the old brush

dirty here, I'll take a little

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faint, little green and Prussian

blue and we'll lay in some more.

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And already we have a, a masterpiece

for museum of modern art, somewhere

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clean the old brush.

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Be sure it's good and dry.

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And then this is just a clean,

dry brush, and we're just going to

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bring these two colors together.

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just so you have a nice blending.

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You don't want to be able to tell for

a one stops and the other one starts.

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Hypnotizing sort of blend it out.

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Okay.

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Now let's take the fan brush a

little bit of titanium, white mixed

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with a touch of permanent red.

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Just to give it a little pink issue.

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We don't want to set these clouds on fire.

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All we want to do is just give

it just a little human here.

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Just a little pinkish here.

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And will push us into some nice little

clouds here, pushing very hard just to

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push the value right into the camera.

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Yes.

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And maybe we'll put a little

cloud floating around right here.

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we'll take it.

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Gently gently, gently blend that together.

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Very light, delicate touch.

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Don't overwork these clouds

very, very easy to overwork them

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hypnotized.

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Okay.

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Let's build us at almighty mountain.

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We'll take a little bit of blues

and some Brown touch of a lizard.

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And a little bit of white.

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There we go.

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And mix your color marbly.

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Don't don't mix it.

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Dead change.

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Let's start we up here.

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Put us in almighty mountain.

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Okay.

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Maybe there's a nice

little peak over here.

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Just drop it down.

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We're really pushing this

pain into the canvas.

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Maybe we'll have another

little peak over in here.

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We'll take off all the excess paint.

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I think they would take a

big brush and pull that down.

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Just to make sure we've got all the

paint off of it that can come off.

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All we want to leave is the

value in the canvas, the color.

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Okay.

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Yeah.

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We'll start with a little bit of

titanium white and I'm going to mix a

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little bit of Brown and blue with it,

just to gray it down just a little bit.

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Okay.

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And we can start putting some

highlights on this almighty mountain.

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Maybe we'll have a little

peak right down through

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maybe a little lights

hitting right up here.

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And for a shadow color, we'll take a

little bit of blue and Brown and white

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mix to a little darker value.

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And we'll just lay us some

shadows right in here.

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Each, each little highlight

needs its own private shadow.

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maybe we'll add another little peak here.

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This is your mountain, so you

can add what you want to on it.

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Now let's diffuse the bottom of it.

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And here we're just gently tapping.

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Don't want to destroy just a fuse

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and then we'll pull just to

take out the little tap marks.

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Okay.

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Now we'll lay some clouds on top of

the mountain and I've added a little

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bit of magic white with my paint,

just to make it a little bit thinner.

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As you remember our golden rule hero,

then penal stick to a thick paint.

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So maybe we'll have a little

cloud here that just floats

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right across the mountain.

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maybe right up here.

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There's one too.

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Seems like I remember one up here.

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very carefully.

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We'll blend this in.

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Okay.

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Super light touch here.

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Okay.

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Let's take and let's

work on this peak now.

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Just let him travel down and.

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Just come right down

in the foreground here.

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can we give him a few little shadows?

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So he stands out as an individual,

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maybe a few little shadows in here.

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and once again, we'll diffuse this

just to lay some mist in here.

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now maybe another little layer of

clouds and we'll add a little more

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magic quite to keep the paint thin.

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Maybe this one just drops

right out of the sky here

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plays around the bottom.

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There we go.

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She has nice soft little clouds.

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okay.

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This is a very, very delicate touch

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and maybe we'll just take him,

maybe there's another little.

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Stolen right in here, travels around

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just to show you how to continually

bring things forward here.

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And we need this to be a little

darker than the background back here.

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We'll lay some highlights right on here.

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Let that paint break.

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I did break.

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So you have all these little holes in it.

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Some of the dark shoe through

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Maybe just a few little clouds, a little

mysterious floating around in here.

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this creates a tremendous

illusion of distance.

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It makes things far, far away.

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Just hit metathesis a little touch.

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And it's vitally important when

you're doing this at home, that you

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use a paint it's very, very firm.

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Otherwise you have nothing to

stand or to go over the top of it.

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So be sure to use a very firm paint.

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Okay.

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Let's mix this up a little color.

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We'll add a little SAP green,

a little more blue in here.

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Maybe just a touch more lizard.

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Here we go.

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Nice color.

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And don't mix it dead.

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Remember not to mix it dead.

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It we'll take it so big brushing.

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Let's put us some little

foothills right in here.

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The size of this big, fresh

gear you weight use it.

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It does fantastic.

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okay.

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Now I'm going to give it just

a little upward sweep to make

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it look like little trees.

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We back in the distance.

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Here we go.

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then we'll have a little bit here

just to lay some rest in between

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these, but I have two of them.

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I will add a little more of the Brown

and a little more the blue, just

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to darken it up a little bit here.

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All the same colors, blue,

Brown, little lizards SAP, just

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to make it a little bit darker.

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So to look like it's

in front, there we go.

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Can we lay another little Ridge,

but Hills right down through

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we'll give those a little swirl.

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Just barely, barely

touching the canvas here.

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Okay,

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now we can start coming forward and

we'll take a little bit of SAP green,

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mixed with a little bit of a lizard,

and then I'll mix that into some yellow.

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Make sort of a dirty green color and

we'll start putting some little trees

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that are we back here, load a lot of pain

in your brush and just push up forward.

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all these little things happening.

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Were you back in the distance?

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And maybe just a little touch of yellow

right here and just let this blend

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right with the color that you have.

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Let it go.

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I'm going to take and

pull just the edges down.

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Don't overwork this because you're working

with the yellow, into the blue water and

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it'll just turn a bright green on you.

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Just pull it down,

hypnotize it a little bit.

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And leave it alone

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and we can put a few little

sticks here and there.

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Just cutting through the

paint is all we're doing.

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Make it look like little trunks.

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We back in the day distance.

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It'll take just a little touch if they

low green, mixed with a CAD yellow and a

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little bit of permanent red, and we'll put

some highlights on these two, just where

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the sons ran through there and sparked.

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And on top of

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there we go.

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Can't ask them straight Vandyke Brown.

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Can we just lay us a little, a little

bit of dirt and gravel and stuff in here.

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Okay.

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Straight magic white.

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And we're just going to lay

it right underneath here.

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Just to give us a little water line.

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And when you're doing this at home, you'll

have a lot more time than we do here.

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You can take your time and put in all the

little fantastic details that you want to

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begin moving this in a little bit

closer, using the same colors.

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We'll just start coming forward.

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Maybe we need a nice tall

little tree right here.

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That's put us a little bit.

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Felicia over here also

can't leave his side out.

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There we go.

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Just lay that out.

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No.

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We'd love to hear from you and

left to hear how you're doing with

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all this, and if it's helping you.

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So we'd like to know what you

want to see on these shows.

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If you want to see different things,

painted different techniques, we'd

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also maybe like to in the future.

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Bring some of the better instructors that

we have met across the United States,

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and maybe we'll have them demonstrate

some unbelievable techniques that can be

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done, but we need to know what you want.

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So let us know.

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Okay.

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Now let's take a little bit of

the Brown, just lay some little

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trunks and they're in there.

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Maybe we'll give this

little Bush one here.

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Okay.

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And we'll put some highlights on that.

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Still fascinates me how this works

and how beautifully it works.

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okay.

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Let's see.

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Maybe we need a little there.

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That's it.

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And down in here, we need some

little bushes that are hiding

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underneath this bigger one.

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We'll put some middle

reflections in the water.

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There we go.

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Little red fireball there,

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little touch, more than magic

quite just to thin it down a

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touch it let's go over here.

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It's a nice little

highlights in this tree.

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leave a lot of these dark areas in here.

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They create the shadows that you need.

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So desperately we'll put a little

color right here for reflections.

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then we can later with color ride on top

to give us a nice, beautiful reflections.

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Let's take a little more

of the straight Brown

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and a little bit right along here.

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Just draw in some little bit

of shore little bank here.

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They a little highlight on top of them.

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Touch here.

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Okay.

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Let's see what we got going here.

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Looks like we have a lot of

space up in here that we really

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need to do something with.

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So let's do this.

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This is a lizard Crimson,

a little bit of SAP green.

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Now we got to do something up here.

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Cause we throw it all this color in here.

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There we go.

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Maybe we'll put a little bit

right out here to look so good.

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We might as well not stop.

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Okay.

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We'll take a little bit of Vandyke

Brown and let's do us an almighty

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tree coming right up through here.

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There he is.

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okay.

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And you're just sort of

pulling this sideways to lay

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the paint right on the canvas.

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Let it pull off the knife.

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and maybe we can give him

some little arms out here.

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There we go.

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Man, there's another one.

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And maybe this is a separate little

entity little tree by itself.

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Growing down here, it's just a

little sprout off the big one.

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Okay.

260

00:21:55,594 --> 00:21:58,114

Now we can put some

highlights on these leaves.

261

00:22:02,345 --> 00:22:03,514

Just let it touch.

262

00:22:04,415 --> 00:22:06,485

Bend the bristles just

the least little bit.

263

00:22:12,335 --> 00:22:12,955

There we go.

264

00:22:20,014 --> 00:22:23,395

a few over here and then fantastic.

265

00:22:23,445 --> 00:22:25,385

You can create an almighty tree that fast.

266

00:22:31,445 --> 00:22:31,774

Jane.

267

00:22:31,774 --> 00:22:33,725

We'll put a little highlight

here on this one too.

268

00:22:35,085 --> 00:22:36,245

Don't want him to feel left out.

269

00:22:41,044 --> 00:22:44,195

Let's put a little, let's put a

little something on here to give us

270

00:22:44,195 --> 00:22:49,504

a feel of bark just here and there.

271

00:22:52,965 --> 00:22:53,535

Here we go.

272

00:22:56,325 --> 00:22:56,895

Let's see.

273

00:22:57,555 --> 00:23:04,005

Maybe over here, let's be

brave and let's put an old dead

274

00:23:04,005 --> 00:23:05,445

tree right up through here.

275

00:23:09,035 --> 00:23:10,475

And this old tree is tired.

276

00:23:10,475 --> 00:23:12,335

He's just about to fall down.

277

00:23:13,025 --> 00:23:14,285

Not too much left for him.

278

00:23:23,295 --> 00:23:24,705

Give him a little tired arm

279

00:23:36,015 --> 00:23:36,645

here and there.

280

00:23:40,095 --> 00:23:41,295

Just let these happen.

281

00:23:48,345 --> 00:23:48,735

That's good.

282

00:23:51,180 --> 00:23:52,649

Maybe another little stick right there.

283

00:23:55,649 --> 00:23:56,190

All ready.

284

00:23:56,639 --> 00:23:58,740

Now, maybe we'll do something

a little touch different here.

285

00:23:58,740 --> 00:24:01,290

I'm going to take a little

bit of the permanent red

286

00:24:04,350 --> 00:24:06,420

and sorta highlight this old tree.

287

00:24:08,280 --> 00:24:09,960

Just to run it down through there.

288

00:24:15,180 --> 00:24:15,870

There we go.

289

00:24:26,240 --> 00:24:29,630

and if we wanted to make a few more

little branches on this tree, we can

290

00:24:29,630 --> 00:24:36,260

take a little bit of the thin oil and

then this down, and we can lay just

291

00:24:36,260 --> 00:24:41,600

a few more little branches here and

there just a few that's hanging on.

292

00:24:43,790 --> 00:24:45,500

Most of them have already fallen off.

293

00:24:55,775 --> 00:24:58,475

K now we'll put something

here to cover up his foot.

294

00:24:58,475 --> 00:24:59,965

So it pushes him back down in there.

295

00:25:00,005 --> 00:25:01,355

Let's do the same thing over here.

296

00:25:01,425 --> 00:25:06,485

Need to push him back into the picture

and maybe we can take a little more of

297

00:25:06,485 --> 00:25:09,065

the SAP green and the lizard combination.

298

00:25:09,575 --> 00:25:09,955

Let's do.

299

00:25:10,085 --> 00:25:10,415

Yes.

300

00:25:14,460 --> 00:25:16,320

Project this right on out toward us here.

301

00:25:24,450 --> 00:25:25,710

Give him some highlights.

302

00:25:36,690 --> 00:25:37,260

Okay.

303

00:25:37,260 --> 00:25:38,010

There we go.

304

00:25:50,030 --> 00:25:51,980

well by now, if you're painting

at home with us, you should

305

00:25:51,980 --> 00:25:54,379

begin having a picture of this.

306

00:25:54,379 --> 00:25:58,340

Getting close to being completed

should have lifted your spirits

307

00:25:58,340 --> 00:26:05,360

up and ready to go to another one.

308

00:26:08,385 --> 00:26:10,515

Let me just put a little magic

quite into here to give us a

309

00:26:10,515 --> 00:26:13,905

little waterline, like, so,

310

00:26:17,805 --> 00:26:19,754

and let's put a few little

sticks here and there,

311

00:26:29,805 --> 00:26:30,265

there.

312

00:26:39,650 --> 00:26:42,920

and this is the most interesting

picture because of the mountains.

313

00:26:43,520 --> 00:26:47,510

And once again, the biggest thing

we'd like for you to learn from this

314

00:26:47,510 --> 00:26:51,020

one is the laying of clouds in front

of mountains and how to make these

315

00:26:51,020 --> 00:26:53,210

mountains be pushed far, far away.

316

00:27:01,035 --> 00:27:01,575

Okay.

317

00:27:01,665 --> 00:27:03,585

These little sticks show,

all different planes.

318

00:27:03,585 --> 00:27:05,175

They create the illusion of distance.

319

00:27:13,835 --> 00:27:16,085

I think this was just about

ready for a signature.

320

00:27:17,045 --> 00:27:21,605

So we'll take a little bit thin

oil, mix it up real good and

321

00:27:21,605 --> 00:27:23,165

make it almost like border here.

322

00:27:25,265 --> 00:27:27,695

And we'll just lay a little

signature right there.

323

00:27:30,285 --> 00:27:32,235

And I'm very fortunate

cause I have a short name.

324

00:27:32,235 --> 00:27:35,305

So it only takes me a second to do so.

325

00:27:44,735 --> 00:27:46,265

and I think we'll call that one finished.

326

00:27:46,265 --> 00:27:48,755

If we mess with it anymore, we're

going to start piddling it to death.

327

00:27:49,475 --> 00:27:51,905

Do you picture, get your

dream out on canvas.

328

00:27:52,230 --> 00:27:52,950

And leave it alone.

329

00:27:52,980 --> 00:27:54,360

Don't fiddle with it all day.

330

00:27:54,870 --> 00:27:57,600

And the time you spend fiddling,

you could do another picture.

331

00:27:58,560 --> 00:28:01,140

So thank you very, very

much for watching us.

332

00:28:01,140 --> 00:28:04,080

We hope to see you again and

until then, happy painting.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 15, 2020

S01E07 - Autumn Mountain

Bob Ross's

The Joy of Painting

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