Bob Ross's

The Joy of Painting

S01E08 - Peaceful Valley

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Welcome back today.

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I thought we'd do a little pitcher.

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That's a little different

than what we've been doing.

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And today I want to emphasize how

to do several ranges of mountains

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and have some in the background

that are very quiet, to very distant

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and then come forward with it.

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And we'll see what happens here.

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I've already prepared the canvas

with a layer of magic, quite

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just brushed in both directions.

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Okay, we'll start with a little bit

of pressure and blue, and we're really

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working into the bristles of the brush.

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And we'll start right at the top

working across and we're picking up

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the magic quiet as we go across here.

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And automatically it makes the sky get

lighter as it works downward because

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we don't want this guy that just

looks like he pulled the curtain down.

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We try and avoid those

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real hypnotize it a little bit.

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We've got some blue on the brush here.

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We might as well.

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Go ahead and put in a

little bit of water here.

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This is still the Prussian blue,

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just hit metastasis a little

bit to bring it all together.

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And it really doesn't matter where

you get your water line here, because

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when you put all the other stuff in.

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You can bring it to whatever

points you wanted to say.

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Don't worry about it.

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We'll wash it.

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So brush,

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Alrighty, let's take some

blue and a little bit of Brown

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and a little bit of white.

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Just to make sort of a gray color, blue,

gray here, and maybe we're going to have

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this mountain come way up on the canvas.

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What the heck?

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And just let it roll around

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maybe another little bump

right there and let it wander

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right on no very little paint.

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And we're pushing that.

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Paint right into the canvas.

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Just really push it.

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We'll put a little bump right there.

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Another the little Hill

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now we'll take and pull that paint down.

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We want it to get lighter as it

goes toward the horizon here.

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Pull it down once again, it's

mixing with the magic, right?

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That's already on the canvas

and automatically this occurs

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this one down a little.

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So at this time we want very

little paint, very little paint.

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We just, all we want to do is give

a little indications back here.

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Just a little, few little highlights,

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light playing right through here.

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And you'll find if you're right-handed,

it's normally easier to have

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the light coming from the right.

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If you're left-handed, it won't

vary from person to person.

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So you sort of have to find

what's comfortable for you.

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Maybe a little speck of light

back here on that point.

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maybe let's just let these two

sorta work their way together here.

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just make an almighty reach on him.

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Right?

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now the shadow.

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We'll use a little blue and white

little touch of Brown with it.

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Let's put a little shadow right here.

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Don't want a great deal in the shadows

this time, just she asked a little bit.

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Maybe a little touch over in here,

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a few little things

happening all along the way.

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a little bit too straight.

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So I'm going to break it up a

little, so it didn't look too round.

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I want it to phony.

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You want it to look real?

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Okay.

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Now I'm going to really diffuse this one.

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I want it to just about disappear.

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Even going to work a little bit in there

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when I left upward.

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Always follow the angles that

you've built in your mountain.

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Always work with those angles.

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Kenny.

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Now let's, let's build another

one, a little closer this time.

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I'm going to put a little lizard in blue.

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Give it a little bit more of a privileged

shoe, a little touch of Brown to dull it.

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let's take this one and

run right up through here.

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This being so dark should

push everything back.

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just to be a nice, slow

rolling a little Hill

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they just get in there and do it.

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Don't worry about it.

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But it happened.

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Pull this down a little bit.

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one reason we do so many mountains in this

series is to teach you to use the knife.

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If you can make mountains, you've made

friends with a knife, then you can do just

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about anything you want to do with it.

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Okay.

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Maybe we'll take a

little blue invite here.

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Maybe there's a few little patches

of snow lameness just here and there.

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Just let those work down here.

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And there

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maybe there's a little snow

land right in here somewhere.

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I'm going to take a little bit of the blue

and Brown and put some SAP green with it.

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Here we go very dark.

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It should look black.

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And now we'll load the brush up

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and let's just do some little

things like yes, indications trees

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back in the distance, back here.

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and maybe a few of them have

just a little bit more detail.

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So we can just add a

little bit here and there.

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We're only looking for basic

shapes as far back, you would

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not see a great deal of detail.

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Here and there and master the

tree, this got a little more shape.

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a lot of paint on the brush.

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just like, so now then we can take and

just scratch a few little trunks here.

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All we're doing here is

using the point of the knife.

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And cutting through the paint.

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So the canvas shows and it gives

the illusion of little trunks.

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We back in the distance

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and you don't have to worry about cutting

through the canvas with this knife.

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Canvas is very, very strong.

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And we recommend that you use stretch

canvas rather than canvas boards.

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The canvas boards have cardboard in

the center and they have a tendency to

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absorb your magic quite very rapidly

and leave you with a dry canvas.

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And we depend on this being

whipped through the whole picture.

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Now let's take.

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Little green, little yellow and

red, all mixed together here.

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And let's start putting some

land coming down through here.

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And all we're going to do is just push

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all the little grassy

things happening here.

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maybe hearing there.

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We can see parts of the dirt.

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She went through a little ground shore.

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And then you can just go back and

sort of push it down into the picture,

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put things that are projecting

over it a little more magic here.

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So I have to have a thin paint

to make it stick on all this.

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And as these come out of the shadow,

let them get a little brighter.

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These trees would shadow

all back in there.

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So you want this to get a

little brighter as it comes.

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cool.

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Now let's take a poll, just a little

bit of this down into the water.

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and then we'll just, just

hypnotize it a little bit, just

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to sort of make it come together.

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here.

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I'm adding just a little bit of dark.

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We have two light areas, so we've

put a touch of dark in here.

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Just to separate these

very, very little paint.

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okay.

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Now let's take a little Vandyke ground.

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We'll just go right along here.

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A little shore.

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All we're doing is touching the canvas

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and we can put a few

little sticks in here.

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It in color, on the knife.

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you know, when people see all these

little texts and stuff, they think

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you spent days and days when he

wasn't here at brush sitting here

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and doing all these little Rascals.

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And when you get them believing

that, then you up the price of it.

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For a long time, I painted this

way in the secrecy of my home and

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charged, unbelievable prices, which

a lot of painters are doing now.

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people see it takes you 30 minutes,

then they don't want to pay it

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an unbelievable price for it.

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They want to pay you 30 minutes labor.

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So you have to make a decision

whether you want to be a traditional

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artist or an artist at each rector.

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Now maybe we'll take some

of this dark color and let's

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put a little tree right here.

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and we've taken close.

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Some of that paint down like

this, a little reflection.

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lay a little highlight right

along here, just so he stands out

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he needs some leaves on.

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destroyed.

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Hang on.

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We'll use just a little

bit of the van Dyke here.

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let's put something in the foreground.

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We don't have all kinds of

nice little bushes and stuff.

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Just growing around here.

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Put something right here.

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and we'll highlight these real quick.

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look at there at all those other

leaves and bushes, and you can do it.

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You can do it just.

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Practice a little load, a

lot of pain into the brush.

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Remember it then pain

stick to a thick paint.

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little green Ray on this.

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that's a huge limb coming out here.

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Like there's a tree over here

somewhere and all you can see

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is the, the big lamb coming out.

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I know this is scary to take in

and put something like this right

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out through all the work you went

through, but give it a try one time

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and maybe we can have

wind coming down to here.

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we can have some numbers.

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Yeah was coming off.

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These

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little things happening here, wherever

you want them to just drop them in.

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there's a little something

just protruding right up here.

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Just a little bit of highlight

on here, just to break it up

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a little sunlight seating.

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now let's lay some leaves on top of that.

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And we first need some dark,

get some dark color here, a

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little bit of blue and Brown.

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There we go.

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Can we lay a little

color on the brush here?

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And now we're just going to

start tapping where we want

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some nice little leaves to be.

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let him fall in there.

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just sort of helps make a nice composition

of your pitcher and push everything back.

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Thank you like this once you tried

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I mean, as I say, first time it started

the sign of a gun, just to throw all this

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right out in the middle of your picture.

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It's gross.

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Scare you a little bit, but

jump in there and do it.

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Remember you're the master.

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This canvas is afraid of you here.

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The master.

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now we can take a lighter color,

green, little more magic in here.

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Okay.

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A little disperse and think

where you light's coming from.

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The top of these are going to be

a little brighter than the bottom.

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So just lay a little bit of

color right along the top here.

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This is where you need

a good brush, though.

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Very careful about the brush you use.

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Avoid nylon brushes, cut paint.

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These are natural bristle brushes.

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I always remember back when I was a

traditional painter, how long I would

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agonize trying to do something like this

with the little one here at brush, working

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for days and days and days to get an

effect that you can now get in minutes.

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there we go.

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And we have all mighty limbs projecting

right out in our pitcher and it makes

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it look like there's a tree over here.

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Okay.

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Maybe, maybe right in here.

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Let's do this.

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Let's have an old tree that's falling

over coming right up through here.

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If you've got you all your nerve up

and done this one, shoot, we might

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as well just keep going with it.

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No, you sledding.

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You stop now.

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Maybe he had a little friend

that fell over with him.

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I don't laugh.

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Trees need friends too.

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Everybody needs friends.

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Take a little white and

a little Brown here.

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You put just at least little touch

of sort of an orangy color in it.

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And we're going to just work that right

down here and make him look old and tired.

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Just barely touching,

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like, so.

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Jean.

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Now we'll take and put a

few little bushes in front.

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So he has a place for his books

to set and we'll take the liner

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brush a little bit of thin oil.

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There we go.

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Your little limbs hanging on here that are

just about going to just here and there.

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Let them go every which way,

whatever makes them happy.

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and maybe this one's just

hanging down who he's tired.

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some trees just going, it's going

to fall over here in the pond.

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Two left up here,

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something like, so,

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okay.

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I think we'll sign that

one and call it finished.

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There we go.

255

00:27:47,669 --> 00:27:50,399

And I'd like to thank you very,

very much for watching us today.

256

00:27:51,030 --> 00:27:54,479

I hope you've enjoyed this painting

and that you painted along with us

257

00:27:54,780 --> 00:27:56,639

and until next time, happy painting.

258

00:27:56,669 --> 00:27:57,780

Thank you very, very much.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 15, 2020

S01E08 - Peaceful Valley

Bob Ross's

The Joy of Painting

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