Bob Ross's

The Joy of Painting

S01E11 - Winter Glow

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Hello, glad to see you again today that

today would do a happy little pitcher

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maybe with the sunshine in the winter and

just see what we can develop from there.

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So let's start out here with just a

little touch of permanent red, mixed

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with a little bit of yellow, and

I'm going to put the sun in here.

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So we're going to start right in the

center of where we want the sun to be.

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And this'll end up being the

aura that's around the sun.

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And I've already prepared

the canvas with magic white.

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So it's nice and wet.

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Now we're just going to start with little

X patterns here, and we want this to

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get darker and darker and darker as it

works out here, I'm using a little bit

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about lizard Crimson and white work.

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You brush back and forth.

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Keep it moving.

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It's much, much easier to blend

these colors when they're like

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this and then drawing a big circle.

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Okay.

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Now we'll take a little bit

of a lizard Crimson with a

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touch of Prussian blue into it.

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Make sort of like a lavender color.

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There we go.

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And just work it around.

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Okay.

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See how that just comes right together.

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Put just a little touch of

this pink running right down.

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Like, so

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we just bring all this together,

maybe a little bit in here.

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Maybe we'll have a little touch up.

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okay.

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Now let's go into a mixture of

Vandyke Brown, fresh and blue, and

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a little bit of white and give us

a gray effect and we'll work that.

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Also starting from here and working

downward so that it gets lighter

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and lighter as it gets toward the

sun too many times in paintings,

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we try to avoid the sun and the

sun is a beautiful thing to think.

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It's part of nature.

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If you see it just about every day,

sometimes we don't see it everyday.

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Just about, okay, now we'll

take the almighty brush here.

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And we're going to begin

hypnotizing this and do it in

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little X strokes back and forth.

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There we go.

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Just want to blend this color out.

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So it's nice.

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Even distribution of color.

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By the time we're finished,

always working with a clean brush

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from the flattest area outward.

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beginning to come together now.

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And while the brush is dirty, we'll

go ahead and put in a little bit

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of water and I'm using the same

grade that I used in the sky.

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And you don't want to cover up this area.

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If you want a nice pink reflection

coming across the water, you

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want to leave this area open.

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And we'll bring this across.

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Janssen kept my tags

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clean the almighty brush

out here a little bit.

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You can work this as many times

as you want, but the big thing is

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to always start with a cleaning

brush and work out with it.

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There we go.

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So you just haven't asked gradual

blending of color, hypnotize it a little.

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Now we'll take a one inch brush it

full of titanium white, and we're

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going straight into the canvas

and we're going to push very hard.

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Just push this value

right into the canvas.

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Like, so.

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And if you want to give some

little indications of sunlight,

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you can just gently put a few

of these in just here and there.

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Now we'll take out all

the excess loose paint.

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The value remains in the canvas.

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Now we can hit the ties that

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we don't want these to

be frightened, distinct.

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They'll still show, even though you

have Phantasm over and over and over

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okay.

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Now, if you've got that done,

we can move right along here.

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We'll take a little bit of the,

uh, Alizarin Crimson, little

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blue, mix it together here.

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And we're just going to make an indication

of some nice little Hills and mountains.

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We back here in the background.

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There we go.

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Just lay them on with a knife.

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We're using very, very little

paint, scrape off all the excess.

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with a big brush.

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We'll pull that down.

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Large brush like this.

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You can make all of your highlights

and shadows in the mountain

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just by using brush strokes.

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not gonna worry about

highlighting this with white.

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Like we normally do.

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We just want sort of a silhouette back

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I would take a little bit of the grayish

color, maybe just a touch, more Brown.

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And we're going to put in some little

foothills that are we back here?

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Just take the big brush

and tap the canvas.

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There we go

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and we'll take a little bit of that

same color and pulled downward.

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This will make our reflections.

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and I'm going to lift it slightly

upward just to give it the

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appearance of little trees.

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We back in the distance far, far away.

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Okay.

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Now we'll just hypnotize this just

a little bit to give it a water

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effect, a little bit of magic,

quite a bit of magic into it.

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I'm going to add just

a little bit of pink.

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That's a little too much, so

we will just tone it down.

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There we go.

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That's better.

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And we'll cut us a little

water line back here.

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We don't want this to

be bright and distinct.

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We just want a gentle little water

waterline to break up these two dark areas

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and act just like you trying to

cut right through the canvas.

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Go straight into the canvas.

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you have the impression of a

beautiful sun, little Hills in the

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background, foothills and foreground.

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Now let's come forward and,

and see what we can make.

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I think we'll take a little

alizarin, Crimson and a touch

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of SAP green mixed together.

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Like a very warm Brown color here.

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And we use the almighty fan brush.

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And let's come down and let's just have

some new grassy areas right along in here.

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There we go.

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Now, when you're doing this at home,

if you find that you end up with a

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bunch of smiling faces, because a

fan brush is curved, use the corner

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of the brush, just use the corner.

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Don't end up with a pitcher full

of smiley faces all at one time.

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It's supposed to make you happy, but we

don't want to show all the smiley faces.

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Okay.

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Now we'll take some titanium white

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and we can laying in a little snow.

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And the angle that you lay

this in is very important.

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I want this to show a little Hill

coming down a little gradual decline.

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So we're going to pull

it in that direction.

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And let you paint break.

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So you have all these open spots and the

color we put here ends up being a shadows.

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Okay.

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Then we can work a little

grassy areas right into that.

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And you have those travel

with the lay of the land.

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Also let him, let him sort

of flow down like that.

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Okay.

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It's clean off a little spot to work

here and we'll make some almighty trees.

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Won't take some Bandag

Brown, crushing blue.

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It'll stay low green and

little touch of a lizard.

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Crimson.

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You want a very dark color?

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It should look black.

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Let's see here.

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We're going to load the brush full of

paint and let's put a happy little tree.

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Let's see.

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See right here.

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And we sorta just touch the

canvas to give us a guide and

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then we're going to push upward.

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Make a little different

kind of tree today.

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Push.

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Okay.

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Let's give him a little

friend right here and we push.

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Just push those lambs

right out of the brush.

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And maybe we'll put some nice little

snow covered bushes in here too.

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So we'll just lay those in.

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You need the dark in

order to show the lights.

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So.

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But your dark color in, so the light

will show up when we put it on.

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It's just cut through the paint

and give some little trunk

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indications here and there

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now would take a little bit of magic,

quiet, and we'll mix that with farm white.

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And a little touch of the blue

that we use to make the tree.

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And we'll highlight this tree

and we see our light source.

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So we just push, I want this side of

the tree to be a little bit brighter.

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There we go.

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A little bit.

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okay.

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Now let's highlight some of these

bushes and we'll take a little bit

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of magic white with a firm white

little touch of permanent red, just

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so it sets off a little bit better.

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You know, the push off some

last little snow covered bushes.

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Very gentle touch.

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Just enough to get the

paint to come off the brush.

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Okay.

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Here's a nice Bush, put some snow on here.

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When you're doing this.

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Try to do what a Bush at a time and have

him finished before you go to another one.

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Otherwise they'll just sort of run

together and you'll lose track of them.

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Then when you put a few

little stems here and there.

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All we're doing is cutting

right through the paint.

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Okay.

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Let's have some snow coming this way.

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We'll change these angles

a little bit since we have

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different planes in this picture.

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We'll bring it down just a little more.

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We'll have a little angle

coming right down there.

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Okay.

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Seems like I remember there was a

old farmer that used to live here

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and he, he built a barn right here.

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So let's put a nice barn here and.

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It's better to sort of scrape it

out, to get all the loose paint off.

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So the other paint stick, it's

also a nice way to lay it out.

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Give you an idea of your

perspective and what you're doing.

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Just basic shape

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Okay.

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So we'll take a little Vandyke Brown

and let's lay this Eve here in like, so.

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and we'll put some snow on the roof,

just come down and let it drop.

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We want to give it the indication

that it's sort of, one of these

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roofs had come over and dropped

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from that package up,

over, down, over down.

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These strokes are very important to make

it look like the roof has an angle in it.

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Okay.

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Put some wood in here, just like, so

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there we go.

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Some over here.

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Gonna to have a side on the barn,

don't want the cows to get out.

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let's put a little bit of snow on

the other side of the roof over

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here, and we confirm this up.

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Okay.

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Maybe a little bit,

right along through here,

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no more Vandyke Brown and we

can lay some shadows in there.

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okay.

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Tell you what let's uh, let's

give him a little shit out here.

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Farmer always needs more room.

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So we'll put him a little shed.

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not easy.

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That is just let it happen.

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and we need a little place for

him to put the hay up here.

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and you can create any

kind of barn you want here.

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It's just.

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A matter of working with a knife,

letting it happen and having something

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inside that you want to put on camera.

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That's

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okay.

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If that's, uh, put a nice Bush here,

pushing back into the bushes, maybe

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this old farmer, maybe he took up

drinking a little bit, too much, you

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know, we all have a problem sometime.

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Woods is sort of creeping up

and fixing to eat up his barn.

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take a little more of the titanium

and magic mixed together, and we'll

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put some highlights on these bushes.

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There we go.

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paint here and there.

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We have some more of the little

weeds that are growing around this.

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Use the corner of the fan

bursty, make friends with it.

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There's some ground right around

the edge of this little Hill.

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let's put an almighty tree in here.

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let's come right on in here.

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Big tree.

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He just goes right on off the canvas.

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now we can take him, put

some highlights on here.

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with the magic little titanium, and then

we're going to put some blue on there.

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I want this to look cold.

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This pitcher should have both.

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Warmth and coldness in it.

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Cause we have the, the sun with all the

warm colors and coming right through here.

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So let's do this, you know, just

put some nice little highlight,

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just let the light bounce

through there and play.

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now we can continue with our

snow hair a little more and let's

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bring this one, have a different

plane coming down through here.

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Let it come right through.

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Here.

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We are.

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just let that knife run right down in the

angle that you want to show that your land

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is flowing and try to let the paint break

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00:20:28,760 --> 00:20:33,470

let's take, maybe, maybe we have

a few more little bushes in here

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that are growing down the Hill.

254

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Just push these in.

255

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A little more the magic.

256

00:20:57,300 --> 00:20:59,460

Remember a thin paint will

stick to a thick paint.

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00:20:59,730 --> 00:21:01,860

So you need to thin your

paint just a little bit,

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just a little touch, more.

259

00:21:09,720 --> 00:21:11,910

We'll put a nice little

bushes standing right here.

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another one right here.

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00:21:29,445 --> 00:21:30,075

There we go.

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00:21:32,445 --> 00:21:34,905

Just sort of let your imagination

wander around wherever you think

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00:21:34,905 --> 00:21:36,405

it might be a little Bush or tree.

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Put it in.

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00:21:37,695 --> 00:21:38,535

This is your world.

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00:21:40,845 --> 00:21:41,085

Okay.

267

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Maybe we'll take, put in some little.

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00:21:45,930 --> 00:21:47,100

Trunks here, have a little treat.

269

00:21:47,100 --> 00:21:51,090

It just about has nothing on it.

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00:21:51,840 --> 00:21:52,860

Just the trunk lift.

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Oh man.

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Winters taking all of his leaves away

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in Alaska.

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We have in the winter ice

fog, which settles on every

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00:22:06,720 --> 00:22:07,950

little branch, everything.

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00:22:08,880 --> 00:22:09,690

Oh, it's so beautiful.

277

00:22:09,720 --> 00:22:12,180

It just looks so pretty.

278

00:22:12,180 --> 00:22:14,220

It's almost like something

out of a fairy tale book.

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This probably one of the reasons I paint

so many winter pictures was in Alaska.

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We see a lot of winter, so it's a good

way to learn how to use the equipment.

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00:22:27,240 --> 00:22:29,370

And we're trying to give you

ideas here, trying to teach you

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a technique and how to use it.

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Maybe, maybe another little

thing coming up through here.

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Okay.

285

00:22:45,185 --> 00:22:47,465

There might be this old farmer

before he left the farm.

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Maybe had a fence that went right

away and to keep the cow in,

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00:22:54,965 --> 00:22:58,415

make up these little stories, as you

painted really helps give you ideas.

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It makes your imagination work and

imagination is the key to painting.

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00:23:03,935 --> 00:23:06,395

What to paint is much, much

harder than how to paint it.

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And we showed you how to paint it to

now, the imagination comes from you.

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00:23:14,584 --> 00:23:14,685

Yeah.

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00:23:14,685 --> 00:23:20,405

And maybe when you see the top of one

more little post, right there would take

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a little bit of color white and we'll

put a little highlight on these, like so

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little snow laying on top.

295

00:23:41,450 --> 00:23:44,870

And let's have a wire running

along these fence posts.

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00:23:44,900 --> 00:23:46,130

It just comes right on down.

297

00:23:49,310 --> 00:23:49,550

Thanks.

298

00:23:49,580 --> 00:23:53,270

So normally have done here is just

literally scratched through the paint.

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Okay.

300

00:23:57,080 --> 00:23:59,900

And you know, they always have a few

little bushes that grow around the posts.

301

00:24:01,050 --> 00:24:04,380

When you're cutting the grass, you

can't get up next to the post to cut it.

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00:24:04,380 --> 00:24:06,270

So you usually always have

somewhere around here.

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00:24:09,560 --> 00:24:12,740

maybe with just a touch, a

very, very light, very light.

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00:24:12,950 --> 00:24:15,680

We can just put some little

indications of shadows back here.

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Just a little bit.

306

00:24:27,135 --> 00:24:27,225

Okay.

307

00:24:27,375 --> 00:24:27,885

Okay.

308

00:24:28,475 --> 00:24:30,575

Now let's put some highlights

on the little bushes.

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There we go.

310

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Look it there.

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00:24:41,195 --> 00:24:42,784

Just make those sparkling sun

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00:24:50,465 --> 00:24:52,355

in here and there a few more little weeds.

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00:24:53,534 --> 00:24:56,355

Sticking through the snow and you

can sort of fix it up and then,

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00:24:57,405 --> 00:24:58,575

but don't peddle it to death.

315

00:24:59,805 --> 00:25:00,825

Don't keep playing with it.

316

00:25:00,825 --> 00:25:03,405

One of the hardest

things is when do I stop?

317

00:25:04,784 --> 00:25:05,955

Do I go a little bit farther?

318

00:25:06,375 --> 00:25:09,105

And you can sit and look at a picture

long enough that you're going to find

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00:25:09,105 --> 00:25:11,504

something else you want to do, and

you're going to peddle it and peddle it.

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00:25:11,504 --> 00:25:13,995

And pretty soon are you

going to have a happy mess?

321

00:25:13,995 --> 00:25:15,705

So learn when to stop.

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Just a few little sticks here and there.

323

00:25:33,155 --> 00:25:38,254

and let's put just a little

touch of highlight on this little

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00:25:38,254 --> 00:25:39,574

happy sunlight shining through.

325

00:25:42,304 --> 00:25:42,784

There we go.

326

00:25:45,455 --> 00:25:47,225

See what you can do in just

a matter of few minutes.

327

00:25:47,264 --> 00:25:49,905

Yes, and we know you can do it.

328

00:25:52,574 --> 00:25:53,354

Okay.

329

00:25:54,215 --> 00:25:57,544

And when you do this at home, you

have unlimited time and you can take

330

00:25:57,995 --> 00:25:59,645

and put a lot more detail into it.

331

00:26:00,004 --> 00:26:02,915

You can work out a lot of things here.

332

00:26:02,915 --> 00:26:05,254

We're just trying to give

you an idea in 30 minutes.

333

00:26:05,254 --> 00:26:08,314

So I think I'll just sign this.

334

00:26:08,375 --> 00:26:12,245

We use a thin oil, a

little bit of color on it.

335

00:26:14,700 --> 00:26:18,960

Till we get adjust about the

consistency of water very, very soon.

336

00:26:20,220 --> 00:26:22,230

And with that, then you can

just take and write your name.

337

00:26:26,790 --> 00:26:28,080

It takes as long to write your names.

338

00:26:28,080 --> 00:26:29,040

It does to paint the picture.

339

00:26:37,995 --> 00:26:39,615

Maybe a little more pink, right?

340

00:26:42,635 --> 00:26:44,315

And we'll advise that

you date your painting.

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00:26:44,315 --> 00:26:49,775

So in years to come, as you look at him

or as your grandchildren look at them,

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00:26:50,105 --> 00:26:53,945

you can tell what year this was painted in

and brings back a lot of happy memories.

343

00:26:57,925 --> 00:27:02,375

Take just a little more of the oil,

but with a little bit of Brown.

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00:27:08,480 --> 00:27:10,220

because this is a thin, slick paint.

345

00:27:10,730 --> 00:27:13,460

You can go ride over the other

paint without messing it up.

346

00:27:15,170 --> 00:27:16,400

Add in a few little sticks.

347

00:27:27,060 --> 00:27:27,800

just moving right.

348

00:27:30,600 --> 00:27:32,860

Let's see, I told you not to peddle

it and I'm sitting here and I'm

349

00:27:32,909 --> 00:27:34,020

starting to peddle it to death.

350

00:27:34,740 --> 00:27:37,439

So I think we'll just lay the brush

down and call that one finished.

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And we hope you have enjoyed the

all Madison, the barn and beautiful

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00:27:43,620 --> 00:27:44,580

painting we've done to date.

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00:27:44,639 --> 00:27:46,949

And you can do it too until we meet again.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 15, 2020

S01E11 - Winter Glow

Bob Ross's

The Joy of Painting

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