Bob Ross's

The Joy of Painting

S08E06 - Bubbling Mountain Brook

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I I'm glad you could join me today.

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Thought today would just do

a beautiful little painting.

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It has a lot of beautiful colors in

it, and we just we'll have a good time.

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So let's start out and have him run

all the colors across the screen

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that you need to do this painting.

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And they'll come across in

exactly the same order as I have

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moment of palette while they're

doing that, let's go on up here.

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I've already covered the canvas with

a thin even coat of the liquid white.

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It's all wet and slick.

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And.

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It's ready to go too.

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So let's do it.

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I'm going to start out today with the

smallest little touch of the Indian,

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yellow, and a little bit of bright red.

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Just mix these on a brush

of very, very small amount.

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Okay.

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Let's go right up in here.

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And I think I put a little

more of the red Oh yeah.

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To list.

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Let's do a nice one to do.

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Just let it sort of bounce

around a little bit.

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maybe it just goes right on

the wandering off, over there.

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We don't care.

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What the heck?

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What the heck now then wash the brush

and wash it with odorless dinner

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and take out all your hostilities.

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Just have a good time doing it.

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Midnight black.

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Midnight black, just tap some into the

brush and a little bit of halo blue.

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The midnight black is very transparent.

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That's a nice color to work

with at school right up in here.

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Barely.

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You just play a little bit

of this for right here.

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Like, so I don't want to

cover up his bright color.

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Just want to throw a little bit of

that blue in the black here and there

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don't maybe they would make some,

what makes them all mighty clouds have

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some fine, maybe some big mountains.

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I left to paint mountains.

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I lived in Alaska for so many years.

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I feel like that's really home.

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And I like to do mountains.

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Alaska has some of the most

beautiful mountains in the world.

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Same old, blue and black.

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Let's go right down here and

have a little bit of water.

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So we'll just do this right already there.

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We have a masterpiece for

the museum of modern art.

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We're ready.

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We could stop right there.

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Okay.

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Now, I've got several brushes going here.

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So I'll take a clean two inch brush and

very gently just blend some of these

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edges to get a little bit, I'm not worried

about doing a lot of blending today.

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Just a little, I'm going to take.

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Small amount of the

red and put right here.

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I want to a little warmer

glow, a little more red, and

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that'll touch more of the red.

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Just really scrub it into the canvas.

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It's going to be a bright one today.

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Okay.

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Let's build a happy little cloud and

we'll use the one inch brush now.

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When you're doing this at home,

you could use a one inch brush or

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a fan brush or a two inch brush.

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It didn't matter.

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A little bit of the bright red in there

will sparkle those clouds a little bit.

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Kids go here now then decide where

you want a happy little cloud to

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live and just tiny little circles.

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Tiny little circles and just

begin working on that together.

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And the little circles don't get

too big and keep your brush moving.

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You'll have, you'll have places

where the paint's very thick

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places where it's very thin pieces.

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There's no paint, just that all those

little things happen now, then top

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corner, the large brush and just sorta.

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Mix it up, but I ended up, they

ended up and fluff it, give it

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a little fluff that lifts it up.

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And when you do this, if you pull

up some little stringy things,

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don't worry about them because when

you blend it, they all go away.

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See there.

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And when you're painting clouds, like

yes, work in layers, do the most distant

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layer first and then come forward.

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Always working forward a little more of

the red into the white and maybe, yep.

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Okay.

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Here, there's another happy little

cloud and he lives right there.

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Wherever you think of cloud or the live.

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That's where he said, Linda, maybe

there's one that lives right here

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and he just floats fray down.

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Clouds are very free.

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They, one of the freest things in nature.

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They just float around, have a good time.

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Top corner of a large brush,

tiniest little circles.

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Let's give it a little

fluff there, wrap it up.

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And three years ago, ladies

used to tease your hair.

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Like yes, same principle.

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He just sorta fluff it up, tease it, tease

it, very gently blend the entire sky.

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Isn't that a fantastic way to

make some great big billowing

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clouds works very well.

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Let's put some big mountains in this way.

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I want to take black, some blue and

some lizard and Crimson Crimson.

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Want to see what color you have?

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Take a little white and put there.

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Cause I just looked black.

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See, and there you can tell,

I want a little more Crimson.

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I want it a little bit

more into the purple issue.

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That's better.

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Okay.

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Pull it out.

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Flat.

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Cut off a little roll of paint, Dennis.

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Go up here.

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Now I have to make a big decision.

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Where does your big mountain live?

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I think he lives right there.

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See, when you put this lavender color

over the yellow, you can get away with it.

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Because when you mix, I happened

during the yellow, it makes a

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nice Brown and you don't care if

you've got Brown in the mountains.

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If you used too much blue, you'd have

green mountains and that'd be all

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right, but this looks a little better

for what we're looking for today.

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And the only thing you worried about

some nice top edge, you could really

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care less what's happening in here.

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Let's take the old big brush

and very gently pull this down.

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We will have a Ridge amount of space.

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I like to do those.

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So just sort of pull it

right down, like, yes.

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And this is where you begin

laying out your basic mountain

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shapes and angles, just like that.

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Just using brush strokes like that.

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They're there.

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All right.

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Yeah.

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When you paint every day's a good day.

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When you paint every day is a good day.

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I had somebody to tell

me here a while back.

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I said, how can everyday be a good day?

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You know, this just everyday.

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Can't be a good day.

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If you don't think every day's a good day.

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Try missing a few.

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Hmm.

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You'll see.

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All right, let's go up

here and play takes a bite.

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Little bit of a lizard and Crimson

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and the least little touch of

the fade, a little blue into it.

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I want to 11 their color, but

more into their reddish hue.

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Then what we put on there to start

with cut off a tiny, tiny little bit

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and see they're a little bitty roll.

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Let's go ahead up here now, then begin

picking out your highlights and just

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let that barely touch the canvas.

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Just barely.

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It's just, just grazing the canvas.

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I've sat on some of the

earlier shows in the series.

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When I was teaching my son to

paint, I used to tell him just,

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just to pretend he was a whisper

floating across the mountain,

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graze the canvas caress.

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It make love to the canvas.

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Very gentle, very soft.

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And then we can take

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some other color that we've

made the mountain with and

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add a little light to that.

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So we want it darker than the highlight

lighter than what we have up here already.

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And now let's just begin

tapping some of these together,

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just begin working together.

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Pay very close attention to the angles.

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The angles are the secret

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and not much paint.

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The smallest, smallest

amount of paint possible.

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Janice put all these little

shadow areas in here.

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Virtually no paint.

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Okay, I'm going to take

some Crimson and white

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and as a nice warm pinkish color.

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And with that, let's go pair with that.

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We'll really put some shiny little

highlights over here, pretty,

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so you had to stands out and you

can put those layer after layer,

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after layer of highlights on here.

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Just as many as you want in your world.

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Just sort of let them all come

together, but little bumps in it.

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I think about all the little

rocks that live up here,

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maybe I'd count it right down.

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So you just let your imagination go.

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There's one.

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Hmm.

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Look at that.

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Look at that.

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But it's that easy to do.

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Just think where the light

would strike through here.

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So that all these things blend

together, flare after layer.

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After there, then you can go

back in here and put all kinds of

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little, look there and see how that

just jumps right out that easy.

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And when you're doing this at home, this

is when that little knife really comes in.

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You can sneak into all those little places

and take a little bit of the fellow blue.

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Tiniest little mountain.

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It's a little white into it there.

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Can you just go back up

here and just sorta touch?

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Oh, look at that.

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Look at that.

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See, I really sparkles it up

right up here on the edge.

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Like, so.

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Okay, now then clean dry two

inch brush, and I want to tap.

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This just happened.

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We want to diffuse and soften

and lifted up very gently.

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See that pushes everything back.

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It makes it so soft and quiet and

you just keep going on and on and on.

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Maybe, maybe.

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There's another big old

mountain lift right here.

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Oh, let me show you something.

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Let me show you something that's fun.

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Maybe, maybe you want

to cloud floats in here.

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You can just take a little paint and if

you keep that brush moving, sit there,

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put a little cloudier blended, give it

a little fluff and add a look like a

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nice soft Misty area where there's a

little cloud floating down that mountain.

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Maybe right there.

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Let your imagination go crazy.

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But these wherever you want them,

each mountain as you've worked

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forward, she'd get darker in value.

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This base color here she'd

get darker and darker.

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Really push it into the fabric.

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Push hard.

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Take the big brush.

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Pull it out a little bit.

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Give it a little,

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see when you put this one in

there, it just set that little

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cloud we made right back in there.

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A little cloud just hides back in

there and has fun in between the house.

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Now let's come right along here

and just put the indication

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of a few little highlights.

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Just zinging through there and play it.

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Look at that.

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Follow the basic angles in your mountains.

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That's most important.

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Most important.

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Thank for the light,

which strike right there.

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Maybe a little bit.

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We go to Xen.

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Okay.

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Put in a few little shadow indications

and just sort of work these

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shadows and highlights together.

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All kinds of little things happen here.

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It comes on right there, right

there, just back and forth between

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the shadow and highlight color.

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See how you can set things back in there.

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And that creates a little

recessed area back in there.

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Sneaky here.

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I like these kind of

little things just happen.

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There we go.

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Now.

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Once again, clean dry brush and very

gently, very gently just tap and lift

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upward, always falling the angles.

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It's most important that

you follow those angles.

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Look at that.

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And we had another layer of mountains

and you can go on and on and on.

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I'll show you another one here.

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Let's take.

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Yeah, I'll take a little black and a

little blue, a little more of the Crimson.

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Just use a fan brush.

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Watch here, watch here.

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Maybe there's a little bump.

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It lives there.

257

00:14:27,255 --> 00:14:28,725

You can do these with a fan brush.

258

00:14:29,055 --> 00:14:29,564

There it is.

259

00:14:30,795 --> 00:14:31,665

Just fill that in.

260

00:14:32,505 --> 00:14:33,135

Maybe it counts.

261

00:14:34,185 --> 00:14:35,355

We don't care where it goes.

262

00:14:42,105 --> 00:14:43,005

A little bit of highlight.

263

00:14:43,785 --> 00:14:45,945

Say there, let's just take the fan brush.

264

00:14:46,605 --> 00:14:48,735

You can almost paint with anything.

265

00:14:48,795 --> 00:14:53,505

If you just practice enough, all

you have to do is just practice

266

00:14:56,595 --> 00:14:58,125

shadow colors in the hair.

267

00:14:59,505 --> 00:15:01,035

Oh, there's a happy little thing.

268

00:15:01,035 --> 00:15:01,935

It just lives there.

269

00:15:03,345 --> 00:15:05,235

Just let your imagination go crazy.

270

00:15:08,220 --> 00:15:11,720

The Harrison Nashville that,

that fan brush wiggle in

271

00:15:11,730 --> 00:15:15,500

plays a little things happen.

272

00:15:18,915 --> 00:15:22,005

And we'll take our big breath

and let's just tap this a

273

00:15:22,005 --> 00:15:24,045

little bit, just to soften it

274

00:15:30,535 --> 00:15:31,035

that easy.

275

00:15:31,415 --> 00:15:32,265

You have a little rock.

276

00:15:32,655 --> 00:15:37,275

Now we have three layers of rocks

here at mountains, and that creates

277

00:15:37,275 --> 00:15:38,745

a lot of distance in the painting.

278

00:15:39,915 --> 00:15:43,605

Each layer, each plane that

you put in creates more and

279

00:15:43,605 --> 00:15:44,925

more distance in your painting.

280

00:15:46,315 --> 00:15:47,355

We'll take a little bit of that.

281

00:15:48,675 --> 00:15:52,935

Same old mountain color, unless maybe

there's some happy little things

282

00:15:52,935 --> 00:15:55,485

that live back here and just see.

283

00:15:56,335 --> 00:16:00,435

Now we're beginning to see some little

distant trees just sort of touch it

284

00:16:00,435 --> 00:16:01,965

and give it a little snap upward.

285

00:16:03,795 --> 00:16:05,835

Gotta say those little

funny sounds or don't work.

286

00:16:07,395 --> 00:16:07,845

Here we go.

287

00:16:10,320 --> 00:16:10,740

Okay.

288

00:16:10,740 --> 00:16:15,000

And the little things like, yeah,

I just cleaned the brush off next.

289

00:16:15,060 --> 00:16:16,890

All we're looking for in

here is a good dark color.

290

00:16:16,890 --> 00:16:17,730

We don't, we don't care.

291

00:16:18,240 --> 00:16:19,290

Just a good dark color.

292

00:16:20,250 --> 00:16:23,100

It should reflect the colors that

you've used as a painting already.

293

00:16:27,720 --> 00:16:28,770

That's a good dark color.

294

00:16:31,020 --> 00:16:31,530

All right.

295

00:16:31,560 --> 00:16:33,120

Let me grab another fan brush here.

296

00:16:34,080 --> 00:16:38,520

I tell you, I tell you what I'm going

to go right into some liquid white.

297

00:16:40,125 --> 00:16:44,655

And then right into the titanium

white, I'm looking for paint as a

298

00:16:44,655 --> 00:16:51,405

little bit thinner and, um, no, let's

really make it more interesting.

299

00:16:52,185 --> 00:16:55,035

Maybe there's a stone that right there.

300

00:16:56,245 --> 00:16:58,065

See stoves need a little

place to live too.

301

00:16:58,065 --> 00:17:00,015

We'll put a couple of little stones there.

302

00:17:02,055 --> 00:17:05,535

I'm going to take a little

bit dark Sienna, little white.

303

00:17:07,409 --> 00:17:10,560

Okay, cut off a little

bit of paint scrap here.

304

00:17:11,520 --> 00:17:15,060

And I just put a little tiny

bit a highlight on him stones.

305

00:17:15,060 --> 00:17:16,800

We want a little sun plan through here.

306

00:17:17,280 --> 00:17:21,119

I like the same side of the stone

that you did on the mountain can

307

00:17:21,119 --> 00:17:24,780

now, then let's have some water

and the water's coming back here.

308

00:17:26,339 --> 00:17:33,060

It's coming and we're back here, like,

so maybe comes right here and go push.

309

00:17:34,155 --> 00:17:37,185

Now, remember we put a little bit

of liquid white and with titanium

310

00:17:37,185 --> 00:17:38,535

white, we want to thin that down.

311

00:17:38,835 --> 00:17:41,745

So it's thinner than the paint

that's already on the canvas.

312

00:17:42,525 --> 00:17:45,605

If it's not thinner, then you're

going to become a mud mixer.

313

00:17:46,415 --> 00:17:47,795

And then you're going

to be unhappy with me.

314

00:17:49,685 --> 00:17:54,545

And maybe, maybe when the water gets here,

it hits this one and just goes to okay.

315

00:17:55,745 --> 00:17:57,095

And splice is over this way.

316

00:17:58,535 --> 00:18:02,015

Now, when it hits down

here, they're saying.

317

00:18:04,530 --> 00:18:06,780

All kinds of happy little splashes.

318

00:18:08,250 --> 00:18:09,570

Just look at that.

319

00:18:10,010 --> 00:18:10,550

Look at that.

320

00:18:12,180 --> 00:18:14,010

All those little things

are happening right there.

321

00:18:15,540 --> 00:18:18,630

Maybe there's a little stone

that lives under the water there.

322

00:18:18,690 --> 00:18:19,560

It causes it to go.

323

00:18:22,200 --> 00:18:22,740

All right.

324

00:18:23,520 --> 00:18:24,300

Let's have some fun.

325

00:18:26,940 --> 00:18:31,560

I'm going to take the old two inch

brush and go right into, Oh, we'll take

326

00:18:31,560 --> 00:18:37,800

some lizards Crimson, tiny bit of a

little blue and a little bit of black.

327

00:18:39,890 --> 00:18:40,820

Can I just go right up here?

328

00:18:41,770 --> 00:18:48,340

I think, yeah, let's put a push

and Ben, that was a happy little

329

00:18:48,340 --> 00:18:49,780

tree that lives right there.

330

00:18:50,770 --> 00:18:57,160

We begin worrying about the lay

of the land and it comes right

331

00:18:57,160 --> 00:18:59,080

down in front of this water bear.

332

00:18:59,080 --> 00:19:01,390

It is just like, so.

333

00:19:04,190 --> 00:19:04,520

Okay.

334

00:19:06,500 --> 00:19:08,660

Maybe we just put a whole

bunch of stuff right in here.

335

00:19:08,750 --> 00:19:09,260

What the heck

336

00:19:13,170 --> 00:19:14,080

you put your dark given?

337

00:19:14,080 --> 00:19:19,070

So you light we'll show a

little more blue, a little

338

00:19:19,070 --> 00:19:21,470

more Crimson, touch your black.

339

00:19:23,360 --> 00:19:23,840

I know.

340

00:19:24,600 --> 00:19:24,840

Right.

341

00:19:24,840 --> 00:19:28,350

They're just sort of look at your

painting and make big decisions

342

00:19:28,350 --> 00:19:31,020

where you think rethink all

these little things should live

343

00:19:39,360 --> 00:19:41,520

weight on, or we don't have

to make these decisions yet.

344

00:19:42,720 --> 00:19:43,800

We'll make these decisions.

345

00:19:43,800 --> 00:19:45,270

As we both come down in the painting.

346

00:19:46,860 --> 00:19:47,250

Okay.

347

00:19:47,879 --> 00:19:52,220

Let's put some stones in here,

little Vandyke Brown, and we need

348

00:19:52,220 --> 00:19:53,620

a stone to hold this waterfall.

349

00:19:55,399 --> 00:19:57,679

Otherwise he just wouldn't

stay there by itself.

350

00:19:58,040 --> 00:19:58,790

Water's lazy.

351

00:19:58,790 --> 00:20:01,010

It looks for the easiest way

to get to where it's going.

352

00:20:02,720 --> 00:20:04,970

So when you're doing these little

waterfalls, you get to have little

353

00:20:04,970 --> 00:20:08,510

stones and stuff that explain why

the water is higher back here.

354

00:20:09,350 --> 00:20:11,689

You don't want it to just

sorta all of a sudden be there.

355

00:20:13,220 --> 00:20:14,600

One of the basic rules.

356

00:20:16,410 --> 00:20:21,000

Of nature is water will not climb a rock

just a little far and be pretty for you.

357

00:20:21,450 --> 00:20:22,170

It's lazy.

358

00:20:22,500 --> 00:20:25,050

It's like me looks for

the easy way to do things.

359

00:20:27,650 --> 00:20:28,190

Okay.

360

00:20:29,720 --> 00:20:35,000

Let's take our old fan brush go

right into, let's say there's

361

00:20:35,300 --> 00:20:39,170

some black blue Crimson.

362

00:20:41,030 --> 00:20:43,850

I'm going to grab a little bit of white

so I can lighten that up a little.

363

00:20:44,250 --> 00:20:48,060

Can I just go back up here, a lot of

paint on the brush and maybe their lives.

364

00:20:48,240 --> 00:20:48,720

Yep.

365

00:20:49,020 --> 00:20:49,620

Right here.

366

00:20:50,340 --> 00:20:51,180

A happy little tree.

367

00:20:51,180 --> 00:20:55,230

And this time I'm going to push

upward, push upward with a fan brush.

368

00:20:55,290 --> 00:20:56,370

Normally we pushed downward.

369

00:20:56,380 --> 00:20:57,360

We're making the lever green.

370

00:20:57,900 --> 00:21:02,450

We want these to have

little branches see that.

371

00:21:03,920 --> 00:21:09,560

And some parts of the country that

looks more like the trees and others.

372

00:21:09,740 --> 00:21:10,010

So.

373

00:21:10,949 --> 00:21:13,770

Sort of look around your house and

see what kind of trees you have.

374

00:21:16,530 --> 00:21:18,659

I know I'm going to get a letter

from somebody and I say, Bob, all,

375

00:21:18,659 --> 00:21:20,189

I got to maple tree in my yard.

376

00:21:20,399 --> 00:21:24,500

Well, you can put a maple

tree in your they're.

377

00:21:26,689 --> 00:21:28,550

Just put these little

Rascals wherever you want.

378

00:21:31,790 --> 00:21:33,980

See these look like little

Christmas trees to me.

379

00:21:33,980 --> 00:21:38,149

And Christmas is always

a happy town there.

380

00:21:40,470 --> 00:21:41,670

Okay, just push up.

381

00:21:42,000 --> 00:21:44,430

Bandit definitely make

all these little trees.

382

00:21:47,780 --> 00:21:50,960

Now, some of them that are a little

closer, you might see a little highlights.

383

00:21:50,960 --> 00:21:52,550

So I'll take the same old, dirty brush.

384

00:21:52,550 --> 00:21:55,760

Go into a little yellow

and a little SAP green.

385

00:21:56,000 --> 00:21:58,790

I want this quite dark because

it's far away loaded, full.

386

00:22:00,080 --> 00:22:06,170

Now then just putting a little indication

of some greens, still pushing upward.

387

00:22:07,590 --> 00:22:08,280

Not a whole bunch.

388

00:22:08,280 --> 00:22:09,570

You don't want to kill all the dark.

389

00:22:11,129 --> 00:22:11,760

There we go.

390

00:22:13,740 --> 00:22:14,370

Just 200.

391

00:22:14,370 --> 00:22:18,720

Some of them don't put anything on that'll

help save the illusion of distance.

392

00:22:19,320 --> 00:22:22,710

All right, let's put some

highlights on those bushes.

393

00:22:22,710 --> 00:22:24,090

We use a one inch brush today.

394

00:22:24,690 --> 00:22:26,159

Go into all the yellows.

395

00:22:26,159 --> 00:22:27,780

That's yellow ochre, CAD yellow.

396

00:22:27,780 --> 00:22:32,790

Let's grab some SAP green, just all of

them, a little bit of the bright red.

397

00:22:34,620 --> 00:22:35,610

Okay, let's go right up here.

398

00:22:36,180 --> 00:22:41,550

Maybe this big old tree back here,

like a desk is thousands a little bit.

399

00:22:41,550 --> 00:22:46,590

You said easy to think about

the shapes inside of the tree.

400

00:22:46,680 --> 00:22:48,090

Don't don't just get it random.

401

00:22:49,680 --> 00:22:50,640

Don't hit it random.

402

00:22:53,190 --> 00:22:53,400

Okay.

403

00:22:53,400 --> 00:22:55,050

Maybe Paris.

404

00:22:55,170 --> 00:22:55,530

Nice.

405

00:22:55,530 --> 00:22:56,820

But he lives right there.

406

00:22:59,030 --> 00:23:01,820

You notice I'm still working in

layers doing a thing as fathers

407

00:23:01,820 --> 00:23:07,220

the way first over here, there's

a nice little yellow bushy.

408

00:23:07,230 --> 00:23:08,030

He lives right there.

409

00:23:08,030 --> 00:23:08,090

Yeah.

410

00:23:11,180 --> 00:23:13,910

And you can use a bright

sideways to create little layers

411

00:23:13,910 --> 00:23:16,160

of little soft grass areas.

412

00:23:17,949 --> 00:23:22,949

Let's take this a little bit of the Brown

and white we used for highlight and we

413

00:23:23,040 --> 00:23:24,689

put a little highlight on that rock.

414

00:23:24,790 --> 00:23:29,100

Little out here, wherever you got a little

rock drop in a little highlight on him.

415

00:23:30,960 --> 00:23:31,470

Okay.

416

00:23:31,949 --> 00:23:33,389

Grab some more Vandyke Brown.

417

00:23:34,710 --> 00:23:35,760

It's a big stones.

418

00:23:35,760 --> 00:23:36,240

It live.

419

00:23:36,750 --> 00:23:40,230

Just let him sort of wander

because anything that you don't

420

00:23:40,230 --> 00:23:41,669

want here, you just cover it up.

421

00:23:43,100 --> 00:23:44,689

You can do anything in here.

422

00:23:45,919 --> 00:23:53,510

Anything on this piece of canvas, big

old stones, they're backed her highlight

423

00:23:53,510 --> 00:24:00,679

color, just begin putting some highlights

on those storms, Brown and white.

424

00:24:03,500 --> 00:24:04,040

There we go.

425

00:24:06,979 --> 00:24:07,459

Nice.

426

00:24:07,459 --> 00:24:13,010

So back to our one inch brush some

of the yellows and the greens.

427

00:24:15,480 --> 00:24:19,649

And begin putting up some little

bushes in between, as I said,

428

00:24:19,800 --> 00:24:26,220

anything that you don't want, you just

covered up easy to do this wherever

429

00:24:26,220 --> 00:24:27,960

you want to go on the other side.

430

00:24:29,070 --> 00:24:30,090

Same thing over here.

431

00:24:30,480 --> 00:24:30,810

Thank you.

432

00:24:30,810 --> 00:24:37,669

Little individual bushes, one

at a time, just like so work in

433

00:24:37,679 --> 00:24:40,080

layers, always working in layers.

434

00:24:41,670 --> 00:24:45,840

Nah to water, liquid white

and the titanium white.

435

00:24:46,890 --> 00:24:47,190

Okay.

436

00:24:47,850 --> 00:24:51,990

NAB again, splashing some of that

water up against these stones that

437

00:24:51,990 --> 00:24:54,630

it swivel and swirled have fun.

438

00:24:55,350 --> 00:24:58,830

Just sorta think like

water, just push it up.

439

00:24:58,860 --> 00:25:00,720

Let the splashes hit crash.

440

00:25:03,330 --> 00:25:04,530

Like so, oops.

441

00:25:04,590 --> 00:25:05,580

There went one C.

442

00:25:06,100 --> 00:25:07,140

Think about all the little.

443

00:25:08,130 --> 00:25:12,600

Little areas underneath

the water there, wake up.

444

00:25:14,960 --> 00:25:18,480

And I say repeatedly through these

shows just mentioned again, the first

445

00:25:18,480 --> 00:25:22,020

things that you want to see tainted

that we haven't painted drop me a line.

446

00:25:22,200 --> 00:25:23,370

I would love to hear from you.

447

00:25:24,480 --> 00:25:29,910

And this is where most of our ideas come

from for the paintings that we do this

448

00:25:29,910 --> 00:25:33,240

from people all over the country, they

write and tell me what they want to see.

449

00:25:34,140 --> 00:25:35,210

A lot of them send pictures.

450

00:25:36,510 --> 00:25:37,560

That helps a great deal.

451

00:25:37,560 --> 00:25:41,370

If I know, I know what you want,

then I can do that for you.

452

00:25:42,360 --> 00:25:43,350

A little stone there.

453

00:25:43,980 --> 00:25:44,970

It'll highlight on it.

454

00:25:47,040 --> 00:25:47,580

Okay.

455

00:25:48,330 --> 00:25:52,860

Back to my one inch brush, we

loaded full of paint and maybe

456

00:25:53,610 --> 00:25:54,750

there's a happy little Bush.

457

00:25:54,990 --> 00:25:55,860

He lives right there.

458

00:25:58,169 --> 00:25:59,820

See, and this would have closes all that.

459

00:25:59,820 --> 00:26:00,000

Again.

460

00:26:01,439 --> 00:26:03,000

You can put little

stones wherever you want.

461

00:26:05,775 --> 00:26:09,285

Okay, then we can take a clean

knife and just scraping all kinds

462

00:26:09,285 --> 00:26:14,505

of little sticks and twigs over

here and put some on this side too.

463

00:26:14,505 --> 00:26:15,555

We don't want it left out.

464

00:26:20,175 --> 00:26:20,505

Now.

465

00:26:20,505 --> 00:26:24,795

Then there were clocks telling me

I got to get to go in here, but I

466

00:26:24,795 --> 00:26:25,995

want to have some fun before we go.

467

00:26:26,505 --> 00:26:30,495

Let's go into a little bit of black,

little bit of black must go right up here.

468

00:26:31,095 --> 00:26:31,665

I think.

469

00:26:32,175 --> 00:26:32,955

In my painting.

470

00:26:34,155 --> 00:26:35,715

I want a big tree right there.

471

00:26:35,834 --> 00:26:36,705

There's this trunk.

472

00:26:38,115 --> 00:26:39,135

There's this trunk.

473

00:26:39,405 --> 00:26:40,485

I would just push up.

474

00:26:42,675 --> 00:26:44,534

That's a big old leaves on it.

475

00:26:44,534 --> 00:26:45,615

Helps set everything back.

476

00:26:45,615 --> 00:26:53,445

I like big old trees just pushing me

right into a little tiny bit of yellow.

477

00:26:54,855 --> 00:26:55,574

We can highlight it.

478

00:26:56,385 --> 00:26:59,175

So I say, thank you.

479

00:26:59,175 --> 00:27:00,764

That'll give you a nice

painting to work with.

480

00:27:01,665 --> 00:27:04,635

We'll call that one finished and

from all of us here, happy painting.

481

00:27:04,905 --> 00:27:05,385

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Saturday, December 26, 2020

S08E06 - Bubbling Mountain Brook

Bob Ross's

The Joy of Painting

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