Bob Ross's

The Joy of Painting

S08E12 - Lonely Retreat

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Hi, I'm glad you could join me today.

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You ready to do a

fantastic little painting?

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Well, come on, let's do it.

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Let's start out and have them graphically

run all the colors across the screen that

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you need to do this painting with me and

they'll come across in the same order that

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I have them on the pallet, starting with

the titanium white and working around.

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And I thought today would do a

Buick beautiful little winter scene.

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Um, you know, partial to winter scene

since I lived in Alaska for so many years.

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So let's go up here and do it.

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I've already covered the case

canvas with a nasty and even coated

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the liquid white it's wet, slick.

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Ready to go.

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Then we'll start out.

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With a little touch of the bright red.

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Let me say that again.

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Little touch.

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It is very strong.

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Just tap a little bit into the

two inch brush there just a small

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amount and it can just come right

up here and maybe we'll come.

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Let's go right in here.

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Just put in a happy little glow.

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Don't want to set this on fire.

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All we want to do is create a

little glow right across here.

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Be careful.

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Once again, this bright red

can eat up your whole world

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in just a heartbeat there.

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That's mixing with the liquid white

and you get a beautiful, warm glow.

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And maybe, maybe we'll just put

a little bit right down in here.

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What the heck?

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Anything, we don't like we just cover up.

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And if we like it, it's already

there without cleaning the

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brush, same old, dirty brush.

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I'm gonna go right into the least

little touch of Indian, yellow.

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It's a very transparent now I'm

blowing that red that was already

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in the brush to mix with the yellow.

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There we go.

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Can you just come back up here now,

right above the red small amount.

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I think Indian, yellow and use little

crisscross strokes, little exes,

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and just blend all that together.

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It's like, so very salty.

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Very quiet.

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We can just take the clean

off the brush down here.

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We don't care.

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Yeah, I have some midnight

black going right here.

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We'll take a little black and a little

bit of the theolo blue and we just

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mix it together right on the brush.

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Just tap it.

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I still have not cleaned the brush.

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I'm lazy.

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If I can keep them clean the

brush boy, I'm all for that.

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Can you just go right up in here?

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Still use the little crisscross strokes.

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Drop in a happy little sky back and

forth and to come right down into there.

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Like, so get a little

touch more of the color.

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I just black, the black and they're

just a, just a gray a little bit.

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All right.

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Okay.

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Let me clean the old brush now.

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Um, as you know, that's my favorite

part of paintings is cleaning this

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whole brush shake off the excess.

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Just give it a nice little wrap there.

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Okay.

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Now, just to clean dry

brush and be sure it's dry.

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Are you sure it's dry that maybe one

of the biggest single problem areas we,

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we hear people talk about is that the

brush is not dry and they watch their

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painting drip right off in the floor.

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Let me get upset with me and I really,

I really want this to work for you,

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and I want you to be happy with it.

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There we go.

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Okay.

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Very soft and gentle.

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Just so you can blend this, any

degree of softness that you want.

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Just sort of look at it, make

a decision and go for it.

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This is your painting your world.

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So you can, you can create

any kind of illusion that you

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want on this piece of canvas.

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Let's have some fun take

the old round brush.

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I'm going to go into a little bit of

the van, Dyke Brown, little dark Sienna,

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and just tap it, tap it very firmly.

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And let's go right up

here, maybe right in here.

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We back in the distance lives a few

happy little trees, just like, so

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this would have been a good scatter.

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Well, we might do it yet.

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We might put a happy

little cloud in there.

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We'll go ahead and put these in

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just like, so there we go.

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These will be far, far away.

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Okay.

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I'll tell you what let's do.

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Put a little cloud in there.

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Just want to show you how to do that.

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We'll use a fan burst today.

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Go right into the titanium

white poly through load.

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A lot of paint into the bristles.

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Lot of paint can just go up here.

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Maybe right in here lives

a happy little cloud.

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I use just the corner of the brush.

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Turn it, wiggle it.

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Normally you should do this before you

start putting your background trees in.

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I just changed my mind, decided I

wanted to put a little cloud in here,

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but when you're doing this at home, I

would, I would really advise you do it.

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Before you put you back ground

trees, save you a lot of trouble

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there.

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Let's take a nice clean, dry brush.

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And I'm using just the top corner

of the two inch brush to blend

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the bottom of the clouds out.

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Barely touching tiny little circles,

tiniest little circles there.

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Yeah.

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After that, this is a big circle.

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Big grab it lifted upwards.

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You're still just barely

touching the canvas and then very

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lightly blend the entire sky.

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So you there and that either you can

drop in a happy little cloud cloud

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used to drive me crazy when I was

traditional painter, I'd worked for

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days trying to put in a little cloud,

going back to my round, brush the

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dark Sienna at the van, Dyke Brown.

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So you just really tap it in there.

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Get tough with it.

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Tap hard.

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You just go back up there.

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I tell you, I'm having so much fun.

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These little trees, there's one,

he lives right there, right there.

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We don't even get along with, let's give

him a friend, his friend lives there.

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We're going down here.

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We really don't have to

worry about down here yet.

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A little bit later, we'll begin

to worry about such things.

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But right now, all we're doing is

applying very, very basic little shapes.

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Maybe I just want that pinkish glow to

be really shining through the trees.

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Look at that.

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Maybe there's a last

tree that lives there.

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Think about the shape of a tree.

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Think about it, make up

little stories about trees.

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It's a little taller.

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You can get carried away with these.

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I liked to do trees.

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Nobody traveled all over the country,

doing demonstrations for, for

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PBS stations and other fantastic

groups all over the country.

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And it's unreal.

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Some of the fantastic new modern equipment

they've came out with recently, I was

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doing a demonstration in a small town

and there was probably about, I don't

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know, 150, 200 people had showed up

and they, they gave me a fantastic

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new microphone and it was wireless.

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Then I didn't have any wires or

anything on, and I forgot it was on.

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So just before the show,

I went to the bathroom.

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Needless to say with a wireless mic.

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When I came back and everybody knew her

I'd been even worse, what I've been doing

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to be careful.

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Sometimes

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we got us a basic tree lying in here.

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If we want to call it that

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we're doing just tapping.

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Now, then let's take fuel.

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Script liner brush and I'll dip it

in a small amount of paint thinner.

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And I want this paint to be just like

water, a liquid turn that brush at pulls

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it to a nice sharp point, a sharp it

is, and it has a long bristles on it.

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Okay, let's go up here

now, here and there.

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Put in a happy little tree trunk.

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Just drop them in wherever you want them.

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Maybe there's one that lives right

there and let these old trunks just

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sort of wiggle in Jacob and carry on.

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We don't want them all to

the future telephone poles.

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Keep it moving.

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If you have trouble making

your paint stick, add a little

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more of the paint thinner.

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Okay.

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Maybe up in this whole tree,

there is a big one lives here.

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Turn that brush.

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As you're pulling it down, turn

it, allow it to pick up all

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the color that's underneath.

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There we go.

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And we're going to cover up.

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Most of that.

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We were not really looking for

a lot of detail right here.

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Just some basic shapes

school we're in this one.

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I don't want him to be left out.

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Give him a little trunk.

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Maybe here's one sticking

out through there.

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I can't right there.

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Maybe it goes right off the canvas.

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We don't know where it goes.

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All right.

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Yeah.

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Then I won't take another round brush and

I want to begin highlighting some of these

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things and really making them stand out.

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So start off with a touch.

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This is titanium white.

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And then I'm going to pick up a

little bit of the fellow blue.

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And maybe I should say that a little

stronger, a little bit select the red.

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It has very, very strong, very

powerful elite up all the white in the

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world and just a matter of a second,

but to tap that brush, you really

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want to get a lot of pain in there.

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A lot of paint you can

ask up to the canvas now.

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I want this painting to have

both some cool colors in it

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and some nice warm colors.

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So let's go right up here and I'm

just going to use a top corner of

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the brush and begin tapping on all

kinds of little things like it.

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Maybe I'll add a little more white to my

color so you can see it a little better.

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There you go there.

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See just all kinds of

little, little frosty things.

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And if you have trouble making

your paint stick, I had a small

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amount of the liquid white.

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So you just sorta dip it right

down into a little liquid white

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and then go back through it.

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And because this is a little thinner

than it will stick very easily.

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It takes very little

pressure on the brush.

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There we go.

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Right here.

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Maybe he lives a happy little Bush.

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See, this is what keeps a little

rabbit warm in the winter.

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He's got to have a place to

cuddle up and be, be cozy.

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Don't want him out here in this cold.

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We're going to have snow down here.

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I'm going back to my other round brush.

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And with that, I'm going to a little

bit of yellow to the bright red.

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Yellow ochre yellow and into the red.

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Okay.

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Let's go back up here now.

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Right here where this nice glow is.

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I want to use some nice warm colors,

so let them sort of bounce through JS.

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Let them bounce through.

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Add a little more.

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Fuck it there.

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Okay.

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See ya.

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So that all those little things

happen and work in the layers.

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Maybe on this tree here.

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See the lights playing through there.

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They're all those little colors,

beautiful little things happen.

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This is all the yellows was

a little bright red since our

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lights coming through there.

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Over here too.

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We'll sparkle these up

with a little color,

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still working layers,

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Indian, yellow.

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A little bit of the red let's go right

up here a little bit out in here there.

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So round brush makes fantastic little

leaf effects for distant trees.

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I really like it for district trees.

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There we go.

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Don't want to get too much like that.

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And I'm going back to my round brush

that has the blue and the white on

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it, and let's begin playing some

of those colors right into it.

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So it just looks like a light striking

over there on the side, every once in a

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while, I'm going to add a little bit more

of the liquid white switch dicks easy.

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Okay.

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Right here, we just started

let things come together.

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All the little form colors and the cool

colors are all playing together there.

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Okay, let's go back over here.

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Maybe there's a happy little tree.

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Maybe we can just quickly draw upon

a few little things here and there.

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Think about some basic patterns.

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Just don't throw things on at random.

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There's one right there.

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00:14:04,535 --> 00:14:07,115

And you can put as many or as

few in your world as you want.

254

00:14:09,545 --> 00:14:12,665

If you want it to look like

they're hanging down, use more

255

00:14:12,665 --> 00:14:14,015

of the brush and just tap down.

256

00:14:14,015 --> 00:14:14,194

Right.

257

00:14:14,584 --> 00:14:15,665

It's also a super way.

258

00:14:15,785 --> 00:14:17,735

If you're painting weeping, willows,

259

00:14:20,855 --> 00:14:21,964

they're beautiful trees.

260

00:14:22,905 --> 00:14:26,145

And they're probably one of

the easiest trees are to paint

261

00:14:31,564 --> 00:14:33,035

all kinds of little hangie downs.

262

00:14:34,625 --> 00:14:35,225

Okay.

263

00:14:36,275 --> 00:14:36,375

Yeah.

264

00:14:36,395 --> 00:14:38,015

All I got this old,

dirty brush right here.

265

00:14:38,675 --> 00:14:40,324

I'm just going to pull a

little bit of this color.

266

00:14:42,000 --> 00:14:46,080

Like, so I began thinking about the lay

of the land out here, and all we're doing

267

00:14:46,080 --> 00:14:47,700

here is just putting in some base color.

268

00:14:47,700 --> 00:14:52,140

We're not really concerned

about what it is at this point.

269

00:14:52,920 --> 00:14:58,890

They're just some happy little things,

picking up some of those Browns and

270

00:14:58,890 --> 00:15:02,220

all the colors that we have in the

trees and pulling all that out too.

271

00:15:04,500 --> 00:15:07,710

But it gives you a feeling of the lay

of the land and it's, it gives you a

272

00:15:07,710 --> 00:15:10,140

starting point, something to work with.

273

00:15:11,234 --> 00:15:13,425

Okay, let me find my fan brush here.

274

00:15:13,964 --> 00:15:16,574

We'll get him and let's begin.

275

00:15:17,084 --> 00:15:24,314

But he, in some details, we'll go

right into titanium, white touch,

276

00:15:24,405 --> 00:15:26,295

just a touch of the bright red.

277

00:15:27,375 --> 00:15:27,704

Okay.

278

00:15:28,724 --> 00:15:31,214

Now then you have to

make some big decisions.

279

00:15:31,905 --> 00:15:37,425

Where's the snow, let it begin

playing, pulling it across.

280

00:15:39,030 --> 00:15:43,350

See, he was very little pressure in that

color it's underneath shows through and it

281

00:15:43,380 --> 00:15:46,050

automatically will make beautiful shadows.

282

00:15:48,220 --> 00:15:50,030

There's always little bumps and stuff.

283

00:15:52,490 --> 00:15:54,710

Just create all kinds

of happy little things.

284

00:15:56,900 --> 00:15:57,950

There comes one.

285

00:15:58,190 --> 00:15:59,270

I see one right there.

286

00:16:00,150 --> 00:16:01,460

See, you've been blended out a little.

287

00:16:02,115 --> 00:16:02,335

Yeah.

288

00:16:02,335 --> 00:16:05,865

It's like, so come right on across

289

00:16:10,005 --> 00:16:11,235

and you can just keep going on.

290

00:16:11,925 --> 00:16:12,915

However many you want.

291

00:16:15,165 --> 00:16:15,915

There's another one.

292

00:16:16,245 --> 00:16:17,925

Just layer after layer after layer,

293

00:16:25,035 --> 00:16:27,525

let's have some fun,

make some big decisions.

294

00:16:29,025 --> 00:16:30,105

What else do we want in here?

295

00:16:30,105 --> 00:16:30,435

Maybe?

296

00:16:32,040 --> 00:16:35,970

Maybe we will have a happy little cabin.

297

00:16:36,300 --> 00:16:38,939

You know me, I'm crazy

about little cabins,

298

00:16:42,480 --> 00:16:46,410

so let's try that real.

299

00:16:47,370 --> 00:16:48,300

We will paint the cabin.

300

00:16:48,300 --> 00:16:48,689

Let's use it.

301

00:16:48,689 --> 00:16:50,010

Let's use a big brush today.

302

00:16:50,370 --> 00:16:53,189

We'll take the two inch brush,

pull it through the paint.

303

00:16:53,640 --> 00:16:56,910

Now I'm using the dark Sienna.

304

00:16:57,569 --> 00:16:59,640

And the Vandyke Brown and

just mix them on the brush.

305

00:16:59,910 --> 00:17:05,579

See when you pull it, wiggle it, wiggle

it down, both sides and then sharpen

306

00:17:05,579 --> 00:17:07,710

it just like you would have a knife.

307

00:17:07,740 --> 00:17:10,800

I just pull it right through

there and look at the sharp edge.

308

00:17:11,369 --> 00:17:11,819

Look at that.

309

00:17:12,060 --> 00:17:14,310

It comes to a very sharp chisel edge.

310

00:17:15,089 --> 00:17:17,000

Can you just go right up here now?

311

00:17:17,010 --> 00:17:18,260

You got to make a big decision.

312

00:17:18,619 --> 00:17:21,589

Where is your little cabin live or

maybe today we'll have a big old cabin.

313

00:17:22,460 --> 00:17:24,379

Yeah, I'm going to do the Bacchae first.

314

00:17:24,920 --> 00:17:26,000

So we just paid it off.

315

00:17:27,585 --> 00:17:32,445

Like style load, a little more paint

and then like pull it straight down.

316

00:17:33,915 --> 00:17:36,405

All we're doing here is

applying a base color.

317

00:17:38,385 --> 00:17:38,685

Okay.

318

00:17:38,895 --> 00:17:40,725

We need other side of the house.

319

00:17:43,095 --> 00:17:44,355

Say there, just pull it down.

320

00:17:47,055 --> 00:17:51,285

And a lot of paint, a

lot of paint on that.

321

00:17:51,495 --> 00:17:55,455

I want that to be very

strong in another side.

322

00:17:55,725 --> 00:18:00,044

Right here, straight down like that.

323

00:18:01,725 --> 00:18:04,514

Now, since our light source is coming

from here, we want this side of the

324

00:18:04,514 --> 00:18:06,705

cabinet to be lighter than over here.

325

00:18:07,725 --> 00:18:11,475

So over here, be sure this side

is good and dark, real dark.

326

00:18:11,475 --> 00:18:12,584

So it stands out nice.

327

00:18:14,415 --> 00:18:14,985

Okay.

328

00:18:15,044 --> 00:18:16,304

Now, same old, dirty brush.

329

00:18:16,544 --> 00:18:21,524

I'm going to go right into a little

bit of the white little blue and

330

00:18:21,524 --> 00:18:23,175

just tap a little bit on the brush.

331

00:18:23,590 --> 00:18:28,650

See, just a little on the brush

here, do both sides and you

332

00:18:28,650 --> 00:18:29,430

can say it a little better.

333

00:18:29,430 --> 00:18:31,140

Maybe see there.

334

00:18:31,440 --> 00:18:35,580

Can you just go back up here now that I

want this to look like old weathered wood?

335

00:18:35,940 --> 00:18:39,480

So all I'm going to do is just

start touching and letting it

336

00:18:39,480 --> 00:18:40,950

bounce and come right down.

337

00:18:42,990 --> 00:18:43,620

Can you see that?

338

00:18:43,680 --> 00:18:44,970

It looks like it's old.

339

00:18:45,480 --> 00:18:46,440

It looks like my house.

340

00:18:48,090 --> 00:18:48,270

Okay.

341

00:18:48,270 --> 00:18:52,260

Now I'm going to do the same thing and

I'm going to make it darker once again.

342

00:18:53,160 --> 00:18:54,180

I a little black to it.

343

00:18:54,420 --> 00:18:57,840

Once again, we want the

side over here to be darker.

344

00:18:58,470 --> 00:19:00,120

So load a lot of paint.

345

00:19:00,270 --> 00:19:04,890

Let's go back up there now, then over

here, we want the same basic thing.

346

00:19:06,990 --> 00:19:09,300

Just barely touching and let it work down.

347

00:19:09,300 --> 00:19:10,380

So it looks old.

348

00:19:11,400 --> 00:19:13,620

You started touching and

pushing at the same time.

349

00:19:15,330 --> 00:19:20,810

A little bit on this side,

I can cut right on down.

350

00:19:22,765 --> 00:19:24,495

That'll house is about to fall over.

351

00:19:25,785 --> 00:19:29,775

Now, then we can take the knife and work

on our perspective here a little bit.

352

00:19:29,875 --> 00:19:32,925

See here, you can just cut

it off wherever you want it.

353

00:19:34,065 --> 00:19:37,845

Just like, so, and we

need a roof on that cabin.

354

00:19:38,565 --> 00:19:40,305

So we'll take some of the titanium white.

355

00:19:40,315 --> 00:19:47,115

We use a knife and just go ride up here

and lay in a little snow covered roof.

356

00:19:47,865 --> 00:19:48,525

That simple.

357

00:19:49,379 --> 00:19:54,300

Just let it work right down and you

could take clean this edge up, make

358

00:19:54,300 --> 00:20:00,720

it nice and smooth, but it overhang

a little bit and grab it and pull.

359

00:20:03,389 --> 00:20:04,020

There you go.

360

00:20:04,530 --> 00:20:09,389

It's very easy to use to make

it a happy little cabin, put

361

00:20:09,389 --> 00:20:10,770

a little snow on this side.

362

00:20:11,790 --> 00:20:12,210

I can.

363

00:20:17,085 --> 00:20:19,935

Yeah, the least, least

little touch of the low blue.

364

00:20:19,935 --> 00:20:21,885

I want to make it look

like yours at edge on here.

365

00:20:23,345 --> 00:20:24,455

They'll blue over here.

366

00:20:25,115 --> 00:20:29,195

Just stay with blue with white,

tiniest, tiniest little amount of time.

367

00:20:30,155 --> 00:20:30,695

Alrighty.

368

00:20:30,755 --> 00:20:31,655

I'll tell you what let's do.

369

00:20:32,615 --> 00:20:36,455

Let's take the van Dyke Brown, probably

that very flat cut across and get

370

00:20:36,455 --> 00:20:39,125

just the smallest little roll of paint

right there on the edge of the night.

371

00:20:40,415 --> 00:20:44,465

Now that right along

here, we'll just touch.

372

00:20:45,255 --> 00:20:50,085

And make the indication of all kinds of

little boards, whole weathered boards.

373

00:20:51,825 --> 00:20:58,935

There we go do, do, do do, and you can

put as many boards in your cabin as you

374

00:20:58,935 --> 00:21:07,775

want put some out of here, like so, and

we could take our liner brush with just

375

00:21:07,775 --> 00:21:09,515

a little, little liquid white on it.

376

00:21:10,325 --> 00:21:13,355

We'll put the indication of some

happy little icicles hanging off here.

377

00:21:15,465 --> 00:21:16,095

There we go.

378

00:21:18,435 --> 00:21:19,215

There we go.

379

00:21:19,485 --> 00:21:26,825

A few over on this side, however

many, it gives us a little icicle

380

00:21:28,145 --> 00:21:32,675

and this old guy he's probably, he's

probably like ran out of storage space.

381

00:21:33,665 --> 00:21:34,655

I'm a junk saver.

382

00:21:35,225 --> 00:21:37,235

So maybe he had to build him a little.

383

00:21:37,355 --> 00:21:39,995

She had it lives right there.

384

00:21:41,825 --> 00:21:42,695

Here's a side.

385

00:21:44,250 --> 00:21:47,760

Like so put a roof on his shit.

386

00:21:47,760 --> 00:21:53,490

I don't want him to own his

shit to get full of snow there.

387

00:21:53,910 --> 00:21:55,170

Just to happy little roof.

388

00:21:58,860 --> 00:22:02,010

That'll touch you some highlight

out here, barely touching.

389

00:22:04,800 --> 00:22:07,230

We need, we need some boards on that too.

390

00:22:09,420 --> 00:22:11,370

That way once again, can cut it off.

391

00:22:15,345 --> 00:22:16,155

Tell you what let's do.

392

00:22:17,205 --> 00:22:19,155

Let's just, that's put

in a window right here.

393

00:22:19,155 --> 00:22:23,225

There is one, there is one,

it's like two big guys.

394

00:22:24,905 --> 00:22:26,345

We'll take a little bit of CAD yellow.

395

00:22:26,435 --> 00:22:28,925

It will just make the indication

that maybe somebody is home

396

00:22:28,925 --> 00:22:29,645

and the lights are off.

397

00:22:31,565 --> 00:22:33,875

They're easy.

398

00:22:35,165 --> 00:22:38,975

You take a little touch of that liquid

black and just go right around these.

399

00:22:40,515 --> 00:22:41,045

That easy.

400

00:22:41,065 --> 00:22:41,985

Make them stand out.

401

00:22:44,325 --> 00:22:44,985

There we go.

402

00:22:46,515 --> 00:22:47,895

Now we know somebody is home.

403

00:22:49,335 --> 00:22:50,025

Okay.

404

00:22:51,675 --> 00:22:58,335

Let's go back to her fan brush and

we can begin coming right in here.

405

00:23:00,195 --> 00:23:01,395

You bringing all this together.

406

00:23:01,515 --> 00:23:03,405

If you pick up a little bit

of that, Brown is color.

407

00:23:03,405 --> 00:23:04,155

Don't worry about it.

408

00:23:04,605 --> 00:23:05,265

Don't worry about it.

409

00:23:05,355 --> 00:23:06,795

It makes beautiful shadows.

410

00:23:08,804 --> 00:23:13,685

Beautiful little shadows here

comes something right at all here.

411

00:23:20,915 --> 00:23:23,675

All these happy little

shadows, just drop on me.

412

00:23:29,465 --> 00:23:32,044

Just sort of work back and forth

between the warm and the cool color.

413

00:23:32,075 --> 00:23:32,345

There's

414

00:23:35,524 --> 00:23:37,685

all kinds of beautiful

little things happen here.

415

00:23:39,225 --> 00:23:41,565

You can pick up a little bit of the

Brown and maybe here and near there.

416

00:23:42,105 --> 00:23:44,475

Maybe their lives, a happy

little weed here and there.

417

00:23:44,835 --> 00:23:45,315

There he is.

418

00:23:46,365 --> 00:23:53,685

Just drop him in left up a little bit

and you can take a level of a snow color.

419

00:23:53,895 --> 00:23:57,675

Just reach into there, clean up his

foot, bringing them all together.

420

00:24:00,784 --> 00:24:01,385

Okay.

421

00:24:01,925 --> 00:24:02,764

Let's get crazy.

422

00:24:03,004 --> 00:24:03,455

Why not?

423

00:24:04,595 --> 00:24:05,355

Not here.

424

00:24:05,355 --> 00:24:06,034

I'm going to take some time.

425

00:24:06,735 --> 00:24:10,605

Brown and some black we'll

throw in some Crimson.

426

00:24:11,475 --> 00:24:14,295

Shoot him a little bit

of a little bit of blood.

427

00:24:14,325 --> 00:24:15,885

We don't care as long

as it's good and dark.

428

00:24:15,915 --> 00:24:22,025

Let me clean the knife and we'll

take the two inch brush and I'm gonna

429

00:24:22,035 --> 00:24:23,495

go right into all that dark color.

430

00:24:24,335 --> 00:24:28,145

Just look at there, pull it,

wiggle it, bring it back to a

431

00:24:28,145 --> 00:24:30,065

nice sharp, sharp chiseled edge.

432

00:24:31,385 --> 00:24:32,855

Need that good chisel edge.

433

00:24:34,715 --> 00:24:35,285

There it is.

434

00:24:36,195 --> 00:24:36,945

Very sharp.

435

00:24:37,815 --> 00:24:41,025

Can you just go back up here,

tell you what let's do, maybe

436

00:24:41,625 --> 00:24:42,975

their lives right there.

437

00:24:45,014 --> 00:24:46,575

A great big evergreen tree.

438

00:24:47,264 --> 00:24:49,305

He just goes right off

the top of the canvas.

439

00:24:49,935 --> 00:24:55,725

Just use just the corner of the brush

and tap as you work down the tree, add

440

00:24:55,725 --> 00:24:57,585

more pressure, tap harder and harder.

441

00:24:57,585 --> 00:25:00,735

Make those bristles

bend downward may come.

442

00:25:00,735 --> 00:25:01,365

Just bend.

443

00:25:03,284 --> 00:25:03,764

Look at that.

444

00:25:05,805 --> 00:25:06,525

And that easy.

445

00:25:06,855 --> 00:25:08,985

You've got a happy little

tree or happy big tree.

446

00:25:08,985 --> 00:25:09,765

This is a big tree.

447

00:25:11,685 --> 00:25:12,675

He comes right on down

448

00:25:16,625 --> 00:25:23,705

and we can take another brush and

put some white on it, white and a

449

00:25:23,705 --> 00:25:26,725

little touch of the blue there, there.

450

00:25:26,765 --> 00:25:27,065

Okay.

451

00:25:27,065 --> 00:25:31,055

Let's go back up here and let's just put

the indication of something, a little

452

00:25:31,055 --> 00:25:32,525

bit of snow hanging here and there.

453

00:25:33,345 --> 00:25:34,455

Don't kill all the dark.

454

00:25:34,515 --> 00:25:35,925

The dark is what makes us stand out.

455

00:25:37,655 --> 00:25:38,225

There we go.

456

00:25:39,755 --> 00:25:40,445

Let's turn there.

457

00:25:45,425 --> 00:25:48,905

We can just begin playing with some

of the nice things around here.

458

00:25:49,655 --> 00:25:55,415

I'm going to just take a little blue

and white lift up for a little bit and

459

00:25:55,415 --> 00:25:57,365

begin just bringing all this together.

460

00:25:59,475 --> 00:26:02,245

See create another plane that

easy, but that worked for I'd

461

00:26:02,245 --> 00:26:09,875

have been there just like, so sort

of working back and forth there.

462

00:26:14,405 --> 00:26:15,065

All right.

463

00:26:16,024 --> 00:26:21,875

Maybe, maybe I take the liner,

brush, touch the liquid black on it.

464

00:26:22,655 --> 00:26:24,605

We'll put our sticker twig here and there.

465

00:26:24,605 --> 00:26:26,254

They're always sticking

up out of the snow.

466

00:26:27,570 --> 00:26:33,210

However many you want to maybe over here,

maybe there's a couple over in here too.

467

00:26:35,129 --> 00:26:39,020

Like, so drop in a few here.

468

00:26:40,990 --> 00:26:42,800

I think that makes a pretty

nice little painting.

469

00:26:43,700 --> 00:26:44,960

I think we'll call that one finished.

470

00:26:44,960 --> 00:26:45,470

In fact.

471

00:26:45,830 --> 00:26:48,590

So from all of us here, I'd like

to wish you a happy painting.

472

00:26:48,980 --> 00:26:49,610

God bless.

473

00:26:49,910 --> 00:26:50,720

We'll see you next time.

474

00:27:19,125 --> 00:27:20,625

Um,

End .srt file.

Bob Ross' The Joy of Painting

Saturday, December 26, 2020

S08E12 - Lonely Retreat

Bob Ross's

The Joy of Painting

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