Bob Ross's

The Joy of Painting

S08E05 - Hunter's Haven

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Hi, welcome back.

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Certainly glad you could

join me again today.

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Get your pallet set up.

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Let's get going here.

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Let's start off from have them graph,

actually run all the colors across the

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screen that you need to do this painting

with me and they'll come across as usual

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in the same order that I have them on

the pallet, starting with a white and

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working around while they're doing that.

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Let's go on up here.

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I've already covered the canvas with

a thin even coat of liquid white.

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It's nice and wet and

slick and all ready to go.

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I thought maybe today let's do

a little fall scene where maybe

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the weather's not too great.

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You know, in the fall we have a lot

of rainy weather and the, you know,

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the snow is going to come pretty soon.

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So let's do something like that.

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And just, just have some fun.

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I'm going to start out using a small,

small amount of yellow ochre, just the

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tiniest little bit, very small amount.

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And right here, sort of

make a determination where

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the horizon is going to be.

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And I'm going to begin swinging

this upward, just using the strokes,

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like, so a little bit more color.

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We'll have a little water, ms.

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Payne, as you know, I'm, I'm

sort of a water fanatic like that

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water, the double yellow in here.

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Okay.

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I'm gonna go right into some

Vandyke Brown in the same way.

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Just tap the brush into it.

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Okay, let's go right up here and I'll

put a little Brown right in here.

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I'm beginning to create these sky angles.

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Don't let them get too, too straight.

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Like, yes, it'll, it'll

disturb you when it's done.

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Now, I'm going to take Brown

and a touch of Prussian blue.

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Let me say that again, attach

pressure and blue is so strong.

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Just a little bit in this Brown and blue.

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Okay.

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Now

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let's begin bringing that all together.

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Add touch of the midnight black to it.

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So now we have in the sky, we

have a little bit of yellow

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ochre, some Brown sort of pressure

blue and some midnight black.

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And we just kind to sort of work all

of these basketball colors together.

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Try to keep the blue off that yellow,

or you'll get a bright green sky

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before we start blending that we still

have a dirty old brush and we'll take

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some more of the pressure and blue.

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And a little bit of the black.

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There we go.

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And let's go ahead and layer

water in Paul from the outside-in.

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Let's see if you start, if you start from

here and go across, watch what happens.

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You touch here and go across you

get this big line that's bad,

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and then it's hard to blend out.

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So start in the outside and come over.

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And that way you don't have that

horse line that you have to blend out.

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There we go.

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Little tricks like that.

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Savior save you a lot of agony.

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We want this to be easy.

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We want it to work for you.

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Okay.

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A little bit more of the midnight

black impression blue mixture.

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Don't want to kill all that nasty

yellow area that you have because

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it's blue in black, though.

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Eat it up in a heartbeat.

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Okay, little darker at the

bottom that is at the top.

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That'll help create your

illusion of distance.

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Okay, let me wash the old brush.

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Wash the old brush.

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Shake off the excess.

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That is the fun part.

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Okay.

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Let's go right back up here.

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And I'm going to begin

blending this together.

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Follow the angles in the sky.

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I'm going to use long strokes

and start in the light area.

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And work up toward the darker areas.

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That way your brush is dirty when it gets

to the tough, usually clean brush and a

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lighter, and you can just begin bringing

all this together, all of those angles.

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There we go.

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Nice and soft.

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Okay.

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Yeah, that gives us a quick,

happy little sky down here.

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We just go all the way across

that, straightens out the water

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and brings it all together.

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And we're ready.

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Let me get an old fan brush here.

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We'll mix up and let's take a

little black, little Brown, tiny

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bit of depression, blue and a

little bit of a lizard Crimson into

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that and put some white here and

pull a little bit of that into it.

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Maybe I'll add a little more blue to that.

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And the touch more Crimson.

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There we go.

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That's sort of what I'm looking for.

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So a very dark lavender to

the blue side, it's very dark.

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It's almost a gray color.

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This is going to be a gray cloudy day.

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Okay.

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Let me wipe off my knife.

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Now let's take the old fan brush and

go right through a little bit of color.

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Don't need a lot of pain on the breasts.

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Yes.

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Time.

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Just a little.

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Handle a small amount of Brown into that.

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A little, a little more

into the brownish color.

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There we go.

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Good.

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Let's go right up here.

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Now, back in here, you have to

make a decision, maybe their lives,

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some happy little evergreens.

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Just take the corner of the

brush, just back and forth.

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Just sorta pop in just a little evergreen.

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Okay.

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I mean, some indications are

some that are even farther away.

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All we see is just the basic

shapes I'm just touching and

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sort of pulling it downward.

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So make all cans a little basic shapes.

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See touch.

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He was a top part of the brush.

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And just give it a little

downward snap there.

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A little more paint on the brush.

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Maybe over here.

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We got some to be careful with these.

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We'll get looking like fence posts

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into a bath there.

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I think that's good enough.

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I'm gonna put a few more

indication of some trees that

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have a little more shape to them.

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And we're just using the corner,

the, and just work back and forth.

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These little trees live, right.

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And your fan brush.

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Sometimes you have to sort of scare

them there and you just put as many

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or as few as you wanted your world.

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There we go.

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Maybe he's got a little friend there.

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Just drop them in now, then I want to

create the illusion of missed back here.

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I want this to be very

soft and very distant.

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So we'll take the two inch brush

and tab I'm using the top corner.

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See, look how hard is hitting.

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It's bending.

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And tap it.

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You can create the illusion of

very, very soft area back here.

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Even that had come up above some

of these they're really soft.

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These trees are already, they're

already just lost right in the mist.

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Can you believe how that

pushes all that back?

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Just that little tapping action.

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Okay.

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Now.

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That was, let's have another

plane in the painting and a plane.

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I mean, just another area

that's closer to you.

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So we'll take those same old colors.

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We'll use some Brown.

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I'm gonna put some dark sand in there

this time and a little bit of SAP green.

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And as things get closer, we'll

begin to see a little more detail.

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Just a little SAP green though.

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Okay.

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Brush are really full of paint.

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Let's go right up in here.

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There it is.

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These trees are a little closer.

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They're a little bit bigger.

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Look at that.

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Turn it over our shoulder

and use both sides of it.

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There we go.

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This tree is stronger.

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He said he got a little more light.

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Okay.

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We don't want him to get lonely.

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So we'll give him a friend too.

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Friends are so important.

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I don't need the trees, but us

and through painting, I have made.

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Oh, I've made hundreds and hundreds

of new friends all over the country.

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And that may be the most rewarding part

of all of this most rewarding part there.

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I tell you what, here's

a happy little tree.

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He lives right there.

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It's just sorta just sort of visualize

in your mind where you think trio three

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would be happy and you put him in there.

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Just put him in there, take a

little bit of the dark Sienna

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and just tap it onto this brush.

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And then I want to gather up some of this

color that we had on a tree and began

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very softly putting in little Hills.

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Okay, pick up some of that tree color.

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I just let it

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go.

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There was a tiny bit of

dark CN on the brush.

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Tiny bit tiniest, little bit.

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See how you can set those trees

out up on a little Hill, begin

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pulling it down, but I want this

to be very, very soft, very quiet.

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I like very gentle little paintings.

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And when you're doing yours at home, if

you want it to be brighter and stronger,

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just use a little stronger color because

painting is a very individual thing there.

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Okay.

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Now let's go right back

into here and load up.

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Just load that fan brush full of paint.

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Okay.

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Tell you what let's do.

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Let's have a tree that lives right there.

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Can we take just the corner of the brush

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and we can work in him down.

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You can just push that all

three right out of that brush,

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little more paint, push it hard.

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When you get down this far, when you

first start, you're pushing quite easy.

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By the time you get down

here, getting tough with it.

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Strong with a little more color.

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Okay.

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Let's does right here, big side of

a guy, all these different sizes

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of trees help create the illusion

of distance depth in your painting

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to look like fall.

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You have sort of a mean or sky.

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Okay, now then I'm going to go

back into a little tiny, tiny,

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little bit of that dark Sienna.

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Tiny.

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Can't say that enough times.

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And I've got to create another

plane here and I'm going to

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pick up some of the tree color.

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See how that, and all I'm doing is

just tapping the canvas just half and

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we'll bring it right on the cross.

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And the least let me touch more.

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I see it creates a whole nother

plane and pushes all those trees

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back here, back into the distance.

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Now I'm going to have water here.

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So let's take a little bit of that

color if you just pull it down.

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So we have a little reflection I'm using

just a little bit of the dark cm and

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a little Vandyke Brown on the burst,

pull down and create a reflection here.

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Just a, just a happy little reflection,

like right there, right there.

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And then lightly go across.

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Okay, now, Dan, then we'll take

the same old brush without cleaning

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it just same old, dirty brush and

tap right into a little bit of the

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yellow ochre and the bright red.

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Just tap it gently.

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I see.

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Just tap.

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Okay.

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Now then.

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Here, this is a little closer.

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So we're beginning to see an indication

of some highlight and same way.

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Just gently, gently tapping

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that was bright red and a tiniest

little touch of that yellow ochre.

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Now the red is very strong.

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Be careful with it.

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Be careful with it.

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It'll lead up your whole

world in just a second.

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Take a little Brown, it was

dark sand and mixed together.

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Pull it out, cut across, get

that small roll of paint right

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on the edge of the knife.

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Okay.

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Now that just a little land

indication right in there.

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Just

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sorta scrubbing across the

canvas tiniest little bit, add a

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little white to that same color.

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Like that.

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And then she has to indication

of it, touch it, highlight here.

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And I don't, I don't want my child light

in this just to touch here and there.

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Okay.

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Little bit of the liquid

white cat across it.

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And we'll put just an indication

of a little water life.

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Not too much, not too bright.

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Okay.

259

00:14:18,555 --> 00:14:22,485

Yeah, they have to go back into

my Browns CN and the van Dyke.

260

00:14:23,415 --> 00:14:23,475

Yeah.

261

00:14:23,525 --> 00:14:25,175

And I'm going to grab some

more of this tree color.

262

00:14:25,835 --> 00:14:27,155

I'm going to put a little peninsula.

263

00:14:28,324 --> 00:14:29,645

I think it comes right out here.

264

00:14:31,895 --> 00:14:35,795

And when you're doing this, just step

back and look at your pain and make,

265

00:14:35,975 --> 00:14:42,064

make decisions just to make the stations,

pull a little bit of this color down.

266

00:14:43,965 --> 00:14:49,905

Just a little go gently,

gently across now.

267

00:14:49,915 --> 00:14:54,345

Same old, dirty brush back into my

yellow ochre and bright red mixture.

268

00:14:55,635 --> 00:14:58,095

Just a little, same old, dirty brush.

269

00:14:58,935 --> 00:14:59,665

You can get over here.

270

00:14:59,745 --> 00:15:06,285

And a little bit of this CAD yellow

too, to all sorry, and see, follow the

271

00:15:06,285 --> 00:15:08,564

ankles of the land, the lay of the land.

272

00:15:10,800 --> 00:15:13,800

Just follow it right on

down brighter on top.

273

00:15:14,790 --> 00:15:16,950

And it darker, darker,

darker as it works down.

274

00:15:16,950 --> 00:15:23,760

If you want to show a little protrusion

here, see, I see how easy that is,

275

00:15:24,630 --> 00:15:27,300

creates the illusion of another

little Hill just by changing the

276

00:15:27,300 --> 00:15:29,280

value of the color or the intensity.

277

00:15:30,480 --> 00:15:33,420

A little bit of that right

down to the water go across and

278

00:15:33,420 --> 00:15:34,830

you have instant reflections.

279

00:15:36,315 --> 00:15:37,485

Let's play a little bit over here.

280

00:15:37,635 --> 00:15:38,415

Tell you what let's do.

281

00:15:39,165 --> 00:15:41,145

We use a round brush and

go right into my Browns.

282

00:15:41,145 --> 00:15:42,915

That's the Sienna and the van Dyke.

283

00:15:44,475 --> 00:15:44,985

Tap out.

284

00:15:44,985 --> 00:15:47,385

The excess can just go up here.

285

00:15:50,355 --> 00:15:50,955

Back in here.

286

00:15:50,955 --> 00:15:52,425

There's some happy little trees.

287

00:15:54,355 --> 00:15:57,675

Maybe, maybe these are little Birch

trees that we back in the distance,

288

00:16:02,635 --> 00:16:03,765

some little indications,

289

00:16:10,755 --> 00:16:14,715

like, so use the old script liner brush.

290

00:16:15,015 --> 00:16:15,555

Just take it.

291

00:16:16,080 --> 00:16:18,150

A little paint thinner on it

and go right into the Brown.

292

00:16:18,390 --> 00:16:19,980

Turn it, bring it to a sharp point.

293

00:16:21,680 --> 00:16:26,430

Let's put just a few basic,

very basic indications of a

294

00:16:26,430 --> 00:16:27,689

tree branch here and there.

295

00:16:27,689 --> 00:16:34,200

A little tree trunk, not looking for a

lot of detail, same old, dirty brush.

296

00:16:34,200 --> 00:16:38,520

Now I'll go into a small, small

amount of the yellow ochre and the

297

00:16:38,520 --> 00:16:40,740

bright red, smallest little Mount.

298

00:16:40,740 --> 00:16:43,410

I'm just barely touching that.

299

00:16:43,410 --> 00:16:43,710

I want to.

300

00:16:44,145 --> 00:16:45,765

Just touch right up at the top here.

301

00:16:47,685 --> 00:16:52,605

Put some indications, begin forming

some basic little patterns and

302

00:16:52,605 --> 00:16:54,135

little shapes into your trees.

303

00:16:54,495 --> 00:16:55,905

Don't just throw these on random.

304

00:16:56,775 --> 00:16:58,125

I know I say that in every show.

305

00:16:59,115 --> 00:17:00,855

But I get the most letters about that.

306

00:17:01,365 --> 00:17:03,615

And I said, Mark, a tree

shapes don't look right.

307

00:17:04,185 --> 00:17:08,265

And that's normally, normally the

problem, 99% of the time, the problem

308

00:17:08,265 --> 00:17:10,275

is, is a color is just throw it on it.

309

00:17:10,275 --> 00:17:16,244

Random sort of look at it, practice

it a little bit of practice here.

310

00:17:16,244 --> 00:17:21,405

We'll pay you tremendous

dividends, tremendous dividends,

311

00:17:24,555 --> 00:17:25,605

just a few little bushes.

312

00:17:26,155 --> 00:17:27,205

All kinds of things.

313

00:17:28,045 --> 00:17:28,615

Okay.

314

00:17:28,915 --> 00:17:31,675

Tell you hot Brown.

315

00:17:32,955 --> 00:17:35,155

Let's put a little land area right there.

316

00:17:36,535 --> 00:17:38,065

See right there.

317

00:17:41,275 --> 00:17:42,885

Can you put a bit of that highlight color?

318

00:17:42,895 --> 00:17:45,895

That's just a little Brown

and white, not too much.

319

00:17:45,925 --> 00:17:52,945

Just a little here, a little bit of a

liquid kind of sound, a little waterline.

320

00:17:57,225 --> 00:17:58,784

I'm going right back into the Browns.

321

00:17:59,655 --> 00:18:01,695

I have yet to wash this brush.

322

00:18:02,205 --> 00:18:05,115

I've been going back and forth between

the Browns and the highlight colors.

323

00:18:05,895 --> 00:18:09,435

And now I'm going to put another little

peninsula that lives right there.

324

00:18:11,054 --> 00:18:13,304

And so you don't care if the bottom

of it started comes down because you

325

00:18:13,304 --> 00:18:19,635

just pull that down that easy, that

easy makes little reflections and

326

00:18:19,635 --> 00:18:21,345

then lightly like they go across.

327

00:18:22,185 --> 00:18:23,445

Go right into our color.

328

00:18:24,435 --> 00:18:28,215

Yellow ochre, bright red, little

Indian, yellow here and there.

329

00:18:28,215 --> 00:18:33,185

And CAD yellow, put a few

little highlights on it

330

00:18:39,155 --> 00:18:40,804

and you can put a

competitive land under that.

331

00:18:41,014 --> 00:18:44,075

Just a little dirt chest, a little dirt.

332

00:18:45,125 --> 00:18:45,514

I think so.

333

00:18:47,524 --> 00:18:48,065

And maybe.

334

00:18:49,500 --> 00:18:51,240

Take a little liquid black.

335

00:18:51,540 --> 00:18:55,740

Maybe there's a happy little

tree lives right out there.

336

00:18:58,710 --> 00:18:59,370

There we go.

337

00:19:00,390 --> 00:19:02,010

He lives out on this little peninsula.

338

00:19:02,040 --> 00:19:03,480

Give him a little foot to stand on.

339

00:19:03,480 --> 00:19:05,610

I don't want him to, I

don't want him to fall over.

340

00:19:06,150 --> 00:19:10,050

He's a strong little tree,

but all kinds of little downs.

341

00:19:12,420 --> 00:19:13,050

There we go.

342

00:19:14,280 --> 00:19:15,990

A few little sticks and twigs down here.

343

00:19:16,530 --> 00:19:16,620

Okay.

344

00:19:17,100 --> 00:19:19,650

And when you're doing this at

home, you put as many sticks

345

00:19:19,650 --> 00:19:20,910

and twigs as you want in there.

346

00:19:22,740 --> 00:19:23,970

Can you back to my Browns?

347

00:19:24,440 --> 00:19:26,160

Bill's spilled a little more here.

348

00:19:27,660 --> 00:19:28,470

Come right down here.

349

00:19:28,790 --> 00:19:29,340

Here we go.

350

00:19:37,680 --> 00:19:38,820

So to fill all this up.

351

00:19:40,185 --> 00:19:41,625

How'd you see all kinds of things

352

00:19:46,685 --> 00:19:47,595

to maybe about there.

353

00:19:49,514 --> 00:19:52,875

Once again, when you work in layers,

working stages, completing the

354

00:19:52,875 --> 00:19:57,975

most distant area first and working

forward, always working forward.

355

00:19:58,665 --> 00:19:59,145

Tayvon.

356

00:19:59,774 --> 00:20:00,044

Nice.

357

00:20:00,165 --> 00:20:00,855

Let's have some fun.

358

00:20:01,534 --> 00:20:03,825

I'm gonna put a little cabin

back here, a little house.

359

00:20:05,805 --> 00:20:07,935

Wouldn't it be nice to live

here and watch all the big.

360

00:20:08,280 --> 00:20:11,010

Canadian geese come in and right there.

361

00:20:11,460 --> 00:20:12,720

That's where a little house will be.

362

00:20:13,410 --> 00:20:17,520

We'll give him a little

Ruth, just pull him over.

363

00:20:19,140 --> 00:20:20,400

Come right down.

364

00:20:21,900 --> 00:20:22,680

There we go.

365

00:20:23,040 --> 00:20:25,379

All I'm doing here is blocking in color.

366

00:20:27,990 --> 00:20:29,370

Just fucking it's color.

367

00:20:32,115 --> 00:20:32,625

Okay.

368

00:20:33,045 --> 00:20:38,415

We'll take some white, the dark

Sienna, Vandyke Brown, probably

369

00:20:38,415 --> 00:20:40,784

that flat little roll of paint.

370

00:20:42,455 --> 00:20:45,254

Maybe there's some boards in this

old building that go this way.

371

00:20:46,995 --> 00:20:48,315

They come right across like, yeah.

372

00:20:48,705 --> 00:20:49,455

Duke, Duke, Duke too.

373

00:20:53,024 --> 00:20:56,085

Dan we'll cut him off, but that dark.

374

00:20:59,415 --> 00:21:04,845

And now maybe down here, just

maybe an old log cabin, put the

375

00:21:04,845 --> 00:21:06,285

indication of some things go on.

376

00:21:06,285 --> 00:21:09,305

Like here, look at that.

377

00:21:09,455 --> 00:21:10,105

Look at that.

378

00:21:11,045 --> 00:21:15,425

It's not a darker color on this

side to just put some indications

379

00:21:18,485 --> 00:21:19,655

and we need something on the roof.

380

00:21:19,685 --> 00:21:21,515

I'll add a little red to that color.

381

00:21:21,545 --> 00:21:24,365

Just a tiny bit, right down the roof here.

382

00:21:24,365 --> 00:21:27,005

Just let the nice sort of bounce Kapoor.

383

00:21:27,960 --> 00:21:29,490

Gotta make that noise or don't work.

384

00:21:32,940 --> 00:21:36,899

I'll take at least a little bit of

light color, just a little white or

385

00:21:36,899 --> 00:21:39,000

something, just to highlight that.

386

00:21:39,000 --> 00:21:45,620

So it stands out and you see it so

you can see it dark down in there.

387

00:21:47,420 --> 00:21:49,950

Maybe this house has

stolen underneath you.

388

00:21:49,990 --> 00:21:51,200

Just take the point of the knife and.

389

00:21:51,945 --> 00:21:55,574

And just very quickly just scratchy

and some basic whole stones.

390

00:21:55,995 --> 00:21:57,344

He has a basement in his house.

391

00:21:57,344 --> 00:22:00,135

He's really got a fancy cabin out here.

392

00:22:02,854 --> 00:22:04,514

Get the little guy for a second.

393

00:22:06,854 --> 00:22:07,245

Okay.

394

00:22:07,635 --> 00:22:08,514

Take a little bit of the van.

395

00:22:08,514 --> 00:22:09,014

Vandag Brown.

396

00:22:09,465 --> 00:22:10,455

Let's have him a door.

397

00:22:10,574 --> 00:22:13,455

Maybe he's got one door right down here

so he can come right in the basement.

398

00:22:15,495 --> 00:22:16,935

Cut that ran off where you want it.

399

00:22:19,635 --> 00:22:22,305

He was just a little white on the

knife to sort of highlight that.

400

00:22:24,345 --> 00:22:30,045

And then we'll take on a small agent

knife, a little bit of pressure and

401

00:22:30,045 --> 00:22:36,045

blue, just put the indication of a few

little windows in there, then that easy.

402

00:22:36,165 --> 00:22:37,485

It makes us a happy little thing.

403

00:22:38,235 --> 00:22:38,565

Okay.

404

00:22:38,595 --> 00:22:42,045

Let's go back to, to bounce them

right into some of this color,

405

00:22:42,675 --> 00:22:45,855

bright red, yellow ochre, CAD yellow.

406

00:22:46,950 --> 00:22:48,720

Yeah, then let's come right down in here.

407

00:22:49,080 --> 00:22:50,160

Ooh, that's a pretty one.

408

00:22:51,120 --> 00:22:51,840

That's a pretty one.

409

00:22:53,820 --> 00:22:58,080

Now, if you have any trouble at all,

making your paint, stick out a little

410

00:22:58,620 --> 00:23:07,470

tiny, tiny bit of your liquid white

or paint thinner, whichever good way.

411

00:23:07,500 --> 00:23:09,030

We'll change your color a little bit.

412

00:23:10,530 --> 00:23:13,950

Make it a little brighter there.

413

00:23:14,610 --> 00:23:15,180

I'll tell you what.

414

00:23:16,065 --> 00:23:19,515

I'll take the little knife

again and come right in here.

415

00:23:20,175 --> 00:23:22,005

We'll put a happy little path coming out.

416

00:23:24,255 --> 00:23:25,815

He's got to have a way

to get down to the Lake.

417

00:23:25,845 --> 00:23:27,495

Catch up big fish that lives down here.

418

00:23:28,815 --> 00:23:31,185

A little bit of land, some

stones here and there.

419

00:23:33,135 --> 00:23:33,945

Just whatever

420

00:23:38,565 --> 00:23:40,395

Brown and white for some highlights.

421

00:23:43,844 --> 00:23:44,475

There we go,

422

00:23:48,405 --> 00:23:53,375

let's go back into her ochres and

reds and Indian yellow, and let's

423

00:23:53,375 --> 00:23:54,725

begin bringing this right down.

424

00:23:56,764 --> 00:24:00,034

I like this little painting because it

really does give you the feeling of fall.

425

00:24:03,514 --> 00:24:07,745

Just like little layers, little things

happening all down through here.

426

00:24:09,490 --> 00:24:14,550

Can you tell you what maybe writing here.

427

00:24:16,440 --> 00:24:17,820

There's a little tree.

428

00:24:19,560 --> 00:24:25,530

Maybe that's just a little, maybe, maybe

that's a little Birch tree, like Birch

429

00:24:25,530 --> 00:24:28,080

trees and they usually grow in clumps.

430

00:24:28,080 --> 00:24:32,330

So you're going to put several

three are rare that are merged.

431

00:24:32,330 --> 00:24:36,180

Tree grows by self he's, a community tree.

432

00:24:40,430 --> 00:24:45,800

Little bit of the liquid black, and

we can just put the indication of

433

00:24:45,800 --> 00:24:49,460

a happy little Liam here and there

that really helps push your little

434

00:24:49,460 --> 00:24:51,590

cabin back further into the painting.

435

00:24:52,580 --> 00:24:53,510

Much further back.

436

00:24:56,930 --> 00:24:57,830

Let's have some fun.

437

00:25:00,500 --> 00:25:01,880

Let's go back into the Browns.

438

00:25:03,149 --> 00:25:05,760

Put another little peninsula right there.

439

00:25:06,180 --> 00:25:08,899

And in your world, you put as many,

or as few of these, as you want.

440

00:25:09,090 --> 00:25:12,270

Just want to show you how to do it

and turn you loose on the world.

441

00:25:12,330 --> 00:25:19,230

Pull it straight down, cut right across,

go right back into my highlight colors,

442

00:25:19,260 --> 00:25:20,879

the yellow hookers and the gray heads.

443

00:25:22,350 --> 00:25:23,490

Let's come right on here.

444

00:25:24,840 --> 00:25:28,350

Say they're dropping a few

little happy highlights.

445

00:25:29,325 --> 00:25:31,034

Now we'll take my fan brush again.

446

00:25:31,095 --> 00:25:33,405

Go right into the van.

447

00:25:33,405 --> 00:25:35,595

Dyke Brown, dark Santa.

448

00:25:35,595 --> 00:25:36,555

Just mix them together.

449

00:25:37,335 --> 00:25:37,635

Okay.

450

00:25:37,905 --> 00:25:38,625

Right here.

451

00:25:38,655 --> 00:25:39,075

Right here.

452

00:25:39,885 --> 00:25:40,335

Right.

453

00:25:40,485 --> 00:25:41,475

Somewhere right here.

454

00:25:41,895 --> 00:25:42,105

Yeah.

455

00:25:42,855 --> 00:25:48,165

Just make a decision to drop

it in big old tree, old tree.

456

00:25:48,524 --> 00:25:51,495

And this big tree will help push

everything and your painting

457

00:25:51,495 --> 00:25:55,575

back helps create much, much

more depth in your painting.

458

00:25:56,159 --> 00:25:58,620

Give them a big hole to go

root stand on down here.

459

00:26:00,389 --> 00:26:02,520

Big tree has to a root.

460

00:26:03,720 --> 00:26:04,230

There we go.

461

00:26:04,230 --> 00:26:06,510

We'll just make an indication

of a Liam that comes right out.

462

00:26:07,740 --> 00:26:12,929

Just tap it on the fan brush,

man, we can take a little bit

463

00:26:12,929 --> 00:26:16,230

of bright red dark Sienna.

464

00:26:17,730 --> 00:26:18,449

Mix it together.

465

00:26:21,600 --> 00:26:23,370

So cut across it.

466

00:26:23,490 --> 00:26:24,330

Let's go up here.

467

00:26:25,470 --> 00:26:33,510

And just put some highlights on use these

warm colors really make it feel like fall.

468

00:26:36,440 --> 00:26:39,870

I'm going to get my coat out and

start seeing if it's all right.

469

00:26:42,030 --> 00:26:47,820

Just a few little highlights here

and there and back to my liner brush

470

00:26:48,570 --> 00:26:49,980

and right into the liquid black.

471

00:26:51,870 --> 00:26:54,600

Let's have some lambs that are

just hanging every which way?

472

00:26:56,129 --> 00:26:57,270

Just drop some of these.

473

00:26:57,270 --> 00:26:57,510

Yeah.

474

00:26:58,169 --> 00:27:04,860

There's one wherever you

want them, just pull them out

475

00:27:07,939 --> 00:27:12,240

here and you can make all kinds

of beautiful things happen there.

476

00:27:14,879 --> 00:27:19,439

I think this, when it's getting

close to being done, put a little.

477

00:27:19,905 --> 00:27:21,344

The ground area right in here.

478

00:27:22,905 --> 00:27:23,985

Touch your highlight on it.

479

00:27:24,225 --> 00:27:26,564

And we'll call this painting finished.

480

00:27:27,435 --> 00:27:28,574

I hope you've enjoyed this one.

481

00:27:29,175 --> 00:27:30,104

It's a nice little painting.

482

00:27:30,104 --> 00:27:33,014

Could give you a lot of happy

little ideas from all of us here.

483

00:27:33,405 --> 00:27:34,094

Happy painting.

484

00:27:34,514 --> 00:27:35,145

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Saturday, December 26, 2020

S08E05 - Hunter's Haven

Bob Ross's

The Joy of Painting

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