Bob Ross's

The Joy of Painting

S08E07 - Winter Hideaway

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Hi, I'm glad to see you today.

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Today.

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I thought we'd do the little animated

opening, the little painting that you

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see at the beginning of each show.

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So tell you what let's have him

put all the colors on the screen

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that you need to do this painting.

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And let's go up here now.

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I've already covered the canvas with a

thin even go to the liquid white it's

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wet and slick, and it's all ready to go.

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So let's go to, I'm going to start

out today with a small amount of

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the Indian, yellow, tiniest, little

bit just tapped onto the brush.

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Just use a two inch brush.

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Let's go right in here.

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Put a little tiny, tiny bit of

yellow, right along, right along

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where you think the horizon will be.

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I just drop that in and just

using little crisscross strokes.

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There you go.

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Put some down in here.

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This was a little snow saying, put

some colors down in the snow that

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it will be reflected from the sky.

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Okay.

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Without cleaning the brush, I'm

going to go into a small amount of a

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lizard Crimson, just a small amount.

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Okay.

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Then back up here, right above that

yellowish color, the Indian, yellow.

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Still using little crisscross strokes.

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We're just dropping a little,

little bit of Crimson.

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I sort of let them blend together

right here, where they come

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and same color.

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I just put a little bit down here

and what will eventually be snow?

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Hmm, looks pretty already.

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And without cleaning the brush, I'm going

right into some of the midnight black,

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just a very small amount and a little

bit of low blue, tiniest little bit.

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It's a very strong color.

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Both of these colors are very strong,

so don't get carried away in overdue.

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Real easy to add more color to

your scab, but it's a son of

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a gun to try to take it away.

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Still using the little crisscross

patterns, little exes, Leo, just,

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just leggings, little sky shapes.

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Just sort of let them happen a

little bit more right in there.

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And you can just bring them.

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I have some little arms coming out

here wherever, wherever, and you can

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put a little bit of that color down

in here, just here and there doesn't

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matter at this point, this is really

just a good way of cleaning the brush.

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Speaking of cleaning the brush.

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Let's do that.

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Shake off the excess

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really is the fun part.

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All right, let's go up here now, clean,

dry brush and be very sure that your

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brush is dry as you can possibly get it.

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And then still using the little crisscross

strokes, blend this entire sky together.

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Very gently.

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And that's how the little sky is made.

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It's a very effective little

sky, very quick, very easy.

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Nice little sky.

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Now, then we want some little footy

Hills back here in the background.

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So to make those I'm going

right back into the midnight

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black, little bit of the blue.

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I'm gonna reach over here and pick up

a small amount of white titanium white.

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So we have black, blue and white.

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Okay.

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And I'm just tapping

it brush right into it.

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Okay.

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Let's go back up here.

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Make a big decision here.

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Where's your Foothill live?

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I think he is right there.

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He was just the corner of the brush

touch and pull it straight there and

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lay in your basic Foothill shapes.

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Just sort of let them wander around.

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You don't want them to be real straight.

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Foothills.

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Normally normally have little high points

and low points, all kinds of happy, little

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things that happen in there straight down.

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We're not using much

pressure on the brush here.

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Just enough to get the paint to come off.

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Okay.

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Now I'm going to have

two layers of foothills.

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So we want to create a Misty

area in between each layer.

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That's the only thing that

separates these layers.

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So with a clean, dry two inch brush,

I'm going to tap the base of this and

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I'm going to strike it quite firmly.

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There we go.

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That creeps the illusion of MIS down there

just by tapping and then very gently.

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Lift up or Jonas lifted that bridge.

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And we have a beautiful Misty

area right along in there.

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That's what I'm looking for.

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And I'm going to put

another layer of foothills.

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I'm going to use the same colors, a

little bit of black, a little bit of

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blue, but this time I want it darker.

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As things get closer to you in the

landscape, as we've said before,

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they need to get a little darker,

just tap that brush in the color.

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Okay.

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Let's go up here now, then.

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Here we go see, and we don't

want to kill all that little

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Misty area that was in there.

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That's the only thing that will separate

these two entities only separator.

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It's very important to you that

your good friend don't kill it.

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Don't kill it.

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There were that easy.

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We have another layer of foothills.

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And then we'll take a

clean brush once again.

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I want to cap the base of it,

just to create that illusion

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of missed and then left up.

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Isn't that a super way to make some little

foothills that are far away and very soft

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and quiet and it works now, then I'm going

to take some of the liquid white palette.

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We'll get a fan brush and to the add

a little bit of the thalo blue on the

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brush and go right into the liquid white.

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So it's a very thin paint.

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Maybe reach over here and pick up a

little bit more of the liquid white.

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There we are.

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Okay.

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Now let's go up here.

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I want to put some little

indication of some happy little.

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Little bushes right here.

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So, you know, all you have to do is

just touch with a fan brush and pop up,

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or just give it a little upward pop.

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Now this paints much thinner

than what's on there.

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So it'll just come right off your

brush, just like, so that easy.

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There we go.

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Okay.

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That's time to start making some decisions

back here and we start working forward.

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So I'm going right into

the titanium height.

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And to that, I'm going to add a

least little touch of bright red.

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Let me say that again,

the least little touch.

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It's very strong.

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A lot of paint on the brush.

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Both sides are loaded for.

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Okay, let's go back up here.

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Now we have to start thinking

about the lay of the land.

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So just grab that and begin.

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Pulling it.

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Now we want to create the illusion of

shadows and highlights and warm and cool

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spots all through the snow back here.

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And every once in a while, you can

pick up a little bit of the blue

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a little bit and work it in there.

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It'll help create that illusion there's

little Hills and bumps and all kinds

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of things happening back in there.

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There there's a little

bit of pink right there.

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It's a super, super easy and

very effectively making some

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beautiful, beautiful snow areas.

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Add a little bit of the

Indian yellow here and there.

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Just to few, just to make it shine.

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Cause you don't reflect what's up

here in the sky and you know, the

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stories we've heard about yellow snow.

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Be careful.

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Don't get too much of it.

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There we go,

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and you can turn this into

an extremely warm painting.

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Sometimes winter

paintings are so cold flu.

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They're not, they're

not much fun to look at.

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I like to make winter scenes that

are nice and warm and make you happy.

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Okay.

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Okay.

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Let's do something.

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I can mix up.

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We'll take some black and blue, a

little bit of lizard and Crimson

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and just mix it with a knife.

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At least a little touch of white into it.

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Titanium point.

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There we go

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there.

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Good dark color.

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Okay.

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Let me wipe the knife off here.

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We'll take the old fan brush

and load it full of paint.

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Just pull it through there.

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Give it a little wiggle, sees

a lot of pain in the bristles.

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Go up here.

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Maybe right back here lives.

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I think we had a, yeah, we had a happy

little evergreen that lived right there.

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Take just the corner of the brush

and begin working back and forth.

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I had a lady in one of my

classes, she called these Z trees.

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She says, cause all you're doing is going

back and forth and making little disease.

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And I think that's a good analogy.

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Just sort of work it back and

forth and you're forcing the

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bristles to bend downward.

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So you see how those bristles are

bending and that makes all those little

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hangie down things that are under the

limbs makes you treat look really nice.

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We don't want him to get

lonely, you know, always.

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Always give them a little trees, a

friend, because friends are so important.

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I think they're even important to trees.

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There we go that quick.

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We got a couple of happy little trees

back here and we can take our fan brush.

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It had the white on it.

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Add a little blue to that.

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Okay.

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Let's go back up here and let's

put the indication that maybe

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there's a little snow hanging on.

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Like an air, just a little,

don't want to kill all that dark

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cause it's nice and contrast.

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It helps make it a little tree.

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Stand out.

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Just put the indication of

a little bit of snow there.

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There we go.

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Maybe, maybe there's a happy

little weed that lives right there.

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okay.

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I'll wash off an old fan

brush, then we can begin.

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According back into her snow colors and

then retry it up in here, crab under

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there, and sort of pull that out and

begin working with a lay of the land here.

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Yeah, I get that.

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So you now you've set the tree right up

on a little Hill back here, and that's

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where that little tree would be happy.

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You know, when you watch this beginning

of the show, it only takes about

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30 seconds to see the whole thing.

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But it takes a lot of fantastic

people, a long time to animate that

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they do have one frame at a time.

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I couldn't believe it the first

time I saw him doing that, but it

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made me appreciate some of that.

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Some of the magic of television.

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And we were very fortunate.

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We worked with the best

fruit in the country.

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Here.

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There we go.

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Oh, things happening.

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Okay.

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That gives us a little

background and some snow.

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Let's have some fun.

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Now let's go to the old round brush

and go right into some Vandyke Brown.

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A little bit of dark Santa and we're

just going to tap it into the bristles.

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Okay.

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Let's build some happy little trees.

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Maybe let's go right here.

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Here's the little tree

that lives right here.

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Little bushes and weeds.

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They come right on.

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Know, I don't know where they

go, wherever you want them to go.

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That's where they go.

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And I bet, I bet we remember we

had some on this side too, so we'll

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just drop some right over here.

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I like to start at the bottom on

these trees and work upward that way.

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That way, the darkest color is at the

bottom and it creates deeper shatters

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shadows on the base of the tree.

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And all you're looking for here is

just some very basic little tree show.

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So we're not looking for a lot of detail.

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Yet detail will come later.

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Right now, all we're looking for

is just some happy little shapes.

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Let's put a few more in there.

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I think they were a little thicker.

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That's getting pretty already.

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I like these, these

little warm winter scenes.

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They think do nice things in here.

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They make you happy.

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Okay.

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A little, little Tanner on my liner brush.

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I'm going to just pull

it through some Brown.

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And turn that brush,

turn it and pull it out.

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It brings it to a very sharp point there.

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You can see it kiss up here.

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And in here, I'm just going to

put the indication of a few little

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trunks, just a few here and there.

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Most of them you won't ever see, but

should they show through it gives

253

00:13:45,810 --> 00:13:53,569

a painting some detail and that's

always nice just to hear it in there.

254

00:13:54,120 --> 00:13:56,699

Wherever you think a little

trunks should live to hold up all

255

00:13:56,699 --> 00:14:00,689

this trees and shrubs back here.

256

00:14:00,990 --> 00:14:02,970

Just drop it in, drop in.

257

00:14:02,970 --> 00:14:03,090

Yeah.

258

00:14:04,590 --> 00:14:04,890

Shoot.

259

00:14:04,949 --> 00:14:05,910

I'll tell you what let's do.

260

00:14:06,600 --> 00:14:08,010

Let's put some pretty colors on there.

261

00:14:08,010 --> 00:14:10,410

I'm going to go right into

some of the yellows here.

262

00:14:10,430 --> 00:14:15,000

Some yellow ochre, some CAD

yellow, Indian, yellow, just

263

00:14:15,060 --> 00:14:16,590

tap this brush into that.

264

00:14:17,405 --> 00:14:20,415

Least little touch of the

red Lee's little touch.

265

00:14:20,985 --> 00:14:21,285

Okay.

266

00:14:21,344 --> 00:14:23,355

Let's go back up here now.

267

00:14:23,385 --> 00:14:27,135

Maybe, maybe there's a tiny bit of

highlight, just playing right on the top

268

00:14:27,135 --> 00:14:31,064

of these, just to create a little color.

269

00:14:33,375 --> 00:14:37,035

And if you, if you're out selling

your paintings, a lot of times people

270

00:14:37,035 --> 00:14:41,775

will buy your paintings because of

the color, more than the content.

271

00:14:44,595 --> 00:14:49,125

Cause he, they have a special place

in their house that, that, that

272

00:14:49,125 --> 00:14:55,575

color combination just fit and warm

colors are very popular right now.

273

00:14:56,445 --> 00:14:59,775

I think maybe they're always popular

people don't like to be cold.

274

00:15:01,275 --> 00:15:03,345

Maybe, maybe right there.

275

00:15:06,345 --> 00:15:07,065

There we go.

276

00:15:08,100 --> 00:15:12,770

A bit more of the bright red happy

little post-it lives right there.

277

00:15:12,770 --> 00:15:14,870

And all I'm doing is just

happy with the top corner.

278

00:15:14,870 --> 00:15:19,130

That brush that's really all

I'm doing just barely touching.

279

00:15:20,300 --> 00:15:22,880

And your paint has to be a little bit

thinner than what's on the canvas.

280

00:15:22,880 --> 00:15:27,110

If you want it to stick, the

yellows I use are a little

281

00:15:27,110 --> 00:15:28,699

thinner than the other colors.

282

00:15:28,970 --> 00:15:30,199

That way they stick easier.

283

00:15:30,560 --> 00:15:32,930

And yellow's normally always

used as a highlight color.

284

00:15:34,905 --> 00:15:40,755

They're just layer after layer,

after layer, after layer after layer.

285

00:15:43,545 --> 00:15:44,145

Okay.

286

00:15:45,495 --> 00:15:45,705

Yeah.

287

00:15:45,705 --> 00:15:52,065

Then we can go back to our fan brush and

we can begin just running right up in

288

00:15:52,065 --> 00:15:55,845

here and grabbing this and pulling it out.

289

00:15:55,905 --> 00:15:58,785

You don't care if a little bit of that

Brown color comes out until you snow.

290

00:16:01,770 --> 00:16:03,480

That's the only thing

worse than yellow snow.

291

00:16:08,480 --> 00:16:09,930

It makes it look like shadows.

292

00:16:18,500 --> 00:16:18,860

Okay.

293

00:16:19,880 --> 00:16:20,020

Yeah.

294

00:16:20,060 --> 00:16:24,980

Then over here on the other side,

maybe, maybe we have taken some of

295

00:16:24,980 --> 00:16:26,900

those same little yellows, just tapping.

296

00:16:28,245 --> 00:16:31,215

And let's put a few highlights on here.

297

00:16:31,875 --> 00:16:31,965

Okay.

298

00:16:34,155 --> 00:16:36,135

You know, we all do things

we don't think about.

299

00:16:36,135 --> 00:16:38,445

And sometimes they're just automatic.

300

00:16:39,195 --> 00:16:43,995

And the other day I was, I was doing a

demonstration for a fantastic group and a

301

00:16:43,995 --> 00:16:48,765

young man about, Oh, he was probably about

10 or 12 years old, just walked behind me.

302

00:16:49,245 --> 00:16:52,785

And I heard him saying out of the

corner of his mouth as he walked around.

303

00:16:52,785 --> 00:16:59,675

And he says maybe, maybe, maybe so I could

tell he'd been watching the show and I

304

00:16:59,675 --> 00:17:01,235

don't realize I'm doing that some time.

305

00:17:02,114 --> 00:17:03,464

But he made me aware of it.

306

00:17:04,754 --> 00:17:09,704

So he was cute and he brought in

some fantastic paintings to show me.

307

00:17:11,625 --> 00:17:14,565

Then we recently did a show

in Missouri and I had a young

308

00:17:14,565 --> 00:17:15,794

lady that was four years old.

309

00:17:15,794 --> 00:17:18,315

Bring me some paintings, son of a gun.

310

00:17:18,315 --> 00:17:23,474

She was, she was just a fantastic

four years old know already.

311

00:17:23,474 --> 00:17:24,855

She's a fantastic painter.

312

00:17:26,160 --> 00:17:28,890

By the time she gets my age, you know, 22.

313

00:17:29,580 --> 00:17:31,830

She's really, she's really

going to be something.

314

00:17:35,530 --> 00:17:38,700

If you believe I'm 22, I want to

sell you some land in Florida.

315

00:17:42,240 --> 00:17:42,420

Okay.

316

00:17:42,870 --> 00:17:45,060

Tell you what let's do that.

317

00:17:45,060 --> 00:17:48,470

Painting had a little cabin in a happy

little cabin, so let's do one of those.

318

00:17:48,660 --> 00:17:50,280

We'll start here with some Vandyke Brown.

319

00:17:51,510 --> 00:17:52,580

Cut us off a little bit.

320

00:17:53,730 --> 00:17:56,010

There, see it's right out on the

edge of that night, or you can

321

00:17:56,010 --> 00:17:58,020

see it real good can go up here.

322

00:17:59,610 --> 00:18:00,480

Let's start with the back.

323

00:18:00,510 --> 00:18:07,230

He, the, the cabin would give him

a little back Eve like, so now this

324

00:18:07,230 --> 00:18:11,550

may not be an exact duplicate of

the painting that you see animated.

325

00:18:11,550 --> 00:18:13,770

Cause you can never go

back and do a painting.

326

00:18:13,770 --> 00:18:16,919

That's exact, but it'll show

you how that painting was done.

327

00:18:18,389 --> 00:18:21,959

And you can do your own at home there.

328

00:18:22,620 --> 00:18:23,700

Saying, make decide.

329

00:18:24,810 --> 00:18:26,430

Now then let me grab some point.

330

00:18:27,990 --> 00:18:30,300

This is just straight

titanium, white touch.

331

00:18:31,629 --> 00:18:33,090

Give him a happy little roof.

332

00:18:34,889 --> 00:18:36,180

Don't want him to freeze to death.

333

00:18:36,210 --> 00:18:43,020

I got to give him a roof there and

sometimes you'll find it's easier

334

00:18:43,080 --> 00:18:44,670

to scrape out the basic shape.

335

00:18:48,284 --> 00:18:49,995

It helps remove some of that loose paint.

336

00:18:49,995 --> 00:18:54,915

That's underneath put a little snow on

the other side of a bed right down there.

337

00:18:56,985 --> 00:19:02,534

Take a little bit of the dark Sienna

white and let's put, let's put

338

00:19:02,534 --> 00:19:03,945

some highlights on these boards.

339

00:19:05,745 --> 00:19:09,344

Some highlights makes it

look like, Oh, hold on

340

00:19:13,185 --> 00:19:14,014

little bit of Brown.

341

00:19:14,465 --> 00:19:15,334

I give him a door.

342

00:19:18,660 --> 00:19:19,230

There.

343

00:19:21,060 --> 00:19:23,360

And we can take just the point

of the knife and create the

344

00:19:23,360 --> 00:19:25,280

illusionism old slabs here.

345

00:19:25,280 --> 00:19:28,340

This is Kevin's made or boards.

346

00:19:30,020 --> 00:19:34,280

There's a bit of blue and white

and we just put the indication

347

00:19:34,280 --> 00:19:35,420

of a little window right there.

348

00:19:36,230 --> 00:19:37,790

That's really hard to

see you, but it's there.

349

00:19:39,140 --> 00:19:39,560

Okay.

350

00:19:39,980 --> 00:19:42,740

Now let's go right up in here.

351

00:19:43,010 --> 00:19:44,000

Put a little snow.

352

00:19:45,554 --> 00:19:49,274

Coming right down through

there, right down.

353

00:19:50,735 --> 00:19:52,844

Then you can cut this off and

put it wherever you want it.

354

00:19:55,034 --> 00:20:01,294

And we'll take, this is a

little bit of a little lizard

355

00:20:01,304 --> 00:20:03,524

Crimson and a tiny bit of blue.

356

00:20:04,155 --> 00:20:08,504

Make a lavender color,

dark lavender color.

357

00:20:08,504 --> 00:20:11,955

And we just put the indication of a

little happy little path right here.

358

00:20:13,485 --> 00:20:15,585

So he needs a little way

to get out of this cabin.

359

00:20:17,745 --> 00:20:20,775

Then we can come back with a round

brush and go back into some of our

360

00:20:20,775 --> 00:20:23,955

yellows touch to the red, tap them in.

361

00:20:24,645 --> 00:20:27,285

Let's go right here and

we'll come right along here.

362

00:20:28,185 --> 00:20:28,305

Okay.

363

00:20:28,305 --> 00:20:31,635

Well, let's we just let a few

little bushes grow right up around

364

00:20:31,635 --> 00:20:35,625

the edge of his cabin that sorta

sets it back into the painting.

365

00:20:36,855 --> 00:20:39,435

And if I lived in this little

cabin, I'd want to sit back

366

00:20:39,435 --> 00:20:40,755

into bushes and trees where.

367

00:20:41,340 --> 00:20:42,060

For the salesman.

368

00:20:42,080 --> 00:20:42,870

Couldn't find me.

369

00:20:43,530 --> 00:20:44,639

I'd be hiding back here.

370

00:20:47,220 --> 00:20:47,669

Okay.

371

00:20:47,760 --> 00:20:52,620

If I can take a little bit of the

titanium white and just start to

372

00:20:52,620 --> 00:20:53,820

smooth that out on the bottom.

373

00:20:56,159 --> 00:20:56,520

Okay.

374

00:20:56,700 --> 00:21:00,659

And easy now that we had a little

fence, so I'm going to just dip my

375

00:21:00,720 --> 00:21:03,600

liner brush right into the liquid black.

376

00:21:04,950 --> 00:21:07,740

That's the easiest way to make a

little fancy, just pull it down.

377

00:21:09,000 --> 00:21:10,710

We just let it go ride on back.

378

00:21:10,800 --> 00:21:12,629

Maybe goes right on over

the Hill, back here.

379

00:21:15,830 --> 00:21:21,889

And there's still some still smooth

fence things laying across there.

380

00:21:22,460 --> 00:21:22,820

Okay.

381

00:21:23,180 --> 00:21:23,720

Let him go

382

00:21:27,770 --> 00:21:32,600

quit and come right back and lay

a little bit of snow on there.

383

00:21:33,710 --> 00:21:35,360

See, and that super.

384

00:21:36,885 --> 00:21:38,865

Really gives your

painting a lot of detail.

385

00:21:40,004 --> 00:21:43,095

And when you're doing this at home,

you can, you can just get crazy, put

386

00:21:43,095 --> 00:21:44,625

all kinds of beautiful little things.

387

00:21:46,065 --> 00:21:48,014

Maybe we'll have this post

come right behind the house.

388

00:21:48,014 --> 00:21:49,185

We don't know where it goes that way.

389

00:21:51,585 --> 00:21:51,885

There.

390

00:21:54,165 --> 00:21:54,795

Okay.

391

00:21:55,905 --> 00:21:56,115

Yeah.

392

00:21:56,115 --> 00:21:57,285

Then let's go over here.

393

00:21:57,705 --> 00:21:58,905

Play a little bit on the other side.

394

00:21:59,015 --> 00:22:02,315

Oh, well I think we'll

put some big bushes.

395

00:22:02,795 --> 00:22:06,335

I'm tapping that same old round brush.

396

00:22:06,365 --> 00:22:08,555

I haven't cleaned it yet

right into the Browns again.

397

00:22:08,555 --> 00:22:12,305

Let's go up here and, and end on a hair.

398

00:22:13,205 --> 00:22:14,105

Great big tree.

399

00:22:14,735 --> 00:22:15,095

All right.

400

00:22:15,095 --> 00:22:16,505

Over my pretty bushes back here.

401

00:22:17,045 --> 00:22:17,795

This big tree.

402

00:22:18,665 --> 00:22:19,595

Oh, he is a big tree.

403

00:22:19,655 --> 00:22:20,764

He lives right here.

404

00:22:22,565 --> 00:22:25,475

Just start thinking about some basic

shapes, how you want your tree to

405

00:22:25,475 --> 00:22:30,875

look, look at her big old tree.

406

00:22:31,264 --> 00:22:31,985

Mary counts.

407

00:22:32,705 --> 00:22:36,065

We put this dark in, so the light

will show up when you put it on

408

00:22:36,065 --> 00:22:39,635

there, there is a happy little Bush.

409

00:22:40,175 --> 00:22:41,524

Nice comes right on down.

410

00:22:44,585 --> 00:22:47,254

It looks dead already then.

411

00:22:49,875 --> 00:22:52,725

Little paint thinner right into the Brown.

412

00:22:53,655 --> 00:22:56,895

Just really low depressed

for case come up here.

413

00:22:57,795 --> 00:22:59,775

See, and turn that brush.

414

00:22:59,775 --> 00:23:01,215

When you're pulling it down, turn it down.

415

00:23:01,305 --> 00:23:05,355

It helps, helps make all

kinds of old gnarly effects.

416

00:23:05,775 --> 00:23:11,105

Keeps a tree just from being a

future telephone pole and just

417

00:23:11,105 --> 00:23:12,455

drop all those little things in.

418

00:23:14,045 --> 00:23:15,515

And we can take a round brush.

419

00:23:16,560 --> 00:23:21,179

And right back into the yellows, a

little bit of the brain for your head.

420

00:23:21,510 --> 00:23:22,169

Just tap it.

421

00:23:23,220 --> 00:23:23,520

Okay.

422

00:23:24,840 --> 00:23:25,980

We'll go right up here.

423

00:23:28,320 --> 00:23:32,790

Just, she has put the indication

of a few little highlights to

424

00:23:32,810 --> 00:23:38,909

some warm colors in here, there

in as many, or as few as you want.

425

00:23:40,230 --> 00:23:41,250

Just drop them in.

426

00:23:46,565 --> 00:23:49,535

And that's super that you can make

all those little things that quick.

427

00:23:49,955 --> 00:23:52,085

Sometimes it's fun to go right into.

428

00:23:52,175 --> 00:23:55,745

Let's take a little bit of the

blue and white mixed together.

429

00:23:57,305 --> 00:23:57,845

Look at there.

430

00:23:57,935 --> 00:24:01,595

We'll put one in, it gives it

a little bit of cold feeling.

431

00:24:03,004 --> 00:24:07,415

Maybe he's got a friend right there, mixed

a little cold in there with all that warm.

432

00:24:09,960 --> 00:24:12,420

Just makes all kinds of beautiful

little things happening.

433

00:24:14,850 --> 00:24:15,540

There we go.

434

00:24:16,830 --> 00:24:19,470

There's one right there and

there's many of them, or as few

435

00:24:19,470 --> 00:24:22,530

as you want, it's up to you.

436

00:24:24,390 --> 00:24:24,870

Painting.

437

00:24:25,020 --> 00:24:30,060

Painting gives you

freedom, gives you freedom.

438

00:24:32,010 --> 00:24:33,690

And I think we are looking for that.

439

00:24:35,190 --> 00:24:35,790

At least I am.

440

00:24:37,980 --> 00:24:39,480

There we go all kinds.

441

00:24:39,510 --> 00:24:40,080

A little happy.

442

00:24:40,080 --> 00:24:40,500

Thanks.

443

00:24:42,360 --> 00:24:42,929

Alrighty.

444

00:24:43,350 --> 00:24:46,990

Let me lay that verse down and

we'll go back, go back to turtle

445

00:24:46,990 --> 00:24:54,330

old fan brush and, and color in it.

446

00:24:54,570 --> 00:24:58,169

We just mixing between blue and

a little pink, and then we're

447

00:24:58,169 --> 00:24:59,610

going to change this plane.

448

00:25:00,419 --> 00:25:02,939

Other words, I want this to go there.

449

00:25:03,435 --> 00:25:04,814

Yeah, in a different angle.

450

00:25:05,475 --> 00:25:08,834

So it looks like it's overlapping,

what's back there just by changing

451

00:25:08,834 --> 00:25:13,514

the angles here, you can create

all kinds of fantastic illusions

452

00:25:18,284 --> 00:25:21,104

and it doesn't matter once again, if you

pick up a little bit of that color, it

453

00:25:21,104 --> 00:25:23,804

really, really adds to your painting.

454

00:25:26,054 --> 00:25:28,195

Let's take a little better.

455

00:25:29,520 --> 00:25:31,649

This is just a little bit of

blue and hide on the brush.

456

00:25:32,370 --> 00:25:35,360

Let's tap in the few, little,

few, little happy bushes and

457

00:25:35,379 --> 00:25:37,680

weeds coming right down like that.

458

00:25:37,680 --> 00:25:38,220

There is one.

459

00:25:40,470 --> 00:25:40,980

Okay.

460

00:25:42,350 --> 00:25:47,310

I tell you what, as you know, I like big

old trees, so let's do a big old tree.

461

00:25:48,270 --> 00:25:49,560

I'm going to go right in.

462

00:25:50,625 --> 00:25:55,095

To Vandyke Brown and pick up some of the

midnight black and just mix them together.

463

00:25:55,335 --> 00:25:55,515

Okay.

464

00:25:55,515 --> 00:25:56,295

Let's go right up here.

465

00:25:57,015 --> 00:25:59,235

Maybe their lives, a big tree.

466

00:26:00,165 --> 00:26:06,065

Oh, he does now does now

right there, right there.

467

00:26:06,485 --> 00:26:10,385

See big old tree and

let's give him an arm.

468

00:26:13,655 --> 00:26:13,895

Boy.

469

00:26:13,925 --> 00:26:17,465

He is a big tree and all we're

doing right now, it's just

470

00:26:17,465 --> 00:26:19,235

looking for a very basic shape.

471

00:26:21,105 --> 00:26:24,765

Very basic shape and we can take a

little bit of the Browns and hi, this

472

00:26:24,765 --> 00:26:31,215

is dark sand and white, and let's

just put the indication of some nice

473

00:26:31,215 --> 00:26:43,355

little highlight Chaz tearing their

jazz, tearing her like, so can you

474

00:26:43,355 --> 00:26:44,885

call, I got the whole knife going here.

475

00:26:47,590 --> 00:26:52,240

Few little fences posts we

had, I think in that one, I

476

00:26:55,250 --> 00:26:59,540

think so I'll take the old liner brush

and we'll put the indication of, uh,

477

00:27:00,410 --> 00:27:01,790

of a happy little lamb hair in there.

478

00:27:02,750 --> 00:27:05,540

And the old clock tells me it's

time to leave for this week.

479

00:27:06,350 --> 00:27:07,820

So I hope you've enjoyed this one.

480

00:27:07,820 --> 00:27:10,310

I hope you enjoyed seeing it

at the beginning of each show.

481

00:27:11,120 --> 00:27:14,930

And until next time I'd like

to wish you happy painting.

End .srt file.

Bob Ross' The Joy of Painting

Saturday, December 26, 2020

S08E07 - Winter Hideaway

Bob Ross's

The Joy of Painting

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