Bob Ross's

The Joy of Painting

S08E08 - Foot of the Mountain

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:00,030 --> 00:00:00,900

Hey, welcome back.

00:00:00,900 --> 00:00:02,100

I'm glad you could join me today.

00:00:02,370 --> 00:00:02,640

Today.

00:00:02,640 --> 00:00:04,170

I thought we'd do a fantastic pain.

00:00:04,220 --> 00:00:06,930

Has some big almighty mountains

and maybe some big trees.

00:00:06,930 --> 00:00:07,040

And.

00:00:07,694 --> 00:00:09,135

Let's just start and see what happens.

00:00:09,585 --> 00:00:12,075

Let's start off from having them

graphically run all the colors across the

00:00:12,075 --> 00:00:13,875

screen that you need to do this painting.

00:00:13,875 --> 00:00:16,755

And it'll come across, starting

with a titanium white in working

00:00:16,755 --> 00:00:18,405

red around, or they're doing that.

00:00:18,405 --> 00:00:19,035

Let's go up here.

00:00:19,675 --> 00:00:22,575

I've already covered the canvas with a

thin even coat of the liquid white and

00:00:22,575 --> 00:00:24,375

it's wet and slick and all ready to go.

00:00:25,125 --> 00:00:25,215

Okay.

00:00:25,419 --> 00:00:30,580

Thought today would start out with a, with

a touch of a yellow ochre, just a touch.

00:00:31,089 --> 00:00:34,420

Just tap the brush right into the paint.

00:00:34,450 --> 00:00:36,220

Okay, let's go up here now.

00:00:36,220 --> 00:00:40,269

Then I'm going to start right up in here

and just use little crisscross strokes.

00:00:41,410 --> 00:00:45,730

Just put a small, small amount of

this yellow ochre, just in the sky.

00:00:47,019 --> 00:00:52,840

Just let it sort of bounce

around and play just like F okay.

00:00:53,019 --> 00:00:53,349

Now.

00:00:54,210 --> 00:00:54,720

To that.

00:00:54,900 --> 00:00:59,690

I'm going to add the least,

least, little title of a lizard

00:00:59,690 --> 00:01:02,209

Crimson, a very, very small amount.

00:01:02,510 --> 00:01:05,269

So you had a small

amounts on there tiny bit.

00:01:05,300 --> 00:01:05,630

Okay.

00:01:05,810 --> 00:01:06,440

Let's go up there.

00:01:07,720 --> 00:01:11,780

I'm just putting a little Liz from

Crimson right along the edges here.

00:01:12,979 --> 00:01:16,910

And in reality, this Crimson

acts as a barrier because I'm

00:01:16,910 --> 00:01:18,080

going to have blue over here.

00:01:18,375 --> 00:01:22,515

And if the blue touches is yellow, you

know, you're going to have a bright

00:01:22,515 --> 00:01:24,795

green sky and we don't want that today.

00:01:26,715 --> 00:01:29,625

So just a little Crimson, it

just, just protects the yellow.

00:01:30,585 --> 00:01:33,375

Now then I'm going to

take and go right into.

00:01:34,470 --> 00:01:37,140

The midnight black and Prussian blue.

00:01:38,039 --> 00:01:39,780

Oh, these are two strong colors.

00:01:39,900 --> 00:01:41,550

Be so careful.

00:01:42,390 --> 00:01:43,380

I can go back up here.

00:01:44,070 --> 00:01:44,160

Okay.

00:01:44,270 --> 00:01:49,700

Now tell us, bouncing a little

of that steel making the little

00:01:49,700 --> 00:01:54,110

crisscross trucks, just the way

the teacher used to grade my paper.

00:01:54,170 --> 00:01:58,039

Just little Xs all over the

place, and maybe there's a.

00:01:58,375 --> 00:01:59,605

A little bit right here.

00:02:03,535 --> 00:02:05,605

I'm going to have some water

in this painting and I am an

00:02:05,605 --> 00:02:07,255

absolute fanatic for water.

00:02:07,975 --> 00:02:13,915

So we'll take the little

blue, tiny little bit.

00:02:14,215 --> 00:02:17,665

And to that, I'm going to mix

a little, the little green.

00:02:17,785 --> 00:02:19,645

So we got the little blue and fatal green.

00:02:21,025 --> 00:02:21,745

Let's go right here.

00:02:23,804 --> 00:02:27,644

Just pull it across, use very

little that they look green.

00:02:27,674 --> 00:02:34,484

It is so strong, so strong and pull from

the outside in, leave a little area open

00:02:34,484 --> 00:02:38,325

in the center and it'll look like a little

machine of light coming across your water.

00:02:38,325 --> 00:02:39,285

When the painting's done.

00:02:41,385 --> 00:02:42,165

All right.

00:02:44,265 --> 00:02:46,635

Now, let me just grab a clean brush.

00:02:46,885 --> 00:02:47,245

I'm good.

00:02:47,485 --> 00:02:48,745

Several of these old brushes going.

00:02:48,745 --> 00:02:49,855

So it saves me some time.

00:02:51,025 --> 00:02:53,785

Be sure your brush is good and

dry and start in the light area

00:02:54,745 --> 00:02:56,065

and begin blending outward.

00:02:57,205 --> 00:03:02,365

Still making those little crisscross

strokes, just blend it all together.

00:03:04,935 --> 00:03:05,505

There we go.

00:03:07,335 --> 00:03:10,185

So you just have a small, small

amount of yellow in this guy.

00:03:11,730 --> 00:03:13,470

You put a little bit more

of a yellow in this guy.

00:03:13,530 --> 00:03:17,720

When you initially start, then you

want, because it'll be eight app, these

00:03:17,720 --> 00:03:19,760

other colors would just sorta eat it up.

00:03:20,930 --> 00:03:26,090

I'm gonna take a little bit of titanium

white into that and the least little

00:03:26,090 --> 00:03:29,240

touch of bright or at least little touch.

00:03:29,720 --> 00:03:30,950

Cut me off a little hunk.

00:03:31,610 --> 00:03:32,390

Okay, let's go here.

00:03:33,140 --> 00:03:35,570

Maybe there's a happy

little floater cloud.

00:03:36,915 --> 00:03:38,745

It's just sort of lays

up here in this guy.

00:03:39,165 --> 00:03:44,715

You can just put these on with a

knife, push them right into the fabric.

00:03:45,505 --> 00:03:46,275

Little floaters.

00:03:47,355 --> 00:03:51,585

I gotta go to show you how to make those.

00:03:52,185 --> 00:03:56,055

Then we take our two inch brush and

very lightly following the angles.

00:03:56,445 --> 00:03:57,045

Just lift them.

00:03:57,960 --> 00:03:59,520

I hope you can see, those are quite light.

00:03:59,760 --> 00:04:04,350

I don't want very bright clouds in this

painting, but when you're doing yours, if

00:04:04,350 --> 00:04:08,160

you want the clouds to stand out a little

more, add a little color, easy to do.

00:04:09,330 --> 00:04:10,290

Let's build us a mountain.

00:04:11,160 --> 00:04:19,250

Let's start listen, Prussian blue, some

Vandyke Brown, some lizard and Crimson,

00:04:21,920 --> 00:04:25,820

just a small amount of Elysium Crimson,

unless you want purple mountains.

00:04:26,595 --> 00:04:28,365

Little roller paid rather

than the edge of the knife.

00:04:28,995 --> 00:04:30,045

Let's go right up in here.

00:04:30,705 --> 00:04:34,995

We'll make some big old, huge mountains

look at there and we push that pain

00:04:34,995 --> 00:04:39,615

into the canvas, push it right into the

fabric and you're not going to hurt this.

00:04:41,325 --> 00:04:45,555

There's really not much

paint on the knife, push it.

00:04:47,055 --> 00:04:51,645

Just try to push it right through the

canvas and then scrape off all the excess.

00:04:51,765 --> 00:04:55,695

The more you can scrape off

easier, the next step will be

00:04:57,565 --> 00:04:59,535

really, really scrape hard.

00:05:00,900 --> 00:05:05,340

And take the large brush, grab it

and pull, see, cause this canvas

00:05:05,340 --> 00:05:06,420

is wet with a liquid height.

00:05:07,260 --> 00:05:09,360

You can move this side of

a gun wherever you want it.

00:05:10,500 --> 00:05:11,730

This was a dry canvas.

00:05:12,750 --> 00:05:16,740

This wouldn't work where

you'd be an agony city there.

00:05:18,300 --> 00:05:23,840

Just pull it, just let it land

right on down to let's just, just

00:05:23,860 --> 00:05:25,260

sort of hang in there in the mist.

100

00:05:26,280 --> 00:05:29,310

The only thing you worried about at

this point is a nice outside edges.

101

00:05:29,969 --> 00:05:32,789

You could really could really care

less what's happening below them.

102

00:05:33,659 --> 00:05:34,080

Okay.

103

00:05:34,140 --> 00:05:40,020

I'll take white, pull it out as

flat as I can get it and cut across.

104

00:05:40,919 --> 00:05:43,979

So let's do that one more time while

the camera's close and you see it, pull

105

00:05:43,979 --> 00:05:48,750

it out very, very flat and cut across

and get that little roll of paint.

106

00:05:48,799 --> 00:05:49,560

So important.

107

00:05:49,979 --> 00:05:50,700

So important.

108

00:05:51,560 --> 00:05:52,789

Let's go right up here.

109

00:05:54,229 --> 00:05:54,679

There.

110

00:05:55,070 --> 00:05:57,859

Yeah, just barely touching the canvas.

111

00:05:58,950 --> 00:06:00,480

Barely touching the canvas.

112

00:06:02,220 --> 00:06:04,290

She has to allow that to

flow right off your knife.

113

00:06:04,650 --> 00:06:05,400

No pressure.

114

00:06:05,670 --> 00:06:06,600

Absolutely.

115

00:06:06,600 --> 00:06:07,260

No pressure.

116

00:06:08,820 --> 00:06:10,530

Let your hand just float.

117

00:06:12,360 --> 00:06:14,340

Pretend you're a whisper

floating across here.

118

00:06:16,050 --> 00:06:19,350

This is probably one of the biggest

problem areas that people write and

119

00:06:19,350 --> 00:06:23,370

tell me, they're having is making

this paint break and by break, I mean,

120

00:06:23,370 --> 00:06:24,690

leave all these little holes in it.

121

00:06:25,500 --> 00:06:27,420

And 99 times out of a hundred.

122

00:06:28,050 --> 00:06:29,520

One of two things is happening.

123

00:06:30,660 --> 00:06:36,240

You're using paint that is too thin

or you're applying too much pressure.

124

00:06:38,190 --> 00:06:40,470

So you need a firm paint and no pressure.

125

00:06:40,500 --> 00:06:46,800

They work together, they work

together and that's, that's what

126

00:06:46,800 --> 00:06:48,090

allows you to do all of this.

127

00:06:50,850 --> 00:06:51,540

There we go.

128

00:06:53,120 --> 00:06:56,430

You can just put as many or as few

of these things in there as you want.

129

00:06:57,419 --> 00:07:00,479

Let's take a little thin, a little

blue and white just flew in honey,

130

00:07:04,890 --> 00:07:07,859

like that, pull it out

and cut across once again.

131

00:07:07,870 --> 00:07:09,240

You need that little roll of paint.

132

00:07:09,270 --> 00:07:09,539

Okay.

133

00:07:11,080 --> 00:07:14,820

Let's go back in here and begin dropping

in some beautiful little shadows.

134

00:07:15,570 --> 00:07:19,950

Notice the angles angles and your

mountains are very important.

135

00:07:20,909 --> 00:07:25,919

Your highlights go in one basic angle

and your shadows go in another angle.

136

00:07:27,030 --> 00:07:30,090

Say like all kinds of

little things in there.

137

00:07:31,800 --> 00:07:38,880

All canceled little places, you know,

there's maybe a mountain goat lives up

138

00:07:38,880 --> 00:07:40,590

here and he needs a little place to hide.

139

00:07:41,640 --> 00:07:43,110

Keep getting cold at night.

140

00:07:43,290 --> 00:07:44,880

Give him, give him a little place up here.

141

00:07:46,760 --> 00:07:49,640

There you go.

142

00:07:55,200 --> 00:07:59,640

As many as you want anywhere you want to

create the illusion of a little Ridge.

143

00:08:00,000 --> 00:08:02,730

We have to do, basically

it's drop in a little shadow.

144

00:08:03,090 --> 00:08:03,570

That's all.

145

00:08:04,500 --> 00:08:07,350

These are your mountains and you

can do anything in these mountains

146

00:08:07,350 --> 00:08:12,580

that you want anything and anything.

147

00:08:13,890 --> 00:08:14,970

Total freedom here.

148

00:08:15,840 --> 00:08:16,170

Okay.

149

00:08:17,190 --> 00:08:20,910

Now take a clean, dry two inch

brush and I want to diffuse this.

150

00:08:21,060 --> 00:08:25,170

So I'm tapping very lightly

and following the angles of the

151

00:08:25,170 --> 00:08:28,290

mountain, always follow those angles

152

00:08:32,130 --> 00:08:32,730

over here.

153

00:08:32,970 --> 00:08:35,970

You follow these angles,

whichever way the paint goes.

154

00:08:35,970 --> 00:08:38,940

That's the way you want these little

tabs to go now, lift up or down.

155

00:08:39,525 --> 00:08:44,925

Gently gently lift up that takes out

the little tap marks, softens, blends,

156

00:08:45,375 --> 00:08:48,675

and creates that beautiful, beautiful

Misty effect down at the base of the

157

00:08:48,675 --> 00:08:54,435

mountain and that easy, that easy.

158

00:08:54,465 --> 00:08:54,975

You have it.

159

00:08:55,335 --> 00:08:55,635

Okay.

160

00:08:56,145 --> 00:08:58,485

Now then I just take a

whole two inch brush.

161

00:08:58,785 --> 00:09:04,215

It's already dirty and we'll take a little

bit nice black and a little bit of blue,

162

00:09:05,185 --> 00:09:07,185

little touch of Vandyke Brown into it.

163

00:09:07,574 --> 00:09:08,505

We leave him through him.

164

00:09:09,045 --> 00:09:10,064

Tiny bit of white.

165

00:09:10,334 --> 00:09:10,875

There we go.

166

00:09:11,475 --> 00:09:13,814

Just tap that brush can go right up here.

167

00:09:15,095 --> 00:09:15,215

Yeah.

168

00:09:15,215 --> 00:09:18,875

Maybe, maybe we'll just

touch him like that.

169

00:09:18,935 --> 00:09:21,694

Add and create the illusion of

a few little grassy things that

170

00:09:21,694 --> 00:09:24,064

are running little trees that are

running right up the mountain.

171

00:09:24,064 --> 00:09:31,084

And we back in the distance far, far

away, and you can use a one inch brush.

172

00:09:31,589 --> 00:09:39,060

And lift upward, just lift up there looks

like little trees going right up beside

173

00:09:39,060 --> 00:09:42,150

of that mountain far, far away, far away.

174

00:09:42,360 --> 00:09:43,050

Very soft.

175

00:09:44,579 --> 00:09:45,030

All right.

176

00:09:45,930 --> 00:09:47,459

And tell you what let's do.

177

00:09:47,520 --> 00:09:48,870

Let's just use that same color.

178

00:09:50,189 --> 00:09:52,290

Bandag Brown, black, blue, little white.

179

00:09:53,415 --> 00:09:54,255

Let's go right in here.

180

00:09:54,555 --> 00:09:58,714

And maybe there's some beautiful little

Foothill, just with a corner of the

181

00:09:58,714 --> 00:10:00,995

brush, just using just the corner.

182

00:10:02,015 --> 00:10:05,405

You can create the illusion of all

kinds of little foothills living

183

00:10:05,405 --> 00:10:12,515

right here, because they're,

they're that easy now then.

184

00:10:14,395 --> 00:10:15,265

The clean brush.

185

00:10:16,165 --> 00:10:20,455

I want to create the mist at the bottom

of the, so just tap, give it a pretty,

186

00:10:20,845 --> 00:10:22,705

pretty strong tapped, liftoff, pretty

187

00:10:26,005 --> 00:10:27,175

easy, easy.

188

00:10:27,175 --> 00:10:28,165

We got a little footy Hill.

189

00:10:29,520 --> 00:10:31,530

I don't know, let's take the round brush.

190

00:10:31,589 --> 00:10:32,160

I like it.

191

00:10:32,280 --> 00:10:35,010

It's fun going to some Vandyke Brown.

192

00:10:35,069 --> 00:10:36,300

It's a little bit of dark Sienna.

193

00:10:36,360 --> 00:10:37,319

Just mix them on the brush.

194

00:10:37,319 --> 00:10:40,589

I'm gonna throw in a touch

of SAP green to just tap.

195

00:10:40,709 --> 00:10:41,819

Okay, let's go back up here.

196

00:10:42,569 --> 00:10:42,719

Now.

197

00:10:42,719 --> 00:10:44,430

Maybe we're getting a little closer.

198

00:10:44,670 --> 00:10:46,829

We're beginning to see

more color, more detail.

199

00:10:47,520 --> 00:10:48,569

So what just happened?

200

00:10:48,689 --> 00:10:50,160

Some little background trees.

201

00:10:51,630 --> 00:10:53,070

Just a little background trees.

202

00:10:53,080 --> 00:10:57,570

They live right here wherever

you think they already live.

203

00:10:57,570 --> 00:11:00,030

That's that's exactly where they live.

204

00:11:01,740 --> 00:11:02,160

They're

205

00:11:05,820 --> 00:11:08,550

seeing you say, Oh my gosh, she's

made one heck of a mess down here.

206

00:11:09,270 --> 00:11:09,990

You may be right.

207

00:11:13,320 --> 00:11:16,890

But what I'm hoping for,

cause his canvases wet.

208

00:11:16,890 --> 00:11:17,580

You can do this.

209

00:11:17,580 --> 00:11:18,270

Watch right here.

210

00:11:18,750 --> 00:11:19,680

You can grab this.

211

00:11:20,385 --> 00:11:21,915

And turn it right into reflections.

212

00:11:21,975 --> 00:11:28,155

Just giving it a little gentle pull

downward there, and then lightly,

213

00:11:28,245 --> 00:11:31,545

lightly go across instant reflections.

214

00:11:32,385 --> 00:11:36,615

It's maybe the nicest thing that

happens with this painting technique.

215

00:11:37,814 --> 00:11:37,965

Okay.

216

00:11:37,975 --> 00:11:39,165

Let's put a few highlights on there.

217

00:11:39,165 --> 00:11:39,975

I'm going into some.

218

00:11:40,635 --> 00:11:45,195

Cadmium yellow, a little bit of

SAP green, some yellow ochre.

219

00:11:45,345 --> 00:11:47,295

And I'm just going to mix

these colors on the brush.

220

00:11:47,355 --> 00:11:48,285

Just brush, mix them.

221

00:11:50,205 --> 00:11:50,655

All right.

222

00:11:50,685 --> 00:11:51,615

Let's go back up here.

223

00:11:52,665 --> 00:11:56,715

Yeah, just with the top corner

of the brush, just happy in some

224

00:11:57,135 --> 00:12:00,075

indications of all kinds of happy

little things happening here.

225

00:12:00,615 --> 00:12:02,565

Little bushes, little trees, far away.

226

00:12:03,915 --> 00:12:05,415

Don't put in too much detail.

227

00:12:05,954 --> 00:12:06,855

It's too far away.

228

00:12:07,635 --> 00:12:10,574

When things get closer to you,

then you begin seeing all the

229

00:12:10,574 --> 00:12:12,015

beautiful little detail things.

230

00:12:12,615 --> 00:12:15,405

But back here, you don't

see all that detail.

231

00:12:16,485 --> 00:12:17,505

So don't overdo it.

232

00:12:18,735 --> 00:12:21,464

Sometimes that can be very disturbing

in a painting when there's too much

233

00:12:21,495 --> 00:12:25,935

detail in something that you want to look

too far away, it ruins that illusion.

234

00:12:28,215 --> 00:12:34,125

There we go see and layer

these things do one at a time.

235

00:12:34,125 --> 00:12:34,815

It worked forward.

236

00:12:34,815 --> 00:12:39,255

Forward forward helps create

the illusion of distance depth.

237

00:12:39,255 --> 00:12:39,975

Any bushes?

238

00:12:41,115 --> 00:12:46,215

No, those little tree urchins have to

have a place to live tree orchards.

239

00:12:46,215 --> 00:12:46,905

The squirrels.

240

00:12:48,405 --> 00:12:50,385

I got to have a little

place back here to hide.

241

00:12:51,825 --> 00:12:52,725

See that you don't care.

242

00:12:52,725 --> 00:12:56,325

If a little bit of this yellowish

color gets down into, into your water.

243

00:12:57,135 --> 00:13:00,465

Because all you do is take

yet, pull it down also.

244

00:13:00,555 --> 00:13:04,725

And it becomes part of the

reflections and really, really makes

245

00:13:04,725 --> 00:13:05,835

your painting up a little better.

246

00:13:08,055 --> 00:13:09,915

Learn to work with whatever happens.

247

00:13:10,545 --> 00:13:12,015

We don't make mistakes.

248

00:13:13,005 --> 00:13:18,855

We have happy accidents, happy accidents,

take a little Brown and white right here.

249

00:13:19,545 --> 00:13:21,765

Cut across it, that

little tiny roller paint.

250

00:13:22,995 --> 00:13:24,765

And let's just put the

little indication of.

251

00:13:25,570 --> 00:13:26,610

Land right in here.

252

00:13:27,060 --> 00:13:29,580

Just a little, I don't, I don't

want to budge just a little,

253

00:13:30,510 --> 00:13:32,820

far, far away, far away.

254

00:13:32,850 --> 00:13:35,280

Like, so there we go.

255

00:13:37,170 --> 00:13:41,460

Just barely touching the canvas and allow

the canvas to pull off what it wants

256

00:13:42,630 --> 00:13:44,550

to take a little bit of liquid white.

257

00:13:46,080 --> 00:13:49,320

And with that, we can just cut in

the indication of a happy little

258

00:13:49,320 --> 00:13:51,750

water line and this waterline.

259

00:13:52,500 --> 00:13:55,800

It tends to clean up the bottom of

your little bushes and trees back here.

260

00:13:56,819 --> 00:13:59,010

And it gives you a light

area in between the dark.

261

00:13:59,010 --> 00:14:03,150

So it separates and painting your

painting, playing light against

262

00:14:03,150 --> 00:14:05,219

dark, dark against like continually.

263

00:14:06,310 --> 00:14:07,560

That's what makes it work.

264

00:14:09,000 --> 00:14:09,599

All right.

265

00:14:10,199 --> 00:14:13,380

Now we can come on into the foreground

here and really start, play up.

266

00:14:13,380 --> 00:14:14,219

Must have some fun.

267

00:14:15,300 --> 00:14:16,680

Let's get crazy today.

268

00:14:16,949 --> 00:14:18,300

I want to take some to Brown.

269

00:14:19,229 --> 00:14:21,329

We'll throw in some precious blue.

270

00:14:21,704 --> 00:14:26,745

Some SAF green, some black,

anything that's darker.

271

00:14:26,895 --> 00:14:27,555

We don't care.

272

00:14:28,694 --> 00:14:29,055

Cool.

273

00:14:29,175 --> 00:14:31,485

Well, what a mess and

clean this knife off.

274

00:14:32,895 --> 00:14:33,795

That's certainly dark.

275

00:14:35,175 --> 00:14:37,845

And I'm going to take the two

inch brush and just go right

276

00:14:37,845 --> 00:14:39,074

into the paint and wiggle it.

277

00:14:39,074 --> 00:14:40,334

This is just an old, dirty brush.

278

00:14:40,334 --> 00:14:41,084

It was laying there.

279

00:14:42,285 --> 00:14:46,635

Wiggle, wiggle, wiggle, wiggle, wiggle it.

280

00:14:47,025 --> 00:14:49,574

And then sharpen it just like

you would have find a knife.

281

00:14:51,675 --> 00:14:52,125

See you there.

282

00:14:52,665 --> 00:14:54,495

Look how sharp that is there.

283

00:14:54,495 --> 00:14:55,005

You can see it.

284

00:14:55,214 --> 00:14:55,515

Ooh.

285

00:14:56,535 --> 00:14:58,814

That's just like her a razor.

286

00:14:58,844 --> 00:14:59,865

That's a chisel edge.

287

00:15:00,105 --> 00:15:00,224

Okay.

288

00:15:00,224 --> 00:15:03,855

Let's go up here now with this

super sharp chisel, let's have

289

00:15:03,855 --> 00:15:05,535

a happy evergreen that lives.

290

00:15:05,714 --> 00:15:06,464

Well, he sure does.

291

00:15:06,464 --> 00:15:10,485

Now right there now, sometimes

we avoid this all big brush,

292

00:15:10,905 --> 00:15:11,895

but look what he can do.

293

00:15:13,495 --> 00:15:15,855

It makes the most beautiful evergreens.

294

00:15:17,025 --> 00:15:20,834

Don't be afraid of this two inch brush,

jump in there and use it, play with it.

295

00:15:21,584 --> 00:15:24,194

It comes to a super,

super sharp chisel edge.

296

00:15:24,464 --> 00:15:25,545

And you can do this with it.

297

00:15:26,505 --> 00:15:30,795

It might, might make better

looking evergreens than

298

00:15:30,795 --> 00:15:32,115

some of the smaller brushes.

299

00:15:33,795 --> 00:15:37,515

They have a lot more character to

come down to about right there.

300

00:15:38,714 --> 00:15:38,954

Yeah.

301

00:15:40,735 --> 00:15:46,605

Can take them a knife, take little this

dark, Santa's little bite into it, pull

302

00:15:46,605 --> 00:15:48,135

it out, cut off a little bit of paint.

303

00:15:49,995 --> 00:15:53,775

This create a little tree trunk

and you don't see the entire

304

00:15:53,775 --> 00:15:57,165

trunk, but just here and there

where you think you might see it.

305

00:15:57,165 --> 00:15:58,695

A little, a little tree trunk.

306

00:16:00,855 --> 00:16:01,155

Okay.

307

00:16:01,275 --> 00:16:02,835

I'll use this same old, dirty, big brush.

308

00:16:02,835 --> 00:16:05,175

I go right into some of the CAD yellow.

309

00:16:05,445 --> 00:16:07,245

Now, since we had a

little blue in that color.

310

00:16:07,890 --> 00:16:12,329

Automatically, this is going to

turn green, beautiful green color.

311

00:16:12,930 --> 00:16:14,370

Bring it back to a chisel edge.

312

00:16:14,699 --> 00:16:20,730

Kangas, go back up here now then let's

take and just put the indication of

313

00:16:21,030 --> 00:16:22,680

some highlights in this big old tree.

314

00:16:22,800 --> 00:16:27,000

Some nice bright spots that easy.

315

00:16:27,329 --> 00:16:29,400

You have a fantastic little evergreen.

316

00:16:31,099 --> 00:16:31,670

Okay.

317

00:16:33,620 --> 00:16:34,610

The old brush down here.

318

00:16:35,694 --> 00:16:37,005

Going back to the round brush.

319

00:16:37,515 --> 00:16:38,865

We go into our Browns.

320

00:16:41,444 --> 00:16:43,094

This is a dark Sienna and the van Dyke.

321

00:16:43,485 --> 00:16:47,415

And let's have some fun

right in here in here.

322

00:16:48,074 --> 00:16:49,425

We're are, Oh, look at here.

323

00:16:50,055 --> 00:16:50,865

Here comes a tree.

324

00:16:52,130 --> 00:16:54,590

Okay, big, strong tree.

325

00:16:54,620 --> 00:16:57,800

He lives right there and all

we're doing right now is putting

326

00:16:57,800 --> 00:16:59,270

in the basic shape of that tree.

327

00:17:00,800 --> 00:17:02,030

Just the basic shape

328

00:17:07,220 --> 00:17:07,760

and that fun.

329

00:17:08,390 --> 00:17:08,810

I like it.

330

00:17:08,810 --> 00:17:11,300

So round brush, you can just

tap it, all kinds of things.

331

00:17:13,310 --> 00:17:14,810

We'll take a liner brush.

332

00:17:14,849 --> 00:17:20,270

I'm going to go into that little

paint thinner right into some Brown.

333

00:17:21,240 --> 00:17:24,300

The thinner, well, then your paint

down to this, like water, turn

334

00:17:24,300 --> 00:17:25,500

it, brush, bring it to a point.

335

00:17:26,159 --> 00:17:30,000

We'll go right in here and

just put the indication of a,

336

00:17:30,510 --> 00:17:31,709

of a happy little tree trunk.

337

00:17:33,780 --> 00:17:37,199

You could also do this with a knife if you

want it to, however you want to put it in.

338

00:17:38,820 --> 00:17:39,449

However,

339

00:17:43,125 --> 00:17:46,725

I'll tell you, I'll tell you what, let's

tap a little more of this Brown in here.

340

00:17:47,205 --> 00:17:51,525

I bet over here on this side would

be a good place to have another

341

00:17:51,525 --> 00:17:52,754

little tree, probably get ignored.

342

00:17:52,965 --> 00:17:54,285

Let's just put one right in here.

343

00:17:58,815 --> 00:17:59,145

Easy.

344

00:17:59,145 --> 00:18:01,845

That is you can just put it

all kinds of little things.

345

00:18:04,635 --> 00:18:08,355

Now I see a reflection

right here, right here.

346

00:18:08,385 --> 00:18:10,455

Watch see, just pull it down.

347

00:18:11,175 --> 00:18:13,125

Once again, because the

liquid whites ended there.

348

00:18:13,785 --> 00:18:20,505

This is so easy, instant,

reflections, and instant reflections.

349

00:18:20,955 --> 00:18:22,515

Now we can put some highlights.

350

00:18:23,205 --> 00:18:25,125

I'll just use this same

little dirty round brush.

351

00:18:25,305 --> 00:18:32,385

I would take some yellows, a little green

Andean, yellow, yellow ochre, just touch.

352

00:18:33,015 --> 00:18:34,815

Okay, let's go up here now.

353

00:18:35,775 --> 00:18:37,305

Just using the top corner of the brush.

354

00:18:38,025 --> 00:18:44,745

All you have to do is just gently,

gently tap, just tap, see, and put

355

00:18:44,745 --> 00:18:45,945

all of those little highlights.

356

00:18:46,605 --> 00:18:51,435

It makes the indication that thousands

of little leaves, while I used to take my

357

00:18:51,435 --> 00:18:57,735

one here at brushing spend days, trying

to get that effect absolutely days.

358

00:19:03,899 --> 00:19:05,250

There we go, just begin.

359

00:19:05,639 --> 00:19:06,090

Just begin.

360

00:19:06,120 --> 00:19:10,679

Picking out little, little

shrubs and bushes, little places

361

00:19:10,679 --> 00:19:11,820

that the rabbits would hide.

362

00:19:14,100 --> 00:19:14,760

There we go.

363

00:19:14,970 --> 00:19:19,500

Birds have got to have a place

to go and feel comfortable.

364

00:19:20,909 --> 00:19:21,840

I'm a bird fanatic.

365

00:19:21,840 --> 00:19:22,860

I like birds.

366

00:19:25,889 --> 00:19:29,010

I spend all my money on bird seed

and feed all of them in the country.

367

00:19:30,300 --> 00:19:30,990

That's okay.

368

00:19:32,429 --> 00:19:33,179

That's okay.

369

00:19:35,280 --> 00:19:38,479

When the birds take over,

I'll have a friend there.

370

00:19:43,469 --> 00:19:44,219

There we go.

371

00:19:44,939 --> 00:19:45,840

Tap that right here.

372

00:19:46,350 --> 00:19:47,790

See, just layer after layer.

373

00:19:47,820 --> 00:19:48,570

However many you want.

374

00:19:53,475 --> 00:19:54,045

Okay.

375

00:19:54,555 --> 00:19:55,935

I'm going to have some fun right in there.

376

00:19:57,765 --> 00:19:59,325

Maybe there's a happy little cabin there.

377

00:19:59,895 --> 00:20:02,085

I like doing these little

cabins and they're so simple.

378

00:20:04,005 --> 00:20:05,235

Cut off a little bit of Brown.

379

00:20:05,325 --> 00:20:08,115

See, pull it out flat and get

that little roll of paint.

380

00:20:08,265 --> 00:20:09,045

Can you go up here?

381

00:20:10,065 --> 00:20:13,065

Maybe this little cabin lives right

here in the woods, but that'd be

382

00:20:13,065 --> 00:20:16,335

a super place to have a little,

a little house to come and hide.

383

00:20:18,870 --> 00:20:21,240

Okay, let's give him a Ruth soon.

384

00:20:25,310 --> 00:20:29,330

Need a little friend on

the cabin, both sides.

385

00:20:30,230 --> 00:20:30,650

Stay there.

386

00:20:31,400 --> 00:20:37,520

Just, just a quick little happy

cabin and a little bit over in here.

387

00:20:39,510 --> 00:20:42,080

Just Vandyke Brown, dark

Santa, just mixed together.

388

00:20:45,350 --> 00:20:47,520

Then we can take touch a Brown and white.

389

00:20:47,909 --> 00:20:49,500

Maybe you can throw a

little highlight on there

390

00:20:53,850 --> 00:20:59,429

on this side, just a touch, just a touch,

391

00:21:02,899 --> 00:21:07,610

rough looking old cabin Hunter

built this one a long time ago.

392

00:21:08,570 --> 00:21:09,260

He was out here.

393

00:21:09,740 --> 00:21:12,260

Maybe there was maybe there was a

Beaver lived out here and he came

394

00:21:12,260 --> 00:21:15,230

out here trapped, trapped to animals.

395

00:21:16,695 --> 00:21:20,475

Maybe one day he had a couple of drinks,

too many fell off in the Lake here.

396

00:21:22,995 --> 00:21:26,715

And the old cabins just

sort of went back to nature.

397

00:21:28,085 --> 00:21:29,625

We'll take a little,

that same Brown color.

398

00:21:30,014 --> 00:21:31,845

Let's put some little happy

things up here on the roof.

399

00:21:31,845 --> 00:21:33,465

Just touch and decide it.

400

00:21:33,465 --> 00:21:34,725

Sorta bounce down this blueprint.

401

00:21:37,955 --> 00:21:43,475

Yeah, we'll take that at least a

little bit of white and maybe just,

402

00:21:43,534 --> 00:21:45,095

just sort of highlight this edge.

403

00:21:45,600 --> 00:21:47,070

So it just stands out a little bit.

404

00:21:48,880 --> 00:21:50,580

So it stands out a tiny bit.

405

00:21:53,550 --> 00:21:54,840

Kevin's seen its better day.

406

00:21:56,250 --> 00:21:56,580

Now.

407

00:21:56,880 --> 00:22:03,650

Now you can cut it off so you can do

a cabin, ectomy, zip off, whatever you

408

00:22:03,650 --> 00:22:05,750

don't want, work out your perspective.

409

00:22:06,890 --> 00:22:10,130

Then we'd go back to around brush

and just have some bushes and some

410

00:22:10,130 --> 00:22:11,900

weeds that are growing all up around.

411

00:22:12,950 --> 00:22:14,420

He didn't cut his grass for good either.

412

00:22:17,415 --> 00:22:18,285

Some more Brown.

413

00:22:18,675 --> 00:22:20,355

Maybe there's some happy stones.

414

00:22:20,355 --> 00:22:21,555

It just live right in here.

415

00:22:21,805 --> 00:22:26,865

Little path, just all

kinds of little stones,

416

00:22:30,285 --> 00:22:31,215

little Brown and white.

417

00:22:31,335 --> 00:22:34,185

And for some highlight,

don't cover all your dark.

418

00:22:34,545 --> 00:22:36,225

Just sorta hit it here and there.

419

00:22:38,895 --> 00:22:40,545

We'll take a fan brush.

420

00:22:41,685 --> 00:22:43,755

Little yellows with green on it.

421

00:22:44,025 --> 00:22:45,165

Just mixed up real good.

422

00:22:45,285 --> 00:22:45,915

A lot of paint.

423

00:22:46,065 --> 00:22:46,335

Okay.

424

00:22:47,505 --> 00:22:48,465

And come back in here.

425

00:22:49,875 --> 00:22:51,675

We'll put in some little

happy grassy things.

426

00:22:51,675 --> 00:22:51,915

All right.

427

00:22:51,975 --> 00:22:52,565

Ran in here.

428

00:22:53,945 --> 00:22:54,335

Look at that.

429

00:22:55,715 --> 00:22:56,015

Okay.

430

00:22:56,225 --> 00:22:56,735

Oh, thanks.

431

00:22:57,425 --> 00:22:58,595

Probably got that old brush going.

432

00:22:58,595 --> 00:22:59,945

Maybe there's some over here too.

433

00:23:01,115 --> 00:23:04,235

So we can sort of flatten this area

out just by putting some of those

434

00:23:04,245 --> 00:23:07,565

breasts Brandon there, right in there.

435

00:23:09,254 --> 00:23:11,925

And we'll put a stone

or two there as well.

436

00:23:13,175 --> 00:23:13,865

The hair is fine.

437

00:23:15,635 --> 00:23:17,254

Just touch it with a

little highlight color.

438

00:23:20,105 --> 00:23:21,554

I kind of have a little

grassy areas there.

439

00:23:21,554 --> 00:23:23,824

I'm adding a little touch of the

bright red, and they're just as far

440

00:23:27,125 --> 00:23:27,514

there.

441

00:23:27,875 --> 00:23:31,084

So you have those tones just stand

up in the grass and that easy.

442

00:23:32,814 --> 00:23:35,165

We really try to make

painting fun for you.

443

00:23:35,760 --> 00:23:37,020

Fun and easy.

444

00:23:37,590 --> 00:23:38,850

And I think it's working.

445

00:23:38,850 --> 00:23:43,470

We get thousands of letters from people

all over the country are telling us

446

00:23:43,470 --> 00:23:46,770

they're having unbelievable success here.

447

00:23:46,770 --> 00:23:51,360

I'm using a little bit of liquid white

put in a happy little water knife.

448

00:23:52,990 --> 00:23:55,590

And with the point of the knife,

scraping the funeral sticks and

449

00:23:55,590 --> 00:23:56,460

twigs, wherever you want them.

450

00:23:58,850 --> 00:24:02,210

And as usual Bob's going

to put in a big tree.

451

00:24:02,910 --> 00:24:06,750

I like big trees, as you know,

let's take the old fan brush loaded

452

00:24:06,750 --> 00:24:13,530

full of Brown, little, midnight

black, and in the big tree, it's

453

00:24:13,530 --> 00:24:15,600

right there for that is a big tree.

454

00:24:15,600 --> 00:24:18,630

When you have the canvas

vertical that's up and down

455

00:24:20,670 --> 00:24:22,890

that big tree, black and Brown.

456

00:24:22,890 --> 00:24:24,180

Just to give it a nice dark

457

00:24:29,220 --> 00:24:30,900

maybe, maybe there's a little tree here.

458

00:24:32,415 --> 00:24:35,445

See, you can just make as many

trees in your world as you want.

459

00:24:37,185 --> 00:24:37,815

There we go.

460

00:24:39,665 --> 00:24:41,135

Yeah, we can take the knife.

461

00:24:41,285 --> 00:24:47,495

We'll use a little red, dark Sienna,

white don't overmix about like, so

462

00:24:48,695 --> 00:24:53,705

unless just to put the indication of

some light shining right through here,

463

00:24:56,014 --> 00:24:58,385

just some happy little things, Parkland.

464

00:25:00,040 --> 00:25:02,820

Leave you leave you paint

just partially mixed.

465

00:25:03,990 --> 00:25:05,100

Don't want to overmix it.

466

00:25:07,510 --> 00:25:08,520

Wherever you want it to go.

467

00:25:08,820 --> 00:25:12,810

You put a little blue and white on the

other side to make it look like a little

468

00:25:12,810 --> 00:25:16,140

reflected light, a little touch of

white right here where the lights really

469

00:25:16,140 --> 00:25:22,080

striking look at there is that little

light color against a dark background.

470

00:25:22,620 --> 00:25:24,210

Really makes those trees pop out.

471

00:25:24,250 --> 00:25:27,120

You can see them, you can really see them.

472

00:25:28,410 --> 00:25:33,660

Okay, we'll take a touch of the liquid

black on the liner brush and just put the

473

00:25:33,660 --> 00:25:36,630

indication of tree lamb here and there.

474

00:25:37,080 --> 00:25:37,950

Just here and there.

475

00:25:39,980 --> 00:25:45,110

Just, just here, wherever you think

there should be a lamb that when

476

00:25:45,120 --> 00:25:50,480

see it went behind that tree liquid

black works very nice for putting

477

00:25:50,480 --> 00:25:51,920

out a lot of tree lamps real quick.

478

00:25:53,760 --> 00:25:56,010

There it goes one right over the mountain.

479

00:25:56,690 --> 00:25:56,900

Mm.

480

00:25:56,960 --> 00:26:00,740

That one hurt after you worked so

long and hard on your mountain and

481

00:26:01,040 --> 00:26:02,510

start throwing tree limbs all over.

482

00:26:05,660 --> 00:26:06,770

Say, there we go.

483

00:26:08,480 --> 00:26:09,170

There we go.

484

00:26:09,530 --> 00:26:13,820

Jason indications here and there,

wherever you think they should be,

485

00:26:14,300 --> 00:26:15,470

then that's where they should be.

486

00:26:17,210 --> 00:26:17,780

And that.

487

00:26:18,870 --> 00:26:23,520

Let's take, we'll take

the old two inch brushes.

488

00:26:23,520 --> 00:26:25,020

It's the same old, dirty brush ahead.

489

00:26:25,020 --> 00:26:28,920

It's got some green on it and let's

go right up in here and just put the

490

00:26:28,920 --> 00:26:33,420

indication of just all kinds of beautiful

little leaves that are living on these

491

00:26:33,420 --> 00:26:37,410

trees, just by touching, just touch.

492

00:26:38,610 --> 00:26:41,010

See, and you can put as

many or as few as you want.

493

00:26:43,290 --> 00:26:45,150

It's about time for me to leave you today.

494

00:26:46,395 --> 00:26:49,425

I really hope you've enjoyed this

painting and it's given me a lot of ideas.

495

00:26:51,495 --> 00:26:52,395

I think you'll like it.

496

00:26:53,985 --> 00:27:00,074

So I think we'll call this one finished

and would that from all of us here,

497

00:27:00,165 --> 00:27:01,784

I'd like to wish you happy painting.

498

00:27:02,115 --> 00:27:02,685

God bless.

499

00:27:02,715 --> 00:27:03,435

See you next time.

End .srt file.

Bob Ross' The Joy of Painting

Saturday, December 26, 2020

S08E08 - Foot of the Mountain

Bob Ross's

The Joy of Painting

No comments:

Post a Comment

FREE DOWNLOAD Bob Ross' The Joy of Painting Subtitles .srt Files FREE DOWNLOAD!

Report Abuse