Bob Ross's

The Joy of Painting

S05E02 - Twilight Meadow

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Hi, welcome back.

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Glad to see you today.

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Today, I thought we'd do a black canvas

and we'll turn it into a painting that put

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it look like it's done on a white canvas.

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So I'll have them graphically run

all the colors across the screen

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that you need to do this painting.

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And they'll come across in the same

order that I have Mona pellets, starting

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with a white working around, and

let's go right up to the canvas here.

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This is a black canvas it's

been painted with a flat black

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acrylic and allowed to dry.

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And then.

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I've covered the entire canvas with

a thin even coat of theolo blue.

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Now you could use Prussian blue for this,

but, um, I'm in a bright mood today.

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So I thought I'd, I'd put the

little blue on there and we'll just

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make it sparkling and really play.

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Start with a little bit of titanium white.

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We'll just work little into the bristles

and let's go right up here in the sky

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and just start playing and you can see.

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Alrighty, that fight

picks up the blue color.

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That's on the canvas and

beautiful, beautiful colors.

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That just happen automatically.

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Just let them happen.

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I love these black canvases.

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There we go.

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And you can make a sky as bright

as you want it or leave it dark.

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If you want it brighter, just to add a

little more white and just work with him.

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It'll get brighter and

brighter and brighter.

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And that's a super fast way

to make a very effective sky.

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Just applying a little

fight on the canvas.

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Okay.

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Let me clean the brush a little

odorless paint thinner on it.

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There go.

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That is a fun part.

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And maybe, maybe, maybe you want

to put a little cloud in the sky.

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It's very simple and little

titanium white on the fan brush.

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Just work it into the bristles.

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Can let's go up here and

very easily, very easily.

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Just take the corner of the brush

and you drop in a happy little cloud.

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Just want to show you how to make one.

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And in your world, you put

as many clouds as you want.

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Can you be able to take the large brush?

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And we want to blend the bottom

out and not touch the top.

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Very lightly little tiny

circles, tiny little circles.

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Don't touch the top yet.

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Okay.

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And we'll lift that up

and very lightly blended.

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Very gentle.

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Hey, that's a super, super

nice, easy little weight to

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make beautiful little cloud.

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Maybe we'll have another one right here.

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Once again, in your painting, you

put as many clouds as you want.

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Just want to show you how to do and how

many clouds you have in is up to you.

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There.

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We'll fluff it up a little bit and

then just very gently, very gently.

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Okay.

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Now then that's, Bilson that's

bill some happy little background

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trees back here and I'll use this.

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A large brush still has a little

bit of blue on it and I'll go right

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into some CAD yellow and SAP green.

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Candy yellow and green.

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We'll just make a beautiful green color.

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Just flowed a little

bit into the bristles.

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I'm just pulling it

through the paint there.

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Let's go to the canvas here and

let's put a, let's put a few

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little happy tree indications.

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Just lay way back here.

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Now all we need is the light color.

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Cause we already have all this dark on

the canvas so we can get away with it.

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Now I'm going to begin

adding little colors.

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To the brush like yellow

ochre, little Indian, yellow,

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without cleaning the breasts.

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Just sort of play these

colors back and forth.

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Put a little bird number in there too.

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That'll that will tone it down.

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Some.

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You can make these colors

as dollars bright as your

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happy little indication.

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We're just looking for a lot of detail,

yet little indications back in here.

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And as many of them as you want and

the layer, that's what makes them

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look deep, gives the painting depth,

Micheal layers, and layers and layers.

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Let's add a little bit more

of the Brown color of a Bernie

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number, and maybe right there,

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let some of this guy show through.

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Just let it, show it through.

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Let it shine

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brighter.

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It gives it a little more contrast, a

little darker one in front, and you just

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played back and forth with your colors.

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Light against dark, dark against

the light can just go the other

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side over here for a minute and

dropping a couple of quick little.

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Trees and bushes just let

them fall off your brush.

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And there's many, many, many,

many, when used to use this brush.

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This is just one.

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And I try to show you numerous

ways to use the same equipment.

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And then you pick out the

way you like or use them all.

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We just want to give the ideas here.

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the lizard Crimson color, right.

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One right there.

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Okay.

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And that quick, it gives us a

nice little background indication.

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Then you mix all these colors on

the brush and then all kinds of

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beautiful things happen automatically.

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I'm going to use a little, a little

bit of paint thinner and go right into.

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Some burn number and some Vandyke Brown.

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And I thin the paint down and let's

go up here and let's put a few little

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trunk indications here and there,

just here and there, there we go.

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And remember our golden rule, but

then paying a stick to thick paint.

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So if your paint doesn't want

to stick too well, then it a

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little bit, and then it'll stick.

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We always start with a very firm paint

and we can add vendor paints on top.

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Without becoming a mud mixer, easy to

become a mud mixer, and we've all done it.

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Gosh, I haven't done it

probably more than anybody.

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There we go.

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Okay.

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Just however many of these you

want, just let them drop right

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off your little grip liner brush

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there in the script.

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Liner brush has very long

bristles at holds up.

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A lot of paint you take,

well, I've got that going.

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Tell you what let's do.

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Maybe there's the one that's

and the photograph right here.

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Maybe just let him come

right down like that.

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This one's a little

closer, a little bigger.

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A little more detail, add a little

tiny bit of white onto her brush.

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I can just put the indication

of a little highlight here.

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I don't want much too far

away to have a lot of detail.

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Just want a little

detail, not a great deal.

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There we'll put some leaves

on that little tree later.

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Okay.

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Now I'm going back to the two and a

half inch brush and just play it through

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some of the different colors, CAD

yellow, Indian, yellow, yellow ochre.

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And then I'm just going to begin tapping,

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tapping, and we'll put some

nice soft malarias back in here.

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Very quiet, very quiet, very soft, gentle.

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nice place for the little birds to

live bunny rabbits and squirrels

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And this is one of the easiest ways there

is to make very soft little grassy areas.

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and you can just do a map layer after

layer after layer and let them go.

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Maybe let's take a fan brush

here and a little bit of a burn

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number, just a small amount.

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And I'm going to go right up in here.

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And maybe this little ground area show

it just sort of scrubbed this little

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yellow ochre, right on the same old brush.

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Just very lightly

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go.

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That's tearing here.

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Maybe this.

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Maybe it's an old dry Creek bed.

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Maybe when it rains, the water

comes down through there,

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or maybe it's a little path.

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It's where the deer comes.

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There we go.

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Just makes a painting a

little more interesting

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now.

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Let's go back to our liner,

brush a little paint thinner.

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So van Dyke Brown burn number, and then

maybe, maybe, maybe there's a tree.

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It lives right there.

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Right there.

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We'll put him in a basic trunk shape.

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And you could do this with

a knife fan brush today.

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I'm just using the liner brush

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drop in a few more little branches,

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touch a little white.

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So there's a highlight

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there just blended right into the dark.

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Okay.

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Let's go back to our big brush

now and let's put some, let's

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put some leaves on this tree.

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I'm gonna start out here.

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It looks like a red, yellow, and

SAP green and some burn number.

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Yellow green burn number

all mixed together.

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Let's go up to the canvas and just

drop in some basic little ideas where

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we'll have some leaves and all I'm

doing is it's just barely touching the

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canvas, just using the tip of the brush.

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Fair.

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Any touching,

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just let all these little things.

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All that deep brush.

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There we go.

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Maybe there's some that live right here.

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Now I want to highlight those.

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So they stand out a little more.

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So I go into some CAD yellow,

right on the tips of my brush.

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And then we can just, just touch it here

and there just enough to highlight it.

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There we go there.

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She just apparently barely touched

the canvas just a little bit,

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these float right off of it.

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And wherever you think they should be.

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And then a super way to make a

very effective little tree in is,

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does good things for you in here?

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Okay.

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Well, we got disperse going

to school to hear him.

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We'll do the same thing.

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Another tree I'm going to use

Vandyke Brown, SAP, green, and

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a little bit of CAD yellow.

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Let's just drop in some little.

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Leaf indications, same way, same way.

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If it's working, let's keep it going

and practice these little things.

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You'll find the more you practice,

anything, the easier it gets.

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If there's a secret it's practice,

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the yellow,

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just drop it right here.

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Just a few little

highlights here and there.

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They're not quick, very effective little

tree decide where his foot says down here.

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Just cut him off

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and he can bring us right on down.

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Same colors, SAP green.

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Candy yellow, Indian, yellow, yellow

ochre, and mix them on the brush.

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So you get a multitude

of things happening.

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This is just a dry, clean brush.

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You want to make it darker.

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All you have to do is just tap

on it and it'll also soften it.

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Make it much quieter, just

bring it all together.

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You need that dark area.

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So the light shows you

need the dark, the dark.

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A lot of times when, when you're painting.

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It begins to work so nice that

you get carried away and you

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cover up all your dark areas.

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And then all of a sudden, I

think nothing was show it.

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Didn't stand out.

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You'd need dark against light.

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Hmm.

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Can I tell you what let's do?

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Maybe, maybe there's a

happy little pond down here.

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I like water.

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I go right into some titanium white

or the two and a half inch brush.

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Figure out where you

want your water to be.

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And I want it to be right there

and maybe it runs back in there.

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We don't know where exactly.

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As picking up all that beautiful,

beautiful fellow blue that's underneath

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the green that's in the grass.

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All these colors are just coming together.

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Don't fight them.

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Don't fight them.

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Let these things happen.

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Some of your most beautiful

effects is truth or accidents.

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But don't fight him.

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Lamb happened.

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Look at that beautiful colors.

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Yeah.

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To give it the appearance

of water, very lightly.

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Just go across these strokes need to

be straight, no matter where your water

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goes, they still need to be straight.

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It's almost a tendency

to follow you waterline.

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And if you do that, those

strokes would go at an angle.

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And he'll bother you.

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He'll yell at me.

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Okay.

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Tell you what, just take

the old knife mix up.

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I want to mix up some Vandyke

Brown and some burn numbers.

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I'm going to put a little

bit of permanent red into it.

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So we got Vandyke Brown

spur numbers, permit red.

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There we go.

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00:15:39,390 --> 00:15:39,569

Okay.

254

00:15:39,569 --> 00:15:41,819

Now let me grab the old fan brush.

255

00:15:44,819 --> 00:15:48,959

And I take the fan brush and

load a lot of pain into it.

256

00:15:49,410 --> 00:15:52,079

And let's put some, let's put some

dirt under our grassy areas here.

257

00:15:52,079 --> 00:15:55,740

And all we're going to do is just

scrubbing some dirt, just like,

258

00:15:55,740 --> 00:16:01,439

so this is where you have to start

making all those big decisions.

259

00:16:02,775 --> 00:16:05,715

Right as land water meet, come together.

260

00:16:11,165 --> 00:16:13,115

that come out right through there.

261

00:16:16,295 --> 00:16:20,735

This is a very effective and simple

way to make some nice, nice land areas.

262

00:16:22,500 --> 00:16:23,400

Damn, we'll go with that.

263

00:16:23,400 --> 00:16:25,829

Clean the brush and we'll go right

into some yellow ochre and some

264

00:16:25,829 --> 00:16:28,650

titanium white right on the brush.

265

00:16:29,640 --> 00:16:31,319

And then just barely, barely touch.

266

00:16:33,280 --> 00:16:34,560

Just let it bounce and play.

267

00:16:34,829 --> 00:16:36,420

Just add a little

permanent red to that too.

268

00:16:37,439 --> 00:16:38,609

And mixes on the brush.

269

00:16:39,239 --> 00:16:40,109

Don't over mix them.

270

00:16:41,670 --> 00:16:44,750

You want all the different

colors, just sorta to happen.

271

00:16:47,260 --> 00:16:48,220

Just let them happen.

272

00:16:49,990 --> 00:16:50,830

Adam have fun.

273

00:16:53,130 --> 00:16:53,310

Okay.

274

00:16:55,020 --> 00:16:55,920

Right back in there.

275

00:17:00,210 --> 00:17:00,780

There we go.

276

00:17:02,880 --> 00:17:04,650

Wherever you want these just 11 minutes.

277

00:17:12,470 --> 00:17:16,460

it's a super nice, easy way to

make very effective land areas and

278

00:17:16,460 --> 00:17:19,579

lookalikes little stones and works easy.

279

00:17:22,940 --> 00:17:27,619

Now we can bring some of these nice

little grassy areas right down in here.

280

00:17:28,129 --> 00:17:29,120

Bring all this together.

281

00:17:30,650 --> 00:17:31,100

There we go.

282

00:17:34,605 --> 00:17:38,175

Put a tiny little bit of paint that

are on my brush paints a little

283

00:17:38,175 --> 00:17:39,945

bit thinner and it'll stick easier.

284

00:17:42,755 --> 00:17:43,235

There we go.

285

00:17:44,075 --> 00:17:49,475

Let's go over here on the other side,

airway, just let these come right down.

286

00:18:06,215 --> 00:18:06,815

okay.

287

00:18:08,035 --> 00:18:08,545

Okay.

288

00:18:09,455 --> 00:18:13,625

Then we'll take some magic

white and a little bit of Brown

289

00:18:17,045 --> 00:18:17,975

and black.

290

00:18:17,975 --> 00:18:18,455

So.

291

00:18:20,095 --> 00:18:22,195

Take a little bit of paint

just to cut across it.

292

00:18:22,975 --> 00:18:23,965

Let's go right up in here.

293

00:18:26,225 --> 00:18:28,045

Just drop us in a happy little waterline.

294

00:18:28,375 --> 00:18:31,615

It's a good way to clean up the

edges and bring everything together.

295

00:18:36,885 --> 00:18:37,305

Okay.

296

00:18:45,765 --> 00:18:47,595

I really hope you paint

along with me each week.

297

00:18:47,930 --> 00:18:53,760

We get so many cards and letters and

people are painting them off and it works.

298

00:18:54,420 --> 00:18:56,130

It really, and truly works.

299

00:19:06,860 --> 00:19:08,350

Another nice thing about painting.

300

00:19:08,940 --> 00:19:13,780

It doesn't matter if you're eight

or 80, it works just as well for

301

00:19:13,780 --> 00:19:20,320

young people as a desperate that's

the older people works just as well.

302

00:19:22,530 --> 00:19:23,160

There we go.

303

00:19:29,530 --> 00:19:30,340

tell you what let's do.

304

00:19:30,370 --> 00:19:31,090

Let's have some fun.

305

00:19:32,550 --> 00:19:33,280

Let's have some fun.

306

00:19:33,310 --> 00:19:34,270

Let's build some trees.

307

00:19:36,880 --> 00:19:42,310

Let's make a, let's

make a tree right here.

308

00:19:42,310 --> 00:19:46,510

I'll still use a liner brush, show

you how to make a bigger tree.

309

00:19:46,510 --> 00:19:47,860

This use the old liner brush.

310

00:19:47,890 --> 00:19:49,750

It holds a lot of paint,

so you can do this.

311

00:19:50,290 --> 00:19:52,930

And then the paint with paint thinner.

312

00:19:54,820 --> 00:19:58,659

So I can come right down here and just let

this tree keep growing, getting bigger.

313

00:19:59,680 --> 00:20:01,180

I don't make all your trees straight.

314

00:20:01,210 --> 00:20:06,129

Let them banned trees grow,

growing all kinds of ways.

315

00:20:07,360 --> 00:20:09,580

They're not just all

perfectly straight over limbs.

316

00:20:09,580 --> 00:20:10,419

Not straight over.

317

00:20:11,320 --> 00:20:12,370

Branches not straight.

318

00:20:15,330 --> 00:20:18,870

Be nice if it did grow that way

to manta lumber company and be

319

00:20:18,880 --> 00:20:22,410

a lot happier, but don't know

320

00:20:26,550 --> 00:20:26,850

here.

321

00:20:28,500 --> 00:20:30,300

And I take a little bit of a light color.

322

00:20:31,335 --> 00:20:32,025

Light Brown.

323

00:20:32,835 --> 00:20:35,715

Just dropping some indications

of some highlight here and there.

324

00:20:41,735 --> 00:20:41,975

Okay.

325

00:20:42,245 --> 00:20:42,455

Yeah.

326

00:20:43,085 --> 00:20:47,615

Let's drop some happy little leaves

on a fair, get a little bit of this

327

00:20:47,615 --> 00:20:52,955

same old dark color, hand sample

green Vandyke Brown, CAD yellow.

328

00:20:54,245 --> 00:20:55,325

And they can drop in some.

329

00:20:57,895 --> 00:21:05,805

Basic little leaf shapes, just very

quick, quickly, a lot of fun to make.

330

00:21:07,755 --> 00:21:08,325

I'm loose.

331

00:21:08,835 --> 00:21:12,135

Just relaxed when you do this, if

you're real stiff and then your

332

00:21:12,135 --> 00:21:15,705

leaves on your tree, or look that way,

just, just be very loose and relaxed.

333

00:21:17,745 --> 00:21:19,895

A little bit of yellow,

a little highlight.

334

00:21:22,945 --> 00:21:24,385

I let him sing in the sunshine.

335

00:21:31,875 --> 00:21:32,055

see.

336

00:21:32,055 --> 00:21:34,065

Now, when you look at this painting,

when it's finished, you wouldn't

337

00:21:34,065 --> 00:21:35,445

believe it was on a black canvas

338

00:21:38,925 --> 00:21:40,395

to wash off the old fan brush.

339

00:21:46,850 --> 00:21:48,770

Put some grass on his little flip Caesar,

340

00:21:51,770 --> 00:21:52,550

tell you what let's do.

341

00:21:52,850 --> 00:21:54,110

Let's go right into this.

342

00:21:56,120 --> 00:22:00,200

I'm gonna take some thalo green and

we'll just mix this on the breast and

343

00:22:00,230 --> 00:22:02,629

Taylor green and the lizard Crimson.

344

00:22:04,010 --> 00:22:06,620

I'll make a super, super nice black color.

345

00:22:09,274 --> 00:22:09,635

Okay.

346

00:22:09,995 --> 00:22:17,555

Lizard and Crimson and they low green

and right, right here, right there.

347

00:22:17,705 --> 00:22:18,725

Oh, look it there.

348

00:22:21,065 --> 00:22:21,965

I know what you saying.

349

00:22:22,385 --> 00:22:23,735

And Bob's messed up this time.

350

00:22:24,965 --> 00:22:25,325

Maybe.

351

00:22:26,774 --> 00:22:28,155

But I want a big tree right here.

352

00:22:28,215 --> 00:22:30,225

She had to make a beautiful big tree.

353

00:22:31,695 --> 00:22:35,975

Let's give him a big foot,

maybe out through here.

354

00:22:36,125 --> 00:22:37,385

Let me just let it come right on down.

355

00:22:39,034 --> 00:22:39,844

Very dark.

356

00:22:40,534 --> 00:22:46,024

This is black and this whole big

tree will help push everything back

357

00:22:46,024 --> 00:22:47,735

and makes your perspective better.

358

00:22:51,485 --> 00:22:52,055

All right.

359

00:22:52,295 --> 00:22:53,825

Well, we'll do we make a tree?

360

00:22:53,825 --> 00:22:54,965

We make a tree.

361

00:22:55,805 --> 00:22:57,275

We make a tree.

362

00:22:57,605 --> 00:23:01,025

Let's give him, let's give

him an art right there.

363

00:23:03,695 --> 00:23:06,095

Big healthy are strong tree.

364

00:23:10,165 --> 00:23:15,675

There now we need some highlights

on the tree and we can use

365

00:23:15,675 --> 00:23:16,905

the knife or the fan brush.

366

00:23:17,115 --> 00:23:18,045

Let's use the knife today.

367

00:23:18,675 --> 00:23:23,385

I'm gonna take a yellow ochre,

just straight or yellow ochre.

368

00:23:23,535 --> 00:23:28,755

Put a little bit for a number into

it, pull it out flat, get a little bit

369

00:23:28,755 --> 00:23:30,225

right out here on the edge of the knife.

370

00:23:30,555 --> 00:23:30,855

Okay.

371

00:23:31,665 --> 00:23:33,045

And let's just go right up in here.

372

00:23:33,585 --> 00:23:35,205

All I'm going to do is just touch.

373

00:23:37,400 --> 00:23:40,250

Because you have that little

bit of pain on the blade on this

374

00:23:40,250 --> 00:23:42,440

bar dries, it'll have texture.

375

00:23:43,430 --> 00:23:44,840

It'll produce real shadows.

376

00:23:46,670 --> 00:23:48,410

You can feel it strong.

377

00:23:52,905 --> 00:23:53,385

There.

378

00:23:53,715 --> 00:23:56,895

And when you're out selling a

painting or two people look at

379

00:23:56,895 --> 00:23:59,415

that and you put a happy, yeah.

380

00:23:59,465 --> 00:24:00,275

Fucking his pocket.

381

00:24:03,245 --> 00:24:08,405

I had the little permanent red, permanent

red, just smallest little amount, just

382

00:24:08,405 --> 00:24:11,225

enough to spark it up a little bit.

383

00:24:14,350 --> 00:24:14,480

Okay.

384

00:24:14,710 --> 00:24:20,050

Now let's put up a little bit of

reflected color and I'll use the little

385

00:24:20,050 --> 00:24:22,240

blue little touch your Hawaiians.

386

00:24:22,760 --> 00:24:26,560

Go to the other side and just

give some, a little indication

387

00:24:26,560 --> 00:24:27,970

here of a little reflected light.

388

00:24:32,885 --> 00:24:35,135

Just let this wander and

I'm going up the tree.

389

00:24:35,554 --> 00:24:37,054

It was a little under his arm here.

390

00:24:39,215 --> 00:24:39,784

There we go.

391

00:24:42,034 --> 00:24:43,955

Needs a little reflected

light under his arm.

392

00:24:52,125 --> 00:24:56,385

And just let this camera down

a little flips, big flips.

393

00:24:57,165 --> 00:25:04,365

You got a big fence now back

into the black color and just

394

00:25:04,365 --> 00:25:05,175

that little roll of paint.

395

00:25:05,175 --> 00:25:09,465

And I'm just going to begin touching

and bring all this together and

396

00:25:09,465 --> 00:25:13,215

you just keep tapping, but in

this color, work back and forth.

397

00:25:14,790 --> 00:25:15,929

Until you get it the way you want.

398

00:25:15,929 --> 00:25:24,689

It is a fairy fairy effective way to

make a fantastic tree branch, less

399

00:25:24,689 --> 00:25:30,899

strong trunk, but it'll really, really

have texture to it when it's dry.

400

00:25:31,709 --> 00:25:33,480

It is spectacular.

401

00:25:33,510 --> 00:25:34,830

A little touch of light right there.

402

00:25:36,360 --> 00:25:36,840

There we go.

403

00:25:39,050 --> 00:25:39,439

Okay.

404

00:25:39,439 --> 00:25:41,929

Now we can take a little

grass on his foot.

405

00:25:43,560 --> 00:25:44,209

Just a little here.

406

00:25:49,639 --> 00:25:51,500

no, I think we've been

having a completed painting.

407

00:25:53,179 --> 00:25:54,350

Take a little bit of oil.

408

00:25:55,615 --> 00:25:58,825

Little color, sign it

and it'll be all done.

409

00:25:59,575 --> 00:26:00,985

I really hope you've enjoyed this one.

410

00:26:02,065 --> 00:26:06,145

The old clock on the wall tells me I got

to leave you, but I'll be back next week.

411

00:26:06,205 --> 00:26:07,945

So until then, happy painting.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 24, 2020

S05E02 - Twilight Meadow

Bob Ross's

The Joy of Painting

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