Bob Ross's

The Joy of Painting

S09E01 - Winter Evergreens

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Hello, I'm Bob Ross.

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And I'd like to welcome you to this,

our ninth joy of painting series.

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This is your first time with us.

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I hope you drag up your paints and a big

easel, and he'd come and paint with us.

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If you've been with us before.

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Welcome back.

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I'm certainly, certainly

glad to see you again.

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So I tell you what, let's have him run all

the colors across the screen that you need

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to do this painting with me and they'll

come across in exactly the same orders.

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I have them on the pallet, starting with

a titanium white and working around.

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While they're doing that.

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Let's go on up here and get started.

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Let me tell you what's happened already.

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I have an 18 by 24 inch canvas

up here and we've already covered

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it with a nice thin even coated.

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The liquid white, the liquid white

makes the canvas wet, makes it slick.

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It allows us to actually blend color

right here on the canvas instead of

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working yourself to death palette.

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So let's get started.

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We'll do a happy little painting.

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I thought today.

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Tell you why let's do a

beautiful little winter scene

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has a lot of warm colors in it.

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Thank you.

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Thank you.

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I really like it.

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I'm going to take off today with a little

bit of yellow ochre, little yellow ochre.

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And into that, a touch of bright

red and all you need is just

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a small amount of the rest.

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Very, very strong.

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It's very strong.

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Okay.

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Let me clean my knife.

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Well, that's use, we'll

use a two inch brush.

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I'm going to go right into this

and just tap it for gently.

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Tap it.

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Just get a little color on here.

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Let's go right back up here.

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Maybe we'll have a happy

little sun in this painting.

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So decide basically where

you want the sun to be.

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And I'm going to have mine right up here.

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It will start off and we'll

just make some, some little

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crisscross strokes, like, so.

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Just sort of blend it

out too about like that

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little crisscross, like, so there

you go there, maybe I have just

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the smallest amount of bread.

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I want it to be a little bit

brighter out here on the edges.

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We want this to be a very

warm little winter scene.

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Happy little scene.

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Sometimes winter scenes.

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Oh, they could become so cold

and comfortable to look at.

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So we'll put a little warrants

in this one, just like that.

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Okay.

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Now I'm going to wash the brush

and we wash our brushes with

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odorless paint thinner, and I really

recommend you owner and a spinner.

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You're going to be working by

yourself, shake the brush off.

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And that's the fun part of this technique.

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All right, I'm gonna go right

into some they little blue.

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We'll just tap the O two

into brush right in there.

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Reach right over here and grab a

little bit of that midnight black.

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So we have black and blue.

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Just mix them together on the brush.

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Let's go right back up here.

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Now start from the outside.

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Cause I want it to be darker

out here than it is up close to

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where the sun is going to be.

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And we're still using little crisscross

strokes and just begin working

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that right up to the color there.

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That's a pretty little sky already.

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A little more color, just blue and black

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and bring it right on the round.

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So we have sort of a vignette now, while

we have that color in the brush, I'm

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going to have one has some snow down here

and in the snow, we want some shadows.

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So while we have this blue and black.

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I'm just going to come right across here.

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Just lay a little touch of color

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already.

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We have a painting ready for

the museum of modern art.

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There we are.

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We can stop there

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and we'll get a clean, dry to integration.

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And I have several of them here, so I

don't have to wash them all the time.

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And right here with these

two colors come together.

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I want to blend this.

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So it's very soft, very gentle.

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They're like be brave,

just get in here and do it.

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Just blend those edges right out.

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So you can't tell where one color stops

and the next one starts like, so, and

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then blend out or as your brush gets

dirty, then go into the darker colors.

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If you don't want to take a dirty

brush and go into your light colors.

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Oh, you'll be, you'll

be an instant mud mixer.

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Then you'll be mad at me.

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Painting should make you happy.

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We stress that over and over.

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It really should make you happy.

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Should make you feel good.

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I'll wash this brush, shake

off the excess thinner

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and just beat the devil out of it.

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Okay.

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We said it was going to be a

sun in here, so let's use a

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finger real finger paint today.

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I'm just going to tap the

old finger right on there.

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Okay.

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Let's go up here, decide where your

son's going to be and just very firmly.

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Very firmly rubbed bed right in there.

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Okay.

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And you can do this several

times to get any degree of

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lightness that you wasn't there.

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I sprayed little sun.

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Yeah.

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Then if you tried just blending that

chances are, it would smear on you.

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So take your knife and very

gently, just go, had to make a

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little noise or it doesn't work.

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Now you can blend that the

value remains in the canvas.

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There we go.

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I think we got a happy little son.

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Tell you what, maybe, maybe

there's a little cloud, just

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sort of floating across there.

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I'll take a little black and a

little blue on the fan verse.

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We'll use the old fan brush.

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You don't want much color on there?

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Just a little.

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Okay, let's go back up here.

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Now, maybe this little cloud,

he lives right up here.

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He just sort of just sort of floats around

and this guy comes right across the sun.

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There, there he comes here.

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He is.

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There he is.

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And this is your little cloud.

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So wherever you want him,

that's where he should be.

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Wherever clouds are.

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One of the freest things in nature,

they just sort of float around

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in the sky and have a good time.

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There we go with a clean dry

brush, and this is three hairs

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and some air very lightly, very

lightly just blend this together.

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Isn't that fantastic.

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And that easy.

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You have a very nice warm little sky.

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All right.

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You know, I lived in Alaska

for over a dozen years.

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And I'm sort of partial to mountain.

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So I, I think we'll put a

happy little mountain in here.

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Now, if where you live, maybe you

don't have mountains and you don't

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want a mountain in your painting.

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You can certainly leave it out.

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That's no problem at all.

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Okay.

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I'm taking some dark Sienna and a

little bit of the van Dyke Brown

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and just mixing them together.

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Kay.

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Now pull it out very flat.

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It's very flat and cut across it.

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So you have that little

roll of paint on the knife.

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It's most important.

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And this knife has a straight edge,

so it's very easy to load Kings.

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Go right up here.

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Now decide where you

want the mountain to be.

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Maybe we'll have a happy little

mountain that lives right there,

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and our mountains are happy.

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We have happy little mountains.

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There we go.

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And I'm really, really pushing

this color into the canvas.

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Try to push it right through the fabric.

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It get tough with it.

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Take a strong pill.

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This part of the mountain

goes on very firm.

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And all we're looking for is

this nice top edge up here.

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We could care less.

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What's happening in here.

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Oh, we're looking for is a nice edge.

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Okay.

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There we go.

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Okay.

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That gives us a basic shape to work with.

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And we'll just take a two engine

brush, grab this and pull it, pull it.

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See this canvas is wit has the liquid

white on it so you can move color.

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Hmm.

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And when you're painting mountains,

if you painted with me before, you've

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certainly heard me say this over and over.

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If you can see the entire mountains,

the top of the mountain is always more

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distinct than the bottom of the mountain.

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So by pulling it down and allowing

it to mix with the liquid way that

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happens automatically, and I'm a lazy

painter, I look for the easy way to do.

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Thanks.

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Okay.

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Let's have some fun now.

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Let's go up here and we'll take a

little bit of this blue and black.

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And to that, I'm going to add touch

of white, touch white, please.

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That'll be our shadow color.

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And then we'll just use, we'll

just use some titanium white here.

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We'll put a little bit of snow out on

the mountain, cut across and get that

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small roll of paint on the knife again.

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Very important.

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Let's go right up here.

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All right.

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Let's just have a little light

plane right through there at this.

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This is the most delicate

touch imaginable.

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Pretend you're a whisper

floating through here.

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Very gentle, very light caress,

the canvas it's so gentle.

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I get so many letters from painters

all over the country saying

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my snow doesn't want to break.

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And by break, I mean, it has

all those little holes in it.

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99 times out of a hundred.

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The problem is that you're

applying too much pressure.

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Oh, you're using a paint.

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It's too soft or combination of both the

paint we use here is extremely firm and

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there's no pressure, no pressure at all.

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But this, at this stage, when you're

putting the base coat of the mountain on

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you, you're really strong, really push

it in, but here you just let it caress.

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Yeah, a little bit of shadow

color just here and there.

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But notice the angles.

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This is going into opposing

or opposite angles.

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This is one of the simplest type, a little

mountains to make very easy and it works,

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works so well see here now maybe we want

to bring those together and you can do it.

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Can do it that easy and easy.

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Just make all kinds of

happy, little things.

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The ridges.

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And if you're a skier, you know,

you want to put all those little

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places in, so you can go and ski.

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Okay.

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That gives us a happy little mountain.

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Now we want to create some mist

at the bottom of this mountain.

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So with a clean, dry two inch

brush, I'm going to begin tapping,

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being very careful to follow the

angles that are in that mountain.

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Very careful over here,

we'll go in this direction.

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Then lift up.

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We're still following those angles.

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That's most important.

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You can destroy your mountain

here by changing the angles,

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but don't want to do that.

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Like a task that easy.

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We've got a happy little mountain.

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Okay.

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He will have a little

footy Hill back here.

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And for that, I'm going to take

some black, a little touch of blue,

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little touch of blue and some white.

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So we have black, blue and white,

maybe a little bit more of the white.

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I want to lighten that up a

little bit out, like, yep.

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Good.

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Okay.

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Let me clean the knife off.

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Hey, we'll grab her.

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Who grab a fan brush.

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We'll do it with a fan verse

today, loaded for just really

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load a lot of color in there.

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It's black boots, blue and titanium white.

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Okay.

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Let's go back up here.

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Decide where your little foothills live

here and just sort of touch and begin.

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Just painting in some happy little shapes.

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I have to sort of make big decisions.

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This is your world on

this piece of canvas.

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And then when you create your own

world, you have to make those decisions.

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Where does these little footie Hills live?

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They got bumps on them.

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They go up down, where are they?

257

00:12:52,830 --> 00:12:53,490

Where are they?

258

00:12:53,550 --> 00:12:56,790

Painting gives you tremendous

amounts of power on this canvas.

259

00:12:57,600 --> 00:13:00,030

And you have to use it, make decisions.

260

00:13:01,290 --> 00:13:01,620

Okay.

261

00:13:03,735 --> 00:13:05,385

I want to create some

missed the bottom of these.

262

00:13:05,385 --> 00:13:13,005

So with a clean, dry two

inch brush, tap, tap black.

263

00:13:13,005 --> 00:13:13,275

264

00:13:16,755 --> 00:13:20,865

that creates the illusion of mist

and then come back and lift upward,

265

00:13:21,255 --> 00:13:23,985

very short, little strokes, and

it'll make it look like little trees.

266

00:13:23,985 --> 00:13:27,225

We back in the distance are far away.

267

00:13:29,205 --> 00:13:31,575

No, I'm gonna take that same color.

268

00:13:32,725 --> 00:13:35,355

We're going to add a touch

of a lizard Crimson to it.

269

00:13:35,355 --> 00:13:36,585

Load the brush the same way.

270

00:13:37,215 --> 00:13:38,475

I'm just going to add a little Crimson.

271

00:13:38,685 --> 00:13:41,025

So it has a slight purple issue.

272

00:13:41,565 --> 00:13:43,665

Can you just go back up here, maybe?

273

00:13:44,085 --> 00:13:44,295

Yep.

274

00:13:45,165 --> 00:13:45,345

Yep.

275

00:13:45,375 --> 00:13:47,625

We're going to have another

little roller foothills there.

276

00:13:48,585 --> 00:13:50,925

And you can put these on with

a one inch brush or two inch

277

00:13:50,925 --> 00:13:53,535

brush, whatever, whatever.

278

00:13:53,805 --> 00:13:55,995

I'm just had a dirty fan brush.

279

00:13:55,995 --> 00:14:02,175

I thought I'd use it,

fold it down once again.

280

00:14:03,405 --> 00:14:04,935

I want to create that illusion of a mist.

281

00:14:04,995 --> 00:14:09,525

So the two-inch brush, all

we're doing is just tapping.

282

00:14:16,155 --> 00:14:16,814

Champ champ.

283

00:14:16,845 --> 00:14:21,465

We lifted that bird and then

sometimes you'd like to play some

284

00:14:21,465 --> 00:14:25,725

games and maybe I could look like as

a little light plant through here.

285

00:14:25,725 --> 00:14:30,944

So I'll take just a little white on the

brush and just barely touch right here.

286

00:14:31,275 --> 00:14:33,735

Just maybe there's a little

light playing through here.

287

00:14:35,625 --> 00:14:37,665

I can't just tell a

little bit don't overdo.

288

00:14:37,814 --> 00:14:38,505

Don't overdo.

289

00:14:39,165 --> 00:14:40,725

It's easy to overkill here.

290

00:14:42,915 --> 00:14:43,935

And then very lightly.

291

00:14:44,175 --> 00:14:46,665

We'll just tap all that crease soft.

292

00:14:48,525 --> 00:14:52,065

See if it makes it look like it's a

little bit, a happy little sunshine

293

00:14:52,065 --> 00:14:53,805

plan through there on this last.

294

00:14:53,805 --> 00:14:54,075

Cool.

295

00:14:55,365 --> 00:14:55,845

There we go.

296

00:14:56,895 --> 00:14:57,555

Okay.

297

00:14:58,515 --> 00:15:03,705

Now then, maybe back in here, there's

some snow, let's have some fun.

298

00:15:04,665 --> 00:15:06,225

We'll go into the titanium.

299

00:15:06,225 --> 00:15:09,525

White used the old fan brush.

300

00:15:10,455 --> 00:15:10,725

Touch.

301

00:15:10,725 --> 00:15:15,255

If they look blue into that titanium

white and fellow blue, they will

302

00:15:15,255 --> 00:15:20,025

blues a beautiful blue color,

bright blue right up in here.

303

00:15:20,745 --> 00:15:23,565

Now that here's where you begin

determining the lay of the land.

304

00:15:23,565 --> 00:15:26,355

If you've got little Hills and

valleys, this is where you do it.

305

00:15:26,925 --> 00:15:32,985

Kim let's go right in here and touch and

make a happy little Hill right there.

306

00:15:33,195 --> 00:15:34,945

That easy, easy.

307

00:15:37,005 --> 00:15:37,425

See there.

308

00:15:38,355 --> 00:15:39,345

We got a little Hill.

309

00:15:40,275 --> 00:15:42,795

And maybe there's another

Hill lives right here.

310

00:15:42,944 --> 00:15:44,564

I've just added a little more white

311

00:15:47,625 --> 00:15:51,795

and that easy, that easy, you can

create all kinds of little Hills

312

00:15:51,795 --> 00:15:56,685

and valleys pay particular attention

to the lay of the land though.

313

00:15:58,454 --> 00:15:58,995

Look at that.

314

00:15:59,055 --> 00:15:59,355

Just.

315

00:16:00,480 --> 00:16:01,620

Hill after Hill.

316

00:16:03,090 --> 00:16:05,010

And this is where I'd ski right down here.

317

00:16:06,690 --> 00:16:08,370

I leave this up here for the experts.

318

00:16:09,510 --> 00:16:10,490

I fall down a lot.

319

00:16:12,330 --> 00:16:12,480

Okay.

320

00:16:12,510 --> 00:16:13,320

Three left feet.

321

00:16:14,100 --> 00:16:14,670

There we go.

322

00:16:17,880 --> 00:16:18,300

All right.

323

00:16:18,300 --> 00:16:20,670

Now, will we need a, we need a tree.

324

00:16:21,270 --> 00:16:21,810

I'm gonna make a.

325

00:16:22,710 --> 00:16:24,480

Let's make a happy little evergreen here.

326

00:16:25,410 --> 00:16:29,819

I'm going to take some black,

some black, some Prussian blue

327

00:16:29,850 --> 00:16:32,120

Prussian blue is very strong.

328

00:16:32,150 --> 00:16:32,910

Be careful with it.

329

00:16:34,260 --> 00:16:38,160

So we have black pression and blue

and put some Vandyke Brown in there.

330

00:16:39,120 --> 00:16:41,340

Shoot, we'll even throw

some alizarin Crimson yet.

331

00:16:41,730 --> 00:16:45,689

You're just looking for

a very dark color there.

332

00:16:45,930 --> 00:16:46,200

Okay.

333

00:16:46,230 --> 00:16:47,130

Let me clean off from it.

334

00:16:47,220 --> 00:16:47,460

All right.

335

00:16:50,370 --> 00:16:55,470

No, I just use the old fan

brush loaded, full of color.

336

00:16:55,980 --> 00:16:57,870

A lot of color can just go right up here.

337

00:16:58,590 --> 00:16:59,940

Now you got to make some decisions.

338

00:17:00,030 --> 00:17:00,990

Where does the trees live?

339

00:17:00,990 --> 00:17:07,650

I think there's a tree there is now

right here and use just the corner of

340

00:17:07,650 --> 00:17:10,050

a fan brush, work it back and forth.

341

00:17:10,350 --> 00:17:13,890

I had a lady in class one time

and she called these Z trees.

342

00:17:14,910 --> 00:17:16,200

Maybe that's a good analogy.

343

00:17:16,200 --> 00:17:19,260

Just think of making Zs

while you just like Zorro.

344

00:17:21,980 --> 00:17:22,520

Look at that.

345

00:17:22,640 --> 00:17:24,440

It was trees live right in this brush.

346

00:17:25,280 --> 00:17:32,590

All you have to do is sort of scare them

out, shake them a little bit like, so like

347

00:17:32,590 --> 00:17:37,880

so back and forth and you put as many or

as few trees in your world as you want.

348

00:17:38,750 --> 00:17:40,670

Now, sometimes it's fun

to play some games here.

349

00:17:40,670 --> 00:17:41,960

I'm going to go to another fan brush.

350

00:17:42,375 --> 00:17:47,175

And back to that lavender color

ahead, back to the lavender color.

351

00:17:47,835 --> 00:17:48,195

Okay.

352

00:17:48,515 --> 00:17:49,415

Let's go right up in here.

353

00:17:49,835 --> 00:17:55,055

Maybe there's some trees that live far

away and as things get closer to you in

354

00:17:55,055 --> 00:17:56,915

the landscape, they get darker and value.

355

00:17:56,915 --> 00:18:00,455

So back here, if you want to make

the indication of trees that live, we

356

00:18:00,455 --> 00:18:07,295

back just use a lighter color or say,

maybe he's got a happy little friend.

357

00:18:08,805 --> 00:18:09,675

That's right there.

358

00:18:10,455 --> 00:18:13,485

So you put as many trees or as

few in your world as you want.

359

00:18:14,895 --> 00:18:19,145

It's up to you just want to show you

how to make a tree and you decide

360

00:18:19,145 --> 00:18:20,435

how many trees live in your world.

361

00:18:21,245 --> 00:18:21,485

Okay.

362

00:18:21,845 --> 00:18:23,285

Maybe let's do it over here too.

363

00:18:23,345 --> 00:18:24,545

I want some trees on this side.

364

00:18:25,895 --> 00:18:27,965

We have this lavender looking color going.

365

00:18:30,245 --> 00:18:35,825

Let me just drop in indication of

happy little tree there and there.

366

00:18:38,145 --> 00:18:38,895

There we go.

367

00:18:41,835 --> 00:18:45,135

All right, now we'll go back to our brush.

368

00:18:45,135 --> 00:18:50,355

It has a dark color and yup.

369

00:18:50,685 --> 00:18:50,955

Yup.

370

00:18:51,135 --> 00:18:51,375

Yup.

371

00:18:51,465 --> 00:18:57,014

I'm going to put a tree now, this old

tree, when he was just a little baby, we

372

00:18:57,025 --> 00:19:00,345

be a big deer came by or stepped on even.

373

00:19:01,485 --> 00:19:02,325

Hurt him a little bit.

374

00:19:03,885 --> 00:19:10,395

So he sort of backed, I think, I think

personally landscapes look better.

375

00:19:10,935 --> 00:19:14,565

If all the trees aren't perfectly

straight, it's terrible to think

376

00:19:14,565 --> 00:19:19,004

that every tree is just a future

telephone pole, put some shape in

377

00:19:19,004 --> 00:19:24,135

your trees, let them let them bend

and Oh, and just, just have fun.

378

00:19:26,340 --> 00:19:27,120

There we go.

379

00:19:27,510 --> 00:19:28,470

There we go.

380

00:19:35,880 --> 00:19:40,620

Now this could be done with two inch

brush or one inch brush works very nicely.

381

00:19:40,620 --> 00:19:41,040

Also.

382

00:19:41,610 --> 00:19:42,180

No problem.

383

00:19:44,400 --> 00:19:44,790

Okay.

384

00:19:46,980 --> 00:19:49,620

Maybe we'll put another happy

little tree right there.

385

00:19:50,330 --> 00:19:51,980

I like to do these evergreen trees.

386

00:19:52,860 --> 00:19:54,920

My home in Alaska, there

was a lot of evergreens.

387

00:19:54,920 --> 00:19:56,210

I had one in my front yard.

388

00:19:57,290 --> 00:19:59,570

Gosh, it must've been 60 to 70 feet tall.

389

00:20:00,830 --> 00:20:03,110

And the ptarmigan used to

set up their time against a

390

00:20:03,530 --> 00:20:04,880

beautiful bird in the wintertime.

391

00:20:04,880 --> 00:20:07,400

He turns white and he's so pretty.

392

00:20:09,110 --> 00:20:09,680

So pretty.

393

00:20:09,680 --> 00:20:11,150

I think he's in the grouse family.

394

00:20:12,735 --> 00:20:16,274

Beautiful bird Laska is the only

place I've ever seen him, but I'm sure

395

00:20:16,274 --> 00:20:20,685

there other places they're nothing.

396

00:20:20,685 --> 00:20:22,965

That's pretty could be just in one place.

397

00:20:26,324 --> 00:20:27,195

There we go.

398

00:20:28,605 --> 00:20:29,235

Dark color.

399

00:20:29,294 --> 00:20:30,824

We're looking for contrast here.

400

00:20:34,064 --> 00:20:35,175

Let's put one right here, too.

401

00:20:35,235 --> 00:20:35,925

What the heck?

402

00:20:40,785 --> 00:20:44,115

This will give you a lot of practice,

making some happy to labor greens

403

00:20:50,805 --> 00:20:52,605

and down in here, you could care less.

404

00:20:52,845 --> 00:20:54,315

You separate these, but highlights.

405

00:20:54,315 --> 00:20:55,725

We're going to come

back and highlight this.

406

00:20:56,805 --> 00:20:59,115

So right now, all we're

looking for is color.

407

00:20:59,295 --> 00:21:00,495

Just color on here.

408

00:21:02,835 --> 00:21:03,465

That's awesome.

409

00:21:06,135 --> 00:21:08,355

All right, man.

410

00:21:08,955 --> 00:21:11,115

We need some trunks in there

to hold up these little tree.

411

00:21:11,125 --> 00:21:14,865

So I use some of the dark

Sienna, a little bit of white.

412

00:21:16,695 --> 00:21:17,025

Okay.

413

00:21:17,085 --> 00:21:19,125

Cut us off a tiny little roller paint.

414

00:21:19,155 --> 00:21:22,545

Let's go back up here and we'll

come right up through here

415

00:21:23,955 --> 00:21:25,215

and just touch here and there.

416

00:21:25,980 --> 00:21:27,720

You're not going to see the entire trunk.

417

00:21:27,750 --> 00:21:28,830

You're just going to see parts.

418

00:21:28,880 --> 00:21:29,120

I love it.

419

00:21:29,120 --> 00:21:29,960

So don't worry about it.

420

00:21:30,140 --> 00:21:33,020

Don't worry about it, joy.

421

00:21:33,410 --> 00:21:33,650

Okay.

422

00:21:35,180 --> 00:21:37,640

And sometimes you can see the

indication of little trunks

423

00:21:37,880 --> 00:21:38,900

that are hid back in there.

424

00:21:43,010 --> 00:21:43,100

Okay.

425

00:21:44,000 --> 00:21:45,290

Let's go on the other side over here.

426

00:21:46,280 --> 00:21:48,200

We don't want these little

trees to be left out.

427

00:21:49,970 --> 00:21:51,140

They get upset if you don't.

428

00:21:51,440 --> 00:21:52,640

Don't give him a trunk too.

429

00:21:53,990 --> 00:21:54,080

Okay.

430

00:21:55,320 --> 00:21:56,550

Don't want his feelings hurt.

431

00:21:57,750 --> 00:21:58,979

These are happy little trees.

432

00:21:59,399 --> 00:22:02,520

They can take just the point of

the knife and scratch Gretchen

433

00:22:02,520 --> 00:22:03,659

a few little dead limbs.

434

00:22:03,840 --> 00:22:05,699

Evergreens always have dead limbs on him.

435

00:22:07,370 --> 00:22:07,969

Okay.

436

00:22:08,060 --> 00:22:10,909

I'm gonna go right into some liquid

white cause I'm looking for a paint

437

00:22:10,909 --> 00:22:17,270

us a little thinner titanium, white

and a little bit of a low blue.

438

00:22:19,219 --> 00:22:19,639

Okay.

439

00:22:20,659 --> 00:22:20,989

Now that.

440

00:22:21,705 --> 00:22:22,575

Let's put some highlight.

441

00:22:22,605 --> 00:22:23,685

Here's your light source.

442

00:22:24,015 --> 00:22:28,785

So over here, the left side of the tree is

going to be brighter than the right side.

443

00:22:29,745 --> 00:22:34,205

Just drop in highlights, like so

dark, dark, dark, as it goes down.

444

00:22:35,345 --> 00:22:39,785

Now this is a thinner paint, so it sticks

on top of here without any problem.

445

00:22:40,415 --> 00:22:45,425

If your paint won't stick, make

it a little bit thinner and then

446

00:22:45,425 --> 00:22:46,595

you'll find it works better.

447

00:22:48,975 --> 00:22:50,085

One of our golden rules.

448

00:22:50,085 --> 00:22:53,294

If this is your first time

with us, is that a thin paint

449

00:22:53,655 --> 00:22:54,794

will stick to a thick paint.

450

00:22:54,824 --> 00:22:59,955

So we start off with a thickest paint we

can find, and then each layer gets thinner

451

00:23:00,044 --> 00:23:01,425

and that's what makes all this work.

452

00:23:01,455 --> 00:23:02,564

There's no big secret to it.

453

00:23:04,445 --> 00:23:05,014

There we go.

454

00:23:06,995 --> 00:23:09,695

Just some indication of a few

little highlights here and there.

455

00:23:10,115 --> 00:23:11,165

The darker, darker dark.

456

00:23:13,574 --> 00:23:14,254

Here it is.

457

00:23:16,774 --> 00:23:17,074

And then.

458

00:23:17,639 --> 00:23:21,030

It gets down in here, more shadows,

darker and darker and darker.

459

00:23:24,389 --> 00:23:24,840

Okay.

460

00:23:30,149 --> 00:23:34,500

Madam right into some white,

a little bit of the blue.

461

00:23:36,600 --> 00:23:42,690

And let's start right in here and we'll

put another happy little Hill allowed

462

00:23:42,690 --> 00:23:44,040

to pick up some of this dark color.

463

00:23:44,070 --> 00:23:45,330

And that's the com shadows.

464

00:23:46,770 --> 00:23:48,090

Say they're that easy?

465

00:23:49,710 --> 00:23:51,510

Just creature shadows all at once.

466

00:23:53,340 --> 00:23:53,640

Okay.

467

00:23:53,640 --> 00:23:56,280

Now maybe there's some little grassy

things that go right in there.

468

00:23:56,280 --> 00:23:56,880

There they are.

469

00:23:57,480 --> 00:24:04,890

You can just push them

in like, so none of that.

470

00:24:05,010 --> 00:24:05,460

No.

471

00:24:05,460 --> 00:24:09,030

Then over here, let's go

right over on this side.

472

00:24:09,420 --> 00:24:10,230

Here's another little.

473

00:24:10,575 --> 00:24:11,055

Plane.

474

00:24:11,235 --> 00:24:14,535

So each one of these little Hills, you

may create a different plane in your

475

00:24:14,535 --> 00:24:19,305

painting and helps it really helps

create the illusion of depth distance.

476

00:24:20,655 --> 00:24:21,315

There we go.

477

00:24:22,785 --> 00:24:26,415

And once again that it pickups on

this dark color, you pull it down.

478

00:24:27,465 --> 00:24:30,375

Look at that, follow the lay of the land.

479

00:24:31,815 --> 00:24:33,855

That's very important at this time.

480

00:24:34,245 --> 00:24:34,995

Very important.

481

00:24:36,705 --> 00:24:37,005

Okay.

482

00:24:37,095 --> 00:24:38,895

I had a little touch of a liquid white.

483

00:24:40,860 --> 00:24:42,120

Thinner paint once again.

484

00:24:42,210 --> 00:24:46,470

See, I can pull that up and make all

kinds of happy little things happen here.

485

00:24:46,470 --> 00:24:47,429

I'm just pushing upward.

486

00:24:48,240 --> 00:24:49,439

Give it a little upward pole.

487

00:24:51,300 --> 00:24:53,159

Just make all kinds of pretty things.

488

00:24:58,439 --> 00:25:03,419

I like these little winter seats now

I'm just sort of working back and

489

00:25:03,419 --> 00:25:06,629

forth with the blues and the whites.

490

00:25:09,000 --> 00:25:13,710

Tell you, what if you pay with me

before, you know, I'm a water fanatic,

491

00:25:13,890 --> 00:25:15,510

so let's have some water in this.

492

00:25:16,020 --> 00:25:17,040

I like water.

493

00:25:17,580 --> 00:25:23,700

So I'm just going to tap the brush into

tiny bit of the fellow blue little black.

494

00:25:25,060 --> 00:25:25,350

Thanks.

495

00:25:25,350 --> 00:25:26,160

Go right back up here.

496

00:25:26,400 --> 00:25:28,560

Make a decision water lives right here.

497

00:25:28,770 --> 00:25:29,250

There it is.

498

00:25:29,520 --> 00:25:30,030

There it is.

499

00:25:30,630 --> 00:25:31,170

That easy.

500

00:25:32,520 --> 00:25:38,310

That easy, just pull it down straight

down is sure these lines come straight

501

00:25:38,310 --> 00:25:43,500

down and then very lightly go across

and that'll create the illusion of

502

00:25:43,500 --> 00:25:46,170

water that easy and they will take

it right off the end of the canvas.

503

00:25:46,170 --> 00:25:46,620

There you go.

504

00:25:48,000 --> 00:25:50,250

That's just a happy little

pond that lives out there.

505

00:25:51,990 --> 00:25:54,300

I'm going to take a little

bit of this dark color.

506

00:25:55,680 --> 00:25:57,120

Maybe there's a stone right here.

507

00:25:58,080 --> 00:26:04,440

So we'll put the stone on their

lives, a little stone right there.

508

00:26:05,940 --> 00:26:06,080

Right?

509

00:26:06,080 --> 00:26:09,360

He's got a little friend named Harold.

510

00:26:09,450 --> 00:26:10,110

This is Harold.

511

00:26:10,110 --> 00:26:15,690

The stone right here will reflect

a little bit of that down in here.

512

00:26:17,100 --> 00:26:22,620

Take our two inch brush, pull that

down, come across now, then her fan

513

00:26:22,620 --> 00:26:25,290

breast that has the, the white on it.

514

00:26:26,010 --> 00:26:28,320

And as I say, I have several of

each brush going here, so I don't

515

00:26:28,320 --> 00:26:29,760

have to wash them between each time.

516

00:26:31,080 --> 00:26:31,320

Yeah.

517

00:26:32,040 --> 00:26:35,909

Let's put a little bit of

snow right up on that rock.

518

00:26:36,060 --> 00:26:36,659

Is that easy?

519

00:26:46,760 --> 00:26:49,040

just a little bit there now.

520

00:26:49,129 --> 00:26:51,409

We'll take some liquid white

on the knife, pull it out.

521

00:26:51,409 --> 00:26:52,909

Very flat, cut across it.

522

00:26:53,860 --> 00:26:57,390

We just put a little water line,

little bit of snow laying right here.

523

00:26:59,370 --> 00:27:09,570

Just like, so there, and then a nice

little, little snow scene and it's easy.

524

00:27:09,600 --> 00:27:10,260

You can do it.

525

00:27:10,680 --> 00:27:12,480

They'll get a slow lane

right up through there.

526

00:27:13,920 --> 00:27:16,080

I think we have a painting

it's ready for a signature.

527

00:27:16,350 --> 00:27:18,990

I'm going to dip my brush right into

a little bit of the liquid clear.

528

00:27:20,010 --> 00:27:22,350

Bring it to a nice sharp

point West side it right here.

529

00:27:23,070 --> 00:27:24,479

I hope you've enjoyed this painting.

530

00:27:24,629 --> 00:27:25,530

It's a lot of fun.

531

00:27:26,550 --> 00:27:28,530

And I look forward to

seeing you again next time.

532

00:27:30,000 --> 00:27:32,820

So from all of us here, I'd

like to wish you happy painting.

533

00:27:33,389 --> 00:27:33,989

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Monday, December 28, 2020

S09E01 - Winter Evergreens

Bob Ross's

The Joy of Painting

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